[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F5511663:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":8,"known_for_department":11,"name":12,"place_of_birth":8,"popularity":13,"profile_path":8,"combined_credits":14,"images":64},false,[6],"Н. Рудаков","",null,2,5511663,"Acting","N. Rudakov",0.4173,{"cast":15,"crew":63},[16,30,48],{"adult":4,"backdrop_path":8,"genre_ids":17,"id":18,"title":19,"original_language":20,"original_title":21,"overview":7,"popularity":22,"poster_path":23,"release_date":24,"softcore":4,"video":4,"vote_average":25,"vote_count":25,"character":26,"credit_id":27,"order":28,"media_type":29},[],710388,"Fresh Wind","ru","Свежий ветер",1.3153,"\u002F8X4XrzSp1ssmrvn1XdFOd0coPjb.jpg","1927-01-18",0,"Bratishka, young fisherman","6851f35ec44c46925bc416c7",5,"movie",{"adult":4,"backdrop_path":31,"genre_ids":32,"id":35,"title":36,"original_language":37,"original_title":38,"overview":39,"popularity":40,"poster_path":41,"release_date":42,"softcore":4,"video":4,"vote_average":43,"vote_count":44,"character":45,"credit_id":46,"order":47,"media_type":29},"\u002FvwBvcikpEZLxVATEVeG56FYloXI.jpg",[33,34],35,18,292176,"Vasya, the Reformer","uk","Вася-реформатор","Lost film directed by Oleksandr Dovzhenko (his first film) and Favst Lopatynskyi. It is a satire of the NEP period.  Vasia, the son of a factory’s worker, is attracted by the romance of adventures. And he goes to look for them. He saves a drowning drunkard who tries to beat him. Vasia escapes from him in a vehicle parked on the shore. However, the vehicle belongs to a superintendent who, when he does not find it, stages its theft. Meanwhile, Vasia exposes priests in the church. As a result, the church is turned into a cinema, and the priest becomes a cinema technician. And finally, Vasia’s last deed is catching a criminal at home and denouncing him to the militia.",1.2438,"\u002FqSAtwaRR0liqewBq1je0zqf0MsF.jpg","1926-01-02",7,3,"(uncredited)","68545124a9c946278e955b69",14,{"adult":4,"backdrop_path":49,"genre_ids":50,"id":51,"title":52,"original_language":37,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":58,"vote_count":59,"character":60,"credit_id":61,"order":62,"media_type":29},"\u002FAoYaPAgIqgk9OVJuUr1QHDJyw90.jpg",[34],189692,"Two Days","Два дні","The Red Army enters the city, while the White Army leaves it. There are only two people in the landlord’s estate, an old doorkeeper and a grammar school student, the landlord’s son. The house is taken by the Red Army detachment, and the doorkeeper’s son Andrii, a Bolshevik, is among them. The old man does not share his beloved son’s views and protects the landlord’s son hiding him in the attic.",0.6227,"\u002FhkiJ9RFsPHW5OhshaAorhnITX2X.jpg","1932-11-27",5.6,9,"Patrolman (uncredited)","69e6b3f472d715f00154a379",6,[],{"profiles":65},[]]