[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F56836:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":738},false,[],"Raymond Depardon is a photographer, a journalist and a filmmaker, but, above all, his eyes view humans with compassion. He respects others and is kind with the reality of their lives. He was born into a family of farmers in 1942 in Burgundy and went to Paris in 1958, wishing to be a photographer. He was first taken on as a messenger in an agency and was sent to take photos of an opening-night at the cinema: the movie was none other than Jean-Luc Godard's Breathless. He finally established his own agency, Gamma, together with three reporters, in 1966 'not for money but for the freedom'. He suggested to set up a cinema department: 'we bought an Eclair- camera and tried to make news-films for television in addition to taking news-photograhs... It was then that I learned to hold the camera.\" When Depardon films people, he is silent. If one has the impression that he always keeps his eyes lowered in the face of the world's miseries, it is untrue. Raymond Depardon looks as through a lattice and reacts like quicksilver, keeping his deepest, innermost emotion secret, and allow his pictures to speak for themselves. His films are now screened in all international film festivals, from Cannes to Hong Kong.","1942-07-06",null,2,"https:\u002F\u002Fwww.palmeraieetdesert.fr",56836,"nm0220019","Directing","Raymond Depardon","Villefranche-sur-Saône",0.8696,"\u002FhYNHPXItm5ELS49dspIMDPoxRzh.jpg",{"cast":19,"crew":202},[20,36,48,62,77,91,105,117,129,140,149,159,171,181,190],{"adult":4,"backdrop_path":8,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"character":32,"credit_id":33,"order":34,"media_type":35},[22],99,126326,"Journal de France","fr","A journal, a voyage through time. He photographs France, she rediscovers the unseen footage he has so carefully kept: his first steps behind the camera, his TV reports from around the world, snatches of their memories and of our history.",0.8855,"\u002FmgZskKHdF88epwiEuLZhHc3SLMn.jpg","2012-05-22",6.8,20,"","52fe4adcc3a368484e16ae37",0,"movie",{"adult":4,"backdrop_path":8,"genre_ids":37,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"character":46,"credit_id":47,"order":34,"media_type":35},[22],128470,"New York, N.Y.","It is slow, succinct and absolutely riveting. With his photojournalist's eye, and simple but inspired camera work, Depardon plunges us into both the sounds and silences of a day and a night in the city.",0.8134,"\u002FcByuW0sLDqMSM9meSoQKVk6mSL1.jpg","1986-01-01",6.5,13,"Narrator (voice)","626b58b50ed2ab01833bb635",{"adult":4,"backdrop_path":49,"genre_ids":50,"id":52,"title":53,"original_language":25,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":44,"vote_count":58,"character":59,"credit_id":60,"order":61,"media_type":35},"\u002Fnv5vE1zTdViKbjgDuStbs4a2E4Q.jpg",[22,51],36,1148223,"L'Âge d'or de la pub","55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.",1.4284,"\u002FwWkz10PqaTQDAqRiV6QjIwNkTLK.jpg","2023-06-02",6,"Self (archive footage)","652a60eeea84c7010c1b73fa",133,{"adult":4,"backdrop_path":63,"genre_ids":64,"id":65,"title":66,"original_language":25,"original_title":67,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":72,"vote_count":73,"character":74,"credit_id":75,"order":76,"media_type":35},"\u002FjF2xO3W88sAutt9htQTkJqUK5g9.jpg",[22],37477,"Profiles Farmers: The Approach","Profils paysans : l'approche","The first of a documentary serie about rural France.",1.4288,"\u002FlQEkAzieP4DB5MwSpKcVl8QfeAn.jpg","2001-05-09",7.4,14,"Narrator (voice) (uncredited)","665571dce73154a29ba367b6",22,{"adult":4,"backdrop_path":78,"genre_ids":79,"id":80,"title":81,"original_language":25,"original_title":82,"overview":83,"popularity":84,"poster_path":85,"release_date":86,"softcore":4,"video":4,"vote_average":87,"vote_count":88,"character":74,"credit_id":89,"order":90,"media_type":35},"\u002FA5uLAf8KCwiN4Idw0qfgOPvnKR0.jpg",[22],37478,"Profiles Farmers: Daily Life","Profils paysans : le quotidien","Second documentary of a trilogy produced on the long term (together with Profils paysans: l'approche (2001) and Profils paysans: La vie moderne (2008)), showing the simple lives of farmers in contemporary Southern France.",1.104,"\u002Fxst9VFagMzXbU5dN0mYmT4APAos.jpg","2005-02-23",7.2,12,"665571f0dc8efee4671cb9f4",27,{"adult":4,"backdrop_path":92,"genre_ids":93,"id":94,"title":95,"original_language":25,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":102,"character":74,"credit_id":103,"order":104,"media_type":35},"\u002FmvypTziHBOTFZzhtPNWgQteQNOX.jpg",[22],8930,"Modern Life","Profils paysans : La Vie moderne","For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych \"Profils paysans\" about what it is like to be a farmer today in an isolated highland area in France. \"La vie moderne\" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.",1.8996,"\u002Fh8IWYCY8fA1VclmjZghVQ3sZwsN.jpg","2008-10-29",7.5,25,"665b209429b9be64e198fe3a",18,{"adult":4,"backdrop_path":8,"genre_ids":106,"id":107,"title":108,"original_language":25,"original_title":108,"overview":109,"popularity":110,"poster_path":111,"release_date":112,"softcore":4,"video":4,"vote_average":113,"vote_count":114,"character":32,"credit_id":115,"order":116,"media_type":35},[22],411372,"Donner la parole","Documentary Short",0.7611,"\u002FxC2k8jgzqSZGQLAYqb85Bel8Epc.jpg","2008-01-01",5.2,5,"57b0b54dc3a368438300045d",1,{"adult":4,"backdrop_path":8,"genre_ids":118,"id":119,"title":120,"original_language":25,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":4,"video":4,"vote_average":126,"vote_count":116,"character":127,"credit_id":128,"order":34,"media_type":35},[22],498245,"Ciné-Portrait of Raymond Depardon","Ciné-portrait de Raymond Depardon","A fortuitous meeting, late one afternoon, in the garden of the Tuileries, of one or two cameras, a tape recorder, and three cameramen\u002Fdirectors, Raymond Depardon, Jean Rouch, and Philippe Costantini.",1.6334,"\u002FuRJlbo1tB0G12LjYGpt1D9stH2R.jpg","1983-01-01",9,"himself","5a5a40580e0a26570600ad99",{"adult":4,"backdrop_path":8,"genre_ids":130,"id":131,"title":132,"original_language":25,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":4,"video":4,"vote_average":137,"vote_count":9,"character":138,"credit_id":139,"order":116,"media_type":35},[22],500187,"Quoi de neuf au Garet?","The Garet farm is for sale. Brothers Jean and Raymond Depardon chat about the past and the future of the farm.",1.1506,"\u002Fv7v6vpOEBgZPQ8GSFtz6LJHSTPZ.jpg","2005-09-30",7,"Self (voice) (uncredited)","5a6572bfc3a3687fa302f1cf",{"adult":4,"backdrop_path":8,"genre_ids":141,"id":142,"title":143,"original_language":25,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":127,"credit_id":148,"order":34,"media_type":35},[22],498525,"Un Moment Si Doux","In lights and colors, Raymond Depardon photographs according to his desires. He retraces his steps, wanders around the places he loves or discovers: Buenos Aires, Paris, Los Angeles, Honolulu, the Mediterranean, Faya-Largeau, Modra and his peasant friends's homes. A portrait in the atmosphere of a free man.",0.8896,"\u002F7AUcJ4RNcuaeyDXhWa4Qmr84hVD.jpg","2013-01-01","5a5beb70925141323b000a1c",{"adult":4,"backdrop_path":8,"genre_ids":150,"id":151,"title":152,"original_language":25,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":157,"softcore":4,"video":4,"vote_average":87,"vote_count":114,"character":46,"credit_id":158,"order":116,"media_type":35},[104],272879,"Untouched by the West","Un homme sans l'Occident","Loosely based on Diégo Brosset’s novel, set in the Sahara at the beginning of the twentieth century. A man of the desert is adopted by some hunters and becomes a highly respected guide while trying to escape colonization.",1.1267,"\u002FtvNCTg4QeVhG58D2VMND4NXAlON.jpg","2003-01-15","5b2b8bb4c3a3687d2500485d",{"adult":4,"backdrop_path":160,"genre_ids":161,"id":163,"title":164,"original_language":25,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":169,"credit_id":170,"order":114,"media_type":35},"\u002FctvPt1yGKrDgg32U2yNXcmIO1DL.jpg",[162],80,126394,"La rouge et la noire","Carrying on Luc Moullets unfinished screenplay about the theft of la pénélope, a camera created by Aaton and capable of recording equally well in 35 mm and digitally, LA ROUGE ET LA NOIRE is a film in kaleidoscope form. The portrait of Aatons founder, Jean-Pierre Beauviala creator, inter alia, of the time-code and the light cameras used by the New Wave (in particular the bush camera specially designed for Jean Rouch) is centered around the basic plot introduced by two women thieves who talk as voice-overs, and whose identities will only be revealed at the end.",1.7148,"\u002Fzz4xymOgyAdG69SdSpOY4Mbemkv.jpg","2011-06-08","Self","5ea6d15aec4552001f418b50",{"adult":4,"backdrop_path":8,"genre_ids":172,"id":173,"title":174,"original_language":25,"original_title":174,"overview":175,"popularity":176,"poster_path":177,"release_date":178,"softcore":4,"video":4,"vote_average":179,"vote_count":116,"character":169,"credit_id":180,"order":58,"media_type":35},[104],697695,"Incognito","An almost blind writer moves to a hidden property in an Alpine village with a female friend, Renata. The two play sado-masochistic games including long recitals of elaborate texts. A neighbor, Serge, gets interested in the mysterious couple.",1.6862,"\u002F9TmKKKcTJ5w6YmjITpWTDFGIEMW.jpg","1990-11-27",8,"5ea6ca4ca2d2e90018df474b",{"adult":4,"backdrop_path":8,"genre_ids":182,"id":183,"title":184,"original_language":25,"original_title":184,"overview":185,"popularity":186,"poster_path":187,"release_date":188,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":32,"credit_id":189,"order":34,"media_type":35},[22],1630635,"Raymond Depardon: Fermes familiales","A film about Raymond Depardon's photography in his native countryside from the documentary TV series \"Territoires photographiques\" for France 3 and INA.",0.9741,"\u002Fn4xu9doXn3pHr7o4jxahaJDpXNG.jpg","1985-01-01","6986670a52f819f56a6b5b7f",{"adult":4,"backdrop_path":191,"genre_ids":192,"id":193,"title":194,"original_language":25,"original_title":195,"overview":196,"popularity":197,"poster_path":198,"release_date":199,"softcore":4,"video":4,"vote_average":137,"vote_count":200,"character":32,"credit_id":201,"order":34,"media_type":35},"\u002Fa2GBTEs8oz2ra1tYAF4c0BLVH7R.jpg",[22],163842,"The Declic Years","Les années déclic: 1957-1977","This documentary is an autobiography based on director Depardon's voice, his face and pictures from his childhood which are all mixed together on screen and contrasted with selected pictures he shot between 1957 and 1977 and now comments on.",1.1398,"\u002FvXO2tHoWWqqTH39A96fMQ7gDiiA.jpg","1984-07-04",3,"698772f504a63e37428c8ab1",[203,207,221,224,227,238,248,260,271,276,288,291,301,304,315,318,332,335,338,350,360,371,381,384,393,396,408,417,427,439,444,448,460,472,475,478,481,484,495,498,501,514,524,533,543,553,563,566,569,578,581,584,587,590,593,596,606,609,612,615,625,635,638,646,649,657,665,673,676,679,682,692,700,703,709,716,723,726,735],{"adult":4,"backdrop_path":92,"genre_ids":204,"id":94,"title":95,"original_language":25,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":102,"credit_id":205,"department":13,"job":206,"media_type":35},[22],"52fe44c9c3a36847f80a9ee1","Director",{"adult":4,"backdrop_path":208,"genre_ids":209,"id":211,"title":212,"original_language":25,"original_title":213,"overview":214,"popularity":215,"poster_path":216,"release_date":217,"softcore":4,"video":4,"vote_average":218,"vote_count":219,"credit_id":220,"department":13,"job":206,"media_type":35},"\u002F20vIC3JXCFrsLwv0TpiBbK7IKh2.jpg",[210,104],35,36108,"To Each His Own Cinema","Chacun son cinema ou Ce petit coup au coeur quand la lumiere s'eteint et que le film commence","Commissioned to mark the 60th anniversary of the Cannes Film Festival, \"To Each His Own Cinema\" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.",2.8865,"\u002F1bTniamnmxv8TY3AUrxddrNy9rV.jpg","2007-10-31",6.4,163,"52fe45cd9251416c9103edb9",{"adult":4,"backdrop_path":63,"genre_ids":222,"id":65,"title":66,"original_language":25,"original_title":67,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":72,"vote_count":73,"credit_id":223,"department":13,"job":206,"media_type":35},[22],"52fe464c9251416c9104ffb1",{"adult":4,"backdrop_path":78,"genre_ids":225,"id":80,"title":81,"original_language":25,"original_title":82,"overview":83,"popularity":84,"poster_path":85,"release_date":86,"softcore":4,"video":4,"vote_average":87,"vote_count":88,"credit_id":226,"department":13,"job":206,"media_type":35},[22],"52fe464c9251416c9104ffbb",{"adult":4,"backdrop_path":228,"genre_ids":229,"id":230,"title":231,"original_language":25,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":4,"video":4,"vote_average":236,"vote_count":31,"credit_id":237,"department":13,"job":206,"media_type":35},"\u002FpQ7RlSEeXKrFfdmAoHlyOVnGb2X.jpg",[22],37480,"1974, une partie de campagne","Following the 1974 French presidential campaign with Valéry Giscard d’Estaing.",1.0299,"\u002Fs9BfIq8HIkhWzuf1nwqPKnYT6DH.jpg","2002-02-20",6.6,"52fe464c9251416c9104ffed",{"adult":4,"backdrop_path":8,"genre_ids":239,"id":240,"title":241,"original_language":25,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":137,"vote_count":104,"credit_id":247,"department":13,"job":206,"media_type":35},[22],37479,"Caught in the Acts","Délits flagrants","This documentary is a collection of footage of 14 suspects being 'interviewed' by the deputy public prosecutors.",0.7616,"\u002FwOwfya9UCgMkXVknxB9rjofKzKd.jpg","1994-10-05","52fe464c9251416c9104ffc7",{"adult":4,"backdrop_path":249,"genre_ids":250,"id":251,"title":252,"original_language":25,"original_title":253,"overview":254,"popularity":255,"poster_path":256,"release_date":257,"softcore":4,"video":4,"vote_average":218,"vote_count":258,"credit_id":259,"department":13,"job":206,"media_type":35},"\u002FuonotYnbDrHXcMFA1AbembrrQ8N.jpg",[104,22],48336,"Lumière & Company","Lumière et Compagnie","40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.",2.1816,"\u002FbSQ394UJb2xjMfwucHiHxg8XR5f.jpg","1995-12-20",74,"52fe4760c3a36847f81324c3",{"adult":4,"backdrop_path":261,"genre_ids":262,"id":263,"title":264,"original_language":25,"original_title":265,"overview":266,"popularity":267,"poster_path":268,"release_date":269,"softcore":4,"video":4,"vote_average":137,"vote_count":200,"credit_id":270,"department":13,"job":206,"media_type":35},"\u002FbgspKcir168iAP8BnYmHsEK3orC.jpg",[22,104],49116,"Lest We Forget","Contre l’oubli","A compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.",1.2384,"\u002F1PMobTJtMzOSBqNCHImiLAyPumH.jpg","1991-12-11","52fe4786c3a36847f813a993",{"adult":4,"backdrop_path":8,"genre_ids":272,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"credit_id":273,"department":274,"job":275,"media_type":35},[22],"626b5894a410c800520fc23f","Camera","Director of Photography",{"adult":4,"backdrop_path":277,"genre_ids":278,"id":279,"title":280,"original_language":25,"original_title":281,"overview":282,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":72,"vote_count":286,"credit_id":287,"department":13,"job":206,"media_type":35},"\u002FmU4W7lok0CdGpNGzhAQTyxetXBI.jpg",[22],125742,"The 10th District Court: Moments of Trial","10e chambre - Instants d'audience","The proceedings of a Paris courtroom are the grist for this documentary. Drawn from over 200 appearances before the same female judge, the director chooses a dozen or so varied misdemeanor and civil hearings to highlight the subtle details of human behavior. In the process he draws attention to issues of guilt, innocence, policing and ethnicity in France.",0.8362,"\u002F2kykPNLRCxlM23EnVOpWLwUdAbH.jpg","2004-06-02",29,"52fe4acdc3a368484e167d89",{"adult":4,"backdrop_path":8,"genre_ids":289,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"credit_id":290,"department":13,"job":206,"media_type":35},[22],"52fe4adcc3a368484e16ae33",{"adult":4,"backdrop_path":8,"genre_ids":292,"id":293,"title":294,"original_language":25,"original_title":295,"overview":296,"popularity":297,"poster_path":298,"release_date":299,"softcore":4,"video":4,"vote_average":87,"vote_count":179,"credit_id":300,"department":13,"job":206,"media_type":35},[22],128468,"Ten Minutes of Silence for John Lennon","Dix minutes de silence pour John Lennon","The documentary is about the ceremony dedicated by American people to John Lennon after his murder. The 10 minutes of silence in New York's Central Park allows a deep observation of the particularly immobile people.",1.0085,"\u002FiQNnZotwoj9C3jZv5X87ev95xqM.jpg","1980-12-31","52fe4b1dc3a368484e178775",{"adult":4,"backdrop_path":8,"genre_ids":302,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"credit_id":303,"department":13,"job":206,"media_type":35},[22],"52fe4b1dc3a368484e17877f",{"adult":4,"backdrop_path":8,"genre_ids":305,"id":306,"title":307,"original_language":25,"original_title":308,"overview":309,"popularity":310,"poster_path":311,"release_date":312,"softcore":4,"video":4,"vote_average":313,"vote_count":73,"credit_id":314,"department":13,"job":206,"media_type":35},[22],133452,"News Items","Faits divers","This documentary follows the daily life of a section of the police station of the fifth \"arrondissement\" (district) of Paris.",1.0859,"\u002FwM7RvEJ4nTXVJL5BhreBzL6AgSd.jpg","1983-06-01",6.893,"52fe4bb2c3a368484e1953c3",{"adult":4,"backdrop_path":191,"genre_ids":316,"id":193,"title":194,"original_language":25,"original_title":195,"overview":196,"popularity":197,"poster_path":198,"release_date":199,"softcore":4,"video":4,"vote_average":137,"vote_count":200,"credit_id":317,"department":13,"job":206,"media_type":35},[22],"52fe4c6ec3a36847f822dd0b",{"adult":4,"backdrop_path":319,"genre_ids":320,"id":322,"title":323,"original_language":25,"original_title":324,"overview":325,"popularity":326,"poster_path":327,"release_date":328,"softcore":4,"video":4,"vote_average":72,"vote_count":179,"credit_id":329,"department":330,"job":331,"media_type":35},"\u002Fmokd2Atv5tiGVtkIhqnqQJRmS3T.jpg",[321,104],10749,166694,"Empty Quarter: A Woman in Africa","Une femme en Afrique","A man invites a woman to share his room in a hostel and gradually falls in love with her.",0.9083,"\u002FiLkPDgA3bvqMAEBSWXaNcO8fcTv.jpg","1985-10-14","52fe4ca2c3a36847f8237d1b","Writing","Writer",{"adult":4,"backdrop_path":319,"genre_ids":333,"id":322,"title":323,"original_language":25,"original_title":324,"overview":325,"popularity":326,"poster_path":327,"release_date":328,"softcore":4,"video":4,"vote_average":72,"vote_count":179,"credit_id":334,"department":13,"job":206,"media_type":35},[321,104],"52fe4ca2c3a36847f8237d0f",{"adult":4,"backdrop_path":319,"genre_ids":336,"id":322,"title":323,"original_language":25,"original_title":324,"overview":325,"popularity":326,"poster_path":327,"release_date":328,"softcore":4,"video":4,"vote_average":72,"vote_count":179,"credit_id":337,"department":274,"job":275,"media_type":35},[321,104],"52fe4ca2c3a36847f8237d39",{"adult":4,"backdrop_path":339,"genre_ids":340,"id":341,"title":342,"original_language":25,"original_title":343,"overview":344,"popularity":345,"poster_path":346,"release_date":347,"softcore":4,"video":4,"vote_average":58,"vote_count":348,"credit_id":349,"department":13,"job":206,"media_type":35},"\u002FtHeAYY0VJYNGGeyjE0RUfogbPeG.jpg",[104],198445,"Captive of the Desert","La Captive du désert","A European researcher is abducted by some ill-educated rebels in a North African country. Their reasons are unclear...",1.0584,"\u002FsaJqOj7EfCl6DC9uREB51u6M4V1.jpg","1990-04-18",10,"52fe4d7d9251416c91117f0d",{"adult":4,"backdrop_path":351,"genre_ids":352,"id":353,"title":354,"original_language":25,"original_title":354,"overview":355,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":58,"vote_count":114,"credit_id":359,"department":13,"job":206,"media_type":35},"\u002FwONhV2GptYFvdJ9KsWrgQU2gojV.jpg",[22],234897,"Afriques : comment ça va avec la douleur ?","Miscellaneous images of African life.",0.899,"\u002F8BakOc3EamYoqpu3BjJcmLwp9lX.jpg","1996-10-02","52fe4e3bc3a36847f8285277",{"adult":4,"backdrop_path":361,"genre_ids":362,"id":363,"title":364,"original_language":25,"original_title":364,"overview":365,"popularity":366,"poster_path":367,"release_date":368,"softcore":4,"video":4,"vote_average":369,"vote_count":348,"credit_id":370,"department":13,"job":206,"media_type":35},"\u002F3lP9J38ZIAP1YA8o8MllOJQLTUY.jpg",[22],261083,"Paris","Utilizing a combination of professional actors and man-on-the-street interviews, French director Raymond Depardon has created a film about filmmaking that centers on a rather discriminating director's search for the perfect leading lady. The main problem is that the helmer (Luc Delahaye) doesn't really know what his next film will be about, let alone what kind of woman should be his star. Looking for inspiration, the director and his casting agent (Sylvie Peyre) visit the Saint Lazare train station in Paris and shoot some footage of passengers entering and exiting the trains. Later he encounters a few actresses, but rather than asking about their professional experiences, the director focuses on their personal lives. After several fruitless interviews, the director confesses to the casting agent that he really wants to utilize a non-professional actress.",0.7446,"\u002FiRJtEDkuQxH1LvpFR7IELGiBaMS.jpg","1998-03-23",5.3,"5330eb7d9251410b60000608",{"adult":4,"backdrop_path":372,"genre_ids":373,"id":374,"title":375,"original_language":25,"original_title":375,"overview":376,"popularity":377,"poster_path":378,"release_date":379,"softcore":4,"video":4,"vote_average":137,"vote_count":348,"credit_id":380,"department":13,"job":206,"media_type":35},"\u002FlD0svHaqg92Vp6nipSLQnj5wAIt.jpg",[22],31323,"Reporters","The co-founder of the Gamma press agency, Raymond Depardon, created this documentary of press photographers in Paris and their subjects by following the photographers around for one month, in October, 1980. In-between long hours waiting for a celebrity to emerge from a restaurant or a hotel, boredom immediately switches to fast action as the cameras click and roll when the person appears. The reaction to the gaggle of photographers is as varied as the people they often literally chase all around town. While some of the celebrities, such as Jacques Chirac who was mayor of Paris at the time, are perceived as comical caricatures, others are shown simply going about ordinary pursuits - including Catherine Deneuve, Gene Kelly, and Jean-Luc Godard.",2.4211,"\u002FmDdAb7E2ayhpwJfZr5EPTClGrbG.jpg","1981-06-10","53683b110e0a2647db006a9b",{"adult":4,"backdrop_path":8,"genre_ids":382,"id":151,"title":152,"original_language":25,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":157,"softcore":4,"video":4,"vote_average":87,"vote_count":114,"credit_id":383,"department":13,"job":206,"media_type":35},[104],"5388ad890e0a2614500066aa",{"adult":4,"backdrop_path":385,"genre_ids":386,"id":387,"title":388,"original_language":25,"original_title":388,"overview":389,"popularity":84,"poster_path":390,"release_date":391,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":392,"department":13,"job":206,"media_type":35},"\u002F3qkcPYXBuxgjZ55iNCNyKjjuVFZ.jpg",[22],1000437,"Les Révolutionnaires du Tchad","Film in three parts: Raymond Depardon films L'ambuscade d'Aouzou, in Chad, where Gilles Caron, Michel Honorin, Robert Pledge and a group of rebels are attacked by Chadian auxiliary troops in 1970. The other two parts (1975-76) include an interview with Françoise Claustre, a captive of the Frolinat fighters led by Hissène Habré and Goukouni Wedey, and the attack on the Faya palm grove. Raymond Depardon's interview for this short documentary moved public opinion, and Paris relented, paying the ransom demanded by Hissène Habré, amounting to ten million francs. Françoise Claustre's story served as the basis for Raymond Depardon's film La Captive du désert, starring Sandrine Bonnaire.","\u002FrVuPsud1ieSI4vt02G3yfxqhNO0.jpg","1970-03-03","62d2a0082d1e400060df542a",{"adult":4,"backdrop_path":339,"genre_ids":394,"id":341,"title":342,"original_language":25,"original_title":343,"overview":344,"popularity":345,"poster_path":346,"release_date":347,"softcore":4,"video":4,"vote_average":58,"vote_count":348,"credit_id":395,"department":330,"job":331,"media_type":35},[104],"53beab43c3a3684cdf0031e1",{"adult":4,"backdrop_path":397,"genre_ids":398,"id":399,"title":400,"original_language":25,"original_title":401,"overview":402,"popularity":403,"poster_path":404,"release_date":405,"softcore":4,"video":4,"vote_average":236,"vote_count":406,"credit_id":407,"department":13,"job":206,"media_type":35},"\u002F52Kkucw89mhQy5mevqzM0W7mQmJ.jpg",[22],37474,"Emergencies","Urgences","A documentary filmed in the psychiatric ward of the Motel Dieu at a large hospital in Paris. The patients arrive on their own, or with considerable help from the police, but all of them are in need of medical attention.",0.8878,"\u002FznKaghCTrUtRwM9nF8a6DilOaLU.jpg","1988-01-24",19,"5410bdcbc3a3681ab70006f9",{"adult":4,"backdrop_path":8,"genre_ids":409,"id":410,"title":411,"original_language":25,"original_title":411,"overview":412,"popularity":413,"poster_path":414,"release_date":415,"softcore":4,"video":4,"vote_average":58,"vote_count":114,"credit_id":416,"department":13,"job":206,"media_type":35},[],296604,"Muriel Leferle","Muriel Leferle is 22-years-old, a convicted felon, HIV-positive, and can talk her way out of nearly anything. Filmmaker Raymond Depardon first encountered Leferle while shooting his documentary Delits Flagrants\u002FCaught In The Act, about criminals dealing with the judicial system, and eventually decided her story was too good to limit to the 20 minutes of screen time she won in that picture. Muriel Leferle tells her hair-raising life story in greater scope than in the earlier film (both the truth and the version she gives to the judge); despite an unrepentant attitude about her life of crime, Leferle comes off as oddly likable, with street smarts and spunk to spare.",0.9069,"\u002F3nYckfSrgSvG25j8xFIbnJOMaDP.jpg","1999-03-31","54351f22c3a368114300b354",{"adult":4,"backdrop_path":418,"genre_ids":419,"id":420,"title":421,"original_language":25,"original_title":421,"overview":422,"popularity":423,"poster_path":424,"release_date":425,"softcore":4,"video":4,"vote_average":30,"vote_count":348,"credit_id":426,"department":13,"job":206,"media_type":35},"\u002F3OaoxBxkXWvriSuMQF6Nru3VrIO.jpg",[22],110740,"San Clemente","This documentary is about the life of a Venetian psychiatric hospital. The relationships between the doctors, the patients and their families are followed.",0.9867,"\u002FFp5eR0CxL62CeYXr1VkRvNrxfJ.jpg","1981-09-06","555a2c649251410b39004414",{"adult":4,"backdrop_path":428,"genre_ids":429,"id":430,"title":431,"original_language":25,"original_title":431,"overview":432,"popularity":433,"poster_path":434,"release_date":435,"softcore":4,"video":4,"vote_average":436,"vote_count":437,"credit_id":438,"department":13,"job":206,"media_type":35},"\u002Fe0ePYHdJQpTySDWp8ekfJ9JQUrR.jpg",[22],393710,"Les Habitants","Raymond Depardon sets out to meet French people to listen to them tell their tales. From Charleville-Mézières to Nice, Sète to Cherbourg, he invites people encountered in the street to continue their conversation in front of Depardon's camera and us, unfettered from any constraints.",1.6086,"\u002F1zenYbv6r4Z8qpaMrUCHs7EKYWX.jpg","2016-04-27",6.1,15,"5717655f9251417a22006a5f",{"adult":4,"backdrop_path":372,"genre_ids":440,"id":374,"title":375,"original_language":25,"original_title":375,"overview":376,"popularity":377,"poster_path":378,"release_date":379,"softcore":4,"video":4,"vote_average":137,"vote_count":348,"credit_id":441,"department":442,"job":443,"media_type":35},[22],"577e4c3892514169c500040a","Crew","Cinematography",{"adult":4,"backdrop_path":372,"genre_ids":445,"id":374,"title":375,"original_language":25,"original_title":375,"overview":376,"popularity":377,"poster_path":378,"release_date":379,"softcore":4,"video":4,"vote_average":137,"vote_count":348,"credit_id":446,"department":447,"job":447,"media_type":35},[22],"577e4c459251416935000420","Sound",{"adult":4,"backdrop_path":449,"genre_ids":450,"id":451,"title":452,"original_language":25,"original_title":453,"overview":454,"popularity":455,"poster_path":456,"release_date":457,"softcore":4,"video":4,"vote_average":458,"vote_count":126,"credit_id":459,"department":13,"job":206,"media_type":35},"\u002Fru9iXX4Li8CAI8ROyzMEb1Vt7dN.jpg",[22],406628,"Concerning Nice","À propos de Nice, la suite","Anthology of short films about the French city of Nice, by various directors. A homage to Jean Vigo and his \"À propos de Nice\" from 1930.",1.5852,"\u002F8bpnyTSdpuZfJwW1a8L79qO8out.jpg","1995-09-13",5.6,"578961929251413f080013bb",{"adult":4,"backdrop_path":461,"genre_ids":462,"id":463,"title":464,"original_language":25,"original_title":464,"overview":465,"popularity":466,"poster_path":467,"release_date":468,"softcore":4,"video":4,"vote_average":101,"vote_count":9,"credit_id":469,"department":470,"job":471,"media_type":35},"\u002Fs3WXNDYTjXprpVs84Mzn7jf5fZM.jpg",[22],409225,"Tibesti Too","This documentary draws a sensitive, unsensational portrait of the desert and the people who inhabit it, the Toubous.",1.062,"\u002FzoNYh3GqXsmnZtd1KSKmqa3o7tQ.jpg","1976-01-02","579fdfa292514102bf000283","Production","Producer",{"adult":4,"backdrop_path":461,"genre_ids":473,"id":463,"title":464,"original_language":25,"original_title":464,"overview":465,"popularity":466,"poster_path":467,"release_date":468,"softcore":4,"video":4,"vote_average":101,"vote_count":9,"credit_id":474,"department":442,"job":443,"media_type":35},[22],"579fe072c3a36877bc00013a",{"adult":4,"backdrop_path":461,"genre_ids":476,"id":463,"title":464,"original_language":25,"original_title":464,"overview":465,"popularity":466,"poster_path":467,"release_date":468,"softcore":4,"video":4,"vote_average":101,"vote_count":9,"credit_id":477,"department":13,"job":206,"media_type":35},[22],"579fdfbb925141065000012b",{"adult":4,"backdrop_path":8,"genre_ids":479,"id":107,"title":108,"original_language":25,"original_title":108,"overview":109,"popularity":110,"poster_path":111,"release_date":112,"softcore":4,"video":4,"vote_average":113,"vote_count":114,"credit_id":480,"department":13,"job":206,"media_type":35},[22],"57b0b557c3a368434e00049f",{"adult":4,"backdrop_path":92,"genre_ids":482,"id":94,"title":95,"original_language":25,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":102,"credit_id":483,"department":330,"job":331,"media_type":35},[22],"5810e8ce925141574300b545",{"adult":4,"backdrop_path":485,"genre_ids":486,"id":487,"title":488,"original_language":25,"original_title":488,"overview":489,"popularity":490,"poster_path":491,"release_date":492,"softcore":4,"video":4,"vote_average":493,"vote_count":58,"credit_id":494,"department":13,"job":206,"media_type":35},"\u002FvyKCsrM1O2vek4G8AO4RM744GaC.jpg",[],445516,"Jan Palach","For his directorial debut, Raymond Depardon traveled to Prague to document the funeral of Czechoslovak student Jan Palach, who died after setting himself on fire in protest against the Soviet occupation and the suppression of the Prague Spring. Filmed on 25 January 1969, the documentary records the massive public procession that followed, as hundreds of thousands of mourners gathered despite official efforts to discourage public participation.  (Note: This film is distinct from the anonymous short \"The Funeral of Jan Palach\" (1969), which circulated separately as an uncredited protest document.)",0.7926,"\u002F64KSMECE0DIKREjwT7tBh8PbaD3.jpg","1969-03-07",5.8,"58be6a4fc3a3680d6800cff0",{"adult":4,"backdrop_path":351,"genre_ids":496,"id":353,"title":354,"original_language":25,"original_title":354,"overview":355,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":58,"vote_count":114,"credit_id":497,"department":447,"job":447,"media_type":35},[22],"63f28fcd33a53300d40fc145",{"adult":4,"backdrop_path":351,"genre_ids":499,"id":353,"title":354,"original_language":25,"original_title":354,"overview":355,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":58,"vote_count":114,"credit_id":500,"department":274,"job":275,"media_type":35},[22],"63f28fc315376c0083368cdf",{"adult":4,"backdrop_path":502,"genre_ids":503,"id":504,"title":505,"original_language":25,"original_title":506,"overview":507,"popularity":508,"poster_path":509,"release_date":510,"softcore":4,"video":4,"vote_average":511,"vote_count":512,"credit_id":513,"department":13,"job":206,"media_type":35},"\u002Fr3CtKVXMbKAE5CMFGdjFkS5VC2Q.jpg",[22],452221,"12 Days","12 jours","A new documentary by filmmaker-photographer Raymond Depardon – where justice and psychiatry meet.",1.2567,"\u002FsVVu9qO7uhLpsjNDser7AZXCEwA.jpg","2017-11-29",7.1,55,"58ffa83192514161aa001bf4",{"adult":4,"backdrop_path":515,"genre_ids":516,"id":517,"title":518,"original_language":25,"original_title":518,"overview":519,"popularity":520,"poster_path":521,"release_date":522,"softcore":4,"video":4,"vote_average":137,"vote_count":200,"credit_id":523,"department":13,"job":206,"media_type":35},"\u002FsXOejKZh3yWz9zCZI7ydfWvBXaa.jpg",[22],451334,"Contacts","Raymond Depardon reflects on the photographs he took at the San Clemente psychiatric hospital. He discusses the photographer’s wandering eye and his hesitation when it comes to choosing the right image.",0.8293,"\u002FgNaqjBVEefcrHTMniExUBWCWMBY.jpg","1990-04-28","58ea0f5cc3a368731a0773fe",{"adult":4,"backdrop_path":8,"genre_ids":525,"id":526,"title":527,"original_language":25,"original_title":527,"overview":528,"popularity":529,"poster_path":530,"release_date":531,"softcore":4,"video":4,"vote_average":58,"vote_count":9,"credit_id":532,"department":13,"job":206,"media_type":35},[22],456090,"Sida propos (ou Paroles d'appelés)","In the context of the World Aids Day on the 1st December 1994, the French Ministry of Defence commissioned the producer Raymond DEPARDON to make a film to show to all new French military recruits called up for their national service, in which they gave their 'personal' views on the AIDS (Sida) problem. Each year about 240.000 young men are called to do their military service in the French Armed Forces. They remain in bases both in France and in French overseas territories, the film will be projected throughout these multiple installations. The 'on camera\" interviews by Depardon were authorised without any form of restriction by the military authorities, selecting a scattering of young men from all walks of life who will spend 10 months under the flag. 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