[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F588822:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":10,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":800},false,[6,7],"Раду Жуде","拉杜·茹德","Radu Jude is a Romanian film director and screenwriter born in Bucharest in 1977, known for his complex, often political, and anarchic films that explore historical memory, labor, and contemporary society. After graduating from film school, he worked as an assistant director and gained recognition for award-winning short films before directing his feature debut, The Happiest Girl in the World (2009). His work, which blends fact and fiction, uses found footage and contemporary culture, like TikTok, to offer scathing social commentary, earning him major awards from festivals such as Berlin and Sundance.","1977-03-28",null,2,588822,"nm1257492","Directing","Radu Jude","Bucarest, Romania",1.2399,"\u002F2z85VQFtx4739hRFAERHKKKE7MJ.jpg",{"cast":20,"crew":172},[21,37,53,68,79,94,110,121,137,147,160],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"character":34,"credit_id":35,"order":11,"media_type":36},"\u002Fz4sKKXUBobaSHryMHbcB0Wm4b2c.jpg",[24],35,846847,"Caricaturana","ro","Inspired by an idea from Soviet director Sergei Eisenstein, director Radu Jude silently flips through satirical lithographs by 19th-century French artist Honoré-Victorin Daumier. Soon, the caricatures’ original texts are read out. Finally, the caricatures are used as commentary for actual news.",0.7602,"\u002FnIoYqPKCxFxmB3WCev3up5OOIhj.jpg","2021-08-05",5.3,21,"(voice)","63e8eee363aad2008587e416","movie",{"adult":4,"backdrop_path":38,"genre_ids":39,"id":41,"title":42,"original_language":27,"original_title":43,"overview":44,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":49,"character":50,"credit_id":51,"order":52,"media_type":36},"\u002Fl6jSdFcbOMtazO7jjd4lBuThCro.jpg",[40],99,862879,"I Don't Know","Nu ştiu","Invited by the goEast Film Festival in Wiesbaden (Germany), Radu Jude created a self-portrait. A confinement diary made of his thoughts, his relationship to cinema, his inspirations or the streets, objects and people that surround him.",1.2144,"\u002FwawPmp6vaf3Wkq9AufLP88tBkGh.jpg","2021-06-11",5.1,4,"Self (voice)","642fdee5e92d830097c4de68",0,{"adult":4,"backdrop_path":10,"genre_ids":54,"id":58,"title":59,"original_language":60,"original_title":59,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"character":65,"credit_id":66,"order":67,"media_type":36},[55,24,56,40,57],80,18,16,1240304,"COOL (News from Belarus)","en","In this cinematic zine, directors scattered all over the world adapt to screen hilarious and poignant Belarusian news stories. Featuring phone thieves, TikTok storks, the tiniest castle in the world, and victims of the depression epidemic.",1.1067,"\u002FbLI98J6p7h78G7cRLejX25LDZW7.jpg","2023-06-08","Self (segment \"A Belarusian Stork\")","65bf6cf39f37b0017c5c542b",12,{"adult":4,"backdrop_path":10,"genre_ids":69,"id":70,"title":71,"original_language":60,"original_title":71,"overview":72,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"character":76,"credit_id":77,"order":78,"media_type":36},[40],1269358,"Cinemaguerilla","A documentary about the New Romanian Cinema. \"Cinemaguerilla\" brings together over 30 interviews with directors, producers, actors, film historians and critics about what unites and what separates the New Wave of Romanian films.",1.2765,"\u002FxK36MHxFJ2kZ4SyKi7BmbcMxZNf.jpg","2009-01-01","Self","660e7aaee18e3f017da3e2e1",17,{"adult":4,"backdrop_path":80,"genre_ids":81,"id":83,"title":84,"original_language":27,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":90,"vote_count":91,"character":92,"credit_id":93,"order":52,"media_type":36},"\u002Ffj9VCOr8kpnTCnkqUX0evVMvrAC.jpg",[40,82],36,467408,"The Dead Nation","Ţara Moartă: fragmente de vieţi paralele","A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.",0.9662,"\u002FnhKg8NKSajDpp5ff5AL0DIc08mQ.jpg","2017-08-25",6,10,"Himself - Narrator","59b3ba459251414a4d01191a",{"adult":4,"backdrop_path":95,"genre_ids":96,"id":99,"title":100,"original_language":27,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":106,"character":107,"credit_id":108,"order":109,"media_type":36},"\u002FucSE2LQXZ9KYUMZOZ9m1w9KPXp3.jpg",[97,24,98],878,27,1323409,"Dracula","In modern-day Transylvania, vampire hunts and labor strikes collide with sci-fi twists, romance, and AI-crafted tales, as multiple storylines blend folklore, classic horror, and contemporary elements into a fresh take on Dracula's legend.",2.1072,"\u002FjfkYBHNFncxVSY0ReUrE5YoIYYu.jpg","2025-10-15",6.1,23,"AI JUDEX 0.0 (voice) (uncredited)","690bdf1875f212e6e14bd444",60,{"adult":4,"backdrop_path":10,"genre_ids":111,"id":112,"title":113,"original_language":27,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"character":119,"credit_id":120,"order":52,"media_type":36},[40],763289,"Dear Intellectuals","Stimați oameni de cultură","Radu Jude's contribution to Cinem@casa, which he produced in isolation during the pandemic.",0.8731,"\u002FcnJgLp0lYFRI04IEKUS2mbV8LSc.jpg","2020-06-12","Narrator (voice)","6993ad9e8e515e6cd4288166",{"adult":4,"backdrop_path":122,"genre_ids":123,"id":126,"title":127,"original_language":128,"original_title":129,"overview":130,"popularity":131,"poster_path":132,"release_date":133,"softcore":4,"video":4,"vote_average":134,"vote_count":78,"character":135,"credit_id":136,"order":49,"media_type":36},"\u002F7OVnWBnwmDd2YmTOTzj0T8dg1la.jpg",[56,124,125],9648,14,1182935,"The Unknown","fr","L’inconnue","David Zimmerman, almost 40, is a photographer but no one knows it. When friends drag him to a wild party, he spots a woman in the crowd and can’t take his eyes off her, he follows her… A few hours later, David wakes up: he’s in the body of the unknown woman.",2.8891,"\u002F888ksoUkfKSBJHxKp6M9sYpJhv2.jpg","2026-08-26",6.2,"Malia's Father","69f47df6a07bb9b603fbd928",{"adult":4,"backdrop_path":10,"genre_ids":138,"id":140,"title":141,"original_language":60,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"character":50,"credit_id":146,"order":52,"media_type":36},[139,40],10402,1178951,"Greetings from Crîngași","From the music of Japanese composer Shigeru Umebayashi, Romanian filmmaker Radu Jude crafts a coda to Do Not Expect Too Much from the End of the World. This short film is part of the 2x25 Project of Film Fest Gent and the World Soundtrack Awards. The project commissioned 25 composers to compose a short piece of music, after which 25 filmmakers made short films that are the ultimate symbioses of music and cinematography, fitting completely within the DNA of the festival. The result: 25 exceptional films where the music inspired the form, narrative and texture.",1.0624,"\u002FsNjdYRvg6SHZP4Zaale4eVCxC9N.jpg","2023-10-10","6a3c15cc020cd96f55042236",{"adult":4,"backdrop_path":148,"genre_ids":149,"id":150,"title":151,"original_language":152,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":157,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"character":76,"credit_id":158,"order":159,"media_type":36},"\u002F2pa9CBD9AEUepuk3lfy5hDuo72x.jpg",[40],1144235,"Can Creativity Save the World?","de","Kann Kreativität die Welt retten?","The final part of the Creativity Trilogy explores existential threats our world is facing. An inspiring film about imagination's power and a hopeful glimpse into the future.",3.028,"\u002F5sgYta6KASA4mrixwoauX4LsgvT.jpg","2024-04-18","6a62751f848d58e8206b84ad",11,{"adult":4,"backdrop_path":161,"genre_ids":162,"id":163,"title":164,"original_language":165,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"character":76,"credit_id":171,"order":49,"media_type":36},"\u002FmAS2dPvFlCpxvkpsqhuuDlOamZd.jpg",[40],1376165,"Instead of Trees","es","En vez de árboles","A film critic with philosophical interests, played by the film critic Roger Koza, wonders about the nature of Nature. And he obsessively tries to capture it with his phone camera. Other experts—filmmakers from different countries, art historians, a scenographer in charge of a natural science museum, and members of the human species from a distant future—think about ways of representating nature. A kaleidoscopic, playful collage, sometimes fiction, sometimes documentary, the film cannot help but wonder about the nature of cinema itself.",1.1135,"\u002FnsMxf6i8fO5DOdOlbocVDyq9UrQ.jpg","2026-01-29","6a62763046dc794bab6b8595",[173,187,198,213,218,231,236,239,251,254,265,268,279,283,296,307,318,321,333,336,349,363,375,383,386,389,392,404,415,418,427,430,443,446,449,452,464,467,470,473,483,486,489,492,495,507,510,519,522,525,528,531,544,554,565,577,580,583,594,597,600,612,615,627,630,641,644,651,654,658,661,672,683,686,691,694,705,717,720,735,745,753,756,765,768,771,774,785,794,797],{"adult":4,"backdrop_path":174,"genre_ids":175,"id":176,"title":177,"original_language":27,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":183,"vote_count":184,"credit_id":185,"department":14,"job":186,"media_type":36},"\u002F6Y86bAQjLBMQoIEffcSpIxypWhZ.jpg",[24,56],80115,"The Happiest Girl in the World","Cea mai fericită fată din lume","Delia, a young Romanian girl, comes to Bucharest with her parents to collect a prize she has won in a contest organized by a soft-drinks company. The prize is a beautiful new car. All Delia has to do now is appear in front of the camera in a commercial. All goes well until it becomes clear that Delia and her parents have very different ideas about what to do with the new car. Meanwhile, the contest's sponsor needs a radiant prize-winner with a gleaming smile. A wicked satire and a psychological portrait of a society perverted by its slavery to capitalism and consumerism",1.4977,"\u002FbkOFTDSEMZKydS4ZSimW7yAUcCt.jpg","2009-05-08",6.8,43,"52fe47a69251416c91071263","Director",{"adult":4,"backdrop_path":188,"genre_ids":189,"id":190,"title":191,"original_language":27,"original_title":192,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":4,"video":4,"vote_average":134,"vote_count":98,"credit_id":197,"department":14,"job":186,"media_type":36},"\u002FcqY8CgZEiPJbGA4mbReQHVDsxxS.jpg",[24],968282,"The Potemkinists","Potemkinistii","A gesture of defiance against Russia is made in 1905 by the sailors on the cruiser Potemkin, who received political asylum in Romania. In 2021, a sculptor is trying to make a work inspired by this event.",0.8051,"\u002FdLhysLTd6rtpr0ykB8UIhF0DyeQ.jpg","2022-05-25","62694dd264f716160e6ff61c",{"adult":4,"backdrop_path":199,"genre_ids":200,"id":201,"title":202,"original_language":27,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":208,"vote_count":209,"credit_id":210,"department":211,"job":212,"media_type":36},"\u002F9j7bPqtsbIzhMwVYD6deKsGhzys.jpg",[24,56],937085,"Do Not Expect Too Much from the End of the World","Nu Aștepta Prea Mult de la Sfârșitul Lumii","On behalf of a multinational company, a production assistant drives around the Romanian city of Bucharest, interviewing various citizens who have been injured due to work accidents to cast one of them in a “safety at work” video.",2.714,"\u002Fy2H7SMzSO0f8KHjCqavUhVfRX0Z.jpg","2023-09-27",6.9,130,"64dbcb7bfe077a00e4362e59","Production","Producer",{"adult":4,"backdrop_path":199,"genre_ids":214,"id":201,"title":202,"original_language":27,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":208,"vote_count":209,"credit_id":215,"department":216,"job":217,"media_type":36},[24,56],"64dbccd8001bbd0418c39df7","Costume & Make-Up","Costume Design",{"adult":4,"backdrop_path":219,"genre_ids":220,"id":222,"title":223,"original_language":27,"original_title":224,"overview":225,"popularity":226,"poster_path":227,"release_date":228,"softcore":4,"video":4,"vote_average":208,"vote_count":229,"credit_id":230,"department":14,"job":186,"media_type":36},"\u002F9fH0DsfM7941NvvIoMq3x9cyIAV.jpg",[56,221],53,126325,"Everybody in Our Family","Toată lumea din familia noastră","Marius is a divorced man in his late thirties. His five year-old daughter Sofia lives with her mother, which causes Marius a deep frustration. On the day Marius arrives to take his daughter on their annual holiday, he is told that she is ill but he doesn't believe it and insists to take her with him. The situation soon gets out of control with all the family taking part in a web of humor, violence, childish songs, police interventions and love statements.",1.4414,"\u002FvazDs6SKZyprTomY4PYU8nI00Xb.jpg","2012-02-13",37,"52fe4adcc3a368484e16ae01",{"adult":4,"backdrop_path":219,"genre_ids":232,"id":222,"title":223,"original_language":27,"original_title":224,"overview":225,"popularity":226,"poster_path":227,"release_date":228,"softcore":4,"video":4,"vote_average":208,"vote_count":229,"credit_id":233,"department":234,"job":235,"media_type":36},[56,221],"52fe4adcc3a368484e16ae1f","Writing","Screenplay",{"adult":4,"backdrop_path":22,"genre_ids":237,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":238,"department":14,"job":186,"media_type":36},[24],"60de8a2bb458b80046cdf2cc",{"adult":4,"backdrop_path":240,"genre_ids":241,"id":242,"title":243,"original_language":27,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":4,"video":4,"vote_average":249,"vote_count":33,"credit_id":250,"department":14,"job":186,"media_type":36},"\u002Fw7HAFet7hdbXR8fwoZFLk36dnBR.jpg",[24],854527,"Semiotic Plastic","Plastic semiotic","The life of human beings, seen from birth to old age. Only that this generic life is not represented with humans, but with the artefacts that we the humans have created for our children (or should we say ‘cubs’?), in order to prepare them for life: the toys. So, the film is a collage of scenes in which the toys help us understand better a possible essence of our life.",0.8968,"\u002FbV1I5IaXy5FPFXF0W6JLZfw1088.jpg","2021-12-19",6.6,"60ff1a7f1684f7002e11c8ea",{"adult":4,"backdrop_path":10,"genre_ids":252,"id":140,"title":141,"original_language":60,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"credit_id":253,"department":14,"job":186,"media_type":36},[139,40],"6504428adb4ed61038578079",{"adult":4,"backdrop_path":10,"genre_ids":255,"id":256,"title":257,"original_language":27,"original_title":258,"overview":259,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":263,"vote_average":52,"vote_count":52,"credit_id":264,"department":14,"job":186,"media_type":36},[24,40],984503,"Cinema Almanac: Six Short Films by Radu Jude","Almanah Cinema: Șase Filme Scurte de Radu Jude","A compilation of short films by director Radu Jude: \"The Marshal’s Two Executions\" (2018), \"Punish and Discipline\" (2019), \"Semiotic Plastic\" (2021), \"Caricaturana\" (2021), \"The Potemkinists\" (2022), and \"Memories from The Eastern Front\" (2022).",1.0692,"\u002F6zP6qE0Woqyn77pZx58vP4xIUYt.jpg","2022-07-01",true,"629d93c6d5ffcb005136a583",{"adult":4,"backdrop_path":38,"genre_ids":266,"id":41,"title":42,"original_language":27,"original_title":43,"overview":44,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":49,"credit_id":267,"department":14,"job":186,"media_type":36},[40],"611d29e687f3f2004550488a",{"adult":4,"backdrop_path":10,"genre_ids":269,"id":270,"title":271,"original_language":27,"original_title":272,"overview":273,"popularity":274,"poster_path":275,"release_date":276,"softcore":4,"video":4,"vote_average":90,"vote_count":277,"credit_id":278,"department":14,"job":186,"media_type":36},[56],862885,"In The Morning","Dimineaţă","Two characters, one taxi, a crisis and a compromise.",0.8114,"\u002FfnBjO5hawJUlStAz4gtuxXRdSA2.jpg","2007-06-20",3,"611d2e042e06970073542a2d",{"adult":4,"backdrop_path":10,"genre_ids":280,"id":270,"title":271,"original_language":27,"original_title":272,"overview":273,"popularity":274,"poster_path":275,"release_date":276,"softcore":4,"video":4,"vote_average":90,"vote_count":277,"credit_id":281,"department":234,"job":282,"media_type":36},[56],"611d2e1dca83540074cb77eb","Writer",{"adult":4,"backdrop_path":284,"genre_ids":285,"id":286,"title":287,"original_language":27,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":293,"vote_count":294,"credit_id":295,"department":14,"job":186,"media_type":36},"\u002F3rWu6Y26UwEfhdHX2XHnsN6lwte.jpg",[56,24],267527,"Shadow of a Cloud","O umbra de nor","In a torrid summer day in Bucharest, the priest Florin Florescu is called to a dying woman's side for saying a prayer.",1.2018,"\u002F4NZDG4xKVMa9LyDCZEAUMQwSCOA.jpg","2013-05-23",6.4,22,"536116290e0a265299000022",{"adult":4,"backdrop_path":10,"genre_ids":297,"id":298,"title":299,"original_language":27,"original_title":300,"overview":301,"popularity":302,"poster_path":303,"release_date":304,"softcore":4,"video":4,"vote_average":305,"vote_count":91,"credit_id":306,"department":14,"job":186,"media_type":36},[56],272361,"It Can Pass Through the Wall","Trece si prin perete","An old man tries to play backgammon with friends while babysitting his granddaughter, who's terrified of the young suicide in their building.",1.0139,"\u002FgVq4OnIWuYQlDBBOVvTaKPdrPH.jpg","2014-05-23",6.7,"5385326bc3a3681aed0004ce",{"adult":4,"backdrop_path":308,"genre_ids":309,"id":310,"title":311,"original_language":27,"original_title":311,"overview":312,"popularity":313,"poster_path":314,"release_date":315,"softcore":4,"video":4,"vote_average":305,"vote_count":316,"credit_id":317,"department":14,"job":186,"media_type":36},"\u002FvKC5uiHDU9TiKtsilEj8SGLUgOb.jpg",[56],306263,"Alexandra","Tavi, a forty-year-old divorced father, comes to his ex-wife's home to repair his four-year-old daughter's bike. He realizes with amazement that Alexandra does not call him \"Daddy\" any more. He asks an explanation from his ex-wife...",0.8915,"\u002Fvi5MVFHTKEMD9C1NFHaZY1xdWzq.jpg","2006-12-10",9,"54755f5bc3a3687cfe000dee",{"adult":4,"backdrop_path":308,"genre_ids":319,"id":310,"title":311,"original_language":27,"original_title":311,"overview":312,"popularity":313,"poster_path":314,"release_date":315,"softcore":4,"video":4,"vote_average":305,"vote_count":316,"credit_id":320,"department":234,"job":235,"media_type":36},[56],"54755f76925141407a0009d5",{"adult":4,"backdrop_path":322,"genre_ids":323,"id":324,"title":325,"original_language":27,"original_title":325,"overview":326,"popularity":327,"poster_path":328,"release_date":329,"softcore":4,"video":4,"vote_average":330,"vote_count":331,"credit_id":332,"department":234,"job":235,"media_type":36},"\u002FsFhI2qDM2s5QdcdXQDxj4XxFEkn.jpg",[56,82],319993,"Aferim!","Set in early 19th century Wallachia, Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.",1.3714,"\u002FfQyRszfnlXPFqQSWlqvdDDo42Ze.jpg","2015-03-06",7.354,127,"54e07951925141027c004ba2",{"adult":4,"backdrop_path":322,"genre_ids":334,"id":324,"title":325,"original_language":27,"original_title":325,"overview":326,"popularity":327,"poster_path":328,"release_date":329,"softcore":4,"video":4,"vote_average":330,"vote_count":331,"credit_id":335,"department":14,"job":186,"media_type":36},[56,82],"54bf25349251413635008b9e",{"adult":4,"backdrop_path":337,"genre_ids":338,"id":339,"title":340,"original_language":27,"original_title":341,"overview":342,"popularity":343,"poster_path":344,"release_date":345,"softcore":4,"video":4,"vote_average":346,"vote_count":347,"credit_id":348,"department":14,"job":186,"media_type":36},"\u002F24JHfMrRcF7aTtHTobbcvlTYMnH.jpg",[56],342479,"The Tube with a Hat","Lampa cu căciulă","A father and son go to town to try to fix a broken TV set.",1.4313,"\u002F2CAbX5d2aXSW0KlBqEdH6vtnAmx.jpg","2006-11-01",7,28,"556a1a8dc3a368774e00202f",{"adult":4,"backdrop_path":350,"genre_ids":351,"id":353,"title":354,"original_language":355,"original_title":356,"overview":357,"popularity":358,"poster_path":359,"release_date":360,"softcore":4,"video":4,"vote_average":90,"vote_count":361,"credit_id":362,"department":14,"job":186,"media_type":36},"\u002FqBsMg0rHILn2YwGDxm6XeKNnKXJ.jpg",[40,352],10752,926976,"Memories from the Eastern Front","xx","Amintiri de pe Frontul de Est","A cinematic analysis of a photo album made by a Romanian Army unit in WW2.",1.0028,"\u002F3QcBrUGjznkqWlBfuxyYr7VLGu3.jpg","2022-02-10",1,"61e1807fc175b2006655f63e",{"adult":4,"backdrop_path":364,"genre_ids":365,"id":366,"title":367,"original_language":27,"original_title":368,"overview":369,"popularity":370,"poster_path":371,"release_date":372,"softcore":4,"video":4,"vote_average":305,"vote_count":33,"credit_id":373,"department":14,"job":374,"media_type":36},"\u002F4XRRPZkU1kAG34rzYGg0ab2I01K.jpg",[347,56],56254,"The Rage","Furia","In a city full of \"manele\", drugs and illegal car races you don't survive unless you know how to pay. Sometimes with other's lives. Young people today are trying to adapt to a world without consciousness, a world of money, unscrupulous businesses. 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The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.",1.2299,"\u002FzTMwQ2nR8dcmKuGeCtzwm2CuFYt.jpg","2016-11-18","5788a67bc3a36866f20007e8",{"adult":4,"backdrop_path":405,"genre_ids":416,"id":407,"title":408,"original_language":27,"original_title":409,"overview":410,"popularity":411,"poster_path":412,"release_date":413,"softcore":4,"video":4,"vote_average":293,"vote_count":347,"credit_id":417,"department":234,"job":235,"media_type":36},[56],"5788a66f9251410a8e0000d9",{"adult":4,"backdrop_path":10,"genre_ids":419,"id":420,"title":421,"original_language":60,"original_title":421,"overview":422,"popularity":423,"poster_path":424,"release_date":425,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"credit_id":426,"department":14,"job":186,"media_type":36},[40],1069479,"Lightning","A tribute to Jonas Mekas",0.6213,"\u002FxxTMec05dbbunpcbHHd5Py3oySF.jpg","2022-10-19","63b4ea29a9117f05c4253a68",{"adult":4,"backdrop_path":10,"genre_ids":428,"id":298,"title":299,"original_language":27,"original_title":300,"overview":301,"popularity":302,"poster_path":303,"release_date":304,"softcore":4,"video":4,"vote_average":305,"vote_count":91,"credit_id":429,"department":234,"job":235,"media_type":36},[56],"58bf83fe9251412e1a00084f",{"adult":4,"backdrop_path":431,"genre_ids":432,"id":433,"title":434,"original_language":27,"original_title":435,"overview":436,"popularity":437,"poster_path":438,"release_date":439,"softcore":4,"video":4,"vote_average":440,"vote_count":441,"credit_id":442,"department":14,"job":186,"media_type":36},"\u002FAqsbXc6LY8NT6dIIZRXu1TcySG.jpg",[40],1265746,"Eight Postcards from Utopia","Opt ilustrate din lumea ideală","A found-footage documentary assembled exclusively out of post-socialist Romanian advertisements, this brings together these documents of Romania’s long transition period, they are made to speak about life, love and death, about the body and human frailty, about nature and the supernatural, about recent history, and, of course, about socialism and capitalism.",1.4698,"\u002FbVuha5tiVPh20Cp4baKIfrITnmb.jpg","2024-08-10",7.1,13,"6604eb3ac5840d0184c47ad4",{"adult":4,"backdrop_path":80,"genre_ids":444,"id":83,"title":84,"original_language":27,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":90,"vote_count":91,"credit_id":445,"department":14,"job":186,"media_type":36},[40,82],"5972545fc3a3686fc703ec8f",{"adult":4,"backdrop_path":80,"genre_ids":447,"id":83,"title":84,"original_language":27,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":90,"vote_count":91,"credit_id":448,"department":234,"job":282,"media_type":36},[40,82],"59b3ba1d9251414a2b011ae8",{"adult":4,"backdrop_path":174,"genre_ids":450,"id":176,"title":177,"original_language":27,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":183,"vote_count":184,"credit_id":451,"department":234,"job":282,"media_type":36},[24,56],"59f0745fc3a3680673013244",{"adult":4,"backdrop_path":453,"genre_ids":454,"id":455,"title":456,"original_language":27,"original_title":457,"overview":458,"popularity":459,"poster_path":460,"release_date":461,"softcore":4,"video":4,"vote_average":305,"vote_count":462,"credit_id":463,"department":14,"job":186,"media_type":36},"\u002FsPt64wydhffYWcKwVW3I7DgFZ1P.jpg",[82,56,24],500909,"I Do Not Care If We Go Down in History as Barbarians","Îmi este indiferent dacă în istorie vom intra ca barbari","\"I do not care if we go down in history as barbarians.\" These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.",1.8825,"\u002Fg6kjjijQyiiUuD6m8UHLSlQnAkX.jpg","2018-09-28",58,"5a6a462ac3a36843ca003b3a",{"adult":4,"backdrop_path":453,"genre_ids":465,"id":455,"title":456,"original_language":27,"original_title":457,"overview":458,"popularity":459,"poster_path":460,"release_date":461,"softcore":4,"video":4,"vote_average":305,"vote_count":462,"credit_id":466,"department":234,"job":282,"media_type":36},[82,56,24],"5a6a48470e0a266f220042bc",{"adult":4,"backdrop_path":188,"genre_ids":468,"id":190,"title":191,"original_language":27,"original_title":192,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":4,"video":4,"vote_average":134,"vote_count":98,"credit_id":469,"department":234,"job":282,"media_type":36},[24],"646f4e1e1130bd01fa1f9d51",{"adult":4,"backdrop_path":431,"genre_ids":471,"id":433,"title":434,"original_language":27,"original_title":435,"overview":436,"popularity":437,"poster_path":438,"release_date":439,"softcore":4,"video":4,"vote_average":440,"vote_count":441,"credit_id":472,"department":234,"job":282,"media_type":36},[40],"6695289775e62792205f678a",{"adult":4,"backdrop_path":474,"genre_ids":475,"id":476,"title":477,"original_language":27,"original_title":477,"overview":478,"popularity":479,"poster_path":480,"release_date":481,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"credit_id":482,"department":211,"job":212,"media_type":36},"\u002FhO1jD0JOiJ0xNRcf7XkOq0LZTW1.jpg",[40],1315751,"Sleep #2","You say my poems are poetry? They're not. Yet if you understand they're not, - Then you see the poetry of them! Radu Jude’s desktop film, in which director considers Andy Warhol’s celebrity immortality with live footage of the artist’s grave in Pittsburgh.",0.6175,"\u002F8AlEoWs8RK3ojob9j9ZFuUEjyGZ.jpg","2025-09-22","66901c6f40958be954b3a17e",{"adult":4,"backdrop_path":474,"genre_ids":484,"id":476,"title":477,"original_language":27,"original_title":477,"overview":478,"popularity":479,"poster_path":480,"release_date":481,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"credit_id":485,"department":234,"job":282,"media_type":36},[40],"66901c692f9b380472f13bd4",{"adult":4,"backdrop_path":474,"genre_ids":487,"id":476,"title":477,"original_language":27,"original_title":477,"overview":478,"popularity":479,"poster_path":480,"release_date":481,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"credit_id":488,"department":14,"job":186,"media_type":36},[40],"66901c65b0964d8eb42cc3d9",{"adult":4,"backdrop_path":95,"genre_ids":490,"id":99,"title":100,"original_language":27,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":106,"credit_id":491,"department":14,"job":186,"media_type":36},[97,24,98],"66a9ce0f5638bcbff1bff1b4",{"adult":4,"backdrop_path":240,"genre_ids":493,"id":242,"title":243,"original_language":27,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":4,"video":4,"vote_average":249,"vote_count":33,"credit_id":494,"department":234,"job":282,"media_type":36},[24],"66a734a57219191db6abac1e",{"adult":4,"backdrop_path":496,"genre_ids":497,"id":498,"title":499,"original_language":27,"original_title":500,"overview":501,"popularity":502,"poster_path":503,"release_date":504,"softcore":4,"video":4,"vote_average":505,"vote_count":33,"credit_id":506,"department":14,"job":186,"media_type":36},"\u002Fdn4spX1LaWDM93IhesVXjejMUAS.jpg",[40,82],554164,"The Marshal's Two Executions","Cele două execuții ale Mareșalului","Two different views of the execution of Romanian wartime dictator Ion Antonescu confront one another. On one side is silent footage recorded in 1946 by cameraman Ovidiu Gologan, and on the other side are scenes from a biographical film shot five decades later by director Sergiu Nicolaescu.",1.1044,"\u002Fn87HuQghDpQsrgRXWg6wr2GyeUT.jpg","2018-10-25",6.3,"5bc491b5c3a3682d47066eca",{"adult":4,"backdrop_path":393,"genre_ids":508,"id":395,"title":396,"original_language":27,"original_title":397,"overview":398,"popularity":399,"poster_path":400,"release_date":401,"softcore":4,"video":4,"vote_average":402,"vote_count":91,"credit_id":509,"department":234,"job":282,"media_type":36},[56,24],"5c465d6a9251415e344efdd8",{"adult":4,"backdrop_path":10,"genre_ids":511,"id":512,"title":513,"original_language":27,"original_title":513,"overview":514,"popularity":515,"poster_path":516,"release_date":517,"softcore":4,"video":4,"vote_average":52,"vote_count":361,"credit_id":518,"department":14,"job":186,"media_type":36},[24],606398,"Scurt\u002F4: Istorii de inimã neagrã","Directed by four different filmmakers and produced by different production companies, these four short films share a common theme - life and death - and a common origin - all four are independent productions made with a little help from all our friends.",0.9915,"\u002FwuqpRlbLsumsvqSDHPq9PmKOYOu.jpg","2014-11-28","5cf3d0bc9251412670b9b9e3",{"adult":4,"backdrop_path":10,"genre_ids":520,"id":298,"title":299,"original_language":27,"original_title":300,"overview":301,"popularity":302,"poster_path":303,"release_date":304,"softcore":4,"video":4,"vote_average":305,"vote_count":91,"credit_id":521,"department":211,"job":212,"media_type":36},[56],"5cf7b62ac3a36806ee1ec5fd",{"adult":4,"backdrop_path":308,"genre_ids":523,"id":310,"title":311,"original_language":27,"original_title":311,"overview":312,"popularity":313,"poster_path":314,"release_date":315,"softcore":4,"video":4,"vote_average":305,"vote_count":316,"credit_id":524,"department":211,"job":212,"media_type":36},[56],"5cf7ae5fc3a3686d031eb1eb",{"adult":4,"backdrop_path":393,"genre_ids":526,"id":395,"title":396,"original_language":27,"original_title":397,"overview":398,"popularity":399,"poster_path":400,"release_date":401,"softcore":4,"video":4,"vote_average":402,"vote_count":91,"credit_id":527,"department":211,"job":212,"media_type":36},[56,24],"5cf7c431c3a3680b4e1ecae0",{"adult":4,"backdrop_path":496,"genre_ids":529,"id":498,"title":499,"original_language":27,"original_title":500,"overview":501,"popularity":502,"poster_path":503,"release_date":504,"softcore":4,"video":4,"vote_average":505,"vote_count":33,"credit_id":530,"department":234,"job":235,"media_type":36},[40,82],"5d550e964bc38b0015246de6",{"adult":4,"backdrop_path":532,"genre_ids":533,"id":534,"title":535,"original_language":27,"original_title":536,"overview":537,"popularity":538,"poster_path":539,"release_date":540,"softcore":4,"video":4,"vote_average":541,"vote_count":542,"credit_id":543,"department":14,"job":374,"media_type":36},"\u002FpU10J7w0FBaxStZXokKW0adLU16.jpg",[56,24],31032,"The Death of Mr. Lazarescu","Moartea domnului Lăzărescu","After suffering terrible headaches and stomach cramps, Mr. Lăzărescu, a lonely 63 year-old man, calls for an ambulance, beginning one man’s hellish journey through Bucharest hospitals in search of proper medical care. As the night unfolds, his health starts to deteriorate fast.",1.8656,"\u002Fc3B7GwMYgNi15VMdcKZawgt6mf5.jpg","2005-05-27",7.4,206,"5d7b8d52af43243b2298c09a",{"adult":4,"backdrop_path":10,"genre_ids":545,"id":546,"title":547,"original_language":27,"original_title":548,"overview":549,"popularity":550,"poster_path":551,"release_date":552,"softcore":4,"video":4,"vote_average":90,"vote_count":361,"credit_id":553,"department":14,"job":186,"media_type":36},[],645121,"Punish and Discipline","A pedepsi, a supraveghea","Punish: a reading of parts of a novel in which a military officer gives a clinical, amoral account about his role in the violent oppression of revolutionaries in 1848. Discipline: a collection of photographs of a chubby and harmless soldier at home and at work from the 1950s to the 70s.",1.1247,"\u002FzKa11FD2C4rIc00PcCHcoZxX0CM.jpg","2019-10-15","5dbfaac6ef48890013156f8e",{"adult":4,"backdrop_path":555,"genre_ids":556,"id":557,"title":558,"original_language":27,"original_title":559,"overview":560,"popularity":561,"poster_path":562,"release_date":563,"softcore":4,"video":4,"vote_average":440,"vote_count":98,"credit_id":564,"department":14,"job":186,"media_type":36},"\u002Fk21VUZQ6qSlufue1JdscbAnODi5.jpg",[56,82],655368,"Uppercase Print","Tipografic majuscul","In 1981, chalk slogans written in uppercase letters started appearing in public spaces in the Romanian city of Botoşani. They demanded freedom, alluded to the democratic developments taking place in Romania’s socialist sister countries or simply called for improvements in the food supply. Mugur Călinescu was behind them, who was still at school at the time and whose case is documented in the files of the Romanian secret police. Theatre director Gianina Cărbunariu created a documentary play based on this material.",1.5195,"\u002F652ha5ZS65K5S31Llvohbcl5cIn.jpg","2020-02-21","5df2ae5da284eb00135ab3aa",{"adult":4,"backdrop_path":566,"genre_ids":567,"id":568,"title":569,"original_language":27,"original_title":570,"overview":571,"popularity":572,"poster_path":573,"release_date":574,"softcore":4,"video":4,"vote_average":575,"vote_count":49,"credit_id":576,"department":14,"job":186,"media_type":36},"\u002F5KP2xhFBFHvwT2Momv6COFB4JfX.jpg",[40,82],665440,"The Exit of the Trains","Ieșirea trenurilor din gară","A film composed entirely of archival photographs and documents related to the Iași Pogrom of June 1941. The first part of the film consists of photographs of the victims, accompanied by statements and testimonies about their fate. The second part, shorter, is a montage of photos of the pogrom itself.",1.1381,"\u002FwNINeEyybv9q6pe7AwL9PaNLLFu.jpg","2020-08-28",8.6,"5e25d25f1bf2660014fe075e",{"adult":4,"backdrop_path":555,"genre_ids":578,"id":557,"title":558,"original_language":27,"original_title":559,"overview":560,"popularity":561,"poster_path":562,"release_date":563,"softcore":4,"video":4,"vote_average":440,"vote_count":98,"credit_id":579,"department":234,"job":235,"media_type":36},[56,82],"5e2dc3094ca67600144831cd",{"adult":4,"backdrop_path":566,"genre_ids":581,"id":568,"title":569,"original_language":27,"original_title":570,"overview":571,"popularity":572,"poster_path":573,"release_date":574,"softcore":4,"video":4,"vote_average":575,"vote_count":49,"credit_id":582,"department":234,"job":235,"media_type":36},[40,82],"5e2dc3ec98f1f10014fb9ca1",{"adult":4,"backdrop_path":584,"genre_ids":585,"id":586,"title":587,"original_language":27,"original_title":588,"overview":589,"popularity":590,"poster_path":591,"release_date":592,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"credit_id":593,"department":14,"job":186,"media_type":36},"\u002F7kLhGZjdvNLBwQARNOJbV1UcDdE.jpg",[],696556,"A Fable","O Fabulă","In \"Spaces #2\", 7 internationally acclaimed directors shot, after commissioning by the Thessaloniki International Film Festival, a short film at home, making their own timely comment on the new reality that we live in. 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