[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F73153:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":11,"birthday":12,"deathday":13,"gender":14,"homepage":15,"id":16,"imdb_id":17,"known_for_department":18,"name":19,"place_of_birth":20,"popularity":21,"profile_path":22,"combined_credits":23,"images":783},false,[6,7,8,9,10],"ジャック・リヴェット","雅克·里维特","자크 리베트","자끄 리베트","자끄 리베뜨","Jacques Rivette (March 1, 1928 - January 29, 2016) was a French film director. With Jean-Luc Godard, Jacques Rivette was one of the more experimental of the French New Wave (nouvelle vague) directors. In common with many of his peers, he had a background in film criticism, where he expressed his admiration for popular American cinema, especially genre directors such as Robert Aldrich, Howard Hawks and Frank Tashlin. 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In the course of their conversations, the two speakers discuss Rivette’s career, his relationships with the other film makers of the new wave, his use of “mise en scene” and his working with actors.",1.477,"\u002FlOVSji5ykXUp9sG5h9EqPIoW9BA.jpg","1990-02-24",6.6,5,"Self - Director","52fe4c3ac3a368484e1adc53",{"adult":4,"backdrop_path":15,"genre_ids":72,"id":73,"title":74,"original_language":32,"original_title":74,"overview":75,"popularity":76,"poster_path":15,"release_date":77,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":78,"credit_id":79,"order":80,"media_type":43},[46],981849,"Festivals 66 Cinéma 67","Wanderings during the Cannes and Hyères 1966 festivals. Interviews with Louise de Vilmorin, Jean-Luc Godard, Robert Bresson, Jacques Rivette, Jean-Louis Comolli, François Truffaut. 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However, he soon convinces her of his innocence in that regard, and the two together begin a search for the ringleader.",1.3001,"\u002FhryRflGY457W0jakA4HD0ilS54r.jpg","1982-03-03",5.3,7,"Marcel Jaucourt","5663795ac3a3682bd20057c1",{"adult":4,"backdrop_path":15,"genre_ids":118,"id":119,"title":120,"original_language":32,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":78,"credit_id":126,"order":14,"media_type":43},[46],1287329,"Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited","Le Cinéma en jeu: L'Amour fou de Jacques Rivette revisité","New interviews with star Jean-Pierre Kalfon; writer\u002Fdirector and Rivette collaborator Pascal Bonitzer; Rivette biographer Antoine de Baecque; critic\u002Fhistorian Sylvie Pierre; and archival footage of Jacques Rivette.",1.0404,"\u002FrXM6iI1aGE83Dv5MoN6WIH7Dqv3.jpg","2024-04-02","663bf5a84260179eb95855e7",{"adult":4,"backdrop_path":15,"genre_ids":128,"id":129,"title":130,"original_language":32,"original_title":130,"overview":131,"popularity":132,"poster_path":133,"release_date":134,"softcore":4,"video":4,"vote_average":135,"vote_count":136,"character":55,"credit_id":137,"order":54,"media_type":43},[46],396434,"Jean Renoir, le patron, 1re partie: La recherche du relatif","The first of three documentaries by Rivette on Jean Renoir.",1.1339,"\u002Fpi1CsghHpqciMjzzFxmWb12pnAK.jpg","1967-01-18",8.3,3,"663db5ba86e5454682024abc",{"adult":4,"backdrop_path":15,"genre_ids":139,"id":140,"title":141,"original_language":32,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":4,"video":4,"vote_average":89,"vote_count":80,"character":55,"credit_id":146,"order":14,"media_type":43},[46],396436,"Jean Renoir, le patron, 2e partie: La direction d'acteur","Second in the documentary trilogy from mastermind Jacques Rivette, featuring a conversation between Jean Renoir and Michel Simon, who celebrate their reunion by discussing, among other things,  La Chienne (1931) and Boudu Saved from Drowning  (1932).",1.2611,"\u002F9YXOmGa3XuiMNjyGAQoX1woz1wZ.jpg","1967-01-22","6641ba50a6103a69ebe587ea",{"adult":4,"backdrop_path":15,"genre_ids":148,"id":149,"title":150,"original_language":32,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":155,"credit_id":156,"order":53,"media_type":43},[46],464669,"Jean Renoir parle de son art","Three-part interview with French film director Jean Renoir, conducted by French New Wave director Jacques Rivette.",1.2452,"\u002Fa8mHD9f5Gqbp54noeyMzJWDGvL8.jpg","1961-11-11","Interviewer","595c753ac3a368293b06ca28",{"adult":4,"backdrop_path":158,"genre_ids":159,"id":163,"title":164,"original_language":32,"original_title":165,"overview":166,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":170,"vote_count":171,"character":172,"credit_id":173,"order":174,"media_type":43},"\u002FsteRCdAxHFG76heySmXVbl5YEK0.jpg",[160,29,161,28,162],9648,35,10402,65040,"Up, Down, Fragile","Haut bas fragile","A librarian, a gangster's ex-lover, and a woman who has recovered from a coma spend an eye-opening summer in Paris.",1.4666,"\u002FuZcl4D6aIpGH85Qw1PXIKlGLfqZ.jpg","1995-04-12",7.2,28,"Man at Crepe\u002FHot Dog Stand","5a7637f492514105a60397d6",14,{"adult":4,"backdrop_path":176,"genre_ids":177,"id":179,"title":180,"original_language":32,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":4,"video":4,"vote_average":170,"vote_count":29,"character":185,"credit_id":186,"order":187,"media_type":43},"\u002Ft1F9EzcmpT4K0PMyq06UX2Lv2P8.jpg",[160,29,178],80,162514,"Merry-Go-Round","New Yorker Ben Phillips and mysterious Léo Hoffmann are strangers who are summoned to Paris by a mutual acquaintance.  Upon arrival, they meet and soon find themselves tangled in a complex mystery.",1.4521,"\u002Ffrtob9k7ZK7uvezhXVZ8fc4hjPC.jpg","1981-10-08","Man entering car (cameo)","5a9c4ea00e0a2605e403c52d",19,{"adult":4,"backdrop_path":15,"genre_ids":189,"id":190,"title":191,"original_language":32,"original_title":191,"overview":97,"popularity":192,"poster_path":15,"release_date":193,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":78,"credit_id":194,"order":54,"media_type":43},[46],666319,"Conversation entre Jean-Luc Godard et Jacques Rivette",1.103,"2017-07-07","5e506435a93d25001a46b2c2",{"adult":4,"backdrop_path":15,"genre_ids":196,"id":197,"title":198,"original_language":32,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":14,"character":19,"credit_id":205,"order":54,"media_type":43},[46],632292,"Rome Is Burning: Portrait of Shirley Clarke","Rome brûle","Documentary about filmmaker Shirley Clarke which originally aired on the French television series “Cinéastes de notre temps”.",0.9572,"\u002FjNRGT9fyu6gdKzvojd7ZFzESwUD.jpg","1970-10-04",7.5,"5e83ecc65aba320016e3c19f",{"adult":4,"backdrop_path":207,"genre_ids":208,"id":209,"title":210,"original_language":32,"original_title":211,"overview":212,"popularity":213,"poster_path":214,"release_date":215,"softcore":4,"video":4,"vote_average":89,"vote_count":216,"character":217,"credit_id":218,"order":219,"media_type":43},"\u002FbzuEDByhWkNcA53SaaIgBp6O91Z.jpg",[46],128779,"The Lovely Month of May","Le Joli Mai","Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.",2.0783,"\u002F6IzgPTaENPpg3b7wexti3RmMBK0.jpg","1963-05-03",42,"Self (uncredited)","5ee167824c1bb0001ea36f54",6,{"adult":4,"backdrop_path":221,"genre_ids":222,"id":223,"title":224,"original_language":32,"original_title":225,"overview":226,"popularity":227,"poster_path":228,"release_date":229,"softcore":4,"video":4,"vote_average":67,"vote_count":230,"character":231,"credit_id":232,"order":89,"media_type":43},"\u002Fd2QwC8TydbA36zXpyJlg4aORAtL.jpg",[161,29],49701,"Fool’s Mate","Le Coup du berger","Claire is a chic young Parisian woman married to a somewhat older husband, Jean. Claire meets her lover, Claude, at his apartment, where he gifts her a fur coat. Now Claire needs to figure out how to return home with this expensive gift without the affair being found out.",1.894,"\u002F4vsReHIaZES7RgYPuAYNktTEwMF.jpg","1956-11-01",33,"Narrator (uncredited)","60bae46f93828e007034d78d",{"adult":4,"backdrop_path":234,"genre_ids":235,"id":236,"title":237,"original_language":32,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":67,"vote_count":243,"character":244,"credit_id":245,"order":246,"media_type":43},"\u002FbiJMHfwb1yaH2W9OwIt3n6RtVbS.jpg",[160,29,105],43026,"Paris Belongs to Us","Paris nous appartient","A young woman joins a theatrical troupe where she slowly believes that the director is involved with a secret group and that he is in grave danger.",2.2464,"\u002F6d5k00vjGDjDn3g7znRoJYCALen.jpg","1961-12-13",82,"A man at the party (uncredited)","67051941222ead1edac00c6b",22,{"adult":4,"backdrop_path":248,"genre_ids":249,"id":250,"title":251,"original_language":32,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":4,"video":4,"vote_average":257,"vote_count":258,"character":78,"credit_id":259,"order":187,"media_type":43},"\u002FuonotYnbDrHXcMFA1AbembrrQ8N.jpg",[29,46],48336,"Lumière & Company","Lumière et Compagnie","40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.",2.1816,"\u002FbSQ394UJb2xjMfwucHiHxg8XR5f.jpg","1995-12-20",6.4,74,"693b3fba6d8c3ba6bf3608dd",{"adult":4,"backdrop_path":15,"genre_ids":261,"id":262,"title":263,"original_language":32,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":4,"video":4,"vote_average":53,"vote_count":53,"character":268,"credit_id":269,"order":53,"media_type":43},[46],1623817,"Die Geheimnisse von Paris","A twenty-minute short documentary produced in 1972 about Jacques Rivette’s “Out 1”, featuring Éric Rohmer, Jacques Doniol-Valcroze, Michel Delahaye, and Jacques Rivette.",1.5015,"\u002FnmtsvqWX8h6ppIvw74ffIFsNGze.jpg","2012-01-01","Himself","6978cbb2d10fefac4f1a1a1d",{"adult":4,"backdrop_path":271,"genre_ids":272,"id":275,"title":276,"original_language":32,"original_title":277,"overview":278,"popularity":279,"poster_path":280,"release_date":281,"softcore":4,"video":4,"vote_average":114,"vote_count":282,"character":283,"credit_id":284,"order":285,"media_type":43},"\u002FlljP7CoZlQ3KW9EviQKOykVuVuo.jpg",[273,29,274],36,10752,142373,"Joan the Maid I: The Battles","Jeanne la Pucelle I: Les Batailles","Convinced only she can lead France to victory against the invading English, Jeanne leaves her childhood home to plead with Charles, heir to the French throne, to allow her to guide his troops on the battlefield.",1.721,"\u002FqUt6YzLR8NIQcqkbXwPjK556Hfr.jpg","1994-02-09",30,"Priest (uncredited)","69cb265e7a79a70b35c77003",41,{"adult":4,"backdrop_path":287,"genre_ids":288,"id":289,"origin_country":290,"original_language":32,"original_name":292,"overview":97,"popularity":293,"poster_path":294,"first_air_date":295,"softcore":4,"name":292,"vote_average":68,"vote_count":14,"character":78,"credit_id":296,"episode_count":54,"first_credit_air_date":297,"media_type":298},"\u002FcB7Pu89RjN2DfAdNUgXrQqYEEhF.jpg",[46],272018,[291],"FR","Reflets de Cannes",7.8056,"\u002Fo5CYSyQHeuhMHMN7YKzxjPbbMnJ.jpg","1954-03-25","66edf9d27ff2bf57cd25d51d","1966-05-20","tv",{"adult":4,"backdrop_path":15,"genre_ids":300,"id":301,"origin_country":302,"original_language":32,"original_name":303,"overview":97,"popularity":304,"poster_path":305,"first_air_date":306,"softcore":4,"name":303,"vote_average":53,"vote_count":53,"character":78,"credit_id":307,"episode_count":54,"first_credit_air_date":308,"media_type":298},[46],328500,[291],"Pour le plaisir",6.7277,"\u002Fi9iCdQwd2m876zwgbBwe84w7em3.jpg","1964-11-04","6a555b6f35a36bd436614170","1967-05-04",[310,324,336,341,344,357,361,373,386,389,392,395,406,419,431,444,448,451,461,474,477,488,491,502,505,517,528,531,544,554,557,569,572,582,593,596,601,604,607,617,626,631,634,637,640,643,646,649,652,655,658,662,665,668,673,676,679,682,685,694,704,707,710,713,716,729,741,744,753,756,759,762,774,778],{"adult":4,"backdrop_path":311,"genre_ids":312,"id":313,"title":314,"original_language":32,"original_title":315,"overview":316,"popularity":317,"poster_path":318,"release_date":319,"softcore":4,"video":4,"vote_average":320,"vote_count":321,"credit_id":322,"department":18,"job":323,"media_type":43},"\u002Fb5GLJlkFFv4gIVPHAoBUQij1JL1.jpg",[161,29,174],27019,"Céline and Julie Go Boating","Céline et Julie vont en bateau","Julie, a daydreaming librarian, meets Céline, an enigmatic magician, and together they become the heroines of a time-warping adventure involving a haunted house, psychotropic candy, and a murder-mystery melodrama.",3.4938,"\u002Fh62tGTMdVVUThFwl5b4EP18cBhb.jpg","1974-09-18",6.8,172,"52fe4528c3a368484e04b913","Director",{"adult":4,"backdrop_path":325,"genre_ids":326,"id":327,"title":328,"original_language":32,"original_title":328,"overview":329,"popularity":330,"poster_path":331,"release_date":332,"softcore":4,"video":4,"vote_average":333,"vote_count":334,"credit_id":335,"department":18,"job":323,"media_type":43},"\u002FbFXrPXV6GjWK5mQZYMncve0bisi.jpg",[29],12627,"La Belle Noiseuse","The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. 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As they rehearse scenes and navigate the tensions of living together, their personal lives begin to grow complicated when Joyce becomes involved with a mysterious older man whose presence slowly pulls the others into a web of secrets and suspicions, blurring the boundary between the roles they perform and the lives they're actually living.",2.1849,"\u002F18syAOybiKSQSurFGqUl5gmXb0a.jpg","1989-02-08","52fe48e3c3a36847f817ebd7",{"adult":4,"backdrop_path":478,"genre_ids":489,"id":480,"title":481,"original_language":32,"original_title":482,"overview":483,"popularity":484,"poster_path":485,"release_date":486,"softcore":4,"video":4,"vote_average":320,"vote_count":442,"credit_id":490,"department":339,"job":447,"media_type":43},[29,160],"52fe48e3c3a36847f817ebb1",{"adult":4,"backdrop_path":492,"genre_ids":493,"id":494,"title":495,"original_language":32,"original_title":495,"overview":496,"popularity":497,"poster_path":498,"release_date":499,"softcore":4,"video":4,"vote_average":170,"vote_count":500,"credit_id":501,"department":339,"job":360,"media_type":43},"\u002FgZET2df3Ietn2kYEBZ9X5cVPKxi.jpg",[160,29],94528,"Out 1","While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.",1.4918,"\u002Fvcyr1IZOHtPriQkm0NP6oMXDeLS.jpg","1990-12-15",64,"52fe495d9251416c750c5a81",{"adult":4,"backdrop_path":492,"genre_ids":503,"id":494,"title":495,"original_language":32,"original_title":495,"overview":496,"popularity":497,"poster_path":498,"release_date":499,"softcore":4,"video":4,"vote_average":170,"vote_count":500,"credit_id":504,"department":18,"job":323,"media_type":43},[160,29],"52fe495d9251416c750c5a41",{"adult":4,"backdrop_path":506,"genre_ids":507,"id":508,"title":509,"original_language":32,"original_title":510,"overview":511,"popularity":512,"poster_path":513,"release_date":514,"softcore":4,"video":4,"vote_average":515,"vote_count":282,"credit_id":516,"department":18,"job":323,"media_type":43},"\u002F145dpObpyQj83xcSCz4G5jRRY0F.jpg",[29,28,160,174],79043,"The Story of Marie and Julien","Histoire de Marie et Julien","Julien is a clockmaker with destructive impulses who decides to blackmail Madame X, a rich, attractive woman who traffics in stolen antiques. What he doesn’t know is that she has an even more dangerous secret that leads him to Marie, with whom he had fallen in love a year earlier.",2.8732,"\u002Flsifh9GSHLCto3VzKFUYoEm9Ui6.jpg","2003-09-10",6.45,"52fe49bfc3a368484e13d791",{"adult":4,"backdrop_path":518,"genre_ids":519,"id":520,"title":521,"original_language":32,"original_title":521,"overview":522,"popularity":523,"poster_path":524,"release_date":525,"softcore":4,"video":4,"vote_average":320,"vote_count":526,"credit_id":527,"department":339,"job":447,"media_type":43},"\u002FeAm42QGfavLsAAW98niNlAigOl9.jpg",[160,29,161],59484,"Le Pont du Nord","Marie is just out from prison when she runs into Baptiste, a young paranoid needing companionship. In their pursuit of a mysterious briefcase carried by Marie's former lover, they roam the street of Paris, transformed into a giant board game, a maze spotted with mysterious traps, puzzling clues, and chance encounters. 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Captured by the enemy and put on trial, she finds both her life and the sanctity of her body at stake.",1.8381,"\u002FhHP7tnfLhJziKSLzeGzTvDx30Pj.jpg","52fe4adc9251416c750f08bf",{"adult":4,"backdrop_path":271,"genre_ids":555,"id":275,"title":276,"original_language":32,"original_title":277,"overview":278,"popularity":279,"poster_path":280,"release_date":281,"softcore":4,"video":4,"vote_average":114,"vote_count":282,"credit_id":556,"department":18,"job":323,"media_type":43},[273,29,274],"52fe4adc9251416c750f0859",{"adult":4,"backdrop_path":558,"genre_ids":559,"id":560,"title":561,"original_language":32,"original_title":562,"overview":563,"popularity":564,"poster_path":565,"release_date":566,"softcore":4,"video":4,"vote_average":114,"vote_count":567,"credit_id":568,"department":339,"job":340,"media_type":43},"\u002Fuw0vhJi2xPaHJfq4dB1wPCY3KZV.jpg",[160,29,28],145745,"Wuthering Heights","Hurlevent","In 1930s south of France, young orphan Roch is adopted by the wealthy Earnshaw family and moves into their estate, Wuthering Heights. Soon, the new resident falls for his compassionate foster sister, Cathy. The two share a remarkable bond that seems unbreakable until Cathy, feeling the pressure of social convention, suppresses her feelings and marries Lindon, a man of means who befits her stature. 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He works with the same actors and the same technical team on both films. Henry Chapier who produced the short: \"At the beginning of the '80s nobody was interested in Rivette's highly imaginative project Le Pont du Nord. Therefore Rivette came up with a kind of 'transposition' of the themes of Le Pont du Nord in the shape of Paris s'en va. Just like a painter in the Renaissance who does a sketch for a future project.\"",1.2803,"\u002FyadSyMEKE2h0yq08zuWgCQi0XBv.jpg","1981-01-25",5.6,"52fe4c5ac3a36847f8229db1",{"adult":4,"backdrop_path":15,"genre_ids":618,"id":619,"title":620,"original_language":32,"original_title":620,"overview":621,"popularity":622,"poster_path":623,"release_date":624,"softcore":4,"video":4,"vote_average":89,"vote_count":54,"credit_id":625,"department":339,"job":360,"media_type":43},[28],412575,"Aux quatre coins","Considered by Jacques Rivette as “practice films”, these early images offer us a view of the beginning of his artistic journey. 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