[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F5970:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":1478},false,[6,7],"Paul Pasolini","P.P. Pasolini","Pier Paolo Pasolini (March 5, 1922 – November 2, 1975) was an Italian film director, poet, writer, and intellectual. Pasolini distinguished himself as a poet, journalist, philosopher, linguist, novelist, playwright, filmmaker, newspaper and magazine columnist, actor, painter and political figure. He demonstrated a unique and extraordinary cultural versatility, becoming a highly controversial figure in the process.","1922-03-05","1975-11-02",2,null,5970,"nm0001596","Directing","Pier Paolo Pasolini","Bologna, Emilia-Romagna, Italy",1.8642,"\u002FeaIDgDUBEZLS2HP4lexm58iaWbG.jpg",{"cast":21,"crew":741},[22,42,56,71,86,94,110,122,132,145,153,167,183,194,205,215,229,239,246,259,271,282,292,304,317,327,336,344,355,364,371,385,395,405,415,426,435,447,457,468,477,489,498,505,515,526,536,546,555,566,575,585,594,602,613,624,633,646,656,666,675,683,693,703,711,722,731],{"adult":4,"backdrop_path":23,"genre_ids":24,"id":28,"title":29,"original_language":30,"original_title":31,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"character":38,"credit_id":39,"order":40,"media_type":41},"\u002FzOnb0WKYSrXI1GiIkHdC8qt4PT9.jpg",[25,26,27],35,36,18,5691,"The Canterbury Tales","it","I racconti di Canterbury","Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.",3.9035,"\u002F6mAUGtIc0PjvL1EhDwX6WMkUQpp.jpg","1972-09-02",6.1,242,"Geoffrey Chaucer","52fe4418c3a36847f808209f",6,"movie",{"adult":4,"backdrop_path":12,"genre_ids":43,"id":45,"title":46,"original_language":47,"original_title":46,"overview":48,"popularity":49,"poster_path":50,"release_date":51,"softcore":4,"video":4,"vote_average":52,"vote_count":11,"character":53,"credit_id":54,"order":55,"media_type":41},[44],99,1087778,"Cinéma et Réalité","fr","In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.",1.2513,"\u002FE8XpWSnDJeYA0vrJ5KEUuElvHC.jpg","1967-01-01",6.5,"Self","63eeb232ea84c700b29c9782",19,{"adult":4,"backdrop_path":57,"genre_ids":58,"id":59,"title":60,"original_language":30,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":67,"character":68,"credit_id":69,"order":70,"media_type":41},"\u002F9CbH2EktREWAur7XLBeFNFNr5BQ.jpg",[26,27,25],33583,"The Decameron","Il Decameron","A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.",3.9845,"\u002FiL5mmuIL6fqFSWJeHE417WWrocz.jpg","1971-08-25",6.9,368,"Allievo di Giotto","52fe45259251416c91029047",8,{"adult":4,"backdrop_path":72,"genre_ids":73,"id":74,"title":75,"original_language":30,"original_title":76,"overview":77,"popularity":78,"poster_path":79,"release_date":80,"softcore":4,"video":4,"vote_average":81,"vote_count":82,"character":83,"credit_id":84,"order":85,"media_type":41},"\u002Fz4hTpIc4kPIjuzcjKASIPaBymc2.jpg",[44],48869,"The Walls of Sana'a","Le mura di Sana'a","The capital of Yemen, the city of Sana'a, holds an important part of history within its walls filled with medieval architecture and culture. But that same culture was about to disappear with the country's modernization which came after the civil war in the 1960's. To impeach such modern invasion, director Pasolini pledges to UNESCO for the recognition of Sana'a as a World Heritage Site.",1.6743,"\u002FuxfItVYy6QHdZriLmWhJyYhExvm.jpg","1974-06-20",6.2,16,"Narrator (voice)","52fe4779c3a36847f8137af1",0,{"adult":4,"backdrop_path":12,"genre_ids":87,"id":88,"title":89,"original_language":30,"original_title":89,"overview":90,"popularity":91,"poster_path":12,"release_date":92,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":90,"credit_id":93,"order":85,"media_type":41},[],944813,"Pasolini maestro corsaro","",0.6817,"2015-01-01","621e1750f12cf4001b7d94bb",{"adult":4,"backdrop_path":95,"genre_ids":96,"id":99,"title":100,"original_language":30,"original_title":101,"overview":102,"popularity":103,"poster_path":104,"release_date":105,"softcore":4,"video":4,"vote_average":106,"vote_count":107,"character":108,"credit_id":109,"order":11,"media_type":41},"\u002Fl0DezTvg6cDZhuxJH44e64oSw8v.jpg",[97,98],28,37,122787,"Kill and Pray","Requiescant","A Mexican community is slaughtered by Confederate troops; the lone survivor, a boy, is taken in by a preacher. Years later, the boy is now a soft-spoken, devout young man with perfect shooting skills (despite being a pacifist). On his journey to help his half-sister out of a complicated situation, he crosses paths with the men who killed his family, unbeknownst to him.",1.8257,"\u002Fe3rDgShdLUHs3d3Tf55OTcplDYQ.jpg","1967-03-10",6.391,32,"Father Juan","52fe4a82c3a368484e1577eb",{"adult":4,"backdrop_path":111,"genre_ids":112,"id":113,"title":114,"original_language":30,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":120,"character":53,"credit_id":121,"order":85,"media_type":41},"\u002FvkhSE47CCTvF767hhokreqzXPZV.jpg",[44],1047885,"Pier Paolo Pasolini - Una visione nuova","The documentary focuses on some decisive encounters for Pasolini's intellectual parable with the great Oscars of Italian cinema: from Bernardo Bertolucci to Dante Ferretti, from Ennio Morricone to Danilo Donati.",1.2095,"\u002FxwXvfmfxVfMogngldY7K9cNE3Kq.jpg","2023-03-01",7.5,1,"64afc013d6590b00e40b7ee8",{"adult":4,"backdrop_path":12,"genre_ids":123,"id":124,"title":125,"original_language":30,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":90,"credit_id":131,"order":11,"media_type":41},[44],859790,"Notes from a Critofilm","Il Cinema di Pasolini (Appunti per un Critofilm)","Reflections on the first films of Pier Paolo Pasolini with his considerations on the real language of cinema.",1.0775,"\u002F7nQbJqImonpdBS8xlVDhYIy7nZ3.jpg","1966-05-01","64b09632ba48020143463939",{"adult":4,"backdrop_path":133,"genre_ids":134,"id":135,"title":136,"original_language":30,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":141,"vote_count":142,"character":143,"credit_id":144,"order":85,"media_type":41},"\u002FuULiC6Cppol6pl7S6UKFKgcJjYf.jpg",[44],115187,"Pasolini prossimo nostro","We are on the set of \"Salò or the 120 days of Sodom\". Pasolini lets a small camera team led by the journalist Gideon Bachmann follow him around engaging him in a long and extraordinary interview\u002Fconversation. The interview turns into a long, clear-sighted and violent attack on society that accompanies photos of the set in a surprising juxtaposition of film and reality, revealing Pasolini's metaphorical portrait of modernity.",1.6247,"\u002FyyZ6n9mUXnMwtCbaqHx0SqzdZZd.jpg","2006-11-24",5.1,7,"Se stesso","52fe4b62c3a36847f820147f",{"adult":4,"backdrop_path":12,"genre_ids":146,"id":147,"title":148,"original_language":30,"original_title":148,"overview":90,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":90,"credit_id":152,"order":11,"media_type":41},[44],1157789,"Non al denaro non all'amore né al cielo",1.2146,"\u002FA8gf4Ay9nKxnhweIV6T6zBsDmuM.jpg","1995-11-21","64c539e8cadb6b01440d572c",{"adult":4,"backdrop_path":154,"genre_ids":155,"id":156,"title":157,"original_language":30,"original_title":158,"overview":159,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":163,"vote_count":164,"character":165,"credit_id":166,"order":85,"media_type":41},"\u002FoO5v2FwBO7499T5epdXybIdVEqU.jpg",[44],185837,"Scouting in Palestine","Sopralluoghi in Palestina per il vangelo secondo Matteo","In 1963, accompanied by a newsreel photographer and a Catholic priest, Piero Paolo Pasolini traveled to Palestine to investigate the possibility of filming his biblical epic The Gospel According to Matthew in its approximate historical locations. Edited by The Gospel‘s producer for potential funders and distributors, Seeking Locations in Palestine features semi-improvised commentary from Pasolini as its only soundtrack. As we travel from village to village, we listen to Pasolini’s idiosyncratic musings on the teachings of Christ and witness his increasing disappointment with the people and landscapes he sees before him. Israel, he laments, is much too modern. The Palestinians, much too wretched; it would be impossible to believe the teachings of Jesus had reached these faces. The Gospel According to Matthew was ultimately filmed in Southern Italy. Mel Gibson would use some of the same locations forty years later for The Passion of the Christ.",1.3453,"\u002FsbIojtwltgfsI0xftxMvBspoQSn.jpg","1965-07-11",6.8,22,"Self (uncredited)","52fe4cec9251416c7512a00d",{"adult":4,"backdrop_path":168,"genre_ids":169,"id":171,"title":172,"original_language":30,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":178,"vote_count":179,"character":180,"credit_id":181,"order":182,"media_type":41},"\u002Fw29MIdjPFD1gAa6L3AZ844mvvkp.jpg",[27,170,97],10752,187726,"The Hunchback","Il gobbo","Alvaro Cosenza, also known as the Hunchback from Quarticciolo, during Rome's occupation by Nazis in 1943, decides to revolt.",1.205,"\u002FdmRC5nlnrwmOExyYIPprkZnAtma.jpg","1960-11-30",6.6,9,"Monco","52fe4d249251416c751314ed",4,{"adult":4,"backdrop_path":184,"genre_ids":185,"id":186,"title":187,"original_language":47,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":119,"vote_count":192,"character":53,"credit_id":193,"order":85,"media_type":41},"\u002Fbfe6q1Jo40wPrh2reYdAzGI8Vzi.jpg",[44],973337,"Pier Paolo Pasolini - Agnès Varda - New York - 1967","Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. Recovered from the French director's boxes, with images of Varda, Pasolini and New York. Pasolini is shown walking in the Big Apple (where he went to present 'Hawks and Sparrows').",2.0275,"\u002Fg29AMLcOXlS5vDe47liVWupHf6v.jpg","2022-06-24",10,"6277f2b1a843c10051a4f969",{"adult":4,"backdrop_path":12,"genre_ids":195,"id":196,"title":197,"original_language":198,"original_title":197,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":203,"credit_id":204,"order":11,"media_type":41},[44],1175021,"Reunion; Salo","en","Artist Adam Chodzko seeks to reunite the actors and actresses who played the victims in the film, Salo.",1.7587,"\u002F4L6Gp5ec7e1peNmsWncQhyqijkb.jpg","1998-01-01","Himself (Archive)","64faef24db4ed6104306c705",{"adult":4,"backdrop_path":12,"genre_ids":206,"id":207,"title":208,"original_language":30,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":179,"vote_count":120,"character":90,"credit_id":214,"order":85,"media_type":41},[],697360,"The Ashes of Pasolini","Le ceneri di Pasolini","Lyrical and fascinating documentary about Pier Paolo Pasolini. The film includes well-chosen fragments from his oeuvre and many unknown interviews with the sharply-quipping master, dug up in the Italian TV archives.",0.8787,"\u002FvQ1ktjkTyBOnf21KtxwFaMcVAKT.jpg","1994-02-12","65055501fa27f4014eb0cb6a",{"adult":4,"backdrop_path":216,"genre_ids":217,"id":218,"title":219,"original_language":30,"original_title":220,"overview":221,"popularity":222,"poster_path":223,"release_date":224,"softcore":4,"video":4,"vote_average":163,"vote_count":225,"character":226,"credit_id":227,"order":228,"media_type":41},"\u002FgNSXF2AKz3mTNT9CSWma9gxnwBR.jpg",[27],42691,"Oedipus Rex","Edipo re","In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Oedipus, and brought up by the King and Queen of Corinth as their son. One day an oracle informs Oedipus that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road…",3.7294,"\u002F7R3yPlLdiNhpGzasB8SDCT6Kwy.jpg","1967-09-07",374,"High Priest (uncredited)","6291714dfb8346009bacf48a",12,{"adult":4,"backdrop_path":12,"genre_ids":230,"id":231,"title":232,"original_language":47,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":237,"credit_id":238,"order":85,"media_type":41},[44],988305,"Pier Paolo Pasolini : vivre et encore plus","Portrait of the most rebellious of directors, Pier Paolo Pasolini. The artist marked his time by creating provocative and polemical works. The Italian filmmaker reminds us of the importance of maintaining a critical point of view towards the system before evoking his childhood in Italy and his first literary and cinematographic works.",0.9126,"\u002FfcSFRpHhZrIHXyyPMM76oDv3wEN.jpg","1976-02-03","Lui-même","62ab3616af3da61062634596",{"adult":4,"backdrop_path":12,"genre_ids":240,"id":241,"title":242,"original_language":47,"original_title":242,"overview":90,"popularity":243,"poster_path":12,"release_date":244,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":237,"credit_id":245,"order":85,"media_type":41},[44],988473,"Fioretti de Pier Paolo Pasolini 1922\u002F1975",1.3089,"1997-01-16","62ab9d73d4d509005150eaf2",{"adult":4,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":30,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":255,"vote_count":11,"character":256,"credit_id":257,"order":258,"media_type":41},"\u002FiDq3God63lzNfSvXycS4TTp1Tno.jpg",[44],258727,"Io sono nata viaggiando","A journey back through Dacia Maraini's and her trips around the world with her close friends cinema director Pier Paolo Pasolini and opera singer Maria Callas. An in-depth story of this fascinating woman's life. Maraini's memories come alive through personal photographs taken on the road as well as her own Super 8 films shot almost thirty years ago.",1.5251,"\u002Fd8p5dMMOnK0QZFcPFZwNhzUyPeh.jpg","2013-11-11",4.2,"Self (archive footage)","531d7b8ec3a3685c56007dd0",3,{"adult":4,"backdrop_path":260,"genre_ids":261,"id":262,"title":263,"original_language":30,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":119,"vote_count":27,"character":165,"credit_id":269,"order":270,"media_type":41},"\u002FoCCWzOErx04gFk4OatfqpS545q5.jpg",[44],19930,"Notes Towards an African Orestes","Appunti per un'Orestiade africana","The director presents takes and scenes filmed on location in Africa for a film-that-never-was, a black Oresteia.",1.3925,"\u002FhZyohZM4zHgILgQlBr7xWK5v8qm.jpg","1975-11-29","62ca3446d705940051fd2e6a",5,{"adult":4,"backdrop_path":272,"genre_ids":273,"id":274,"title":275,"original_language":30,"original_title":276,"overview":277,"popularity":278,"poster_path":279,"release_date":280,"softcore":4,"video":4,"vote_average":192,"vote_count":11,"character":256,"credit_id":281,"order":258,"media_type":41},"\u002FaRp9Q6Ir1uoEroyXl1sYBXarLW9.jpg",[44],1200377,"Notarangelo the Soul Hunter","Notarangelo ladro di anime","David Griecos documentary showcases the underappreciated photography of Domenico Notarangelo, and through it, tells the story of Matera, it's people and it's history.",1.5442,"\u002FsPHciiaPRsEiSGYjWqA38ITmPpO.jpg","2019-05-03","654540fa41a561336d83c098",{"adult":4,"backdrop_path":12,"genre_ids":283,"id":284,"title":285,"original_language":198,"original_title":285,"overview":286,"popularity":287,"poster_path":288,"release_date":289,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":290,"credit_id":291,"order":120,"media_type":41},[44],805341,"Once Upon a Time: Tonino Delli Colli, Cinematographer","A documentary about Tonino Delli Colli, a man of cinema and cinematography, and one of the greatest performers of the Arte della Luce and of photography in movement.",1.0132,"\u002FstNqXUYaSLpT87tscIyRejtwOCC.jpg","2019-01-01","Himself","6556948e53866e00e29366fd",{"adult":4,"backdrop_path":293,"genre_ids":294,"id":295,"title":296,"original_language":198,"original_title":296,"overview":297,"popularity":298,"poster_path":299,"release_date":300,"softcore":4,"video":4,"vote_average":40,"vote_count":258,"character":301,"credit_id":302,"order":303,"media_type":41},"\u002F50DhtxV6BhtgaB5giKNbmbBTLdl.jpg",[44],902946,"The Treasure of His Youth: The Photographs of Paolo Di Paolo","The life of the legendary Italian photojournalist Paolo Di Paolo through his photographs, which capture the essence of a fascinating and turbulent Italy, the one inhabited by Anna Magnani and Pier Paolo Pasolini, a country that no longer exists.",1.2816,"\u002Fw3LcKz3G9YgcoQSnK2n135pMbKi.jpg","2021-10-23","Self - Filmmaker (archive footage)","6307001f65c26c007aaa8ccd",20,{"adult":4,"backdrop_path":305,"genre_ids":306,"id":307,"title":308,"original_language":30,"original_title":309,"overview":310,"popularity":311,"poster_path":312,"release_date":313,"softcore":4,"video":4,"vote_average":314,"vote_count":142,"character":315,"credit_id":316,"order":11,"media_type":41},"\u002FlFV1hIxuak0rA524sBc18nwgwxa.jpg",[44],639651,"In a Future April: The Young Pasolini","In un futuro aprile: Il giovane Pasolini","A unique chance to explore Pier Paolo Pasolini's youth through the voice and the body of his direct cousin, writer and poet Nico Naldini.",1.1047,"\u002FaNhhQtpUCw0CM3oj6QiBmhWY2B1.jpg","2020-11-02",3.2,"Self (archive footage) (uncredited)","631239f2ba131b0081d04e0b",{"adult":4,"backdrop_path":318,"genre_ids":319,"id":320,"title":321,"original_language":198,"original_title":321,"overview":322,"popularity":323,"poster_path":324,"release_date":325,"softcore":4,"video":4,"vote_average":163,"vote_count":270,"character":256,"credit_id":326,"order":142,"media_type":41},"\u002FkZ0hCsKBFFa8Ajnp32R1oRjJptm.jpg",[44,26],309539,"Callas Assoluta","This revealing documentary from director Philippe Kohly examines the storied life of renowned soprano Maria Callas, from her troubled childhood in New York City to her scandal-laden but triumphant international career in opera. Featuring archival interviews with Callas herself and footage of contemporaries such as her lover Aristotle Onassis, this celebration of \"La Divina\" pays tribute to her enduring legacy some three decades after her death.",2.3231,"\u002FvnbUM5d53WeCtLx3z4QEMPqqlqx.jpg","2007-12-20","54883acb925141520d000fe9",{"adult":4,"backdrop_path":12,"genre_ids":328,"id":329,"title":330,"original_language":47,"original_title":330,"overview":331,"popularity":332,"poster_path":333,"release_date":334,"softcore":4,"video":4,"vote_average":70,"vote_count":120,"character":53,"credit_id":335,"order":85,"media_type":41},[44],1313374,"Pasolini on 'Porcile'","Pier Paolo Pasolini talks about making his film 'Porcile', and about casting Pierre Clémenti and Jean-Pierre Léaud as the film’s lead actors.",0.7881,"\u002F7dwACZ5LjCWgU4CBeM3OUX4YLuZ.jpg","1969-10-13","6688cafa9b24a7a22357bb8b",{"adult":4,"backdrop_path":12,"genre_ids":337,"id":338,"title":339,"original_language":30,"original_title":339,"overview":340,"popularity":341,"poster_path":12,"release_date":342,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":90,"credit_id":343,"order":85,"media_type":41},[],412054,"Pier Paolo Pasolini e i confini - Memorie a est del corsaro del novecento","A documentary that recounts the impressively lucid visions and gazes with which Pasolini described and experienced the lands from his Casarsa eastward, through Idria, the Grado lagoon and finally Istria. The border, understood as a physical, historical and geographic but also metaphorical limit, is an interesting key to recount Pasolini's life: a journey that allows us to tell some lesser-known sides of the life of a great intellectual of the last century, who with keen anticipation glimpsed profound truths about the cultural and social changes taking place.",0.885,"2015-12-27","57b77dffc3a36823a6002398",{"adult":4,"backdrop_path":345,"genre_ids":346,"id":347,"title":348,"original_language":30,"original_title":349,"overview":350,"popularity":351,"poster_path":352,"release_date":353,"softcore":4,"video":4,"vote_average":52,"vote_count":179,"character":290,"credit_id":354,"order":85,"media_type":41},"\u002Flzlbvv1HCvHPkQEKC9blpTh3tdU.jpg",[44],410067,"Pasolini and the Form of the City","Io e... Pasolini e... la forma della città","During the filming of Arabian Nights (1974), Pier Paolo Pasolini talks about his passion for protecting the complete form of ancient cities and shows us Orte and Sabaudia. Part of a TV Series documentary in 8 episodes.",0.9934,"\u002Fcl4VBVZYuqBMMY9dh8D4Nz9mJJE.jpg","1974-02-07","57addaa692514118f20000d1",{"adult":4,"backdrop_path":12,"genre_ids":356,"id":357,"title":358,"original_language":198,"original_title":358,"overview":359,"popularity":360,"poster_path":361,"release_date":362,"softcore":4,"video":4,"vote_average":179,"vote_count":120,"character":90,"credit_id":363,"order":85,"media_type":41},[44],368826,"Pasolini l'Enragé","The first \"filmed portrait\" of Pasolini was created by French television in July 1966 as part of the prestigious series Cinéastes de notre temps, directed by Janine Bazin and André S. Labarthe. Interviewed on the streets of the Roman suburbs and in his studio, Pasolini analyzes his dramatic relationship with Italian society and retraces the trajectory of his works up to Hawks and Sparrows.",0.8413,"\u002FfVwyxiDROYTgdl3fe2exQMowKeR.jpg","1966-11-15","66d5f1379dd6a5dabc65b2a0",{"adult":4,"backdrop_path":12,"genre_ids":365,"id":366,"title":208,"original_language":30,"original_title":209,"overview":367,"popularity":368,"poster_path":12,"release_date":369,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":53,"credit_id":370,"order":85,"media_type":41},[44],1338837,"Created in 2009 by Alfredo Jaar, The Ashes of Pasolini is a short film commemorating the life of the famous Italian filmmaker, writer and thinker Pier Paolo Pasolini (1922-1975) who was assassinated under mysterious circumstances.",1.1071,"2009-08-27","66cb6ab027c184ada7167c28",{"adult":4,"backdrop_path":372,"genre_ids":373,"id":374,"title":375,"original_language":30,"original_title":376,"overview":377,"popularity":378,"poster_path":379,"release_date":380,"softcore":4,"video":4,"vote_average":381,"vote_count":382,"character":383,"credit_id":384,"order":85,"media_type":41},"\u002Fsn5dvn1g977bejLHGyMUlXeEXn7.jpg",[44],42733,"Love Meetings","Comizi d'amore","Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.",2.5925,"\u002FolOuK4gkrYzgo7xJWR1EugZ2vdS.jpg","1965-07-05",8.2,301,"Self - Interviewer (uncredited)","5902e0b29251413e3b006453",{"adult":4,"backdrop_path":12,"genre_ids":386,"id":387,"title":388,"original_language":30,"original_title":388,"overview":389,"popularity":390,"poster_path":391,"release_date":392,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":393,"credit_id":394,"order":85,"media_type":41},[44],373375,"Via Pasolini","A documentary featuring archival footage of Pasolini discussing his views on language, film, and modern society.",0.8774,"\u002FddRUwNpSwRkn5BV7jPGDO4wnjeR.jpg","2005-01-01","Interviewee","59176edd9251415723037eca",{"adult":4,"backdrop_path":12,"genre_ids":396,"id":397,"title":398,"original_language":30,"original_title":399,"overview":400,"popularity":401,"poster_path":352,"release_date":402,"softcore":4,"video":4,"vote_average":40,"vote_count":120,"character":403,"credit_id":404,"order":258,"media_type":41},[44],457679,"Pasolini and the Secret Humiliation of Chaucer","Pasolini e l'umiliazione segreta di Chaucer","Documentary about the making of Pier Paolo Pasolini's The Canterbury Tales (1972), and particularly focusing on the many edits and cut scenes that were made before the film's release.",1.349,"2006-06-30","Interviewee (archive)","5918edb9925141061e045110",{"adult":4,"backdrop_path":12,"genre_ids":406,"id":407,"title":408,"original_language":47,"original_title":409,"overview":410,"popularity":411,"poster_path":412,"release_date":413,"softcore":4,"video":4,"vote_average":270,"vote_count":11,"character":90,"credit_id":414,"order":85,"media_type":41},[44],272063,"Salò: Yesterday and Today","Salò d'hier à aujourd'hui","A thirty-three-minute documentary featuring interviews with director Pier Paolo Pasolini, actor-filmmaker Jean-Claude Biette, and Pasolini friend Ninetto Davoli.",1.5272,"\u002FejmBiw56Ky4WXNKcHLbuShfr8qk.jpg","2002-10-24","59c7f5629251415b2405f07e",{"adult":4,"backdrop_path":12,"genre_ids":416,"id":417,"title":418,"original_language":30,"original_title":419,"overview":420,"popularity":421,"poster_path":422,"release_date":423,"softcore":4,"video":4,"vote_average":424,"vote_count":11,"character":256,"credit_id":425,"order":85,"media_type":41},[44],482914,"The Isle of Medea","L'Isola di Medea","On the 40th anniversary of the death of Maria Callas (September 16, 1977), with footage never seen before from Pier Paolo Pasolini's film MEDEA, this film celebrates the genius and sensibility of two icons of the XX century.",1.3558,"\u002FcegAatCV3q63uqQtzMG6F0CvH5x.jpg","2016-08-31",4.8,"59edd095c3a3685204027a89",{"adult":4,"backdrop_path":12,"genre_ids":427,"id":428,"title":429,"original_language":30,"original_title":429,"overview":430,"popularity":431,"poster_path":432,"release_date":433,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":90,"credit_id":434,"order":270,"media_type":41},[44],490702,"La rabbia 1, la rabbia 2, la rabbia 3... l'Arabia","The story of La Rabbia by Pier Paolo Pasolini and Giovanni Guareschi, a movie lost in the archives of a laboratory in Rome, and recently re-discovered.",0.9475,"\u002FfS2rhfcHIPdml24LgcWxaTkR8lG.jpg","2008-01-01","5a24d5aac3a3680b880d6d2b",{"adult":4,"backdrop_path":12,"genre_ids":436,"id":437,"title":438,"original_language":30,"original_title":439,"overview":440,"popularity":441,"poster_path":442,"release_date":443,"softcore":4,"video":4,"vote_average":444,"vote_count":258,"character":256,"credit_id":445,"order":446,"media_type":41},[44],377956,"My Name Is Anna Magnani","Io sono Anna Magnani","Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.",1.1238,"\u002Fn3BxVHCd4v1QHEbXS8lihQMczvr.jpg","1980-09-30",8.7,"5a28e53f925141032611687a",11,{"adult":4,"backdrop_path":12,"genre_ids":448,"id":449,"title":450,"original_language":30,"original_title":451,"overview":452,"popularity":453,"poster_path":454,"release_date":455,"softcore":4,"video":4,"vote_average":179,"vote_count":120,"character":53,"credit_id":456,"order":142,"media_type":41},[44],518924,"Bellissimo: Images of the Italian Cinema","Bellissimo: Immagini del cinema italiano","A documentary about the Italian cinema as art form and industry.",1.3299,"\u002F4wcBZoNJPcrm3X24qiQUTQau8I.jpg","1985-01-01","5ad6e11c0e0a2674d20074f0",{"adult":4,"backdrop_path":458,"genre_ids":459,"id":461,"title":462,"original_language":198,"original_title":463,"overview":464,"popularity":465,"poster_path":466,"release_date":51,"softcore":4,"video":4,"vote_average":182,"vote_count":11,"character":290,"credit_id":467,"order":120,"media_type":41},"\u002F4yFVj2lsUadYJUCL17POeF4gPoV.jpg",[44,460],10770,545307,"Pasolini Interviews: Ezra Pound","Pasolini intervista: Ezra Pound","Ezra Pound, an acclaimed modern American poet living in Rapallo, was tried for treason because of his radio broadcasts extolling Mussolini. This is Pasolini's interview with him.",1.0385,"\u002FxZ0A1zBDfKDoiO0xJO2vbcszRak.jpg","5b86cdcac3a3683f8800e828",{"adult":4,"backdrop_path":12,"genre_ids":469,"id":470,"title":471,"original_language":30,"original_title":471,"overview":472,"popularity":473,"poster_path":474,"release_date":475,"softcore":4,"video":4,"vote_average":119,"vote_count":120,"character":90,"credit_id":476,"order":85,"media_type":41},[44],561148,"Pasolini - Il corpo e la voce","Interactive documentary about Pier Paolo Pasolini.",1.3286,"\u002Fu5AIrLRnIgHHhbXC3Brzym46n1S.jpg","2015-10-24","5be8884592514143f202f1a5",{"adult":4,"backdrop_path":478,"genre_ids":479,"id":480,"title":481,"original_language":482,"original_title":483,"overview":484,"popularity":485,"poster_path":486,"release_date":487,"softcore":4,"video":4,"vote_average":142,"vote_count":120,"character":256,"credit_id":488,"order":70,"media_type":41},"\u002FjAzV1ojrTZQJrMQZRw1lANVPjyI.jpg",[44,26,460],561308,"Pier Paolo Pasolini: An Italian Journey","de","Pier Paolo Pasolinis Reisen durch Italien","In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.",1.2483,"\u002FiiK05jrLUuV3xB6BrJQBSIQAaNY.jpg","2018-10-21","5be9bf7f0e0a263c000451db",{"adult":4,"backdrop_path":12,"genre_ids":490,"id":491,"title":492,"original_language":493,"original_title":492,"overview":90,"popularity":494,"poster_path":12,"release_date":495,"softcore":4,"video":4,"vote_average":40,"vote_count":182,"character":496,"credit_id":497,"order":182,"media_type":41},[44],565969,"Pasolini, el poeta en la playa","es",0.8878,"2000-11-30","Archive footage","5c02a78cc3a368637009eb2c",{"adult":4,"backdrop_path":12,"genre_ids":499,"id":500,"title":501,"original_language":30,"original_title":501,"overview":502,"popularity":503,"poster_path":12,"release_date":51,"softcore":4,"video":4,"vote_average":40,"vote_count":11,"character":290,"credit_id":504,"order":85,"media_type":41},[44],569532,"Pier Paolo Pasolini: Primo piano. Personaggi e problemi dell'Italia d'oggi","Portrait of Pier Paolo Pasolini and his literary and cinematographic activity in the proletarian Rome.",0.8285,"5c1a08010e0a2657aa1c2e47",{"adult":4,"backdrop_path":12,"genre_ids":506,"id":507,"title":508,"original_language":30,"original_title":509,"overview":510,"popularity":511,"poster_path":512,"release_date":513,"softcore":4,"video":4,"vote_average":81,"vote_count":142,"character":53,"credit_id":514,"order":11,"media_type":41},[44],48851,"Notes for a Film in India","Appunti per un film sull'India","A 1968 short documentary film by Pier Paolo Pasolini where he visits India in the search of a king who could give up his body to feed a starving tiger.",1.0257,"\u002FwTD7IUADiuGkH7FSCIbyhnWctZO.jpg","1968-08-18","5c2630530e0a263e1b0bc9d8",{"adult":4,"backdrop_path":516,"genre_ids":517,"id":518,"title":519,"original_language":198,"original_title":519,"overview":520,"popularity":521,"poster_path":522,"release_date":523,"softcore":4,"video":4,"vote_average":524,"vote_count":258,"character":53,"credit_id":525,"order":85,"media_type":41},"\u002FqmXR4XRYoKIMmXWyyIbwNTpWAqf.jpg",[44],497300,"Pier Paolo Pasolini: A Film Maker's Life","Documentary about Italian movie director Pier Paolo Pasolini, with interviews with some of his actors and friends.",1.2835,"\u002F4JnqEN6ZBuqJt2Tx9rlJ40qGGer.jpg","1971-06-01",5.7,"5d14afe384591c001eb1f9e3",{"adult":4,"backdrop_path":12,"genre_ids":527,"id":528,"title":529,"original_language":30,"original_title":530,"overview":531,"popularity":532,"poster_path":533,"release_date":534,"softcore":4,"video":4,"vote_average":66,"vote_count":142,"character":256,"credit_id":535,"order":120,"media_type":41},[44],623907,"Bernardo Bertolucci: What Is the Purpose of Cinema?","Bernardo Bertolucci: A cosa serve il cinema?","It is a chronological compilation of film clips, awards ceremonies and brief period interviews gathered by journalist Sandro Lai.",1.2795,"\u002Fs1zRCtLh9RRTyaQQgMgkb6O8Spg.jpg","2002-08-10","5d583cee1684f71b64c9ecd8",{"adult":4,"backdrop_path":12,"genre_ids":537,"id":538,"title":539,"original_language":30,"original_title":539,"overview":540,"popularity":541,"poster_path":542,"release_date":543,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":256,"credit_id":544,"order":545,"media_type":41},[44],685786,"Il falso bugiardo","Based upon Vincenzoni's biography, \"Pane e cinema\", the documentary traces the story of the screen play writer who invented many stories that became blockbusters throughout the world.",1.08,"\u002FqhhdFIpPc9cjRqHGjjt2pBFBP2V.jpg","2008-07-03","5e78d7cbcabfe40013252ae9",26,{"adult":4,"backdrop_path":12,"genre_ids":547,"id":548,"title":549,"original_language":482,"original_title":549,"overview":550,"popularity":551,"poster_path":552,"release_date":553,"softcore":4,"video":4,"vote_average":179,"vote_count":120,"character":90,"credit_id":554,"order":40,"media_type":41},[],700719,"S.P.Q.R.","In this movie, director Volker Koch wants to reveal \"petty-bourgeois fixations of consciousness and late capitalist myths of happiness\". The protagonists: an American hustler, a drama student, a Munich waitress and her boyfriend who hope for money, a career and luck from a trip to Rome together.",1.2738,"\u002FgUXszqM1xS5AppcahbtFIPl9mwh.jpg","1972-07-10","5eb1b346706e5600273e6a2c",{"adult":4,"backdrop_path":556,"genre_ids":557,"id":558,"title":559,"original_language":482,"original_title":559,"overview":560,"popularity":561,"poster_path":562,"release_date":563,"softcore":4,"video":4,"vote_average":564,"vote_count":258,"character":90,"credit_id":565,"order":120,"media_type":41},"\u002F3qDmonHAnONzzPVhgAUOsgiToNu.jpg",[44],736738,"Vor mir der Süden","3,700 km of coastline, a Fiat 1100, and an old travel diary, those are the ingredients for Pepe Danquart’s documentary. Following the footsteps of the great Italian thinker Pier Paolo Pasolini, the filmmaker gains a deep insight into the social reality of present-day Italy. The country is massively affected by globalization, migration and the phenomenon of mass tourism, which, more than ever, is characterised by the same hedonistic conformity that Pasolini lamented more than fifty years ago. Ahead of me the South is a poetic contemporary document, a kaleidoscopic picture of the Italy of today.",1.0733,"\u002FAsTrdbNJwnx5Pmkbi0RHZgoPdT7.jpg","2021-07-01",7.7,"5f45ff75511d090035b81057",{"adult":4,"backdrop_path":567,"genre_ids":568,"id":569,"title":570,"original_language":30,"original_title":570,"overview":571,"popularity":572,"poster_path":573,"release_date":313,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":90,"credit_id":574,"order":85,"media_type":41},"\u002FogAHBTDxyi02OuTUDhTchK0q2oH.jpg",[44],769206,"L’Ultima Partita di Pasolini","On September 14, 1975, Pier Paolo Pasolini played his last game of football, before his death, in San Benedetto del Tronto. “The last match of Pasolini” starts from a pretext of a football game, to tell a historical period that was fundamental for the whole of Italy, with its contradictions and tragedies, through an apparently playful vision of Pasolini, but that allows us to understand better the importance of the Italian poet and director.",1.1844,"\u002FwxheOSpDR82U8sGJmVGSOKxgUfT.jpg","5fc163fc54508d003edacb7c",{"adult":4,"backdrop_path":12,"genre_ids":576,"id":577,"title":578,"original_language":198,"original_title":578,"overview":579,"popularity":580,"poster_path":581,"release_date":582,"softcore":4,"video":4,"vote_average":120,"vote_count":11,"character":583,"credit_id":584,"order":85,"media_type":41},[44],583667,"Pasolini's Last Words","This elegiac essay explores the year leading up to Pier Paolo Pasolini's murder in 1975. Through staging scenes from his last, unfinished novel, to exploring his polemical essays, and his first and last film, this experimental biography documents the final words of one of the most important filmmakers of the 20th century.",0.7145,"\u002FbFPY1JIA8sSjEQvt6WuMJZquN92.jpg","2012-01-02","Self (archive)","600e9406c8113d003e92296f",{"adult":4,"backdrop_path":12,"genre_ids":586,"id":587,"title":588,"original_language":30,"original_title":588,"overview":589,"popularity":590,"poster_path":591,"release_date":592,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":90,"credit_id":593,"order":85,"media_type":41},[],795996,"Visioni della Medea (tracce di un film sognato)","Some of the scenes cut from the final editing of Medea by Pier Paolo Pasolini, fortunately found by L’Officina - a historic Roman film club born in the 1970s - on the initiative of Cinemazero in Pordenone have been preserved and digitized at the Cineteca del Friuli. These materials, with the care of the Pasolini scholar Luciano De Giusti, have been reassembled, accompanied by texts \u002F readings and original music by Paolo Corberi: here are the \"Visions of the Medea (traces of a dreamed film)\", now a very important document to reconstruct the creative process of production and reliving the poetic \u002F lyrical aura of the film's protagonists and places, including the lagoon of Grado (GO).",0.8444,"\u002FmM7jfGEAeU2HQmJB2i78nIky1NC.jpg","2004-01-01","602587a9498ef9003df79fb8",{"adult":4,"backdrop_path":12,"genre_ids":595,"id":596,"title":597,"original_language":30,"original_title":597,"overview":598,"popularity":599,"poster_path":600,"release_date":392,"softcore":4,"video":4,"vote_average":52,"vote_count":120,"character":90,"credit_id":601,"order":85,"media_type":41},[],796047,"Salò, l’ultimo film di Pier Paolo Pasolini","A sequence of unpublished photographs by Deborah Beer taken during the filming of the torture scenes on the set of \"Salo, or the 120 Days of Sodom\" is accompanied by the voice - recorded by Gideon Bachmann - of Pier Paolo Pasolini who directs the actors: a portrait of the director and his way of working that testifies its determined and passionate “filmmaking\"",1.0904,"\u002Flha4A7bOEBghAvRszVuUQcLCqUF.jpg","6025aefcabf8e2003ea67951",{"adult":4,"backdrop_path":12,"genre_ids":603,"id":604,"title":605,"original_language":30,"original_title":606,"overview":607,"popularity":608,"poster_path":609,"release_date":610,"softcore":4,"video":4,"vote_average":611,"vote_count":192,"character":256,"credit_id":612,"order":179,"media_type":41},[44],279852,"Federico Fellini's Autobiography","Federico Fellini - un autoritratto ritrovato","Federico Fellini was one of the most individual and thought provoking directors who based most of his films upon his own reflections, dreams, life events and fantasies, who did not convey any special message for humanity but regarded cinema simply as entertainment. Is there an answer to everything? Can it possibly be? If yes, then life can no longer be so curious, so dynamic, so creative...",1.2568,"\u002FhEZSCygVniO0Hufal5tVLAvJ2FE.jpg","2000-09-05",6.4,"60ffca997ad08c0046eccd70",{"adult":4,"backdrop_path":614,"genre_ids":615,"id":616,"title":617,"original_language":47,"original_title":617,"overview":618,"popularity":619,"poster_path":620,"release_date":621,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":622,"credit_id":623,"order":258,"media_type":41},"\u002FtaWOoQnjyXHQpF8moRfe4YSQqq0.jpg",[],1366526,"imagenaction","The confrontation of reality and dream.",1.5539,"\u002FkpAvV0Cgla3d5HA3vD40c2Vm1Zz.jpg","2024-11-05","Archive footage (voice)","6700ed48fa3e69e0ef7cf026",{"adult":4,"backdrop_path":12,"genre_ids":625,"id":626,"title":627,"original_language":47,"original_title":627,"overview":628,"popularity":629,"poster_path":630,"release_date":631,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":256,"credit_id":632,"order":258,"media_type":41},[44],613817,"Pasolini, la passion de Rome","For Pasolini, Rome is neither just a simple setting or a place to live. Rome had a physical, carnal and passionate existence for the man and the poet.",1.0741,"\u002FbZ64MS2qyE3gWuodNCf7R57O9Yp.jpg","2014-01-22","67d5b16825f01d54167bb828",{"adult":4,"backdrop_path":634,"genre_ids":635,"id":636,"title":637,"original_language":30,"original_title":638,"overview":639,"popularity":640,"poster_path":641,"release_date":642,"softcore":4,"video":4,"vote_average":524,"vote_count":643,"character":644,"credit_id":645,"order":85,"media_type":41},"\u002F9L9QuEZfJQTRC9KiWI5AvoM3xOK.jpg",[44],70495,"Whoever Says the Truth Shall Die","Wie de Waarheid Zegt Moet Dood","Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.",1.9851,"\u002FldgHTDuR2IAyzf2pIw1XxcWaAxw.jpg","1981-02-28",13,"Self- archive footage","67de9af3c28404e629f57f81",{"adult":4,"backdrop_path":12,"genre_ids":647,"id":648,"title":649,"original_language":30,"original_title":649,"overview":650,"popularity":651,"poster_path":652,"release_date":653,"softcore":4,"video":4,"vote_average":182,"vote_count":182,"character":654,"credit_id":655,"order":85,"media_type":41},[44],647900,"Arruso","In relation to some of Pasolini's visits to Palermo for this last film, in 2000 Ciprì and Maresco shot Arruso, which begins with a phrase by Pasolini (\"I banished the word hope from my vocabulary\") and consists of imaginary interviews with some local characters who are presumed to have had homosexual relationships with the director. The two record the testimonies, sometimes affectionate others less, of those who had the opportunity to meet him and know the trends on the occasion of that trip.",1.8093,"\u002F3GZy4x2l0UCsZmyU4aU6J9D3HhH.jpg","2000-11-13","Sé stesso (Materiale d'archivio)","682679e934f0b6d3852d2b8b",{"adult":4,"backdrop_path":12,"genre_ids":657,"id":658,"title":659,"original_language":30,"original_title":660,"overview":661,"popularity":662,"poster_path":663,"release_date":664,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":53,"credit_id":665,"order":85,"media_type":41},[44],1523709,"Backstage on the Set of Salò, or the 120 Days of Sodom","Backstage sul set di Salò","A journey behind the shooting on the set of Salò, a backstage by Gideon Bachman, recorded during the realization of the torture scenes, enriched by long interviews with actors.",1.4241,"\u002FzMK247upVAb1DJ2azOc93s548aA.jpg","1975-12-10","688d2216e71d344f20b2244e",{"adult":4,"backdrop_path":12,"genre_ids":667,"id":668,"title":669,"original_language":198,"original_title":669,"overview":670,"popularity":671,"poster_path":672,"release_date":90,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":673,"credit_id":674,"order":85,"media_type":41},[],1577337,"Volgar Eloquio","Volgar Eloquio is a performance-based video work depicting the typing of a poem by Pasolini, Versi del Testamento (11969), in real-time. The poem describes Pasolini's inner solitude as he walks through the streets of Rome.",1.3381,"\u002Fdl9o0Ca4HtR3BtaRSK42LQvvGzF.jpg","self","69101f221bfc2ab5fdce84b2",{"adult":4,"backdrop_path":12,"genre_ids":676,"id":677,"title":678,"original_language":198,"original_title":678,"overview":679,"popularity":680,"poster_path":681,"release_date":90,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":53,"credit_id":682,"order":85,"media_type":41},[],1577340,"Sfuge (apres Varda)","Sfuge presents fleeting glimpses of Pasolini as he walks through New York City, appropriating moments from Agnès Varda’s film Pasolini (1967).",0.5883,"\u002FfLmybZFPi61KAx5IZc7r2HlljOY.jpg","69102024cb8da97d83d25689",{"adult":4,"backdrop_path":12,"genre_ids":684,"id":685,"title":686,"original_language":47,"original_title":687,"overview":688,"popularity":689,"poster_path":690,"release_date":691,"softcore":4,"video":4,"vote_average":52,"vote_count":27,"character":315,"credit_id":692,"order":258,"media_type":41},[44],116401,"Histoire(s) du Cinéma 3a: The Coin of the Absolute","Histoire(s) du cinéma 3a : la monnaie de l'absolu","Part 5 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.",1.2967,"\u002FhXSVbwuAcDrqBWIpEuOJ5I53aHQ.jpg","2006-02-12","69c5225120ec80a833420ac1",{"adult":4,"backdrop_path":12,"genre_ids":694,"id":695,"title":696,"original_language":47,"original_title":696,"overview":697,"popularity":698,"poster_path":699,"release_date":700,"softcore":4,"video":4,"vote_average":11,"vote_count":120,"character":90,"credit_id":701,"order":702,"media_type":41},[44],847138,"Morceaux de Cannes","We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's \"Morceaux de Cannes\" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.",2.0473,"\u002Fas5HrR2xYEko9jY1QQHwKfJImy6.jpg","2021-07-02","69c573c819f565d1251c8545",72,{"adult":4,"backdrop_path":12,"genre_ids":704,"id":705,"title":706,"original_language":482,"original_title":706,"overview":90,"popularity":707,"poster_path":708,"release_date":392,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":709,"credit_id":710,"order":85,"media_type":41},[44],1665999,"Der Sanfte Radikale",0.804,"\u002F1sSxh2NgEfYg3hMbH09wVD9fvMV.jpg","himself (archive footage)","69d63f1ff5977e8edccc0759",{"adult":4,"backdrop_path":12,"genre_ids":712,"id":713,"title":714,"original_language":715,"original_title":714,"overview":716,"popularity":717,"poster_path":718,"release_date":719,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":315,"credit_id":720,"order":721,"media_type":41},[],1657395,"Proust Palimpsesto: Pastiches e Misturas","pt","\"Proust Palimpsesto: Pastiches e Misturas\" (2026) is a Brazilian film essay directed by Carlos Adriano. The film, which explores the impossibility of filming Marcel Proust's \"In Search of Time That Flew\", is presented as a collage of archival images and theories.",2.2248,"\u002F9Om8JwozEfmulcF4Oe27tX8w8QO.jpg","2026-04-14","69defc5f16b8fd206e39423e",17,{"adult":4,"backdrop_path":12,"genre_ids":723,"id":724,"title":725,"original_language":198,"original_title":725,"overview":726,"popularity":727,"poster_path":728,"release_date":362,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":729,"credit_id":730,"order":85,"media_type":41},[44],1733368,"Cinéastes de notre temps : Pier Paolo Pasolini","wide-ranging conversations with the irector as well as interviews with the actors and collaborators who helpe shape his cinemtic universe over the course of the sixties.",0.9982,"\u002FckBwAXub8xIxr7qmcCs7jzfCSxV.jpg","himself","6a5aed0dfe8d99a481acc321",{"adult":4,"backdrop_path":12,"genre_ids":732,"id":733,"origin_country":734,"original_language":30,"original_name":736,"overview":90,"popularity":737,"poster_path":12,"first_air_date":738,"softcore":4,"name":736,"vote_average":85,"vote_count":85,"character":53,"credit_id":739,"episode_count":303,"first_credit_air_date":738,"media_type":740},[],309651,[735],"IT","Quelli che il cinema",4.5271,"2025-12-31","695e7e22584ac890313e6489","tv",[742,756,759,768,775,788,791,803,807,811,814,817,827,830,843,846,849,862,874,877,880,883,896,908,920,923,934,937,949,952,955,958,971,983,987,1000,1003,1008,1011,1022,1025,1035,1038,1041,1053,1064,1067,1070,1081,1084,1094,1106,1109,1118,1130,1133,1138,1148,1151,1154,1157,1160,1163,1166,1173,1182,1193,1205,1216,1226,1238,1241,1253,1265,1269,1272,1285,1288,1298,1308,1320,1323,1333,1343,1346,1349,1361,1364,1367,1370,1381,1384,1394,1408,1411,1414,1423,1434,1445,1457,1466,1475],{"adult":4,"backdrop_path":743,"genre_ids":744,"id":746,"title":747,"original_language":30,"original_title":748,"overview":749,"popularity":750,"poster_path":751,"release_date":752,"softcore":4,"video":4,"vote_average":142,"vote_count":753,"credit_id":754,"department":15,"job":755,"media_type":41},"\u002F7o5uc27hJD4L95ZnJO9CR5iHdfQ.jpg",[745,27],9648,5335,"Theorem","Teorema","A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.",4.782,"\u002FwftXxZPCduFbv9TsVRZfCy2qDsn.jpg","1968-09-07",463,"52fe4403c3a36847f807d37f","Director",{"adult":4,"backdrop_path":23,"genre_ids":757,"id":28,"title":29,"original_language":30,"original_title":31,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"credit_id":758,"department":15,"job":755,"media_type":41},[25,26,27],"52fe4418c3a36847f8082061",{"adult":4,"backdrop_path":12,"genre_ids":760,"id":761,"title":762,"original_language":30,"original_title":762,"overview":90,"popularity":763,"poster_path":12,"release_date":764,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"credit_id":765,"department":766,"job":767,"media_type":41},[44],945217,"Caschi d'oro",1.1032,"1960-01-01","62200c118a88b2001c71ae05","Writing","Writer",{"adult":4,"backdrop_path":12,"genre_ids":769,"id":770,"title":771,"original_language":30,"original_title":771,"overview":90,"popularity":772,"poster_path":12,"release_date":773,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"credit_id":774,"department":766,"job":767,"media_type":41},[44],945215,"Il mago",1.1661,"1959-01-01","62200ae97719d7006da426b6",{"adult":4,"backdrop_path":776,"genre_ids":777,"id":778,"title":779,"original_language":30,"original_title":780,"overview":781,"popularity":782,"poster_path":783,"release_date":784,"softcore":4,"video":4,"vote_average":785,"vote_count":786,"credit_id":787,"department":15,"job":755,"media_type":41},"\u002Fiz7xP1INmMTAfRKaToWVmXrrE1P.jpg",[27],24192,"The Gospel According to St. Matthew","Il vangelo secondo Matteo","Along a rocky, barren coastline, Jesus begins teaching, primarily using parables. He attracts disciples; he's stern, brusque, and demanding. His parables often take on the powers that be, so he and his teachings come to the attention of the Pharisees, the chief priests, and elders. They conspire to have him arrested, beaten, tried, and crucified, just as he prophesied to his followers.",6.5711,"\u002Foifi2CQkKbb6Y2x6J5K6CjaKab9.jpg","1965-03-03",7.4,428,"52fe4489c3a368484e028605",{"adult":4,"backdrop_path":776,"genre_ids":789,"id":778,"title":779,"original_language":30,"original_title":780,"overview":781,"popularity":782,"poster_path":783,"release_date":784,"softcore":4,"video":4,"vote_average":785,"vote_count":786,"credit_id":790,"department":766,"job":767,"media_type":41},[27],"52fe4489c3a368484e02860b",{"adult":4,"backdrop_path":792,"genre_ids":793,"id":794,"title":795,"original_language":30,"original_title":795,"overview":796,"popularity":797,"poster_path":798,"release_date":799,"softcore":4,"video":4,"vote_average":800,"vote_count":801,"credit_id":802,"department":15,"job":755,"media_type":41},"\u002FrJSCS5EP9JGjNECa5hEB9Bsibjf.jpg",[27],12491,"Accattone","A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.",2.469,"\u002F113ts2Bmm5CZ3YJMwfCU9XGFCAf.jpg","1961-09-25",7.713,531,"52fe44ec9251416c75045989",{"adult":4,"backdrop_path":792,"genre_ids":804,"id":794,"title":795,"original_language":30,"original_title":795,"overview":796,"popularity":797,"poster_path":798,"release_date":799,"softcore":4,"video":4,"vote_average":800,"vote_count":801,"credit_id":805,"department":766,"job":806,"media_type":41},[27],"52fe44ec9251416c7504598f","Screenplay",{"adult":4,"backdrop_path":792,"genre_ids":808,"id":794,"title":795,"original_language":30,"original_title":795,"overview":796,"popularity":797,"poster_path":798,"release_date":799,"softcore":4,"video":4,"vote_average":800,"vote_count":801,"credit_id":809,"department":766,"job":810,"media_type":41},[27],"62241efd8d52c9001d8a838f","Story",{"adult":4,"backdrop_path":57,"genre_ids":812,"id":59,"title":60,"original_language":30,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":67,"credit_id":813,"department":15,"job":755,"media_type":41},[26,27,25],"52fe45259251416c91028fe7",{"adult":4,"backdrop_path":57,"genre_ids":815,"id":59,"title":60,"original_language":30,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":67,"credit_id":816,"department":766,"job":767,"media_type":41},[26,27,25],"52fe45259251416c91028fed",{"adult":4,"backdrop_path":12,"genre_ids":818,"id":819,"title":820,"original_language":30,"original_title":821,"overview":822,"popularity":823,"poster_path":824,"release_date":825,"softcore":4,"video":4,"vote_average":179,"vote_count":120,"credit_id":826,"department":15,"job":755,"media_type":41},[44],951192,"Notes for a Novel About Garbage","Appunti per un romanzo sull'immondezza","In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.",1.3988,"\u002Ft8SiBuLmpCBLyBPESzgL96otpTH.jpg","1970-02-02","6235eb00a84a4700445621ac",{"adult":4,"backdrop_path":12,"genre_ids":828,"id":819,"title":820,"original_language":30,"original_title":821,"overview":822,"popularity":823,"poster_path":824,"release_date":825,"softcore":4,"video":4,"vote_average":179,"vote_count":120,"credit_id":829,"department":766,"job":767,"media_type":41},[44],"6235eb0bdb4ed60073b706b9",{"adult":4,"backdrop_path":831,"genre_ids":832,"id":834,"title":835,"original_language":30,"original_title":835,"overview":836,"popularity":837,"poster_path":838,"release_date":839,"softcore":4,"video":4,"vote_average":840,"vote_count":841,"credit_id":842,"department":766,"job":767,"media_type":41},"\u002Fib13RxoXJ28IjcI3xKplNEkxTdq.jpg",[27,833],14,26356,"Medea","Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.",3.0502,"\u002FwkSDxihi8njeITBNWQJYfrNU7eA.jpg","1969-12-28",6.656,196,"52fe44fdc3a368484e042525",{"adult":4,"backdrop_path":831,"genre_ids":844,"id":834,"title":835,"original_language":30,"original_title":835,"overview":836,"popularity":837,"poster_path":838,"release_date":839,"softcore":4,"video":4,"vote_average":840,"vote_count":841,"credit_id":845,"department":15,"job":755,"media_type":41},[27,833],"52fe44fdc3a368484e04251f",{"adult":4,"backdrop_path":72,"genre_ids":847,"id":74,"title":75,"original_language":30,"original_title":76,"overview":77,"popularity":78,"poster_path":79,"release_date":80,"softcore":4,"video":4,"vote_average":81,"vote_count":82,"credit_id":848,"department":766,"job":767,"media_type":41},[44],"62254fba7c6de300664bb0cf",{"adult":4,"backdrop_path":850,"genre_ids":851,"id":852,"title":853,"original_language":30,"original_title":854,"overview":855,"popularity":856,"poster_path":857,"release_date":858,"softcore":4,"video":4,"vote_average":859,"vote_count":860,"credit_id":861,"department":15,"job":755,"media_type":41},"\u002FsS0P6Kzfb95vopsqXdlNUgvkZQV.jpg",[25,833],33954,"The Hawks and the Sparrows","Uccellacci e uccellini","A man and his son take an allegorical stroll through life with a talking bird that spouts social and political philosophy.",2.6244,"\u002F4IUw0b8k6vHpuCaAqOSELJwaB7p.jpg","1966-05-04",7.2,377,"52fe45489251416c9102cf59",{"adult":4,"backdrop_path":863,"genre_ids":864,"id":865,"title":866,"original_language":30,"original_title":867,"overview":868,"popularity":869,"poster_path":870,"release_date":871,"softcore":4,"video":4,"vote_average":40,"vote_count":872,"credit_id":873,"department":15,"job":755,"media_type":41},"\u002F6C3A8UH5oEoqFDq8L3qKv332t2n.jpg",[25,27],36236,"The Witches","Le streghe","Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife\u002Fmother. A man seeks revenge for a woman's honor. A bored housewife tries to explain to her husband that he's not as romantic as he used to be.",4.3589,"\u002F7ptxCzOW7aqvXKTWV0fxwnZMH8M.jpg","1967-02-22",79,"52fe45d79251416c91040353",{"adult":4,"backdrop_path":216,"genre_ids":875,"id":218,"title":219,"original_language":30,"original_title":220,"overview":221,"popularity":222,"poster_path":223,"release_date":224,"softcore":4,"video":4,"vote_average":163,"vote_count":225,"credit_id":876,"department":766,"job":767,"media_type":41},[27],"52fe4612c3a36847f80eaf7d",{"adult":4,"backdrop_path":216,"genre_ids":878,"id":218,"title":219,"original_language":30,"original_title":220,"overview":221,"popularity":222,"poster_path":223,"release_date":224,"softcore":4,"video":4,"vote_average":163,"vote_count":225,"credit_id":879,"department":15,"job":755,"media_type":41},[27],"52fe4612c3a36847f80eaf77",{"adult":4,"backdrop_path":372,"genre_ids":881,"id":374,"title":375,"original_language":30,"original_title":376,"overview":377,"popularity":378,"poster_path":379,"release_date":380,"softcore":4,"video":4,"vote_average":381,"vote_count":382,"credit_id":882,"department":15,"job":755,"media_type":41},[44],"52fe4615c3a36847f80ebde7",{"adult":4,"backdrop_path":884,"genre_ids":885,"id":887,"title":888,"original_language":30,"original_title":889,"overview":890,"popularity":891,"poster_path":892,"release_date":893,"softcore":4,"video":4,"vote_average":894,"vote_count":97,"credit_id":895,"department":766,"job":806,"media_type":41},"\u002FvDigHPfbnWcidpihf7I1mo7i7Vi.jpg",[170,27,886],10749,62365,"Long Night in '43","La lunga notte del '43","1943. The affair between Anna, unhappily married to wheelchair-bound Pino, and deserter Franco unfolds in foggy Ferrara, intertwining with the power struggle taking place within local Fascist ranks that culminates in a massacre of civilians, including Franco's father – Pino sees it all from his window, but will he tell anyone?",1.8747,"\u002F6KFQuNlkJS3CWNWzRm8apR53vnI.jpg","1960-09-15",7.1,"52fe467bc3a368484e092fe5",{"adult":4,"backdrop_path":897,"genre_ids":898,"id":899,"title":900,"original_language":30,"original_title":901,"overview":902,"popularity":903,"poster_path":904,"release_date":905,"softcore":4,"video":4,"vote_average":142,"vote_count":906,"credit_id":907,"department":766,"job":767,"media_type":41},"\u002F4OHOwAcpROCL5jKttNF56KYnAHB.jpg",[44],49152,"La Rabbia","La rabbia","Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their \"salvation\", and suggesting that their \"innocent ferocity\" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.",1.2273,"\u002FthP95HJ5eOx0HrZ5jXhDUpqLaA5.jpg","1963-04-13",29,"6250d9e0109cd0006692de7b",{"adult":4,"backdrop_path":909,"genre_ids":910,"id":911,"title":912,"original_language":30,"original_title":912,"overview":913,"popularity":914,"poster_path":915,"release_date":916,"softcore":4,"video":4,"vote_average":917,"vote_count":918,"credit_id":919,"department":766,"job":806,"media_type":41},"\u002F4OqoSolfhNesDAfv2zluIDVXiPR.jpg",[27],47796,"Mamma Roma","After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.",3.0196,"\u002FkQtO9rzEhcezWl0nQlIxV2FZftt.jpg","1962-09-22",7.9,447,"52fe4747c3a36847f812cbf1",{"adult":4,"backdrop_path":909,"genre_ids":921,"id":911,"title":912,"original_language":30,"original_title":912,"overview":913,"popularity":914,"poster_path":915,"release_date":916,"softcore":4,"video":4,"vote_average":917,"vote_count":918,"credit_id":922,"department":15,"job":755,"media_type":41},[27],"52fe4747c3a36847f812cbeb",{"adult":4,"backdrop_path":924,"genre_ids":925,"id":926,"title":927,"original_language":30,"original_title":928,"overview":929,"popularity":930,"poster_path":931,"release_date":80,"softcore":4,"video":4,"vote_average":52,"vote_count":932,"credit_id":933,"department":15,"job":755,"media_type":41},"\u002Ffp315t2MuJs3jOPPsoY2Jv7ZdPQ.jpg",[228,833],47406,"Arabian Nights","Il fiore delle Mille e una notte","The final part of Pasolini's Trilogy of Life series is rich with exotic tales of slaves and kings, potions, betrayals, demons and, most of all, love and lovemaking in all its myriad forms. Mysterious and liberating, this is an exquisitely dreamlike and adult interpretation of the original folk tales.",5.1272,"\u002FzDrAREfrNvq5O10lHDDh529i143.jpg",235,"52fe4731c3a36847f812851d",{"adult":4,"backdrop_path":924,"genre_ids":935,"id":926,"title":927,"original_language":30,"original_title":928,"overview":929,"popularity":930,"poster_path":931,"release_date":80,"softcore":4,"video":4,"vote_average":52,"vote_count":932,"credit_id":936,"department":766,"job":767,"media_type":41},[228,833],"52fe4731c3a36847f8128523",{"adult":4,"backdrop_path":938,"genre_ids":939,"id":940,"title":941,"original_language":30,"original_title":942,"overview":943,"popularity":944,"poster_path":945,"release_date":946,"softcore":4,"video":4,"vote_average":142,"vote_count":947,"credit_id":948,"department":15,"job":755,"media_type":41},"\u002Fe1o66REVW5T3JY0N7mHAaoFr7D5.jpg",[27],48688,"Pigsty","Porcile","Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. 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enigma",1.1062,"\u002F5Jh8J9LyH9IM5nLWLsD4bjAllM0.jpg","1988-01-01","6360e81f1b7294007bf0ec11","Author",{"adult":4,"backdrop_path":1183,"genre_ids":1184,"id":1185,"title":1186,"original_language":30,"original_title":1187,"overview":1188,"popularity":1189,"poster_path":1190,"release_date":1191,"softcore":4,"video":4,"vote_average":36,"vote_count":303,"credit_id":1192,"department":766,"job":806,"media_type":41},"\u002FoLc6qe4ZkWLzpBydkjaaiUYErYR.jpg",[27,886],92589,"Girl in the Window","La ragazza in vetrina","Two miners, Italians Federico and Vincenzo take off together for the city's red-light district, where the women pose in windows for prospective 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The camera scrutinizes them, approaches them, reveals the gestures and glances, wraps them in a sort of visual dance, while the words of the commentary (entrusted to the poetic sensibility of Pier Paolo Pasolini) narrate the stories, desires, dreams, the future.",0.852,"\u002FmzSCa7QDsubmGRb9PcVrSxP0okK.jpg","1961-01-01",6.7,"5712e0a89251416cb80009a0",{"adult":4,"backdrop_path":1206,"genre_ids":1207,"id":1208,"title":1209,"original_language":30,"original_title":1210,"overview":1211,"popularity":1212,"poster_path":1213,"release_date":1214,"softcore":4,"video":4,"vote_average":40,"vote_count":258,"credit_id":1215,"department":766,"job":767,"media_type":41},"\u002FfhvurMNk3n4AGYxQPpJUIvKNzV3.jpg",[44],393189,"Stendali (Still They Toll)","Stendalì: Suonano ancora","A unique 1960s documentary on the traditional dirge sung by women in Griko, an ancient dialect of Salento, so old that it originates from the ancient Greeks who once colonized that part of southern Italy.",1.8728,"\u002F2C6Pv2ZktGqjzUMQcQnkpZYgR7I.jpg","1960-11-01","5712dee1c3a368537800c10e",{"adult":4,"backdrop_path":12,"genre_ids":1217,"id":1218,"title":1219,"original_language":30,"original_title":1219,"overview":1220,"popularity":1221,"poster_path":1222,"release_date":1223,"softcore":4,"video":4,"vote_average":1224,"vote_count":258,"credit_id":1225,"department":766,"job":767,"media_type":41},[44],415775,"Manon: Finestra 2","At the end of the war, he was hired by Edison and in 1951 he made a film on all the important hydroeletrical plants built in that period. In the following years, Olmi  directed around 40 documentaries, including La diga del ghiacciaio, Pattuglia di Passo San Giacomo, Tre fili fino a Milano, Michelino 1aB (written by Goffredo Parise), Manon finestra 2 and Grigio (whose screenplay was written by Pier Paolo Pasolini).",1.0255,"\u002Fm68zZiknw1dMCuJCAd7zDBnh3Zu.jpg","1956-09-22",7.3,"6205dd3c00508a00d65ea8f3",{"adult":4,"backdrop_path":1227,"genre_ids":1228,"id":1229,"title":1230,"original_language":30,"original_title":1231,"overview":1232,"popularity":1233,"poster_path":1234,"release_date":1235,"softcore":4,"video":4,"vote_average":1236,"vote_count":833,"credit_id":1237,"department":766,"job":806,"media_type":41},"\u002FdTyohQhfoa47gdHq5jlMC1wdzXD.jpg",[25],206674,"Marisa","Marisa la civetta","For the 17-year-old Mariza, there is no other house than the train station in Civitavecchia. Here, an orphaned girl lives early after the death of her father, a railwayman; here she earns additionally at the station buffet, selling ice cream to passengers of passing trains. Beautiful and brisk, she was accustomed to the admiration of others and perfectly mastered the art of coquetry, but Marise’s heart remains calm until the young sailor Angelo, who is in a hurry on her first voyage, leaves the train on the platform on a sunny Sunday morning.",1.2829,"\u002FpYMe3HjAQ4T8auZ4mLfxdROdfnV.jpg","1957-03-19",5.8,"639c3e3a0752880084d9f85c",{"adult":4,"backdrop_path":1227,"genre_ids":1239,"id":1229,"title":1230,"original_language":30,"original_title":1231,"overview":1232,"popularity":1233,"poster_path":1234,"release_date":1235,"softcore":4,"video":4,"vote_average":1236,"vote_count":833,"credit_id":1240,"department":766,"job":810,"media_type":41},[25],"639c3e3593db9200c6967dce",{"adult":4,"backdrop_path":1242,"genre_ids":1243,"id":1244,"title":1245,"original_language":30,"original_title":1246,"overview":1247,"popularity":1248,"poster_path":1249,"release_date":1250,"softcore":4,"video":4,"vote_average":1251,"vote_count":446,"credit_id":1252,"department":766,"job":806,"media_type":41},"\u002FovJTMQ10ZmPTbMoCLVXHvoMjmSm.jpg",[27],225216,"Woman of the River","La donna del fiume","When peasant girl Nives is deserted by smuggler Gino Lodi, she betrays him to the police. Police officer Enzo Cinti, who loves Nives, traces her to the Po River cane-fields, where she is working as a cutter to support herself and an infant son, and warns her that Gino has escaped from prison and is seeking revenge. She rejects his offer to protect her. Gino finds Nives, mourning the drowning death of their son. He surrenders himself to the police and then walks at Nives' side in the funeral procession.",3.0213,"\u002FaVNyEAoYwkLVQ1BYlyEUB1doZSH.jpg","1954-12-29",5.9,"5797c3f49251411a90001fbd",{"adult":4,"backdrop_path":1254,"genre_ids":1255,"id":1256,"title":1257,"original_language":30,"original_title":1258,"overview":1259,"popularity":1260,"poster_path":1261,"release_date":1262,"softcore":4,"video":4,"vote_average":70,"vote_count":1263,"credit_id":1264,"department":766,"job":806,"media_type":41},"\u002F9yepEBnQNcKzWWyHdUiX8Mnqc6U.jpg",[27,25],19426,"Nights of Cabiria","Le notti di Cabiria","Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.",5.2894,"\u002FxF4oCG3PLNbcrtPZbqB3BtkIbKg.jpg","1957-10-03",887,"63be96bb813831008aa3d3e3",{"adult":4,"backdrop_path":1042,"genre_ids":1266,"id":1044,"title":1045,"original_language":30,"original_title":1045,"overview":1046,"popularity":1047,"poster_path":1048,"release_date":1049,"softcore":4,"video":4,"vote_average":1050,"vote_count":1051,"credit_id":1267,"department":1104,"job":1268,"media_type":41},[27],"63e772c5d388ae0086980774","Supervising Technical Director",{"adult":4,"backdrop_path":1042,"genre_ids":1270,"id":1044,"title":1045,"original_language":30,"original_title":1045,"overview":1046,"popularity":1047,"poster_path":1048,"release_date":1049,"softcore":4,"video":4,"vote_average":1050,"vote_count":1051,"credit_id":1271,"department":766,"job":806,"media_type":41},[27],"63e771161277780081a33c61",{"adult":4,"backdrop_path":1273,"genre_ids":1274,"id":1275,"title":1276,"original_language":30,"original_title":1277,"overview":1278,"popularity":1279,"poster_path":1280,"release_date":1281,"softcore":4,"video":4,"vote_average":1282,"vote_count":1283,"credit_id":1284,"department":766,"job":806,"media_type":41},"\u002FeN2NdMeJLNzLYzWIEEoaGzZAsiD.jpg",[25,27],439,"La Dolce Vita","La dolce vita","Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.",8.475,"\u002FdZ2v0DAX4aCZartCzZdg4ZinSW2.jpg","1960-02-05",8.022,2095,"63f2d2bfcaaca20085782eee",{"adult":4,"backdrop_path":938,"genre_ids":1286,"id":940,"title":941,"original_language":30,"original_title":942,"overview":943,"popularity":944,"poster_path":945,"release_date":946,"softcore":4,"video":4,"vote_average":142,"vote_count":947,"credit_id":1287,"department":766,"job":767,"media_type":41},[27],"593afb08925141059b0000a1",{"adult":4,"backdrop_path":12,"genre_ids":1289,"id":1290,"title":1291,"original_language":715,"original_title":1291,"overview":1292,"popularity":1293,"poster_path":1294,"release_date":1171,"softcore":4,"video":4,"vote_average":1295,"vote_count":142,"credit_id":1296,"department":766,"job":1297,"media_type":41},[27],251583,"Mulheres... Mulheres","Fausto and Gilda who are married for a long time and love themselves deeply. But Gilda dies leaving Fausto alone with their 8-year-old daughter and a governess. Being shaken, he retreats to his country house. His female doctor is the only one who visits him. He starts being plagued every night by wet dreams, visions and hallucinations of some women and his wife, who insistently asks him to join him. After some time, Fausto can't distinguish any longer what is reality or dream.",0.9714,"\u002FeLsCH3gKuAA1xznmODsWkUcUJQE.jpg",4.9,"599cc7449251411f4a00aaf9","Short Story",{"adult":4,"backdrop_path":12,"genre_ids":1299,"id":1301,"title":1302,"original_language":47,"original_title":1302,"overview":1303,"popularity":1304,"poster_path":12,"release_date":1305,"softcore":4,"video":4,"vote_average":81,"vote_count":182,"credit_id":1306,"department":766,"job":1307,"media_type":41},[1300,27,1111],53,474669,"Qui je suis","In 1966, suffering from a serious ulcer, Pier Paolo Pasolini looked back on his life and work. He wrote a long autobiographical poem in prose, which he reworked several times and eventually abandoned. Thirty years after Pasolini's death, Bertrand Bonello decided to make a film about it, in homage to this overexcited artist and key figure of the 20th century.",0.7901,"1996-06-30","59b2faf8c3a3682d870538de","Book",{"adult":4,"backdrop_path":1309,"genre_ids":1310,"id":1311,"title":1312,"original_language":30,"original_title":1313,"overview":1314,"popularity":1315,"poster_path":1316,"release_date":1317,"softcore":4,"video":4,"vote_average":1251,"vote_count":1318,"credit_id":1319,"department":766,"job":806,"media_type":41},"\u002FeBPBFunTWh0syhhQevVSnlsQmrb.jpg",[25],93064,"Bawdy Tales","Storie scellerate","Locked up in prison and awaiting execution, bored young vagabonds Bernardino and Mammone pass their time competing in a vulgar storytelling competition, relating indecent accounts about castration, unsavory testicles and an atypical threesome. Not intended for the faint of heart, this audacious piece of moviemaking focuses on tales of jealousy, murder and uncontrollable desires.",1.609,"\u002FuKAO4bNabqLZbIXYa7yPLgSzREm.jpg","1973-10-12",15,"643b27b3501cf205193868c0",{"adult":4,"backdrop_path":1309,"genre_ids":1321,"id":1311,"title":1312,"original_language":30,"original_title":1313,"overview":1314,"popularity":1315,"poster_path":1316,"release_date":1317,"softcore":4,"video":4,"vote_average":1251,"vote_count":1318,"credit_id":1322,"department":766,"job":810,"media_type":41},[25],"643b2b21719aeb0477eba7fb",{"adult":4,"backdrop_path":12,"genre_ids":1324,"id":1325,"title":1326,"original_language":30,"original_title":1327,"overview":1328,"popularity":1329,"poster_path":1330,"release_date":1331,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"credit_id":1332,"department":766,"job":767,"media_type":41},[44],485709,"The City’s Unknown","Ignoti alla città","The life, the problems, the hopes of the ragazzi of the suburbs of Rome. Ignored by the city, these young men spontaneously express their vitality, their violence, their willingness to put themselves at risk. They are at the center of \"Ragazzi di vita\", the first novel by Pier Paolo Pasolini, author of the text of this documentary.",0.8633,"\u002F3Lt1183frueiIRVoQDSM7BQNE0K.jpg","1958-01-01","5a01e1bd9251415745021707",{"adult":4,"backdrop_path":12,"genre_ids":1334,"id":1335,"title":1336,"original_language":30,"original_title":1337,"overview":1338,"popularity":1339,"poster_path":1340,"release_date":871,"softcore":4,"video":4,"vote_average":1341,"vote_count":142,"credit_id":1342,"department":15,"job":755,"media_type":41},[25],506471,"The Earth As Seen from the Moon","La Terra vista dalla Luna","Ciancicato Miao and his son, after the death of his wife and mother by mushroom poisoning, are dedicated to find her replacement and have no luck until they find a mysterious deaf mute green-haired woman.",1.1149,"\u002F9pRiTdBoF706dYmpNMrOPXA4MLK.jpg",8.1,"5a8c6e2a9251417593093293",{"adult":4,"backdrop_path":12,"genre_ids":1344,"id":1335,"title":1336,"original_language":30,"original_title":1337,"overview":1338,"popularity":1339,"poster_path":1340,"release_date":871,"softcore":4,"video":4,"vote_average":1341,"vote_count":142,"credit_id":1345,"department":766,"job":767,"media_type":41},[25],"5a8c6e379251410b0108ab94",{"adult":4,"backdrop_path":850,"genre_ids":1347,"id":852,"title":853,"original_language":30,"original_title":854,"overview":855,"popularity":856,"poster_path":857,"release_date":858,"softcore":4,"video":4,"vote_average":859,"vote_count":860,"credit_id":1348,"department":766,"job":806,"media_type":41},[25,833],"5a9c229bc3a3680beb0344b9",{"adult":4,"backdrop_path":1350,"genre_ids":1351,"id":1352,"title":1353,"original_language":30,"original_title":1354,"overview":1355,"popularity":1356,"poster_path":1357,"release_date":1358,"softcore":4,"video":4,"vote_average":1359,"vote_count":721,"credit_id":1360,"department":766,"job":767,"media_type":41},"\u002FdtCSyw80Pi0yOg6XALmdXLvF7pa.jpg",[833,27,25],512770,"What Are the Clouds?","Che cosa sono le nuvole","Some puppets come to life in a theater with no windows. This time the puppets interpret William Shakespeare's Othello.",1.5032,"\u002FtILCecacPhUhkz4RojA0XbDVe9U.jpg","1968-04-12",8.5,"5aaf9297c3a36846b703d6c9",{"adult":4,"backdrop_path":1350,"genre_ids":1362,"id":1352,"title":1353,"original_language":30,"original_title":1354,"overview":1355,"popularity":1356,"poster_path":1357,"release_date":1358,"softcore":4,"video":4,"vote_average":1359,"vote_count":721,"credit_id":1363,"department":15,"job":755,"media_type":41},[833,27,25],"5aaf90c4c3a3682f340223f9",{"adult":4,"backdrop_path":850,"genre_ids":1365,"id":852,"title":853,"original_language":30,"original_title":854,"overview":855,"popularity":856,"poster_path":857,"release_date":858,"softcore":4,"video":4,"vote_average":859,"vote_count":860,"credit_id":1366,"department":766,"job":810,"media_type":41},[25,833],"5ae82261c3a3681345013783",{"adult":4,"backdrop_path":458,"genre_ids":1368,"id":461,"title":462,"original_language":198,"original_title":463,"overview":464,"popularity":465,"poster_path":466,"release_date":51,"softcore":4,"video":4,"vote_average":182,"vote_count":11,"credit_id":1369,"department":15,"job":755,"media_type":41},[44,460],"5b86cd43c3a3683f81011282",{"adult":4,"backdrop_path":1371,"genre_ids":1372,"id":1373,"title":1374,"original_language":30,"original_title":1374,"overview":1375,"popularity":1376,"poster_path":1377,"release_date":1378,"softcore":4,"video":4,"vote_average":894,"vote_count":1379,"credit_id":1380,"department":766,"job":806,"media_type":41},"\u002F203bXvNwwDajPvYEk9bax80o5RO.jpg",[27],76157,"Il bell'Antonio","Problems arise for Antonio Magnano when he is unable to consummate his marriage to the beautiful Barbara Puglisi and his virility is called into question. Despite the fact that he loves his beautiful wife and they have otherwise been happily married for a year, his problem becomes a source of contention for all concerned.",3.4063,"\u002Fj3inmLWDgtFqXSG8sdAZ75dzpZj.jpg","1960-03-04",111,"5b7c74009251414a0600488a",{"adult":4,"backdrop_path":12,"genre_ids":1382,"id":507,"title":508,"original_language":30,"original_title":509,"overview":510,"popularity":511,"poster_path":512,"release_date":513,"softcore":4,"video":4,"vote_average":81,"vote_count":142,"credit_id":1383,"department":766,"job":767,"media_type":41},[44],"5c263066c3a36872f8c2ffa9",{"adult":4,"backdrop_path":12,"genre_ids":1385,"id":1386,"title":1387,"original_language":30,"original_title":1387,"overview":1388,"popularity":1389,"poster_path":1390,"release_date":1391,"softcore":4,"video":4,"vote_average":1392,"vote_count":258,"credit_id":1393,"department":766,"job":806,"media_type":41},[27,170],469644,"Il carro armato dell'8 settembre","Italy signed the armistice and in the general confusion a corporal decides to bring the tank back from the coast to the barracks.",1.4916,"\u002F5UeK0NjpUprzClxqLKLIGlSbi9a.jpg","1960-09-24",3.7,"5c338c040e0a2666043e0c92",{"adult":4,"backdrop_path":1395,"genre_ids":1396,"id":1398,"title":1399,"original_language":30,"original_title":1400,"overview":1401,"popularity":1402,"poster_path":1403,"release_date":1404,"softcore":4,"video":4,"vote_average":1405,"vote_count":1406,"credit_id":1407,"department":766,"job":767,"media_type":41},"\u002FwP1wgntZ6VIja8hprxV6UKdQugk.jpg",[1397,27],27,5336,"Salò, or the 120 Days of Sodom","Salò o le 120 giornate di Sodoma","Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.",6.5908,"\u002FxnaDdiRfZlJaTf6JRc4in40eaeI.jpg","1976-01-10",6.32,2390,"5e9d9a45d18fb9001b91d314",{"adult":4,"backdrop_path":1395,"genre_ids":1409,"id":1398,"title":1399,"original_language":30,"original_title":1400,"overview":1401,"popularity":1402,"poster_path":1403,"release_date":1404,"softcore":4,"video":4,"vote_average":1405,"vote_count":1406,"credit_id":1410,"department":15,"job":755,"media_type":41},[1397,27],"5e9d9a6b4a4bfc001cd7e950",{"adult":4,"backdrop_path":897,"genre_ids":1412,"id":899,"title":900,"original_language":30,"original_title":901,"overview":902,"popularity":903,"poster_path":904,"release_date":905,"softcore":4,"video":4,"vote_average":142,"vote_count":906,"credit_id":1413,"department":1006,"job":1007,"media_type":41},[44],"5ebb4922c3514c001e5e10e2",{"adult":4,"backdrop_path":1415,"genre_ids":1416,"id":1417,"title":1418,"original_language":30,"original_title":1418,"overview":1419,"popularity":1420,"poster_path":1421,"release_date":1202,"softcore":4,"video":4,"vote_average":119,"vote_count":182,"credit_id":1422,"department":766,"job":767,"media_type":41},"\u002FgVXok6Lh2BWMpcqkISziSIexvuT.jpg",[27],469759,"Milano nera","A group of young thugs decides to spend New Year on the streets of Milan.",2.0661,"\u002FyluaMKW0qSaeFKnga4NY7PdVJwC.jpg","5f731bd81967570038978567",{"adult":4,"backdrop_path":1424,"genre_ids":1425,"id":1426,"title":1427,"original_language":30,"original_title":1428,"overview":1429,"popularity":1430,"poster_path":1431,"release_date":1432,"softcore":4,"video":4,"vote_average":178,"vote_count":142,"credit_id":1433,"department":766,"job":810,"media_type":41},"\u002F3XODEV2fZtJwd9iM4zKBoVOLkaW.jpg",[27],414104,"Death of a Friend","Morte di un amico","Two young people trickle, steal and exploit prostitutes.",1.0551,"\u002Fy6VhBpJXZ4y4N96riYF1kTPj2pj.jpg","1960-01-19","5fb12481afa1b0003fb5f71b",{"adult":4,"backdrop_path":1435,"genre_ids":1436,"id":1437,"title":1438,"original_language":30,"original_title":1439,"overview":1440,"popularity":1441,"poster_path":1442,"release_date":1443,"softcore":4,"video":4,"vote_average":36,"vote_count":721,"credit_id":1444,"department":766,"job":806,"media_type":41},"\u002FcEjZDmCWLO1GzAyqoOjxggm9obK.jpg",[27,886],199184,"Young Husbands","Giovani mariti","In a small Italian town, the local youngsters realize that their youth is coming to an end and marriage will soon follow. They gather together for one last time in an attempt to revive their younger days, but this comes to a dismal conclusion. Gradually it dawns on the group that childhood is over and the next stage in human growth must be faced.",1.2421,"\u002FyvixysF9OFN4FqO9TD91lFUD1KP.jpg","1958-03-13","5fc579668a84d20040149dc4",{"adult":4,"backdrop_path":1446,"genre_ids":1447,"id":1448,"title":1449,"original_language":30,"original_title":1450,"overview":1451,"popularity":1452,"poster_path":1453,"release_date":1454,"softcore":4,"video":4,"vote_average":1455,"vote_count":872,"credit_id":1456,"department":766,"job":810,"media_type":41},"\u002F68uiiAFDZDmJabbIrCWdT7GvBMq.jpg",[745,27,1111],42999,"La Commare Secca","La commare secca","Roman police detectives interrogate a series of potential perpetrators in their struggle to determine whom to arrest for the brutal murder of a beautiful prostitute whose body is discovered in a park on the day of a torrential rainstorm. 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