[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F554449:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":917},false,[],"Born in 1948 near Bremen in Germany, Heinz Emigholz trained first as a draftsman before studying philosophy and literature in Hamburg. He began filmmaking in 1968 and has worked since 1973 as a filmmaker, artist, writer and producer in Germany and the USA. In 1974 he started his encyclopaedic drawing series The Basis of Make-Up . He looks back on numerous exhibitions, retrospectives, lectures and publications. In 1984 he started his film series Photography and beyond. He has held a professorship in Experimental Filmmaking at the Universität der Künste Berlin from 1993 to 2013, and co-founded the Institute for Time-based Media and the program Art and Media, there. Since 2012 member of the Academy of Arts in Berlin. In 2003 Filmgalerie 451 started an edition of all his films on DVD. Publications a.o.: Krieg der Augen, Kreuz der Sinne (War of Eyes, Cross of Senses), Seit Freud gesagt hat, der Künstler heile seine Neurose selbst, heilen die Künstler ihre Neurosen selbst (Since Freud Said That the Artist Heals His Neuroses Himself, Artists Have Been Healing Their Neuroses Themselves), Normalsatz – Siebzehn Filme (Ordinary Sentence – Seventeen Films) and Das schwarze Schamquadrat (The Black Sqare of Shame) (all four books at Verlag Martin Schmitz); Die Basis des Make-Up (I) and (II), Der Begnadete Meier (Grace Jones), Kleine Enzyklopädie der Photographie (Little Encyclopaedia of Photography) and Die Basis des Make-Up (III) (in Die Republik No. 68-71, 76-78, 89-91, 94-97 and 123-125); Sense of Architecture with more than 600 photographs.","1948-01-22",null,2,"http:\u002F\u002Fpym.de\u002F",554449,"nm0256384","Directing","Heinz Emigholz","Achim, Germany",0.8606,"\u002FlHMPlkrIiRGV5j1uQyTEON0lhVl.jpg",{"cast":19,"crew":214},[20,39,53,64,77,90,99,110,122,132,143,154,163,173,185,196,206],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"character":35,"credit_id":36,"order":37,"media_type":38},"\u002Fmo2O5ESdB7PWnY3OBS9jjvjeskB.jpg",[23,24,25],18,36,10752,11101,"Stalingrad","de","A German Platoon is explored through the brutal fighting of the Battle of Stalingrad. After half of their number is wiped out and they're placed under the command of a sadistic captain, the platoon lieutenant leads his men to desert. The platoon members attempt escape from the city, now surrounded by the Soviet Army.",5.0208,"\u002FhEHmXFMOBJv5c6Gd5m6mDiLAxsy.jpg","1993-01-20",7.3,660,"Edgar Emigholz","52fe43f79251416c75024845",8,"movie",{"adult":4,"backdrop_path":40,"genre_ids":41,"id":42,"title":43,"original_language":28,"original_title":44,"overview":45,"popularity":46,"poster_path":47,"release_date":48,"softcore":4,"video":4,"vote_average":49,"vote_count":24,"character":50,"credit_id":51,"order":52,"media_type":38},"\u002FioOJOynKH49uTRXYhKDgGJkHDud.jpg",[23],890,"Brother of Sleep","Schlafes Bruder","In the beginning of the 19th century, Johannes Elias Alder is born in a small village in the Austrian mountains. While growing up he is considered strange by the other villagers and discovers his love of music, especially rebuilding and playing the organ at the village church. After experiencing an \"acoustic wonder\", his eye color changes and he can hear even the most subtle sounds.",1.7393,"\u002FwjvaafRCIGKLTJYm45oWgB494gJ.jpg","1995-09-08",6.7,"Haintz","6163f08253866e0048a49bf3",13,{"adult":4,"backdrop_path":8,"genre_ids":54,"id":55,"title":56,"original_language":28,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":9,"character":62,"credit_id":63,"order":9,"media_type":38},[23],406890,"Macumba","Max Taurus, a sort of amateur detective, pursues the traces of general omni-present crime back to a partially demolished house. There, the remaining tenants try to gain pleasure and power from progressive abandonment in order to tear down their own conventionalities.",1.579,"\u002F9yZZ004mdCZZHaMmSmnLKIVNlEz.jpg","1982-02-14",6.5,"Vinzenz Nola","64552af7d8f44e0db1a063d5",{"adult":4,"backdrop_path":8,"genre_ids":65,"id":67,"title":68,"original_language":69,"original_title":68,"overview":70,"popularity":71,"poster_path":72,"release_date":73,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"character":75,"credit_id":76,"order":52,"media_type":38},[66],99,1146127,"Home Movies 1971-81","xx","Home movies shot on Super 8mm by W+B Hein over 10 years.",1.3544,"\u002F95USeVGGGiVd8b8I3525itz3Ta.jpg","1985-01-01",0,"","649e33803e6f2b00c5371291",{"adult":4,"backdrop_path":78,"genre_ids":79,"id":80,"title":81,"original_language":82,"original_title":81,"overview":83,"popularity":84,"poster_path":85,"release_date":86,"softcore":4,"video":4,"vote_average":37,"vote_count":9,"character":87,"credit_id":88,"order":89,"media_type":38},"\u002Fnzv7FkASLYIR5mcfnExDATzdZmT.jpg",[23],264200,"Committed","en","Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.",2.2076,"\u002FvqRwiHiROD2hcDjcWepeHtM21HD.jpg","1984-01-01","Dr. Kraus","53482ff30e0a2616460001a7",4,{"adult":4,"backdrop_path":8,"genre_ids":91,"id":92,"title":93,"original_language":28,"original_title":93,"overview":94,"popularity":95,"poster_path":8,"release_date":96,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"character":75,"credit_id":97,"order":98,"media_type":38},[],1210027,"Bombenwerfer","This story is told by the boy's father: \"My father wrote letters from the front. He didn't come back from the war. In my dream, I saw a hundred thousand letters falling from the sky.\" The letters are memories and trauma. No one talks about them. The boy knows nothing yet about the legacy of all wars. The setting for this story is a former military airfield and its surroundings.",1.5082,"1996-01-24","6563014e028f1400e130968d",3,{"adult":4,"backdrop_path":8,"genre_ids":100,"id":101,"title":102,"original_language":28,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":108,"vote_count":89,"character":75,"credit_id":109,"order":9,"media_type":38},[],352546,"The Meadow of Things","Die Wiese der Sachen","Clonetown 1974 to 1979: a terrorist defector named Charon sits on the edge of oblivion and commentates on the imminent putrification of an abducted car dealer.",1.5021,"\u002FtMtm3WmE6xaoVjZozsWiOP73blk.jpg","1988-02-16",6,"55bc27969251413e49000ec3",{"adult":4,"backdrop_path":111,"genre_ids":112,"id":113,"title":114,"original_language":28,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"character":120,"credit_id":121,"order":98,"media_type":38},"\u002Fd0KBGc6ZRIMytzjjXZf7o8JrKD9.jpg",[66],1014118,"Slaughterhouses of Modernity","Schlachthäuser der Moderne","Contemporary cinema’s preeminent chronicler of architecture and its intersection with the ever-present crisis of 20th-century modernity, Heinz Emigholz returns with an alternately mournful and sly treatise on how the presence—and, in some cases, absence—of municipal and communal building architecture is inseparable from capitalist ideology. Focusing mainly on cities and provinces in Argentina, Germany, and Bolivia, Emigholz’s latest film is a work of quiet observation and historical excavation. From slaughterhouses in Salamone to the flooded former spa city of Epecuén to the newly built Humboldt Forum in Berlin, the film demonstrates the effect of capital on public spaces, where creation and destruction go hand in hand, and as always, Emigholz makes the journey one of intellectual force and cinematic beauty.",1.0356,"\u002FyOuvYODewHI48Cnwp3k7H4eKYhG.jpg","2023-01-19","(voice over)","63c33394ae3843009302d1f9",{"adult":4,"backdrop_path":8,"genre_ids":123,"id":124,"title":125,"original_language":82,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":130,"vote_count":9,"character":75,"credit_id":131,"order":89,"media_type":38},[],283232,"Four Shadows","Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sections to each other. The image sections are: surveyors measuring the land near my house as seen through an old window, a family of Siamang Gibbon apes in the Washington zoo, an industrial site, and a page turned from a book on Cézanne’s composition showing a diagram of his painting Mardi Gras, filmed against bright leaves. The sound sections are: a dramatic scene from Debussy’s opera “Pelléas et Mélisande”, a passage from William Wordworth’s autobiographical poem “The Prelude,” sounds from rowing on a lake at night, and the sounds of the apes vocalizing.",0.7652,"\u002FhVhNaNW85zVOmoIBGlnp27a0w0x.jpg","1978-10-03",7,"666511c3a4e6d85ae3157de1",{"adult":4,"backdrop_path":8,"genre_ids":133,"id":134,"title":135,"original_language":28,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"character":75,"credit_id":141,"order":142,"media_type":38},[],795955,"Fury Is a Feeling Too","Böse zu sein ist auch ein Beweis von Gefühl","Documentary on the city of Berlin and a personal essay on alienation and being an alien in that city. Cyn­thia Beatt raises questions and provokes reflec­tion on a wide range of issues concerning language and culture, politics and history.",0.767,"\u002FoJlgIcKOaYL9LtaKnsUrQruo8Sw.jpg","1984-02-20","66d59662d94dffd8f7020cec",1,{"adult":4,"backdrop_path":8,"genre_ids":144,"id":145,"title":146,"original_language":28,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":151,"vote_count":9,"character":152,"credit_id":153,"order":74,"media_type":38},[24,23],444142,"Exekution: A Study of Mary","This film is in effect a slideshow of exquisite single photographic images in sparkling black and white, representing Mikesch’s own version of Mary Stuart. “The drama of a woman who attempted a kind of liberal emancipation in a time of upheaval, but got caught in the snares of men,” in her words. Confronted with layers and layers of conflicting information about “how it really was” Mikesch decided not to try to be a historian, but to radicalise the narrative and condense it into striking images of passion, power, love, pain and death.",1.0736,"\u002Fp3HJmOXXwQQQ2G3u3mPPq2LQhy5.jpg","1979-09-20",7.5,"Narrator (voice)","58b4821492514177d101cbc8",{"adult":4,"backdrop_path":8,"genre_ids":155,"id":156,"title":157,"original_language":28,"original_title":157,"overview":158,"popularity":159,"poster_path":160,"release_date":161,"softcore":4,"video":4,"vote_average":130,"vote_count":142,"character":75,"credit_id":162,"order":142,"media_type":38},[],480164,"Der Ort der Handlung","A German TV movie",1.1616,"\u002FlNj7zlk0QbJtxWYDIP0EGVSeXTi.jpg","1977-01-17","59daa8bac3a36861a304a273",{"adult":4,"backdrop_path":8,"genre_ids":164,"id":165,"title":166,"original_language":28,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":4,"video":4,"vote_average":37,"vote_count":142,"character":75,"credit_id":172,"order":9,"media_type":38},[],479463,"Ordinary Sentence","Normalsatz","An experimental German film",1.6973,"\u002Ff3EatYHo6BCeoGlReqAfTqNiimG.jpg","1982-02-16","59d443c3c3a368453f00bc42",{"adult":4,"backdrop_path":174,"genre_ids":175,"id":176,"title":177,"original_language":82,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":4,"video":4,"vote_average":182,"vote_count":130,"character":183,"credit_id":184,"order":9,"media_type":38},"\u002FqVEjT1rEdz1sIRgngv0PpplFTf3.jpg",[23],152900,"Saturn Returns","Lucy, a privileged North American in contemporary Berlin, living a life of post Punk hedonism, roams the streets with her best friend, Derek. Together they use the city like a playground, a stage, and a never ending party. Into their lives enters Galia, a young Israeli woman carrying the promise of a better, cleaner way of living. A tribute to Punk underground films turns into a melodrama in \"Saturn Returns\", mirroring Lucy and Galia's modulating states of mind. Our and their look into each other's life and culture, becomes an investigation of empty facades. The film was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.",0.7155,"\u002Fa2FUgQn4wRZzzzJ3yuEyDvCHDHW.jpg","2009-01-01",5.5,"Edgar","5abf2646c3a368443501cf8f",{"adult":4,"backdrop_path":8,"genre_ids":186,"id":187,"title":188,"original_language":28,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":193,"vote_count":142,"character":194,"credit_id":195,"order":142,"media_type":38},[],548072,"Die blaue Distanz","A woman on a train.",0.588,"\u002Fdwptl0idhAUosr5g1AenRZdnef7.jpg","1983-02-22",10,"Voice at telephone","5b9a93ffc3a3686c02001ebd",{"adult":4,"backdrop_path":8,"genre_ids":197,"id":198,"title":199,"original_language":28,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"character":75,"credit_id":204,"order":205,"media_type":38},[23],697029,"Bartleby","Adaptation of the novel \"Bartleby the Scrinener: A story of Wall Street\" (1853) by Hermann Melville.",1.485,"\u002FxTL05yolHTzLxBZx8Qms3rJwhZJ.jpg","1976-01-01","5ea442aa3faba000204604e7",5,{"adult":4,"backdrop_path":8,"genre_ids":207,"id":208,"title":209,"original_language":69,"original_title":209,"overview":210,"popularity":179,"poster_path":8,"release_date":211,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"character":212,"credit_id":213,"order":74,"media_type":38},[],1648299,"Sons","Experimental short film set in a military environment.","1992-03-01","Man with Knife","69ad61c83b1ac2ca9945002c",[215,225,236,247,264,273,284,294,306,315,319,324,333,341,350,363,373,383,386,389,392,400,410,414,417,427,439,442,450,457,466,469,477,485,488,495,504,507,514,517,520,530,540,550,558,566,574,582,585,588,591,594,603,611,614,617,620,623,630,640,643,647,650,657,660,663,666,669,672,675,684,687,690,693,696,699,709,719,729,732,735,738,746,756,765,768,776,784,787,790,793,796,799,802,805,808,811,814,817,822,831,842,853,856,859,862,871,874,883,893,902,911,914],{"adult":4,"backdrop_path":8,"genre_ids":216,"id":217,"title":218,"original_language":28,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":4,"video":4,"vote_average":130,"vote_count":89,"credit_id":223,"department":13,"job":224,"media_type":38},[66],74118,"Schindlers Häuser","Both a beguiling meditation on the aesthetic of a city and a loving tribute to a great architect, Heinz Emigholz's documentary examines urban Los Angeles through the houses of Austrian-American architect Rudolph Schindler. Eschewing the documentary conventions of voice-over narration and archival photos, Emigholz mixes artfully composed images of more than 40 Schindler creations with an ambient soundscape to produce a singular viewing experience.",0.7322,"\u002FltGMJrCFRyXSZNJNeGtbFFEG1om.jpg","2007-06-04","52fe48bdc3a368484e108627","Director",{"adult":4,"backdrop_path":8,"genre_ids":226,"id":227,"title":228,"original_language":28,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":234,"vote_count":98,"credit_id":235,"department":13,"job":224,"media_type":38},[66],98207,"Parabeton: Pier Luigi Nervi and Roman Concrete","Parabeton: Pier Luigi Nervi und Römischer Beton","The third autobiography in the series deals with modern architecture. For the grand finale, he covers a broad historical spectrum: Parabeton tells of the great Roman concrete buildings from the start of the Common Era and compares them with Pier Luigi Nervi’s work, the Italian master of concrete construction. As concrete can be made into many different shapes, the buildings and the domes, slopes and spiral staircases they contain have an innovative, seminal quality. Those familiar with Emigholz's work will note that the skewed camera angles used in the past are replaced by straight-on views. Moreover, the ancient constructions seem more dynamic than those of the last century. Almost devoid of people, the images we know from his preceding films make the ruins from the 1930s to the 70s, the familiar cement constructions of daily life with their play of light and shadow or even the Pope’s Audience Hall appear more ghostly than the famous sights of the ancient world.",0.8398,"\u002Fkq4N3eYvjpNiuyEpIT1zoUr879K.jpg","2012-02-12",5.8,"52fe4a059251416c750db03d",{"adult":4,"backdrop_path":237,"genre_ids":238,"id":239,"title":240,"original_language":28,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":130,"vote_count":205,"credit_id":246,"department":13,"job":224,"media_type":38},"\u002F3typdFRQYDY1FwLc7bjUseFg1sA.jpg",[66],128183,"Perret in France and Algeria","Perret in Frankreich und Algerien","Lauded artist-filmmaker Heinz Emigholz (Schindler's Houses) offers an exquisite excursus on the work of pioneering French architect Auguste Perret, including privileged views of his innovative concrete structures in Algeria and such magnificent landmarks as Paris' Art Deco Théâtre des Champs Elysées. (TIFF)",0.9031,"\u002FivPHWXv8efpeyQ7HChXvJS3Qr6O.jpg","2012-11-29","52fe4b14c3a368484e176aad",{"adult":4,"backdrop_path":248,"genre_ids":249,"id":252,"title":253,"original_language":82,"original_title":254,"overview":255,"popularity":256,"poster_path":257,"release_date":258,"softcore":4,"video":4,"vote_average":259,"vote_count":260,"credit_id":261,"department":262,"job":263,"media_type":38},"\u002Fmj7lMtaMjaNgAwnZDVwrSalFgPY.jpg",[23,250,251],10749,35,123624,"Virgin Machine","Die Jungfrauenmaschine","A German woman travels to San Francisco to find her mother, but winds up distracted by the sexually flamboyant culture of the city.",0.8624,"\u002FfvTEpvMPzJoEv8HB7jBCv6xp7Bn.jpg","1989-02-10",4.7,12,"64f0cf7077d23b012e8a029c","Crew","Thanks",{"adult":4,"backdrop_path":8,"genre_ids":265,"id":266,"title":267,"original_language":82,"original_title":267,"overview":268,"popularity":269,"poster_path":270,"release_date":271,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":272,"department":13,"job":224,"media_type":38},[],250322,"Sense of Architecture","A passage through modern civilised life by way of 42 architectural projects in Austria and elsewhere. From a church belfry to a kindergarten, pharmacy, housing project etc. and finally to a crematorium and adjoining columbarium. A minimalist twentieth-century epic.",0.5931,"\u002FrBqN5hLVxSIYcnHJPoID9AZebFw.jpg","2009-07-15","52fe4def9251416c91120ff9",{"adult":4,"backdrop_path":274,"genre_ids":275,"id":276,"title":277,"original_language":28,"original_title":278,"overview":279,"popularity":280,"poster_path":281,"release_date":282,"softcore":4,"video":4,"vote_average":108,"vote_count":205,"credit_id":283,"department":13,"job":224,"media_type":38},"\u002FyClxQ6PfZRvUNXsFPUt32vGfERG.jpg",[66],250351,"Goff in the Desert","Goff in der Wüste","In this creative documentary, filmmaker Heinz Emigholz presents a series of filmed photographs of the work of the exceptionally inventive American architect Bruce Goff (1904-1982), who was apprenticed at age 12 but never formally educated as an architect. His work, mostly churches and private homes, displays a unique style that sets it apart from most 20th century architecture. The Episcopal Church in Tulsa built in the 1920s is a towering Art Deco icon, while the Hopewell Baptist Church in Edmond resembles a strange futuristic concrete teepee challenging the landscape. Bruce Goff is the great unknown of an original American form of architecture. Through his photo-driven style, Emigholz brilliantly exposes details of Goff's structures that might otherwise be missed, making these fascinating artifacts even more intriguing.",0.6702,"\u002FyDEvmBU9rNuAquRu5wXO5Sz9v5d.jpg","2003-02-12","52fe4df09251416c91121169",{"adult":4,"backdrop_path":8,"genre_ids":285,"id":286,"title":287,"original_language":28,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":61,"vote_count":89,"credit_id":293,"department":13,"job":224,"media_type":38},[23],250353,"The Holy Bunch","Der Zynische Körper","After Roy's demise, five friends try to reconstruct his life by reading through the late editor's notebooks - only to face some very personal demons. The Holy Bunch is a modernist melodrama: beyond-Antonioni in its images, decisively Dreyerian in its spirituality. One of German cinema's few modern (or Modernist) masterpieces.",1.071,"\u002FcDVqzeN2b4sYO97yf1qGQ0bW7O.jpg","1991-02-17","52fe4df09251416c9112119b",{"adult":4,"backdrop_path":295,"genre_ids":296,"id":297,"title":298,"original_language":28,"original_title":299,"overview":300,"popularity":301,"poster_path":302,"release_date":303,"softcore":4,"video":4,"vote_average":304,"vote_count":130,"credit_id":305,"department":13,"job":224,"media_type":38},"\u002Fl9gvdPZ6WYpXh3fhw8fXmZMH4F3.jpg",[66],262182,"D’Annunzio’s Cave","D’Annunzios Höhle","Heinz Emigholz, the premiere purveyor of architectural oddities (Sullivan’s Bridges, Goff in the Desert), meticulously documents 15 rooms of the enormous Villa Cargnacco in Lombardy, Italy, designed by proto-fascist poet Gabriele D’Annunzio (1863–1938). The controversial figure spent 17 years designing the Vittoriale, a state museum on Lake Garda, and furnishing the Villa Cargnacco, which is part of the grand complex. This unusual documentary resulted from a photography session in the villa, when four friends—cinematographers Irene von Alberti, Elfi Mikesch, Klaus Wyborny and Heinz Emigholz—simultaneously filmed the rooms and furnishings of the villa in their own specific styles.",0.9279,"\u002FpryvzCQR6n8kJFAb25Eh2nfnqGi.jpg","2005-05-31",5.7,"533887c7c3a3680e9f003f82",{"adult":4,"backdrop_path":8,"genre_ids":307,"id":308,"title":309,"original_language":69,"original_title":309,"overview":310,"popularity":311,"poster_path":312,"release_date":313,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":314,"department":13,"job":224,"media_type":38},[],870227,"Antivilla","The film shows the Antivilla built by Arno Brandlhuber in Potsdam, Krampnitz, between 2010 and 2015. The building has the project number 0131 in the catalog of works by Brandlhuber +. The shooting of Antivilla took place on April 4, 2016 in preparation for the feature film Streetscapes [Dialogue].",1.0537,"\u002Ffrm8tyWoEmapaWLOUms6L2ssK5D.jpg","2021-03-09","61326ecb5e12000087131fc3",{"adult":4,"backdrop_path":8,"genre_ids":316,"id":308,"title":309,"original_language":69,"original_title":309,"overview":310,"popularity":311,"poster_path":312,"release_date":313,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":317,"department":262,"job":318,"media_type":38},[],"61326f1064f7160042eb5c8c","Cinematography",{"adult":4,"backdrop_path":8,"genre_ids":320,"id":308,"title":309,"original_language":69,"original_title":309,"overview":310,"popularity":311,"poster_path":312,"release_date":313,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":321,"department":322,"job":323,"media_type":38},[],"61326f2f15a4a1002ccdbf73","Editing","Editor",{"adult":4,"backdrop_path":8,"genre_ids":325,"id":326,"title":327,"original_language":69,"original_title":327,"overview":328,"popularity":329,"poster_path":330,"release_date":331,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":332,"department":13,"job":224,"media_type":38},[],870342,"Casa Golly","The films of pre-eminent documentary filmmaker Heinz Emigholz present the most important architects of the 20th century not through explanation or biography, but by using the camera to reveal the structures that define their art. From Bruce Goff’s churches to Gabriele D’Annunzio’s villas to Robert Maillart’s bridges, each exploratory and contemplative film is dedicated to the work of a single architect; taken together, the series shows us some of the most beautiful buildings of our time.",0.8867,"\u002FjghpsM0yxXJaDAlR0I66BFXcaXI.jpg","2021-08-27","6134fd1764f7160062a08786",{"adult":4,"backdrop_path":8,"genre_ids":334,"id":335,"title":336,"original_language":82,"original_title":336,"overview":337,"popularity":338,"poster_path":8,"release_date":203,"softcore":4,"video":4,"vote_average":339,"vote_count":142,"credit_id":340,"department":13,"job":224,"media_type":38},[],284906,"Hotel","Emigholz disrupts the linear narrative via editing, and then reconnects the shots based on recognizable patterns. In doing so, he brings new meaning to the images.",0.7326,9,"53dda5320e0a265a96001086",{"adult":4,"backdrop_path":8,"genre_ids":342,"id":343,"title":344,"original_language":345,"original_title":344,"overview":346,"popularity":347,"poster_path":8,"release_date":348,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":349,"department":13,"job":224,"media_type":38},[],388077,"Tide","es","The first part shows the progression from high tide to low tide in 15 minutes. The second, equally long part follows the changes from high tide to low tide. The artist's special work consisted of defining a complex recording plan (score) that had to be precisely described. The end result is a multi-layered, flowing film plot that does not depict a linear progression of time, but juxtaposes successive moments simultaneously.",0.8024,"1975-01-01","62e05e659451e702249582d7",{"adult":4,"backdrop_path":351,"genre_ids":352,"id":354,"title":355,"original_language":28,"original_title":355,"overview":356,"popularity":357,"poster_path":358,"release_date":359,"softcore":4,"video":4,"vote_average":37,"vote_count":142,"credit_id":360,"department":361,"job":362,"media_type":38},"\u002F6NMcMNN1smwKiUphMHDim7Dbut1.jpg",[66,353],10770,1190605,"Der Maler Philip Guston – Ein amerikanisches Leben","The extraordinary work of the American artist Philip Guston is a milestone in modern painting. Guston is one of the most discussed painters of his time and today a star of the younger generation of contemporary artists. ARTE is showing the documentary on the occasion of the major Guston retrospective at the Tate Modern in London.",1.2772,"\u002FoQn0T3uA3CfTraNoIlwhMUDIfc3.jpg","2023-10-08","6529277a0cb33516f8824670","Camera","Director of Photography",{"adult":4,"backdrop_path":364,"genre_ids":365,"id":366,"title":367,"original_language":28,"original_title":367,"overview":368,"popularity":369,"poster_path":370,"release_date":371,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":372,"department":13,"job":224,"media_type":38},"\u002FwdLVJzHFmJulYWBsZeA6j09PmOt.jpg",[66],290560,"Loos Ornamental","One of the pioneers of the European Modernism in architecture, Adolf Loos turned against building ornamentation, triggering a controversy in architectural theory. His development of a spatial plan launched a new approach to thinking about building spaces. His houses, furniture, facades, and monuments were constructed between 1899 and 1931 and represent a refreshing approach to modern architecture.",0.7492,"\u002FsE1JIJby2A7eTqUPCDwtZd4GWkq.jpg","2008-05-25","546aef0b92514101f8000d61",{"adult":4,"backdrop_path":8,"genre_ids":374,"id":375,"title":376,"original_language":28,"original_title":377,"overview":378,"popularity":379,"poster_path":380,"release_date":381,"softcore":4,"video":4,"vote_average":205,"vote_count":98,"credit_id":382,"department":361,"job":362,"media_type":38},[66],299207,"The Airstrip - Decampment of Modernism, Part III","Airstrip - Aufbruch der Moderne, Teil III","In the 21st part of his Photography and beyond series, Heinz Emigholz projects as usual a series of structures into our brains and from there on to the screen: Airports, motorways and bus stops; department stores, market halls and warehouses.",1.1545,"\u002F55e3fcisJHMu7KEYGfm5OHI3kc9.jpg","2014-10-02","544d821ec3a36824270005ea",{"adult":4,"backdrop_path":8,"genre_ids":384,"id":375,"title":376,"original_language":28,"original_title":377,"overview":378,"popularity":379,"poster_path":380,"release_date":381,"softcore":4,"video":4,"vote_average":205,"vote_count":98,"credit_id":385,"department":322,"job":323,"media_type":38},[66],"544d822b0e0a2608bb003153",{"adult":4,"backdrop_path":8,"genre_ids":387,"id":375,"title":376,"original_language":28,"original_title":377,"overview":378,"popularity":379,"poster_path":380,"release_date":381,"softcore":4,"video":4,"vote_average":205,"vote_count":98,"credit_id":388,"department":13,"job":224,"media_type":38},[66],"544d820fc3a36872bc003043",{"adult":4,"backdrop_path":111,"genre_ids":390,"id":113,"title":114,"original_language":28,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":391,"department":13,"job":224,"media_type":38},[66],"62fe658b74d6c000860aac90",{"adult":4,"backdrop_path":8,"genre_ids":393,"id":394,"title":395,"original_language":28,"original_title":395,"overview":396,"popularity":397,"poster_path":8,"release_date":398,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":399,"department":13,"job":224,"media_type":38},[],886569,"Berlin [Underground]","A dash of nostalgia, then a shrug and self-irony: The portraits of Berlin subway stations in Berlin [Underground] begin in Schöneberg’s Regenbogenkiez only to evaporate towards Dahlem, the location of the Freie Universität. The western underground academically frittered away. The trees in Argentina are more exciting. And over and over, the unfathomable notebooks of Heinz Emigholz.",0.7391,"2021-10-17","616d9547bf09d1006439db3b",{"adult":4,"backdrop_path":8,"genre_ids":401,"id":402,"title":403,"original_language":28,"original_title":404,"overview":405,"popularity":406,"poster_path":407,"release_date":408,"softcore":4,"video":4,"vote_average":182,"vote_count":89,"credit_id":409,"department":13,"job":224,"media_type":38},[66],318322,"Two Museums","Zwei Museen","The film juxtaposes\u002Fcompares two museums: The Museum of Art, Ein Harod, Israel, which Samuel Bickels (1909-1975) built there in 1948, and The Menil Collection in Houston, Texas, built by Renzo Piano (b. 1937) 1986 . The method of natural lighting in Bickels‘s construction was the direct model for Piano, who adopted for his construction at the request of its patroness Dominique de Menil.",1.1712,"\u002FbX5mgERM0msBvFKQQJTkWTAKpKu.jpg","2014-01-22","54b72785c3a3686c6800115b",{"adult":4,"backdrop_path":8,"genre_ids":411,"id":402,"title":403,"original_language":28,"original_title":404,"overview":405,"popularity":406,"poster_path":407,"release_date":408,"softcore":4,"video":4,"vote_average":182,"vote_count":89,"credit_id":412,"department":361,"job":413,"media_type":38},[66],"54b8199cc3a3686c7100241d","Camera Operator",{"adult":4,"backdrop_path":8,"genre_ids":415,"id":101,"title":102,"original_language":28,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":108,"vote_count":89,"credit_id":416,"department":13,"job":224,"media_type":38},[],"55bc262bc3a368654000103f",{"adult":4,"backdrop_path":8,"genre_ids":418,"id":419,"title":420,"original_language":28,"original_title":421,"overview":422,"popularity":423,"poster_path":424,"release_date":425,"softcore":4,"video":4,"vote_average":205,"vote_count":130,"credit_id":426,"department":13,"job":224,"media_type":38},[],166770,"Sullivan's Banks","Sullivans Banken","Emigholz presents the buildings of the great American architect Louis Sullivan (1856–1924).  “In everything that men do they leave an indelible imprint of their minds. If this suggestion be followed out, it will become surprisingly clear how each and every building reveals itself naked to the eye; how its every aspect, to the smallest detail, to the lightest move of the hand, reveals the workings of the mind of the man who made it, and who is responsible to us for it.”",0.7802,"\u002FlaewTTNxKlItT84mjBCI7rwG0NS.jpg","2001-02-09","55a03a60c3a3681ce700002c",{"adult":4,"backdrop_path":8,"genre_ids":428,"id":429,"title":430,"original_language":28,"original_title":431,"overview":432,"popularity":433,"poster_path":434,"release_date":425,"softcore":4,"video":4,"vote_average":435,"vote_count":108,"credit_id":436,"department":437,"job":438,"media_type":38},[66],310734,"Maillart's Bridges","Maillarts Brücken","Famed Swiss architect and artist Robert Maillart was renowned for his concrete bridges; this documentary examines the elegant design of his engineering masterpieces, which, the film argues, embrace both functionality and aesthetics. Instead of following a traditional journalistic structure, director Heinz Emigholz's spellbinding film reads more like ethereal visual poetry, allowing the beauty of Maillart's work to speak for itself.",0.8519,"\u002F37WpmpMwp9aZ6YPJFSoiKKhGVRN.jpg",4.8,"55bea57bc3a3686534005dcd","Writing","Writer",{"adult":4,"backdrop_path":8,"genre_ids":440,"id":429,"title":430,"original_language":28,"original_title":431,"overview":432,"popularity":433,"poster_path":434,"release_date":425,"softcore":4,"video":4,"vote_average":435,"vote_count":108,"credit_id":441,"department":13,"job":224,"media_type":38},[66],"55bea56dc3a3686959005c72",{"adult":4,"backdrop_path":8,"genre_ids":443,"id":444,"title":445,"original_language":28,"original_title":445,"overview":446,"popularity":447,"poster_path":8,"release_date":448,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":449,"department":13,"job":224,"media_type":38},[],353884,"The Basis of Make-Up I","Forty-two of Heinz Emigholz's illustratred notebooks from 1974 to 1983, a notebook of Heinrich Emigholz dated 1941, a sketchbook from the 70s, twenty-four photographs from 100 Hudson Street, 240 President Street, 325 West 11th Street, Kleine Reichenstrasse 2, 36 Sherman Street, 236 Elizabeth Street, 29 John Street and Zippelhaus 6. In addition, there are eighty drawings from the series ›Die Basis des Make-Up‹ as positives and negatives.",0.6388,"1983-06-10","55c8b1cdc3a3686a8200083f",{"adult":4,"backdrop_path":8,"genre_ids":451,"id":452,"title":453,"original_language":28,"original_title":453,"overview":454,"popularity":455,"poster_path":8,"release_date":425,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":456,"department":13,"job":224,"media_type":38},[],353889,"The Basis of Make-Up II","Sixty-nine of Heinz Emigholz's illustrated notebooks from 1983 to 1996, three sketch books from the 80s and 90s, and cinematic studies of his exhibition \"Der Untergang der Bismarck\" at the Zwinger Gallery, Berlin 1988, a castle moat in Riva, Italy 1997, a casting of Aguste Rodin's \"The Gates of Hell\" in front of the Kunsthaus in Zürich 1988, an olive grove near Norma in Italy 1995, a magnolia tree in Basle 1996, burnt meat at Cabo de Creus in the Pyrennees 1988, an intersection in Owatonna, Minnesota 1995, and a house underpass in Giesshübelstrasse, Zurich 1996. In addition, there are 184 drawings from the series \"Die Basis des Make-Up\" as positives and negatives.",0.6062,"55c8b3f5c3a36818e2000641",{"adult":4,"backdrop_path":8,"genre_ids":458,"id":459,"title":460,"original_language":28,"original_title":461,"overview":462,"popularity":463,"poster_path":8,"release_date":464,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":465,"department":13,"job":224,"media_type":38},[66],353974,"A Series of Thoughts","Eine Serie von Gedanken","A Series of Thoughts consists of four shorts: EL GRECO IN TOLEDO, LEONARDOS TRÄNEN, AN BORD DER USS TICONDEROGA and EIN MUSEUMSBAU IN ESSEN.",0.6384,"2011-02-13","55c9437ec3a36875290004f1",{"adult":4,"backdrop_path":8,"genre_ids":467,"id":459,"title":460,"original_language":28,"original_title":461,"overview":462,"popularity":463,"poster_path":8,"release_date":464,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":468,"department":437,"job":438,"media_type":38},[66],"55c943889251410c5b000515",{"adult":4,"backdrop_path":8,"genre_ids":470,"id":471,"title":472,"original_language":28,"original_title":473,"overview":474,"popularity":475,"poster_path":8,"release_date":181,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":476,"department":13,"job":224,"media_type":38},[66],353976,"Two Projects by Friedrich Kiesler","Zwei Projekte von Friedrich Kiesler","The film explores two projects by Austrian artist and visionary Frederick Kiesler (1890–1965): the model for ENDLESS HOUSE (1959) that is currently exhibited at the Kiesler Foundation in Vienna and THE SHRINE OF THE BOOK designed and built by Frederick Kiesler and Armand Bartos in Jerusalem (1959-65).",0.7384,"55c948339251410c5b0005eb",{"adult":4,"backdrop_path":8,"genre_ids":478,"id":479,"title":480,"original_language":28,"original_title":480,"overview":481,"popularity":482,"poster_path":8,"release_date":483,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":484,"department":13,"job":224,"media_type":38},[66],353891,"The Basis of Make-Up III","The film shows thirty-eight of Heinz Emigholz's notebooks and sketchbooks from 1996 to 2004: cinematic studies of marble inlays on the memorial slabs in the Johannes Cathedral in Valetta, Malta in 2004; of Skull Rock in Joshua Tree Desert in California, which gave the series its title; of Cerro Castellan in Big Bend National Park in Texas; of a rock shop in Quartzsite, Arizona that sells remnants from the glass factory in Henryetta as \"gems from Mexico\"; scenes from Bartlesville in Oklahoma; a tree covered with shoes on Highway 62 in California in 2002; and, in Gabriele D'Annunzio's Villa Cargnacco in Gardone, Italy in 1997, the mask merchant's room, the reliquary room, the workshop, the globe room, the Apollinian veranda, the room of the Cheli, and the Zambracca.",0.6114,"2005-02-13","55c8b4a7c3a368156e000650",{"adult":4,"backdrop_path":8,"genre_ids":486,"id":471,"title":472,"original_language":28,"original_title":473,"overview":474,"popularity":475,"poster_path":8,"release_date":181,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":487,"department":437,"job":438,"media_type":38},[66],"55c9483cc3a368752700055b",{"adult":4,"backdrop_path":8,"genre_ids":489,"id":490,"title":491,"original_language":82,"original_title":491,"overview":492,"popularity":493,"poster_path":8,"release_date":483,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":494,"department":13,"job":224,"media_type":38},[],354899,"Miscellanea III","A meditation on ruins and remains linked strongly to the US chapters of Photography and Beyond. A rumination on a nation and dream in tatters. A cautious reminder of ever-lurking horrors: a glimpse of the warship Puglia, not far from the sarcophagus containing the mortal remains of Gabriele d'Annunzio.",0.7046,"55d1abd29251413193009a07",{"adult":4,"backdrop_path":8,"genre_ids":496,"id":497,"title":498,"original_language":82,"original_title":498,"overview":499,"popularity":500,"poster_path":8,"release_date":501,"softcore":4,"video":4,"vote_average":502,"vote_count":142,"credit_id":503,"department":13,"job":224,"media_type":38},[],354898,"Miscellanea II","Studies on 35 mm color film from 1988 to 1997.",0.6185,"2001-05-06",8.5,"55d1aab392514131a5009ab4",{"adult":4,"backdrop_path":8,"genre_ids":505,"id":497,"title":498,"original_language":82,"original_title":498,"overview":499,"popularity":500,"poster_path":8,"release_date":501,"softcore":4,"video":4,"vote_average":502,"vote_count":142,"credit_id":506,"department":437,"job":438,"media_type":38},[],"55d1aabcc3a3681bff009e20",{"adult":4,"backdrop_path":8,"genre_ids":508,"id":509,"title":510,"original_language":82,"original_title":510,"overview":511,"popularity":512,"poster_path":8,"release_date":501,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":513,"department":437,"job":438,"media_type":38},[],354897,"Miscellanea I","Studies on 35mm b\u002Fw film from 1988 to 1997.",0.7106,"55d1a9dc9251413196009b10",{"adult":4,"backdrop_path":8,"genre_ids":515,"id":509,"title":510,"original_language":82,"original_title":510,"overview":511,"popularity":512,"poster_path":8,"release_date":501,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":516,"department":13,"job":224,"media_type":38},[],"55d1a9d2c3a3687757003608",{"adult":4,"backdrop_path":8,"genre_ids":518,"id":490,"title":491,"original_language":82,"original_title":491,"overview":492,"popularity":493,"poster_path":8,"release_date":483,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":519,"department":437,"job":438,"media_type":38},[],"55d1abdbc3a3686d0600176a",{"adult":4,"backdrop_path":521,"genre_ids":522,"id":523,"title":524,"original_language":28,"original_title":524,"overview":525,"popularity":526,"poster_path":527,"release_date":528,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":529,"department":13,"job":224,"media_type":38},"\u002FaKBHWSEOtpvmyhzOHVfgtp7lS4h.jpg",[66],1034550,"Mamani in El Alto","His buildings are garish, colorful and completely overloaded. Columns and glittering chandeliers everywhere, and way too much of everything. The Bolivian civil engineer and architect Freddy Mamani Silvestre (*1971) builds houses in El Alto for a nouveau riche upper class of the Aymara, the largest indigenous ethnic group in Bolivia.",1.0696,"\u002FvO2IQGeh705ojk5JWzIPobxAEOp.jpg","2022-10-27","634661b7d55c3d007ded454a",{"adult":4,"backdrop_path":531,"genre_ids":532,"id":533,"title":534,"original_language":82,"original_title":534,"overview":535,"popularity":536,"poster_path":537,"release_date":538,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":539,"department":13,"job":224,"media_type":38},"\u002FzbPiyLu50QLBuaxqTthANAztNil.jpg",[66],1034552,"Salamone, Pampa","Concrete hubris looms over the Argentinean pampa around Buenos Aires. The buildings of Francisco Salamone (1897–1959) advertise a pitiless modern age.",0.6372,"\u002F7sxkqF0RGxHGuVk9kaGvpACcnK6.jpg","2022-10-28","63466421d34eb3007e7bb1a8",{"adult":4,"backdrop_path":8,"genre_ids":541,"id":543,"title":544,"original_language":69,"original_title":544,"overview":545,"popularity":546,"poster_path":547,"release_date":548,"softcore":4,"video":4,"vote_average":74,"vote_count":74,"credit_id":549,"department":13,"job":224,"media_type":38},[542],10402,920536,"Winter","Kreidler and Heinz Emigholz complete their joint music video series with WINTER, pulling material from Emigholz's SCHENEC-TADY III.",0.6191,"\u002F5xdGp37vq3OnA5ub2zOMfYpSoS2.jpg","2013-06-13","61ca3137b6c264008ef674ac",{"adult":4,"backdrop_path":8,"genre_ids":551,"id":552,"title":553,"original_language":82,"original_title":553,"overview":554,"popularity":555,"poster_path":8,"release_date":556,"softcore":4,"video":4,"vote_average":37,"vote_count":9,"credit_id":557,"department":13,"job":224,"media_type":38},[],368754,"Schenec-Tady I","Film was 40 minutes long at its premiere in London and was shortened to its current length in 1975. 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