[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F69060:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":849},false,[],"Werner Nekes was born in 1944 in Erfurt and studied linguistics and psychology in Freiburg. He then went to Bonn in 1964 where he was a head of the University Film Club and later chairman of the FIAG. He developed friendships with film directors, sculptors and painters. These included Dore 0., his companion and collaborator since 1967.\n\nHe began painting in 1965 with diverse materials and objects.\n\nHe started his practice of film with 8mm and went on with 16mm. He decided to free the film from narration and psychology and organized his films according to temporal units and structural systems.\n\nIn spring 1967, his films were rejected by the Kurzfilmtage of Oberhausen. Thus, Nekes organized a counter-event.\n\nThe same year in November, he comes to Hamburg with Dore 0., whom he marries the following month. He was a co-founder of the Hamburg cooperative of filmmakers and was a co-organizer of the « Hamburger Filmschau » in 1967. From 1973, he travelled all over the world to make seminaries about film theory and retrospectives. He moved to Mülheim an der Ruhr in summer 1978. \n\nHe co-founded the Filmbüro NW in 1980 and the ICNC (International Center for New Cinema) in Riga in 1988.\n\nHis work was shown at major international museums and festivals, including The Museum of Modern Art New York, or the Kassel Dokumenta.\n\nHe was also a professor: from 1969 to 1972 and 2004 to 2006 at the Academy of Fine Arts (Hochschule für Bildende Künste) in Hamburg, from 1981 to 1982 at Wuppertal University, from 1982 to 1984 at the Kunsthochschule Offenbach, and, from 1990-96 at the Academy of Media Arts in Cologne. \n\nFurthermore, Nekes has compiled one of the most important private collections of artefacts documenting 500 years of pre-cinematographic experiments as well as developments in the early history of film, focusing on spatial and temporal principles of representation.","1944-04-29","2017-01-22",2,"http:\u002F\u002Fwernernekes.de\u002F00_cms\u002Fcms\u002Ffront_content.php",69060,"nm0624943","Directing","Werner Nekes","Erfurt, Germany",0.6439,"\u002Fwc3DqK6qU7XYXVqWuAFOTeQtphX.jpg",{"cast":19,"crew":238},[20,38,53,67,79,91,105,117,125,132,142,155,165,174,183,195,204,213,224],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"character":34,"credit_id":35,"order":36,"media_type":37},"\u002F7P0YiRs39xQQqYMw1EGIHE4fprs.jpg",[23,24],35,80,1652,"00 Schneider - Jagd auf Nihil Baxter","de","The funny clown Bratislav Metulskie is found dead in circus \"Apollo\". The retired commissioner 00 Schneider is asked to assume control of the case. Schneider and his aged sidekick Körschgen investigate to find the murderer.",2.1223,"\u002FyPmbdbFTXgxhQARyYo1w2avXk77.jpg","1994-12-21",6.4,59,"Man in Swimclothing","52fe4309c3a36847f80358d7",16,"movie",{"adult":4,"backdrop_path":39,"genre_ids":40,"id":42,"title":43,"original_language":44,"original_title":43,"overview":45,"popularity":46,"poster_path":47,"release_date":48,"softcore":4,"video":4,"vote_average":49,"vote_count":49,"character":50,"credit_id":51,"order":52,"media_type":37},null,[41],99,1146127,"Home Movies 1971-81","xx","Home movies shot on Super 8mm by W+B Hein over 10 years.",1.6956,"\u002F95USeVGGGiVd8b8I3525itz3Ta.jpg","1985-01-01",0,"","649e35fdc072a200ece4955a",41,{"adult":4,"backdrop_path":54,"genre_ids":55,"id":56,"title":57,"original_language":27,"original_title":58,"overview":59,"popularity":60,"poster_path":61,"release_date":62,"softcore":4,"video":4,"vote_average":63,"vote_count":64,"character":65,"credit_id":66,"order":49,"media_type":37},"\u002Filu9RtFJGGPhe8LngVbxvEe4CMZ.jpg",[41],248770,"Film Before Film","Was geschah wirklich zwischen den Bildern?","An exhilarating and amusing encyclopedic look at the \"prehistory\" of cinema. Werner Nekes charts the fascination with moving pictures which led to the birth of film, covering shadow plays, peep shows, flip books, flicks, magic lanterns, lithopanes, panoramic, scrolls, colorful forms of early animation, and numerous other historical artiffices.  Working with these formats, early \"producers\" created melodramas, comedies, -- as well as lots of pornography -- anticipating most of the forms known today. Nekes probes these colorful toys and inventions in a rich and rewarding optical experience. Film Before Film is a bewildering assault of exotic (and sometimes erotic) images and illusions.",1.5135,"\u002FyOpTtKwrIPD3VKiz1QNhSWjrRHt.jpg","1987-03-26",8.4,8,"Self","52fe4f38c3a36847f82c6543",{"adult":4,"backdrop_path":68,"genre_ids":69,"id":70,"title":71,"original_language":27,"original_title":71,"overview":72,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":76,"vote_count":77,"character":50,"credit_id":78,"order":49,"media_type":37},"\u002FwdFhn4J2LsSrErDjbAtx2tJMbUc.jpg",[41],298216,"Kaskara","An experimental film where a particular space is constantly \"present\" : there is a complex usage of superim- position, and of split-screen effects. The place shown is a part of a house in the country. Doors and windows are continually shown, emphasizing the film's concern with framing. Other images are present: city-scapes of a particularly sinister nature, implying a sense of ruin, and shots of a chorus on a stage. These shots begin and end the film which is accompanied by a vocal chant on the soundtrack.",1.3191,"\u002FtKH89tj8DCdyh0BqCUYIQLbFXal.jpg","1974-12-27",7,1,"5443c34fc3a3683e0b004de8",{"adult":4,"backdrop_path":39,"genre_ids":80,"id":82,"title":83,"original_language":27,"original_title":83,"overview":84,"popularity":85,"poster_path":86,"release_date":87,"softcore":4,"video":4,"vote_average":88,"vote_count":89,"character":50,"credit_id":90,"order":76,"media_type":37},[81],18,249506,"Diwan","Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.",1.0145,"\u002Fsgs21E9WK6ssywZffloFhTsJid5.jpg","1974-02-02",7.3,6,"59c999ab92514123b500056c",{"adult":4,"backdrop_path":92,"genre_ids":93,"id":94,"title":95,"original_language":96,"original_title":95,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":76,"character":102,"credit_id":103,"order":104,"media_type":37},"\u002F6fJgLOFJO5AAlieLZxfmTyZKOEy.jpg",[41],272074,"Cinématon","fr","Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.",2.0543,"\u002F5l2dmFdiaFbt8XUyzmZxBeqGMJA.jpg","1978-12-20",4.9,"N°261","5d0b1876c3a368063a1de75a",55,{"adult":4,"backdrop_path":106,"genre_ids":107,"id":108,"title":109,"original_language":27,"original_title":110,"overview":111,"popularity":112,"poster_path":39,"release_date":113,"softcore":4,"video":4,"vote_average":114,"vote_count":77,"character":115,"credit_id":116,"order":9,"media_type":37},"\u002FrRNTZPs3PEntTm3hR9IbVRARzxT.jpg",[41],728269,"The Critical Mass","Die kritische Masse","A documentary about the 'critical mass', the Film Coop, a group of young filmmakers in Hamburg during the 1960s - a small group far from the Mainstream or the New German Cinema.",1.0988,"1999-07-01",9,"Himself","5f208ae5fe077a003743162d",{"adult":4,"backdrop_path":39,"genre_ids":118,"id":119,"title":120,"original_language":96,"original_title":120,"overview":121,"popularity":122,"poster_path":39,"release_date":123,"softcore":4,"video":4,"vote_average":49,"vote_count":49,"character":102,"credit_id":124,"order":77,"media_type":37},[],758155,"Cinématon XXVII","Reel 27 of Gérard Courant’s on-going Cinematon series.",1.1821,"1982-12-31","5f98eeafa1c59d0035a3ebc7",{"adult":4,"backdrop_path":39,"genre_ids":126,"id":127,"title":128,"original_language":96,"original_title":128,"overview":50,"popularity":129,"poster_path":130,"release_date":123,"softcore":4,"video":4,"vote_average":49,"vote_count":49,"character":50,"credit_id":131,"order":49,"media_type":37},[],818027,"Cinématon n°261 : Werner Nekes",0.7343,"\u002F2vuzLSPXzIWPPzciwBIYDJpib6U.jpg","6075cc9ec39266003f63b36e",{"adult":4,"backdrop_path":39,"genre_ids":133,"id":134,"title":135,"original_language":27,"original_title":136,"overview":137,"popularity":138,"poster_path":39,"release_date":139,"softcore":4,"video":4,"vote_average":140,"vote_count":9,"character":65,"credit_id":141,"order":49,"media_type":37},[41],442103,"Werner Nekes - Life Between the Pictures","Werner Nekes - Das Leben zwischen den Bildern","In conversations with his friends and colleagues, among them Bernd Upnmoor, Helmut Herbst, Alexander Kluge, Klaus Wyborny, Daniel Kothenschulte and Helge Schneider, Ulrike Pfeiffer takes us on a journey into the broad expanse of Nekes' cabinet of wonder and his cinematic works. At the same time, this documentary provides an insight into the history of experimental film in Germany.",0.9351,"2017-11-09",5.5,"60e2be61a4af8f00466e1225",{"adult":4,"backdrop_path":143,"genre_ids":144,"id":145,"title":146,"original_language":147,"original_title":146,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":152,"vote_count":64,"character":65,"credit_id":153,"order":154,"media_type":37},"\u002F61zI7yFgptYTRQ6l7N9FMzWybpM.jpg",[41],381275,"Eva Hesse","en","German American artist Eva Hesse (1936 – 1970) created her innovative art in latex and fiberglass in the whirling aesthetic vortex of 1960s New York. Her flowing forms were in part a reaction to the rigid structures of then-popular minimalism, a male-dominated movement. Hesse’s complicated personal life encompassed not only a chaotic 1930s Germany, but also illness and the immigrant culture of New York in the 1940s. One of the twentieth century’s most intriguing artists, she finally receives her due in this film, an emotionally gripping journey with a gifted woman of great courage.",1.5215,"\u002FveuIYTtajv1IJgr3tKUGUGkniOI.jpg","2016-04-27",6.5,"60e96d774ca676005e1f946e",4,{"adult":4,"backdrop_path":156,"genre_ids":157,"id":158,"title":159,"original_language":147,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":4,"video":4,"vote_average":49,"vote_count":49,"character":115,"credit_id":164,"order":64,"media_type":37},"\u002FxJiF1zt3fBV14bzf1MNuzrZ4tTp.jpg",[41],413796,"EXPRMNTL","Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…",0.9294,"\u002FfKEmZzYnRdq19VhI93BKrL4Ixaw.jpg","2016-10-08","66f08f4b7ff2bf57cd267b79",{"adult":4,"backdrop_path":39,"genre_ids":166,"id":167,"title":168,"original_language":27,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":64,"vote_count":77,"character":50,"credit_id":173,"order":154,"media_type":37},[],400511,"Blonde Barbarei","A female figure wanders inside a warehouse interior and through various motifs, including a fan and a birdcage, set to a medieval chant.",0.8833,"\u002F8CNKkwUQ6RTs7Cwno90dtGFZiI6.jpg","1973-05-01","6736b4736bd4889bfbc79539",{"adult":4,"backdrop_path":39,"genre_ids":175,"id":176,"title":177,"original_language":27,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":4,"video":4,"vote_average":49,"vote_count":49,"character":50,"credit_id":182,"order":77,"media_type":37},[],763048,"Mama, da steht ein Mann","Dore O. and later Nekes speak to each other and into the camera, slowly and deliberately like a speech exercise, quickly like a tongue twister or in competition with each other, accentuated rhythmically or rubato, until the silent noise becomes piercing and rings in the ears. As in a mirror joke, Zerroptik also involves the viewer in the erotic duet, which persistently elicits all the comedy and latent horrors of a sudden discovery from the field of associations of the strange sentence.",0.6319,"\u002FfHddbu5rLOZUqEfFpxkVLaOi7Fh.jpg","1968-01-01","6736b5fc80fda6e3e3745a39",{"adult":4,"backdrop_path":184,"genre_ids":185,"id":186,"title":187,"original_language":27,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":89,"character":50,"credit_id":193,"order":194,"media_type":37},"\u002FcGPsZhV7OLOObAzaOYUjeAp6iT1.jpg",[81],253749,"Uliisses","Director Werner Nekes has created this experimental film in the mode of James Joyce's Ulysses to the extent that human interactions are represented by poetic, symbolic images and language, with a certain amount of nudity added in.",1.9345,"\u002Fcrkz9oiVkNXUZNnqqNzVHVNHr7o.jpg","1982-06-18",4.3,"68dda748eb214f5134e1da8a",24,{"adult":4,"backdrop_path":39,"genre_ids":196,"id":197,"title":198,"original_language":27,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":181,"softcore":4,"video":4,"vote_average":202,"vote_count":9,"character":50,"credit_id":203,"order":154,"media_type":37},[],587789,"Vis-à-vis","A fixed shot showing six persons, looking into the camera inertly. Gradually tiny, minimal movements can be registered.",0.7672,"\u002Fhg5x5Eq8Zuqo7kV5uMKhymnldbv.jpg",9.5,"692e55984796ccf74a5122bc",{"adult":4,"backdrop_path":39,"genre_ids":205,"id":206,"title":207,"original_language":27,"original_title":207,"overview":50,"popularity":208,"poster_path":209,"release_date":210,"softcore":4,"video":4,"vote_average":152,"vote_count":211,"character":50,"credit_id":212,"order":49,"media_type":37},[],763034,"Start",0.7429,"\u002FzjXQRUGmmEkakDDS2fEqgOWsse.jpg","1966-01-01",10,"6a3926649392ffc0cd8c0817",{"adult":4,"backdrop_path":214,"genre_ids":215,"id":216,"title":217,"original_language":147,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":4,"video":4,"vote_average":76,"vote_count":154,"character":65,"credit_id":222,"order":223,"media_type":37},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[41],295120,"Birth of a Nation","Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.",1.8212,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06","6ab8010c775e9b23af2a7de5",79,{"adult":4,"backdrop_path":39,"genre_ids":225,"id":227,"origin_country":228,"original_language":27,"original_name":230,"overview":231,"popularity":232,"poster_path":233,"first_air_date":234,"softcore":4,"name":230,"vote_average":114,"vote_count":77,"character":65,"credit_id":235,"episode_count":77,"first_credit_air_date":236,"media_type":237},[226],10764,89293,[229],"DE","Bambi","The Bambi, often called the Bambi Award and stylised as BAMBI, is a German award presented annually by Hubert Burda Media to recognize excellence in international media and television to personalities in the media, arts, culture, sports, and other fields \"with vision and creativity who affected and inspired the German public that year\", both domestic and foreign. First held in 1948, it is the oldest media award in Germany. The trophy is named after Felix Salten's book Bambi, A Life in the Woods and its statuettes are in the shape of the novel's titular fawn character. They were originally made of porcelain until 1958, when the organizers switched to using gold, with the casting done by the art casting workshop of Ernst Strassacker in Süßen.",39.7707,"\u002F7Bc1fE5mKIYmhhgl0fVcw3nvDra.jpg","1948-01-01","5cd5631a0e0a265dee62c8a6","1969-01-24","tv",[239,251,256,265,268,271,280,283,294,305,313,324,328,339,349,357,366,374,377,388,391,396,401,409,417,424,434,437,442,445,448,460,469,478,485,494,497,500,509,512,515,525,528,531,540,543,546,555,562,570,577,586,589,598,605,612,619,628,636,643,646,653,661,667,673,680,686,694,697,705,713,720,728,737,745,753,762,770,777,784,793,801,804,807,810,813,816,826,834,843,846],{"adult":4,"backdrop_path":240,"genre_ids":241,"id":242,"title":243,"original_language":27,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":4,"video":4,"vote_average":248,"vote_count":114,"credit_id":249,"department":13,"job":250,"media_type":37},"\u002FaECGCAjzjNMSDQyR0fnKZJWDqcQ.jpg",[23],11339,"Johnny Flash","Jurgen is an unknown electrician with a dream of pop stardom. His mother browbeats him into fame, while two managers compete for his contract. All Johnny really wants to do is get some sleep.",1.9359,"\u002F4o4BvcsKzYvuLMV8InFgjSQRqFW.jpg","1986-10-23",7.7,"52fe44299251416c7502afeb","Director",{"adult":4,"backdrop_path":240,"genre_ids":252,"id":242,"title":243,"original_language":27,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":4,"video":4,"vote_average":248,"vote_count":114,"credit_id":253,"department":254,"job":255,"media_type":37},[23],"52fe442a9251416c7502b015","Writing","Screenplay",{"adult":4,"backdrop_path":39,"genre_ids":257,"id":258,"title":259,"original_language":27,"original_title":259,"overview":260,"popularity":261,"poster_path":262,"release_date":263,"softcore":4,"video":4,"vote_average":89,"vote_count":154,"credit_id":264,"department":13,"job":250,"media_type":37},[41],105496,"Beuys","The German artist Joseph Beuys is reflecting on his theory of art, being filmed as a kinetic sculpture.  In 1981, the film has won the German film critic's award for “Best short film in Germany”.",1.6608,"\u002FdTNTdbDgEhoRpgtv6dPzs0avIRY.jpg","1981-01-01","52fe4a4ec3a36847f81c6783",{"adult":4,"backdrop_path":184,"genre_ids":266,"id":186,"title":187,"original_language":27,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":89,"credit_id":267,"department":13,"job":250,"media_type":37},[81],"52fe4e8f9251416c91135c4b",{"adult":4,"backdrop_path":54,"genre_ids":269,"id":56,"title":57,"original_language":27,"original_title":58,"overview":59,"popularity":60,"poster_path":61,"release_date":62,"softcore":4,"video":4,"vote_average":63,"vote_count":64,"credit_id":270,"department":13,"job":250,"media_type":37},[41],"52fe4f38c3a36847f82c653f",{"adult":4,"backdrop_path":39,"genre_ids":272,"id":273,"title":274,"original_language":27,"original_title":274,"overview":275,"popularity":276,"poster_path":277,"release_date":278,"softcore":4,"video":4,"vote_average":114,"vote_count":77,"credit_id":279,"department":13,"job":250,"media_type":37},[],249503,"Lagado","An experimental film about the interpenetration of various levels of communication, dealing with the relationship of the pictorial functions to those of sound (direct sound).",1.2217,"\u002Fu4laqMpEiHnZzJg0ZV0Z9DdPJnc.jpg","1977-04-02","52fe4f44c3a36847f82c9b83",{"adult":4,"backdrop_path":39,"genre_ids":281,"id":82,"title":83,"original_language":27,"original_title":83,"overview":84,"popularity":85,"poster_path":86,"release_date":87,"softcore":4,"video":4,"vote_average":88,"vote_count":89,"credit_id":282,"department":13,"job":250,"media_type":37},[81],"52fe4f45c3a36847f82c9ba3",{"adult":4,"backdrop_path":39,"genre_ids":284,"id":286,"title":287,"original_language":27,"original_title":287,"overview":288,"popularity":289,"poster_path":290,"release_date":291,"softcore":4,"video":4,"vote_average":292,"vote_count":154,"credit_id":293,"department":13,"job":250,"media_type":37},[285],14,256123,"Makimono","Makimono is an Asian roll painting depicting a landscape. The subject of the film is the language of film itself, its mutability and its influence on the viewer's vision and thinking. While the film gradually progresses the viewer is gently invited to reflect on the development of the film in its expressive potential.",0.8127,"\u002F8rTWqoHLhIGr6CWQKQxbrlBx4iG.jpg","1974-12-29",7.2,"5302ae24c3a3680a0942a010",{"adult":4,"backdrop_path":39,"genre_ids":295,"id":296,"title":297,"original_language":27,"original_title":297,"overview":298,"popularity":299,"poster_path":300,"release_date":301,"softcore":4,"video":4,"vote_average":64,"vote_count":89,"credit_id":302,"department":303,"job":304,"media_type":37},[],268537,"Alaska","Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.",1.1923,"\u002FaMmct0xb8Lf4RNiPZw7ij3D8kdv.jpg","1968-11-12","536a6072c3a36812410083d5","Production","Producer",{"adult":4,"backdrop_path":39,"genre_ids":306,"id":307,"title":308,"original_language":27,"original_title":308,"overview":309,"popularity":310,"poster_path":39,"release_date":311,"softcore":4,"video":4,"vote_average":140,"vote_count":9,"credit_id":312,"department":13,"job":250,"media_type":37},[],277707,"Kelek","\"KELEK belongs to the 'structural' or 'minimal' cinema movement in that its content is subordinated to the viewer's perception and has no intrinsic significance. Unlike most examples of this genre, though, KELEK is never boring and is brought to a new awareness of the process of perception. The five basic shots of the film have to be filled by the viewer's own consciousness and there is absolutely no opportunity given for any spurious identification.\" Werner Nekes",0.7355,"1968-12-15","53a489940e0a2614490000bd",{"adult":4,"backdrop_path":314,"genre_ids":315,"id":316,"title":317,"original_language":27,"original_title":317,"overview":318,"popularity":319,"poster_path":320,"release_date":321,"softcore":4,"video":4,"vote_average":322,"vote_count":114,"credit_id":323,"department":13,"job":250,"media_type":37},"\u002F4cxMBwYFjqdtbOtKFvAzERvACkY.jpg",[81],286980,"T-Wo-Men","The film is divided into five parts differing in pictorial and musical structure. The plot, two women and their love for one another, is of secondary importance. An ingenious combination of stereoscopic images and montage of individual pictures make new qualities of perception accessible to the viewer. 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