[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F545427:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":7,"gender":8,"homepage":7,"id":9,"imdb_id":10,"known_for_department":11,"name":12,"place_of_birth":7,"popularity":13,"profile_path":14,"combined_credits":15,"images":493},false,[],"Nicolas Klotz is a French film director born in Neuilly-sur-Seine.\n\nKlotz has directed several documentaries profiling musicians, such as sitar player Pandit Ravi Shankar, pianist Brad Mehldau, and saxophonist James Carter. After directing two feature-length fiction films for the big screen (La nuit bengali and La nuit sacrée, based on the novel by Tahar Ben Jelloun), he made the film Paria, which depicted the lives of the homeless. He had already addressed this topic in 2000 in a TV movie broadcast on the Arte network: Un Ange en danger.",null,0,545427,"nm0460120","Directing","Nicolas Klotz",0.8483,"\u002F3ue8riSV7AGwOgU7NE8abAbJ2wh.jpg",{"cast":16,"crew":55},[17,30,44],{"adult":4,"backdrop_path":7,"genre_ids":18,"id":20,"title":21,"original_language":22,"original_title":21,"overview":23,"popularity":24,"poster_path":7,"release_date":25,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"character":26,"credit_id":27,"order":28,"media_type":29},[19],99,625868,"Les amants cinéma","fr","",1.0692,"2008-01-01","Self","6148cc63e5593700617b3926",4,"movie",{"adult":4,"backdrop_path":31,"genre_ids":32,"id":33,"title":34,"original_language":22,"original_title":35,"overview":36,"popularity":37,"poster_path":38,"release_date":39,"softcore":4,"video":4,"vote_average":40,"vote_count":41,"character":42,"credit_id":43,"order":8,"media_type":29},"\u002Fd7dz7c50ayd5ry9VJhCf8uPO3rE.jpg",[19],992978,"When the House Burns Down","Quand la maison brûle","From Brazzaville to Barcelona, a journey around the world in search of unique and diverse voices with the purpose of celebrating the collective dimension of life through words, music and the movement of bodies.",1.6204,"\u002F7tgXoT6EJ913ddEPhWKTeMnasCm.jpg","2022-06-20",6,1,"Self - Narrator (voice)","62ba8c0768b7660051220c29",{"adult":4,"backdrop_path":45,"genre_ids":46,"id":47,"title":48,"original_language":22,"original_title":48,"overview":23,"popularity":49,"poster_path":50,"release_date":51,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"character":52,"credit_id":53,"order":54,"media_type":29},"\u002Fsw16L3Qh7U1YZSSKcTlvKPZYMd7.jpg",[19],1264424,"Ça a recommencé, l’émerveillement",0.9722,"\u002Fz4nwA6FgrYXGKEd9jBHufSiFmtn.jpg","2020-01-01","L'homme sur la plage","660185a37f6c8d01636fff20",2,[56,65,81,94,104,107,120,123,128,133,147,150,153,164,175,178,181,184,188,191,203,213,219,226,232,239,251,259,269,278,288,296,303,310,317,325,332,338,344,352,362,373,384,394,404,407,416,426,429,432,442,445,448,451,454,457,464,467,471,482,485],{"adult":4,"backdrop_path":7,"genre_ids":57,"id":58,"title":59,"original_language":22,"original_title":59,"overview":60,"popularity":61,"poster_path":7,"release_date":62,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":63,"department":11,"job":64,"media_type":29},[],943917,"Dialogues clandestins 2001","Intertwined interviews of filmmaker Pedro Costa and philosopher Jean-Luc Nancy.",0.9031,"2001-01-01","621a83a4f96a390042e7d166","Director",{"adult":4,"backdrop_path":66,"genre_ids":67,"id":70,"title":71,"original_language":22,"original_title":71,"overview":72,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":76,"vote_count":77,"credit_id":78,"department":79,"job":80,"media_type":29},"\u002FhMh6OYzt5zzfs1ky10HTClExd0i.jpg",[68,69],18,10749,103375,"Low Life","A group of young people are organizing. One night, they face the police who came to evacuate an African squat. Carmen meets Hussain, a young afghan poet. Crazy in love, they don’t leave each other. But a curse hangs over the city, papers are carrying death, bodies are falling. Panicked at the idea that he could get arrested, Carmen forbids him to go out, and locks herself with him. Gradually, Hussain get the feeling that she is watching him…",1.6488,"\u002F35FE5QdNSMuriVBG2fsWXMHsa2g.jpg","2012-04-04",4.8,12,"606cc2131f3e600059b882e4","Writing","Writer",{"adult":4,"backdrop_path":82,"genre_ids":83,"id":85,"title":86,"original_language":22,"original_title":87,"overview":88,"popularity":89,"poster_path":90,"release_date":91,"softcore":4,"video":4,"vote_average":92,"vote_count":68,"credit_id":93,"department":11,"job":64,"media_type":29},"\u002FpvmoDFpFZJn932i0q9zAT3RYzGn.jpg",[68,84],53,60531,"Heartbeat Detector","La Question humaine","A psychologist discovers troubling links between Nazism and modern-day big business.",1.0685,"\u002FsSvZmKs7ltOOHbUXEWl1CNLb8vP.jpg","2007-09-12",5.6,"52fe4629c3a368484e08213d",{"adult":4,"backdrop_path":7,"genre_ids":95,"id":96,"title":97,"original_language":22,"original_title":97,"overview":98,"popularity":99,"poster_path":100,"release_date":101,"softcore":4,"video":4,"vote_average":102,"vote_count":40,"credit_id":103,"department":11,"job":64,"media_type":29},[68],66806,"La nuit sacrée","A rich Moroccan who belongs to the better circles has seven daughters. Whatever happens, the eighth offspring must be a son. It is a girl again, but she is given a male name, Ahmed and grows up like a boy. When Ahmed is 21, he is in an identity crisis: he wants to shave, leave a mustache and take his niece to wife. In the meantime, Ahmed's father is dying and wants to sail to heaven. He calls to Ahmed and calls her a female name Zahra and gives her freedom so that she can go out.",1.0803,"\u002F5tsnmNzfO7GUIEj0ySnq0j7k0AO.jpg","1993-06-23",4.3,"52fe474bc3a368484e0bf181",{"adult":4,"backdrop_path":66,"genre_ids":105,"id":70,"title":71,"original_language":22,"original_title":71,"overview":72,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":76,"vote_count":77,"credit_id":106,"department":11,"job":64,"media_type":29},[68,69],"52fe4a1dc3a36847f81ba68b",{"adult":4,"backdrop_path":7,"genre_ids":108,"id":109,"title":110,"original_language":111,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":117,"vote_count":118,"credit_id":119,"department":11,"job":64,"media_type":29},[19],848213,"Let’s Say Revolution","es","Nous disons révolution","Men and women are dancing feverishly for a long time. The dance of bodies turns into a filmic trance, fleeing turns into running away, with braided motifs that get revived with every race. The men who don’t dance talk, recite, tell their own stories for and with the filmmakers. And be it through dancing or talking, it is by sharing work space and time, by making a film together, as a community, and by lovingly giving in to sharing, that the film operates politically. It even makes a processional samba in the streets of Sao Paulo look like a show of inalienable collective power. Carried away by this power, the film itself then seems to run away, to overrun its own limits. Somewhere between fable and document, improvisation and composition, anger and joy, all frontiers are burning. (Cyril Neyrat - FID 2021)",0.8155,"\u002F1vRAoMUw0XkGpuHlxRIHedyDUnV.jpg","2021-07-22",6.3,3,"60e461fedb154f004701d3b6",{"adult":4,"backdrop_path":7,"genre_ids":121,"id":109,"title":110,"original_language":111,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":117,"vote_count":118,"credit_id":122,"department":79,"job":80,"media_type":29},[19],"60f71741c439c000465cfbdb",{"adult":4,"backdrop_path":7,"genre_ids":124,"id":109,"title":110,"original_language":111,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":117,"vote_count":118,"credit_id":125,"department":126,"job":127,"media_type":29},[19],"60f717508d1b8e002d122a92","Camera","Director of Photography",{"adult":4,"backdrop_path":7,"genre_ids":129,"id":109,"title":110,"original_language":111,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":117,"vote_count":118,"credit_id":130,"department":131,"job":132,"media_type":29},[19],"60f71755d7fbda0062a22cc3","Editing","Editor",{"adult":4,"backdrop_path":134,"genre_ids":135,"id":136,"title":137,"original_language":22,"original_title":138,"overview":139,"popularity":140,"poster_path":141,"release_date":142,"softcore":4,"video":4,"vote_average":143,"vote_count":54,"credit_id":144,"department":145,"job":146,"media_type":29},"\u002Fmc87AaxC66QKPXX25Re58nvp8Dm.jpg",[19],800143,"Saxifrages, Four White Nights","Saxifrages, quatre nuits blanches","« In the shadows of Low Life, a secret ceremony dedicated to thirteen guardians of humanity’s common treasures, love and resistance, youth and poetry, equality and difference, insurrection and revolution. Saxifrages … These rootless plants’ windblown destiny is a soft perseverance doubled by an imperceptible intransigence, which, in time, imposes on the hardness of stones a patience that can break them. » – Saad Chakali",0.9597,"\u002Fr9EO2a3ixIBCLlrTot456Agdf1b.jpg","2021-03-16",8.5,"60fb9ccfa672540047345ad7","Production","Producer",{"adult":4,"backdrop_path":134,"genre_ids":148,"id":136,"title":137,"original_language":22,"original_title":138,"overview":139,"popularity":140,"poster_path":141,"release_date":142,"softcore":4,"video":4,"vote_average":143,"vote_count":54,"credit_id":149,"department":126,"job":127,"media_type":29},[19],"60fb9cd8944a570046e82fb2",{"adult":4,"backdrop_path":134,"genre_ids":151,"id":136,"title":137,"original_language":22,"original_title":138,"overview":139,"popularity":140,"poster_path":141,"release_date":142,"softcore":4,"video":4,"vote_average":143,"vote_count":54,"credit_id":152,"department":131,"job":132,"media_type":29},[19],"60fb9d5ee24b930075bacd82",{"adult":4,"backdrop_path":7,"genre_ids":154,"id":155,"title":156,"original_language":22,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":161,"vote_count":162,"credit_id":163,"department":11,"job":64,"media_type":29},[68],250337,"Paria","First part of a \"trilogy of modern times\" (the second one is La Blessure, and third - La question humaine). Paria follows the path of two characters, Momo and Victor. Momo –remarkably played by Gérald Thomassin– lives in the streets, while Victor, on the edge of poverty, loses his apartment when he loses his job. Their destinies will come across during the night of the “millennium” which will be celebrated in a social pick-up bus.",0.5927,"\u002FnA6FFzjmWp8ECLawe8ngm1pfW2e.jpg","2000-09-01",5.2,5,"52fe4def9251416c91121081",{"adult":4,"backdrop_path":7,"genre_ids":165,"id":166,"title":167,"original_language":22,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":162,"credit_id":174,"department":11,"job":64,"media_type":29},[68],250341,"The Wound","La blessure","Blandine arrives at the Charles de Gaulle Airport, seeking a reunion with her husband Papi in Paris. Despite articulate claims for asylum, she is held in a cramped cell along with a number of fellow Africans, humiliated, mistreated and told that they can expect immediate deportation. Papi enquires of her whereabouts at Arrivals, and is met with disinterested, misleading responses. When Blandine is hurt in a skirmish on the runway as the authorities try and force her out of the country, circumstances and a sympathetic employee of the Ministry of Foreign Affairs save her from expulsion. She is finally reunited with Papi in a communal squat, its inhabitants sharing harrowing stories of their time in France. With work, money and food scarce, and her confidence shaken by her less than warm welcome to the country, Blandine cannot find the enthusiasm to leave her damp mattress.",1.0841,"\u002FpCQlyuIjfMuDb6lY3sFnPzgLsCA.jpg","2005-04-06",5.4,"52fe4def9251416c911210af",{"adult":4,"backdrop_path":31,"genre_ids":176,"id":33,"title":34,"original_language":22,"original_title":35,"overview":36,"popularity":37,"poster_path":38,"release_date":39,"softcore":4,"video":4,"vote_average":40,"vote_count":41,"credit_id":177,"department":11,"job":64,"media_type":29},[19],"62ba7f7a7304b5135c62c2a9",{"adult":4,"backdrop_path":31,"genre_ids":179,"id":33,"title":34,"original_language":22,"original_title":35,"overview":36,"popularity":37,"poster_path":38,"release_date":39,"softcore":4,"video":4,"vote_average":40,"vote_count":41,"credit_id":180,"department":126,"job":127,"media_type":29},[19],"62ba8bc97304b5135a94c6e7",{"adult":4,"backdrop_path":31,"genre_ids":182,"id":33,"title":34,"original_language":22,"original_title":35,"overview":36,"popularity":37,"poster_path":38,"release_date":39,"softcore":4,"video":4,"vote_average":40,"vote_count":41,"credit_id":183,"department":131,"job":132,"media_type":29},[19],"62ba8bd617b5ef006245e273",{"adult":4,"backdrop_path":31,"genre_ids":185,"id":33,"title":34,"original_language":22,"original_title":35,"overview":36,"popularity":37,"poster_path":38,"release_date":39,"softcore":4,"video":4,"vote_average":40,"vote_count":41,"credit_id":186,"department":187,"job":187,"media_type":29},[19],"62ba8be3e1faed1421375c47","Sound",{"adult":4,"backdrop_path":31,"genre_ids":189,"id":33,"title":34,"original_language":22,"original_title":35,"overview":36,"popularity":37,"poster_path":38,"release_date":39,"softcore":4,"video":4,"vote_average":40,"vote_count":41,"credit_id":190,"department":79,"job":80,"media_type":29},[19],"62ba8c998b959e0093eec993",{"adult":4,"backdrop_path":7,"genre_ids":192,"id":193,"title":194,"original_language":195,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":4,"video":4,"vote_average":201,"vote_count":162,"credit_id":202,"department":131,"job":132,"media_type":29},[],511788,"Winston Tong In Studio","en","Winston Tong en studio","Winston Tong and collaborators are interviewed during a busy day at the recording studio.",1.0182,"\u002FjL1t9ZlHv6brRjleyjayKdWRTDZ.jpg","1984-10-10",3.8,"62c6dc01706b9f004d34a23a",{"adult":4,"backdrop_path":7,"genre_ids":204,"id":205,"title":206,"original_language":22,"original_title":207,"overview":208,"popularity":209,"poster_path":210,"release_date":211,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":212,"department":11,"job":64,"media_type":29},[],998940,"Song for the Buried City","Chant pour la ville enfouie","A partly silent, partly sung film, shot nowadays in the erased footsteps of the Calais Jungle after its destruction. A tribute that doesn’t take a funeral angle, a tribute to the heroism of the displaced populations, driven out of sites at war devastated by the violence of fires. - doclisbona",0.7915,"\u002FmH56xRWM1CAycUicQisvHDJvT4G.jpg","2022-08-03","62ccb0219566581bbec0e7da",{"adult":4,"backdrop_path":7,"genre_ids":214,"id":215,"title":216,"original_language":22,"original_title":216,"overview":23,"popularity":217,"poster_path":7,"release_date":62,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":218,"department":11,"job":64,"media_type":29},[],1000644,"Ton doux visage",0.6585,"62d315ce158c85029d5884e3",{"adult":4,"backdrop_path":7,"genre_ids":220,"id":221,"title":222,"original_language":22,"original_title":222,"overview":23,"popularity":223,"poster_path":7,"release_date":224,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":225,"department":11,"job":64,"media_type":29},[],1000647,"Ton sourire pas enfoui",0.6935,"2004-01-01","62d316d7278d8a004c0a8012",{"adult":4,"backdrop_path":7,"genre_ids":227,"id":228,"title":229,"original_language":22,"original_title":229,"overview":23,"popularity":230,"poster_path":7,"release_date":224,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":231,"department":11,"job":64,"media_type":29},[],1000649,"Dialogues clandestins 2003-2004",0.7511,"62d318ec53f83304009f6769",{"adult":4,"backdrop_path":7,"genre_ids":233,"id":234,"title":235,"original_language":22,"original_title":235,"overview":23,"popularity":236,"poster_path":7,"release_date":237,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":238,"department":11,"job":64,"media_type":29},[],1000653,"Dialogues clandestins Low Life",0.8827,"2011-01-01","62d31a3ff90b1900549e8fc4",{"adult":4,"backdrop_path":240,"genre_ids":241,"id":242,"title":243,"original_language":22,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":4,"video":4,"vote_average":249,"vote_count":28,"credit_id":250,"department":11,"job":64,"media_type":29},"\u002FjhX9N4gGVkkxcAEMq9TXxaj8qUt.jpg",[68],169357,"The Bengali Night","La nuit Bengali","Allan is an engineer working in 1930s Calcutta. He is invited to stay with the family of his boss, Narendra Sen which includes his wife, Indira and daughter Gayatri. Gayatri and Allan become romantically involved leading to tragedy.",2.2985,"\u002Fvz3JBuBvgf6gb765hhAkBu5AtKL.jpg","1988-10-26",6.6,"53fc5951c3a368735b0065d7",{"adult":4,"backdrop_path":7,"genre_ids":252,"id":253,"title":254,"original_language":22,"original_title":254,"overview":255,"popularity":256,"poster_path":7,"release_date":257,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":258,"department":11,"job":64,"media_type":29},[19],898556,"Projet Castellucci","In the autumn of 2014, playwright and theatrical director Romeo Castellucci participated in the Festival d'Automne in Paris. Nicolas Klotz resumed the show, questioning its creator in a triptych dedicated to his daring creative process.",0.9872,"2015-11-27","619235ac1f748b008e69fb40",{"adult":4,"backdrop_path":260,"genre_ids":261,"id":262,"title":263,"original_language":22,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":268,"department":11,"job":64,"media_type":29},"\u002F7J9NsVmPAy6UV25cr94azJyRm48.jpg",[19],898560,"So Long Michael","A portrait of the unforgettable actor Michael Lonsdale, already starring in La Question humaine: one last performance, between Artaud and Plutarch, before turning into impalpable stardust.",0.9526,"\u002FfJluRAbnLMjJnHWkAe3JQzz4gMm.jpg","2021-11-27","61923816f85958008fc611d8",{"adult":4,"backdrop_path":7,"genre_ids":270,"id":271,"title":272,"original_language":195,"original_title":272,"overview":273,"popularity":274,"poster_path":7,"release_date":275,"softcore":4,"video":4,"vote_average":276,"vote_count":118,"credit_id":277,"department":11,"job":64,"media_type":29},[19],898561,"Vérité de la démocratie, Jean-Luc Nancy (1,2,3)","In 2009, Klotz and Perceval visit Jean-Luc Nancy at his home in Strasbourg, where they record a conversation in three intervals, in which the zenith of political discourse blends with everyday life. 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