[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F544845:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":1025},false,[],"Glauber de Andrade Rocha (Vitória da Conquista, March 14, 1939 — Rio de Janeiro, August 22, 1981) was a Brazilian filmmaker, considered by critics, specialized journalists and the public as one of the biggest names in the history of Brazilian cinema. Revered as a revolutionary genius, he was one of the founders of the avant-garde Cinema Novo movement, and many of his works, such as Deus e o Diabo Na Terra do Sol, Terra em Transe and O Dragão da Maldade Contra o Santo Guerreiro, are often listed as some of the best Brazilian films of all time.","1939-03-14","1981-08-22",2,"http:\u002F\u002Fwww.tempoglauber.com.br",544845,"nm0733790","Directing","Glauber Rocha","Vitória da Conquista, Bahia, Brazil",1.1504,"\u002F1Cu0J3exN00lTQ4S7ts3Xq7KcKA.jpg",{"cast":19,"crew":709},[20,37,49,60,72,89,100,111,124,136,151,164,174,183,196,206,221,231,241,250,267,275,285,294,307,316,332,340,350,361,369,377,385,395,406,416,424,436,445,453,463,476,484,492,500,508,516,525,533,544,554,566,574,586,595,603,611,621,628,641,651,661,670,678,687,697],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":27,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":34,"order":35,"media_type":36},"\u002F60rM4NjbXevCZ8wjqSV8zEyCbr4.jpg",[23],99,808624,"The Good Cinema","pt","O Bom Cinema","An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.",1.2715,"\u002FrKKZwBgmEO10efhYg4za3vzRRwo.jpg","2021-03-18",0,"Self","61630f33fe5c91006250ba36",6,"movie",{"adult":4,"backdrop_path":38,"genre_ids":39,"id":40,"title":41,"original_language":26,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":47,"order":48,"media_type":36},null,[23],830130,"O Brasil de Darcy Ribeiro","Documentary on the view, testimonies and times of Darcy Ribeiro, since military dictatorship.",1.0993,"\u002FkcNOFxR2HsC8XDOrFCEyg9otlPh.jpg","2014-04-02","","6179a89f176a94008d2d99d7",4,{"adult":4,"backdrop_path":38,"genre_ids":50,"id":51,"title":52,"original_language":53,"original_title":52,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":58,"order":59,"media_type":36},[],898509,"Steps","en","An experimental, visual poem that registers life and the architecture of Sintra (Portugal), captured by Paula Gaitán and featuring glimpses into her own photography art, rural\u002Furban contrast, and memories with Glauber Rocha and family. Accompanied by the soundwork and music of L. Borgia Rossetti.",0.6673,"\u002F9KH9mWB0oXXIapoZi3Jj3iLnRZw.jpg","2021-03-24","61920b1dc4ad59008c7c6e78",1,{"adult":4,"backdrop_path":38,"genre_ids":61,"id":62,"title":63,"original_language":26,"original_title":63,"overview":64,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":59,"character":69,"credit_id":70,"order":71,"media_type":36},[23],605322,"A Mulher da Luz Própria","Helena Ignez is one of the main female figures of Brazilian cinema. She developed a new style of acting. Nowadays, she directs independent films. The documentary tells some of the History of Brazilian cinema, its political context and Helena's trajectory.",0.9614,"\u002F1TH5fT7MMlBzhiTtGL26Ss5m0TQ.jpg","2019-06-06",8,"Self (archive footage)","61a5344e00508a004605faf8",3,{"adult":4,"backdrop_path":73,"genre_ids":74,"id":78,"title":79,"original_language":80,"original_title":79,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"character":69,"credit_id":87,"order":88,"media_type":36},"\u002FyhbQ4iWTa62hFV4Zmn3sgGwbGmF.jpg",[75,76,77],14,18,27,239211,"ORG","it","Explores the complex relationship between the spirit, body, and mind. The film is a nightmare with closed eyes because it counts among the most terrible moments of my life, my second exile, which lasted a very long time. Inspired by an ancient Hindu legend.",1.8478,"\u002FaOlByuM9Xr2cqHnZXHuZMPyAQ5M.jpg","1979-08-31",5.1,9,"61d6ce0ad48cee001cf18524",11,{"adult":4,"backdrop_path":90,"genre_ids":91,"id":92,"title":93,"original_language":26,"original_title":94,"overview":95,"popularity":96,"poster_path":97,"release_date":98,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":99,"order":59,"media_type":36},"\u002FpRBiM4X9eTWFuJjXaa5GiPpAvCp.jpg",[23],300933,"Days in Sintra","Diário de Sintra","Using home movies and other media, a filmmaker returns to Sintra, Portugal to search for memories of her late husband, Brazilian filmmaker Glauber Rocha.",0.6726,"\u002FxyROdCEqeIdUt22k7G1lV1jhahY.jpg","2008-05-11","5459e3a2c3a3687d4d000efc",{"adult":4,"backdrop_path":101,"genre_ids":102,"id":103,"title":104,"original_language":26,"original_title":104,"overview":105,"popularity":106,"poster_path":107,"release_date":108,"softcore":4,"video":4,"vote_average":109,"vote_count":48,"character":69,"credit_id":110,"order":32,"media_type":36},"\u002FucEUSBYFQt4RaK0ZtvMEPPYBgjc.jpg",[23],317947,"Rocha Que Voa","Documentary about the relationship between filmmaker Glauber Rocha and Cuba.",1.3895,"\u002Fkv4DxvNYGelTr2OHPwFpmCUu3o1.jpg","2002-08-04",6.5,"54b5ea3192514166470008a6",{"adult":4,"backdrop_path":112,"genre_ids":113,"id":114,"title":115,"original_language":26,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":121,"vote_count":59,"character":69,"credit_id":122,"order":123,"media_type":36},"\u002FyLtOmCjQXoVnKPoAFvlJaZfvnN1.jpg",[23],752617,"Candango: Memoirs from a Festival","Candango: Memórias do Festival","In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.",1.6144,"\u002Fo7idnPdCSeZTvg3rgqoXYnLTNbK.jpg","2020-10-22",5,"659daaa824b333025a50c42a",31,{"adult":4,"backdrop_path":125,"genre_ids":126,"id":127,"title":128,"original_language":26,"original_title":129,"overview":130,"popularity":131,"poster_path":132,"release_date":133,"softcore":4,"video":4,"vote_average":134,"vote_count":86,"character":69,"credit_id":135,"order":32,"media_type":36},"\u002FqfwJs2OKd92ZsObT3fyw0uMP3qV.jpg",[23],317994,"Glauber Rocha - The Movie, Brazil's Labyrinth","Glauber o Filme, Labirinto do Brasil","Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.",2.1179,"\u002F5LkFgRPoXJmdgeXuRIWAya6C0bO.jpg","2003-09-17",6.3,"54b66fa7c3a368779c0018ac",{"adult":4,"backdrop_path":137,"genre_ids":138,"id":140,"title":141,"original_language":26,"original_title":142,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":4,"video":4,"vote_average":147,"vote_count":148,"character":69,"credit_id":149,"order":150,"media_type":36},"\u002FsDHHEB9KCqnMpSvFnVBp0SQT5PF.jpg",[23,139],36,78129,"I Am Cuba, the Siberian Mammoth","Soy Cuba, o mamute Siberiano","Contemporary film critics regard the epic film I Am Cuba as a modern masterpiece. The 1964 Cuban\u002FSoviet coproduction marked a watershed moment of cultural collaboration between two nations. Yet the film never found a mass audience, languishing for decades until its reintroduction as a \"classic\" in the 1990s. Vicente Ferraz explores the strange history of this cinematic tour de force, and the deeper meaning for those who participated in its creation.",1.8718,"\u002FgEsrTlSQotjxaVSbfIEsIG38Ax2.jpg","2005-09-16",7.3,17,"54b93c6cc3a3686c68004f01",13,{"adult":4,"backdrop_path":152,"genre_ids":153,"id":154,"title":155,"original_language":26,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":161,"vote_count":162,"character":33,"credit_id":163,"order":32,"media_type":36},"\u002FjSAQvkdjK1q0iqE9hR9jndEf5xE.jpg",[23],321143,"Improvised and Purposeful: Cinema Novo","Improvisiert und zielbewusst: Cinema Novo","Originally produced for German TV, Improvised and Purposeful is a firsthand look at the \"Cinema Novo\" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.",1.3131,"\u002FeDxiyihAG7yv5sSzXCNe18HaNBN.jpg","1967-04-16",7.5,10,"54c59a549251412fdb0022cf",{"adult":4,"backdrop_path":38,"genre_ids":165,"id":166,"title":167,"original_language":26,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":69,"credit_id":173,"order":59,"media_type":36},[23],1035334,"11 and a Half Questions to Julio Calasso","11 e Meia Perguntas Para Julio Calasso","A final conversation with departed actor, director and musical producer Julio Calasso Jr., a key character in the Brazilian artistic scene. At his old house in Butantã, São Paulo, Julio talks about his experiences, frustrations, joys and tragedies.",0.9327,"\u002FgBOuVcep5ScvviPKPeCHPONft0s.jpg","2022-10-16","634a0dbee263bb009c4f165f",{"adult":4,"backdrop_path":38,"genre_ids":175,"id":177,"title":178,"original_language":26,"original_title":178,"overview":46,"popularity":179,"poster_path":180,"release_date":181,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":69,"credit_id":182,"order":32,"media_type":36},[176,23],10770,324346,"Que Viva Glauber!",0.852,"\u002FtddSlHDgbUyqy9EDUo2q9Yw9mdo.jpg","1991-01-01","54d6c2b3c3a3683b8f003bf3",{"adult":4,"backdrop_path":184,"genre_ids":185,"id":186,"title":187,"original_language":26,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":193,"vote_count":68,"character":194,"credit_id":195,"order":32,"media_type":36},"\u002FrBWlwTWRbQaJcfjajDhjHSugu8A.jpg",[23],327210,"The Guns and the People","As Armas e o Povo","Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese \"Carnation Revolution\", as that period would be later known.",1.4264,"\u002FvLEHvpkkwXR30KZ8YSel6otLKZ9.jpg","1977-11-01",7.4,"Himself","54ed3ffc925141796500306f",{"adult":4,"backdrop_path":197,"genre_ids":198,"id":199,"title":200,"original_language":26,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":4,"video":4,"vote_average":147,"vote_count":71,"character":46,"credit_id":205,"order":71,"media_type":36},"\u002Fbk0pD1iOZ8IFkgr9xLRxNrYQdZe.jpg",[23],74365,"Jorge Amado no Cinema","Jorge Amado no Cinema was made for a television program dedicated to the writer Jorge Amado. In this documentary, Jorge Amado is filmed in his home, surrounded by his large family; in a bookstore, during an autograph session of one of his books, in a cinema in Salvador, at the avant-première of the film Tenda dos Milagres, by Nelson Pereira dos Santos, an adaptation of the book of the same name by Jorge Amado. Glauber films his friend with a lot of humor and affection. The camera evolves slowly, incessantly and quickly over the writer, his family members, actors and actresses from Nelson's film, in addition to passing through objects of candomblé rituals that make up Jorge Amado's museum.",1.6025,"\u002F8Sn6GUAO5wJrmOqMkpx6G43JFpY.jpg","1979-01-01","54ee80e6925141796e005024",{"adult":4,"backdrop_path":207,"genre_ids":208,"id":209,"title":210,"original_language":26,"original_title":211,"overview":212,"popularity":213,"poster_path":214,"release_date":215,"softcore":4,"video":4,"vote_average":216,"vote_count":217,"character":218,"credit_id":219,"order":220,"media_type":36},"\u002Fzc1nolHovZSonMBo2rsKDXO213u.jpg",[76,75,139],76816,"The Age of the Earth","A Idade da Terra","Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive \"civilizing\" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.",2.1844,"\u002FbBmk0pydEmZ2ukBergwLLLohxBv.jpg","1980-11-17",6.031,32,"Self (uncredited)","54ee7644c3a3680b800053d4",16,{"adult":4,"backdrop_path":222,"genre_ids":223,"id":224,"title":225,"original_language":26,"original_title":225,"overview":226,"popularity":227,"poster_path":228,"release_date":229,"softcore":4,"video":4,"vote_average":109,"vote_count":9,"character":46,"credit_id":230,"order":59,"media_type":36},"\u002F2pe7yvDuW2G5qI8PziW05DyWbGz.jpg",[23],328648,"Mauro, Humberto","Documentary about Humberto Mauro, his work and its importance.",0.7889,"\u002FpB7aUKjvB4WrgeO5a24NJjDLFZq.jpg","1975-04-15","54f670afc3a36835200004e9",{"adult":4,"backdrop_path":232,"genre_ids":233,"id":234,"title":235,"original_language":26,"original_title":236,"overview":237,"popularity":238,"poster_path":38,"release_date":239,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":240,"order":32,"media_type":36},"\u002FzKTBvL4g13RjQYu3S5Q69hn0A3j.jpg",[23],329238,"At Midnight with Glauber Rocha","À Meia Noite com Glauber","A late-1960s interview with Brazilian filmmaker Glauber Rocha, mixed in avant-garde style with scenes from his films and clips from fellow filmmaker José Mojica Marins and visual artist Hélio Oiticica.",1.2627,"1997-01-01","54fa651d9251413aa0000782",{"adult":4,"backdrop_path":242,"genre_ids":243,"id":244,"title":245,"original_language":26,"original_title":245,"overview":246,"popularity":247,"poster_path":38,"release_date":248,"softcore":4,"video":4,"vote_average":121,"vote_count":71,"character":46,"credit_id":249,"order":32,"media_type":36},"\u002FmerChZTbXL78petjBAW8g4AWNz9.jpg",[23],329234,"Anabazys: O Terceiro Testamento de Glauber Rocha","A behind-the-scenes look at the making of Glauber Rocha's 1980 production \"A Idade da Terra\" (The Age of Earth), including unedited clips taken from the sixty hours of recovered raw footage.",1.016,"2007-11-26","54fa59bc9251417b31000355",{"adult":4,"backdrop_path":251,"genre_ids":252,"id":254,"title":255,"original_language":256,"original_title":257,"overview":258,"popularity":259,"poster_path":260,"release_date":261,"softcore":4,"video":4,"vote_average":262,"vote_count":263,"character":264,"credit_id":265,"order":266,"media_type":36},"\u002Fiat1mWUl1DeShJG6E3bvDoZlE6q.jpg",[76,253],37,113629,"Wind from the East","fr","Le Vent d'est","A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.",2.0325,"\u002FusHY2eij7lZe8BrY2cyy0ITldMZ.jpg","1970-08-19",6.7,29,"(uncredited)","55047f3192514174a70012df",7,{"adult":4,"backdrop_path":38,"genre_ids":268,"id":269,"title":270,"original_language":26,"original_title":270,"overview":46,"popularity":271,"poster_path":272,"release_date":273,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":69,"credit_id":274,"order":32,"media_type":36},[],330732,"A Degola Fatal",0.7947,"\u002FgL6wqFCrwH1VPtg9GeNgrkt71c7.jpg","2005-01-01","5504d5429251412c51001b0a",{"adult":4,"backdrop_path":38,"genre_ids":276,"id":277,"title":278,"original_language":26,"original_title":279,"overview":280,"popularity":281,"poster_path":282,"release_date":283,"softcore":4,"video":4,"vote_average":161,"vote_count":9,"character":33,"credit_id":284,"order":48,"media_type":36},[23],331784,"Bahia, For Example","Bahia, Por Exemplo","Through folklore manifestations and diverse artistic expressions, the film is a document that exalts and honors the Bahian culture.",1.1015,"\u002F7q6w7oUmaaL4gbQa8vsFgNHHkXk.jpg","1969-11-24","550ca74ac3a368487200466d",{"adult":4,"backdrop_path":38,"genre_ids":286,"id":287,"title":288,"original_language":26,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":9,"vote_count":59,"character":69,"credit_id":293,"order":32,"media_type":36},[23],333192,"Depois do Transe","The documentary \"Depois do Transe\" covers the entire process of creating the masterpiece \"Entranced Earth\", which was released and awarded at the Cannes Film Festival in 1967. \"Entranced Earth\" charmed the world and won great admirers such as filmmaker Martin Scorsese and the writer Marguerite Duras, who at the time considered a \"fabulous filmic opera.\"",1.1093,"\u002FbmcNGhOEpmmCZzlw9Jz8z38L39x.jpg","2006-01-01","551780b2c3a3686692000f72",{"adult":4,"backdrop_path":295,"genre_ids":296,"id":297,"title":298,"original_language":26,"original_title":298,"overview":299,"popularity":300,"poster_path":301,"release_date":302,"softcore":4,"video":4,"vote_average":303,"vote_count":304,"character":305,"credit_id":306,"order":32,"media_type":36},"\u002Fxb4G3nuPygMVLXjFgDC63Q27lsQ.jpg",[23],74364,"Di Cavalcanti Di Glauber","This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.",1.058,"\u002FsxnzCbw9UV5O7saSFkB3vvU5FTD.jpg","1977-03-11",6.2,25,"Narrator","55570bae9251411e4d0054e0",{"adult":4,"backdrop_path":38,"genre_ids":308,"id":309,"title":310,"original_language":26,"original_title":311,"overview":312,"popularity":313,"poster_path":38,"release_date":314,"softcore":4,"video":4,"vote_average":162,"vote_count":59,"character":194,"credit_id":315,"order":32,"media_type":36},[23],344587,"Life is Strange","A Vida é Estranha","In 1973, during a trip to the city of Essaouira, in Morocco, Glauber Rocha and girlfriend Mossa Bildner took a Super 8 camera to register their impressions.",0.5805,"2015-06-12","557d7c6dc3a36826fa000813",{"adult":4,"backdrop_path":317,"genre_ids":318,"id":320,"title":321,"original_language":322,"original_title":323,"overview":324,"popularity":325,"poster_path":326,"release_date":327,"softcore":4,"video":4,"vote_average":328,"vote_count":329,"character":330,"credit_id":331,"order":162,"media_type":36},"\u002Fsm7NapjwKYhIH2GzFEgJkiw9hF1.jpg",[319,76,75],35,36265,"Simon of the Desert","es","Simón del desierto","Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him come down to Earth and is trying to seduce him.",2.2478,"\u002FgU9sYpMvA8FM55p9sBM5cF1hYmd.jpg","1965-08-27",7.6,252,"Man in nightclub (uncredited)","55fb57d5c3a36826e3000acd",{"adult":4,"backdrop_path":38,"genre_ids":333,"id":334,"title":335,"original_language":26,"original_title":335,"overview":46,"popularity":336,"poster_path":337,"release_date":338,"softcore":4,"video":4,"vote_average":68,"vote_count":59,"character":69,"credit_id":339,"order":32,"media_type":36},[23],361906,"Cordilheiras no Mar: A Fúria do Fogo Bárbaro",1.0658,"\u002FeftwD8GMIJKsrsf8mnf2hh2odeU.jpg","2015-10-05","5609defc9251417191000c0b",{"adult":4,"backdrop_path":341,"genre_ids":342,"id":343,"title":344,"original_language":26,"original_title":344,"overview":345,"popularity":346,"poster_path":347,"release_date":348,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":69,"credit_id":349,"order":304,"media_type":36},"\u002F8OCVat0CQ6ZHIaTliaPbOe2DuDX.jpg",[23],591023,"Memórias do Grupo Opinião","Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.",1.6054,"\u002Fa9BDFRhBNkgz3FYGEVrDaFx6PZG.jpg","2019-05-15","660d9dd135818f017c3c677b",{"adult":4,"backdrop_path":351,"genre_ids":352,"id":353,"title":354,"original_language":80,"original_title":354,"overview":355,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":359,"vote_count":266,"character":46,"credit_id":360,"order":59,"media_type":36},"\u002F1kibX8OYK6SIKt0gH4Wje4DGZGB.jpg",[76,23],74359,"Claro","In the words of the director, a movie about 'the colonizers in the view of the colonized', the movie presents a series of disconnected happenings throughout Europe and Brazil emphasizing the perception of human life as trance-like experiences and thus offering a view of the human history as a connection of symbolic behavior.",1.155,"\u002FfKTTqesALRRNlsxzYPsveyj5ED6.jpg","1975-11-20",4.7,"560315a792514104a20025ca",{"adult":4,"backdrop_path":38,"genre_ids":362,"id":363,"title":364,"original_language":26,"original_title":364,"overview":46,"popularity":365,"poster_path":366,"release_date":367,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":368,"order":32,"media_type":36},[23],377665,"Retrato da Terra",0.8765,"\u002FqxCoqnB8Iygkd2eD9cjKm6SAAAU.jpg","2004-03-14","5699ba24c3a3684ae100012f",{"adult":4,"backdrop_path":38,"genre_ids":370,"id":371,"title":372,"original_language":26,"original_title":372,"overview":46,"popularity":373,"poster_path":374,"release_date":375,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":376,"order":32,"media_type":36},[23],374555,"No Tempo de Glauber",1.1677,"\u002FvYXm064OTAbflDZS0fDdRARg5Va.jpg","1987-02-27","56a2f8919251411e1500042f",{"adult":4,"backdrop_path":38,"genre_ids":378,"id":379,"title":380,"original_language":26,"original_title":380,"overview":46,"popularity":381,"poster_path":382,"release_date":383,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":69,"credit_id":384,"order":32,"media_type":36},[23],381517,"Glauber Rocha em Defesa do Cinema Brasileiro",0.946,"\u002FtlNHKm3aMgawP50d1xtvnUGemop.jpg","2011-08-22","56b6455b92514112b9008c6c",{"adult":4,"backdrop_path":386,"genre_ids":387,"id":388,"title":389,"original_language":26,"original_title":389,"overview":390,"popularity":391,"poster_path":392,"release_date":393,"softcore":4,"video":4,"vote_average":162,"vote_count":59,"character":69,"credit_id":394,"order":9,"media_type":36},"\u002FxapbOabXuVvmWFDvqM54gXWB67L.jpg",[23],447940,"Abry","At 84 years of age, Lúcia Rocha admitted herself to a hospital in São Paulo to undergo heart tests. Upon receiving the news about the risk to her life, Lúcia, laconic, tells the doctor: 'Then open it'. This is the second time she has undergone bypass surgery. From this gesture, the documentary Abry was born (with y, sign of the unconscious, according to the nomenclature invented by his son, Glauber Rocha). To relate her memories, she invites filmmaker Joel Pizzini, who offers his mini camera as an instrument to amplify Lúcia's imagination. Abry is a poetic dive into Lúcia Rocha's fabulous universe, reconstructing her trajectory in Brazilian cinema through sounds, images and characters with whom she lived closely.",1.0229,"\u002FmvNSCVXFP8ykmxxOBI42TMtUfu7.jpg","2003-03-20","665e2c8786624abdd72f27fd",{"adult":4,"backdrop_path":396,"genre_ids":397,"id":398,"title":399,"original_language":26,"original_title":399,"overview":400,"popularity":401,"poster_path":402,"release_date":403,"softcore":4,"video":4,"vote_average":262,"vote_count":304,"character":404,"credit_id":405,"order":59,"media_type":36},"\u002F3fFn9Uc3H0wnhg4nt99pevH94vE.jpg",[23,139],398488,"Cinema Novo","A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.",0.7801,"\u002FtKPqAg486tpjt0FlPoDRDzo85Tn.jpg","2016-05-16","Self - Filmmaker (archive footage)","573fc02fc3a368072700014e",{"adult":4,"backdrop_path":38,"genre_ids":407,"id":408,"title":409,"original_language":80,"original_title":409,"overview":410,"popularity":411,"poster_path":412,"release_date":413,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":414,"credit_id":415,"order":32,"media_type":36},[23],402113,"Diario Spagnolo","The making of Cabezas Cortadas.",0.9118,"\u002FpDh5CIX8txqYXSkOgSviZV2ecFu.jpg","1970-01-01","Él mismo","576002539251416607000e35",{"adult":4,"backdrop_path":38,"genre_ids":417,"id":418,"title":419,"original_language":26,"original_title":419,"overview":46,"popularity":420,"poster_path":38,"release_date":421,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":422,"credit_id":423,"order":32,"media_type":36},[],402111,"El Viaje Glauber",0.7139,"2015-04-24","Ele mesmo","575fff149251416654000e81",{"adult":4,"backdrop_path":38,"genre_ids":425,"id":426,"title":427,"original_language":322,"original_title":428,"overview":429,"popularity":430,"poster_path":431,"release_date":432,"softcore":4,"video":4,"vote_average":433,"vote_count":48,"character":434,"credit_id":435,"order":162,"media_type":36},[23],405595,"Entangling Shadows","Enredando sombras","Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) \"Los inicios\", Iván Trujillo 2) \"Cuando comenzamos a hablar\", María Novaro 3) \"Jugando en serio\", Jacobo Morales 4) \"De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]\", Marcela Fernández Violante 5) \"Cuando quisimos ser adultos\", Edmundo Aray and David Rodríguez 6) \"Cinema Novo\", Orlando Senna 7) \"Memorias de una isla, Juan Carlos Tabío 8) \"Un grito, 24 cuadros por segundo\", Julio García-Espinosa 9) \"El día de la independencia\", Federico García 10) \"¿Sólo las formas permanecen?\", Fernando Birri and Pablo Rodríguez Gauregui 11) \"Todo final es un principio\", Andrés Marriquín.",0.9082,"\u002Fp8PMh9CgAp4XSe4FZPt6RwjzK3f.jpg","1998-06-02",5.8,"(voice)","578289b5925141720d0007c8",{"adult":4,"backdrop_path":38,"genre_ids":437,"id":438,"title":439,"original_language":26,"original_title":439,"overview":440,"popularity":441,"poster_path":442,"release_date":443,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":69,"credit_id":444,"order":32,"media_type":36},[23],413270,"Milagrez","Documentary on \"Antonio das Mortes\", Glauber Rocha's 1969 film.",1.03,"\u002FjpiykGHHKZefeSZmvFB4JWlq8UG.jpg","2008-01-02","57c3b60392514177f80007e3",{"adult":4,"backdrop_path":38,"genre_ids":446,"id":447,"title":448,"original_language":26,"original_title":448,"overview":449,"popularity":450,"poster_path":38,"release_date":451,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":452,"order":32,"media_type":36},[23],417570,"Os Cravos e a Rocha","On April 25, 1974 the iconoclastic Brazilian filmmaker Glauber Rocha was in Portugal. There, he joined the collective collective film \"As Armas e o Povo\". With his foreign and peculiar look, he broke the rules of conventional filmmaking.",0.8098,"2015-12-12","58015672925141301b001567",{"adult":4,"backdrop_path":38,"genre_ids":454,"id":455,"title":456,"original_language":26,"original_title":456,"overview":457,"popularity":458,"poster_path":459,"release_date":460,"softcore":4,"video":4,"vote_average":266,"vote_count":59,"character":461,"credit_id":462,"order":32,"media_type":36},[],1314310,"Golpe de Vista","The rise of Brazilian directors Anselmo Duarte and Glauber Rocha occurred through different professional trajectories. Rocha working as a young film critic in Bahia and Duarte working his way through the Brazilian studio system as part of the leading actors. However, the two crossed paths amicably on the set of O Pagador de Promessas, Anselmo Duarte's 1962 film that won the Palme d'Or.",0.8679,"\u002FbuYLqul9uI31wg1HCQFf32nCo0S.jpg","2024-01-02","(archive footage)","66b4a68aa20b418fc993a0f2",{"adult":4,"backdrop_path":464,"genre_ids":465,"id":467,"title":468,"original_language":26,"original_title":468,"overview":469,"popularity":470,"poster_path":471,"release_date":472,"softcore":4,"video":4,"vote_average":473,"vote_count":86,"character":474,"credit_id":475,"order":86,"media_type":36},"\u002Ftssbfnkl94OGyWGa4e64qKTP5dW.jpg",[76,466],53,195576,"A Grande Feira","The naive sailor Ron arrives in Bahia to visit the famous Água dos Meninos street market. There, however, he is passed behind by the prostitute Maria, lover of the bandit Chico Diabo, who stabs him. He, however, can't forget her.",0.6276,"\u002FtJM5k1oss5gv4nOEck6fgMqZb3C.jpg","1961-03-10",8.4,"Homem empurrando mulher","584e4f8892514118e000a18c",{"adult":4,"backdrop_path":38,"genre_ids":477,"id":478,"title":479,"original_language":26,"original_title":479,"overview":46,"popularity":480,"poster_path":481,"release_date":482,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":483,"order":32,"media_type":36},[23],447953,"Manifesto Glauber",0.6325,"\u002FgvhRlWXrHmX0cOgkjrxIrD51w62.jpg","2006-09-28","58cfd3e3c3a36850e9032d15",{"adult":4,"backdrop_path":38,"genre_ids":485,"id":486,"title":487,"original_language":26,"original_title":487,"overview":46,"popularity":488,"poster_path":489,"release_date":490,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":491,"order":32,"media_type":36},[23],447958,"O Brasil de Glauber Rocha",1.3884,"\u002F44Hf7Ea6pxcnvsP4EV5wGSv3SdN.jpg","2007-03-20","58cfe3109251415a74038218",{"adult":4,"backdrop_path":38,"genre_ids":493,"id":494,"title":495,"original_language":26,"original_title":495,"overview":46,"popularity":496,"poster_path":497,"release_date":498,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":499,"order":32,"media_type":36},[23],447942,"Glauber em Tempo - Redescobrindo o Brasil",1.0629,"\u002Flb6THJYTkhtEponAPFst2hOTpYW.jpg","2000-03-20","58cfaf51c3a3685104031863",{"adult":4,"backdrop_path":38,"genre_ids":501,"id":502,"title":503,"original_language":26,"original_title":503,"overview":46,"popularity":504,"poster_path":505,"release_date":506,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":507,"order":32,"media_type":36},[23],448323,"Três cortes para Glauber",0.7915,"\u002Fng90SbKXrt0TBbDKsQ5wVq6jWtc.jpg","2009-03-22","58d2772bc3a36838f101c261",{"adult":4,"backdrop_path":38,"genre_ids":509,"id":510,"title":511,"original_language":26,"original_title":511,"overview":46,"popularity":512,"poster_path":513,"release_date":514,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":515,"order":32,"media_type":36},[23],479273,"Glauber Rocha: Morto\u002FVivo",1.3802,"\u002FqCDkQyGCcAl6P8gLpm6jjNEvnnv.jpg","1981-08-23","59d29e839251413eef005f65",{"adult":4,"backdrop_path":38,"genre_ids":517,"id":518,"title":519,"original_language":26,"original_title":519,"overview":520,"popularity":521,"poster_path":522,"release_date":523,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":524,"order":32,"media_type":36},[23],571957,"A Hora do leão - Os sete leões de Glauber","Documentary about Der Leone Have Sept Cabeças",0.982,"\u002FfOMQ37Xjvcm9JETGAnt9pIuTEDO.jpg","2010-01-01","5c2ab6fbc3a3682919a04099",{"adult":4,"backdrop_path":38,"genre_ids":526,"id":527,"title":528,"original_language":26,"original_title":528,"overview":46,"popularity":529,"poster_path":530,"release_date":531,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":532,"order":121,"media_type":36},[],647584,"O Fantasma de Glauber Rocha",0.9682,"\u002F4rfqQs5EBPXpL2lOxlFcc6idULI.jpg","2019-11-14","5dcb473be263bb00136f00e8",{"adult":4,"backdrop_path":534,"genre_ids":535,"id":536,"title":537,"original_language":26,"original_title":538,"overview":539,"popularity":540,"poster_path":541,"release_date":542,"softcore":4,"video":4,"vote_average":162,"vote_count":59,"character":69,"credit_id":543,"order":121,"media_type":36},"\u002FxE3e6pzQ7v36nNR1eOuT7F6yTia.jpg",[23],666070,"Corman's Eyedrops Got Me Too Crazy","O Colírio do Corman Me Deixou Doido Demais","A totally Cardoso-appropriated footage delirium, done as a tribute to US independent cinema's original rebel. In the end, Corman himself blesses Cardoso by saying: \"You blended horror, sex and humour very well. And particularly the editing is very good because the film never lagged or slowed down\". Which film? This one!",1.9163,"\u002FucLCYcdUR09HtwSdUFOQPQ8JTSy.jpg","2020-01-27","5e56a048f48b340017777e8b",{"adult":4,"backdrop_path":38,"genre_ids":545,"id":546,"title":547,"original_language":26,"original_title":547,"overview":548,"popularity":549,"poster_path":550,"release_date":551,"softcore":4,"video":4,"vote_average":35,"vote_count":59,"character":552,"credit_id":553,"order":32,"media_type":36},[23],682158,"Abertura","One of the most daring and radical shows presented in Brazilian television: \"Abertura\". It was broadcast between February and October, 1979, with weekly editions, presented by Brazilian filmmaker Glauber Rocha. The video is a compilation of characters, statements, and interviews about the political and cultural situation of the country during the final stages of the Military Dictatorship.",0.893,"\u002Fh2Q0D3aFGXcyG5FbuPEXDkTBUMl.jpg","1979-10-01","Self - Host","5e6790c0357c0000163b1e31",{"adult":4,"backdrop_path":555,"genre_ids":556,"id":557,"title":558,"original_language":26,"original_title":559,"overview":560,"popularity":561,"poster_path":562,"release_date":563,"softcore":4,"video":4,"vote_average":564,"vote_count":71,"character":33,"credit_id":565,"order":59,"media_type":36},"\u002F80ctbyxtPRORtL6NdxL6RKYE7l7.jpg",[23],299517,"Another Country","Outro País","The Portuguese Revolution (1974-75) seen through the eyes of some of the most important photographers and filmmakers that witnessed the event. Their dreams and expectations and what came out of the revolution. With outstanding historical footage.",1.2922,"\u002FcwgI5go3Ce7eEqXv9iQUB5M4zEJ.jpg","2000-10-29",7.7,"5eae38e5edeb43001cc6b17b",{"adult":4,"backdrop_path":38,"genre_ids":567,"id":568,"title":569,"original_language":26,"original_title":569,"overview":46,"popularity":570,"poster_path":571,"release_date":572,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":573,"order":32,"media_type":36},[23],739730,"A Mãe",1.0941,"\u002FkMMI0oEne7MlN46QERRofh4hjfK.jpg","1998-10-21","5f52841ac740d90033921446",{"adult":4,"backdrop_path":575,"genre_ids":576,"id":577,"title":578,"original_language":26,"original_title":579,"overview":580,"popularity":581,"poster_path":582,"release_date":583,"softcore":4,"video":4,"vote_average":584,"vote_count":9,"character":69,"credit_id":585,"order":32,"media_type":36},"\u002F1J6xZfviDzLEYwrs4pKgrkSSxGB.jpg",[23],741799,"Race Antenna","Antena da Raça","In 1979, while Brazil was going through the troubled moment of the Amnesty Law, Glauber Rocha directed the program Abertura for TV Tupi, in which he interrogated a contradictory and boiling Brazil head-on, full of utopias but always under the weight of secular wounds.",0.789,"\u002F7tlQPPtRy56eT3ENHH7u38BKzZT.jpg","2020-10-15",8.2,"5f7c718e8741c4003a750e0e",{"adult":4,"backdrop_path":587,"genre_ids":588,"id":589,"title":590,"original_language":80,"original_title":590,"overview":591,"popularity":592,"poster_path":593,"release_date":120,"softcore":4,"video":4,"vote_average":162,"vote_count":59,"character":69,"credit_id":594,"order":71,"media_type":36},"\u002FfU2SNJ9rM1RPtwaTBgK066xkoiC.jpg",[23],752657,"Glauber, Claro","A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.",1.8167,"\u002FiiUmR6SGCXuAwtanwFsC5g3dwk4.jpg","5f8496f0798e060037cdaebc",{"adult":4,"backdrop_path":38,"genre_ids":596,"id":597,"title":598,"original_language":26,"original_title":598,"overview":46,"popularity":599,"poster_path":600,"release_date":601,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":602,"order":32,"media_type":36},[23],770395,"Ecos de Cannes",0.6877,"\u002FkJ4u7Xh4ndPOe1bIr875KZvvude.jpg","2008-10-14","5fc55ceb1b729400419007be",{"adult":4,"backdrop_path":38,"genre_ids":604,"id":605,"title":606,"original_language":26,"original_title":606,"overview":46,"popularity":607,"poster_path":608,"release_date":609,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":69,"credit_id":610,"order":32,"media_type":36},[23],770384,"O Retorno do Dragão",1.3246,"\u002FecnbfF3WwK2NDyn19TKVoyw2AMO.jpg","2008-10-08","5fc55250d2f5b5003eda6646",{"adult":4,"backdrop_path":38,"genre_ids":612,"id":613,"title":614,"original_language":26,"original_title":615,"overview":616,"popularity":617,"poster_path":618,"release_date":619,"softcore":4,"video":4,"vote_average":86,"vote_count":59,"character":46,"credit_id":620,"order":71,"media_type":36},[76],703350,"Tatu Bola","O Rei do Milagre","Expedito, after being abandoned by his parents, became Zefa's adopted son until he became a man and started earning his living as an independent fisherman. As soon as he finds out that Zefa is very ill, Expedito runs back home and finds his adoptive mother in agony. At the edge of the bed, a mysterious woman, who claims to be Death, sits.",1.0801,"\u002Flksl8wnPmeu4Hrfry8KeLNizKYK.jpg","1971-01-01","6062e79f46f354002816be43",{"adult":4,"backdrop_path":38,"genre_ids":622,"id":623,"title":624,"original_language":26,"original_title":624,"overview":46,"popularity":625,"poster_path":38,"release_date":626,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":46,"credit_id":627,"order":32,"media_type":36},[],834716,"Loja dos Trapos do Coração",1.0617,"1982-01-01","60b21a323520e8006e610b14",{"adult":4,"backdrop_path":629,"genre_ids":630,"id":632,"title":633,"original_language":26,"original_title":633,"overview":634,"popularity":635,"poster_path":636,"release_date":637,"softcore":4,"video":4,"vote_average":638,"vote_count":639,"character":69,"credit_id":640,"order":86,"media_type":36},"\u002FfSfSupsghnkhYzTMHgdDhduRRvK.jpg",[631,23],10402,164120,"Tropicália","Set against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as Tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional Brazilian music of that time.",1.1654,"\u002Fa4LPjoQ1FXtWT5ezahuQzAZy5lU.jpg","2012-09-14",7.2,19,"675736c1cf1801968f02fd10",{"adult":4,"backdrop_path":38,"genre_ids":642,"id":643,"title":644,"original_language":26,"original_title":644,"overview":645,"popularity":646,"poster_path":647,"release_date":648,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":649,"credit_id":650,"order":59,"media_type":36},[23],1414495,"Paloma, Paloma","A diary of a trip filmed by Glauber in Punta del Leste (Uruguay – 1972) that documents the reunion of the Rocha familiy: Dona Lúcia, the mother; Anecy Rocha, the sister; Paloma, the daughter, and Walter Lima Jr., the then brother-in-law, with the director, exiled in Europe.",0.8079,"\u002Fz9WzfHPtS3lShk6Vy0h8sp7ie5i.jpg","1972-01-01","Si mesmo","677f084589fc5d94424e82b6",{"adult":4,"backdrop_path":38,"genre_ids":652,"id":653,"title":654,"original_language":26,"original_title":654,"overview":655,"popularity":656,"poster_path":657,"release_date":658,"softcore":4,"video":4,"vote_average":68,"vote_count":59,"character":69,"credit_id":659,"order":660,"media_type":36},[23],422968,"Dib","Documentary that addresses, through the testimony of directors and actors, the work of Dib Lutfi, considered one of the greatest photographers of Brazilian cinema.",0.8132,"\u002F9FnG8gwWzjmTx96I7rpNc67O293.jpg","1997-01-02","67a26b3ced829ebc56e2eb17",20,{"adult":4,"backdrop_path":38,"genre_ids":662,"id":663,"title":664,"original_language":53,"original_title":664,"overview":665,"popularity":666,"poster_path":667,"release_date":668,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":69,"credit_id":669,"order":59,"media_type":36},[23],1437146,"L'Homme aux cheveux bleus","From the first meeting with the critic Louis Marcorelles to his last interview in Cahiers du cinéma, a portrait of Glauber Rocha, a leading figure of Cinema Novo, enriched with testimonies from his close friends such as Juliet Berto and Christiana Tullio Altan.",1.1761,"\u002FuVTnH3CtwK1UQHDZZa7xpnQ2hJx.jpg","1989-01-01","67b6b65a11ff03409ec3de17",{"adult":4,"backdrop_path":38,"genre_ids":671,"id":672,"title":673,"original_language":26,"original_title":673,"overview":46,"popularity":674,"poster_path":675,"release_date":676,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":677,"order":32,"media_type":36},[],1490310,"Quem Quiser Fazer Que Faça Agora",0.6314,"\u002FcPBV1jJikeniFRMmKlNVpKcmfWf.jpg","1981-12-31","683afe1746d574fbc47f388f",{"adult":4,"backdrop_path":38,"genre_ids":679,"id":680,"title":681,"original_language":26,"original_title":681,"overview":682,"popularity":683,"poster_path":684,"release_date":685,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":686,"order":48,"media_type":36},[23],609916,"Colagem","The new Brazilian cinematic movement (Cinema Novo) through films starring actors Antonio Pitanga and Luiza Maranhão.",1.2747,"\u002FzX59EClPxL8GBdxbnoUt6HgUTjw.jpg","1967-11-06","68553fc7b7e71a44d3fc0a7c",{"adult":4,"backdrop_path":688,"genre_ids":689,"id":690,"title":691,"original_language":26,"original_title":691,"overview":692,"popularity":693,"poster_path":694,"release_date":648,"softcore":4,"video":4,"vote_average":695,"vote_count":48,"character":33,"credit_id":696,"order":121,"media_type":36},"\u002Fv6WUT38seQO6PYZa7CPinxOfsZm.jpg",[76],255927,"Câncer","This film shows people with constant psychological and social conflicts: the violence among outlaws, conflicts between man and woman, police and society.",1.2206,"\u002FjPCXvx82D88w6YpqUgnLBRPaaVm.jpg",6.8,"6a1baad91727e5228b056ede",{"adult":4,"backdrop_path":38,"genre_ids":698,"id":699,"origin_country":700,"original_language":256,"original_name":702,"overview":46,"popularity":703,"poster_path":704,"first_air_date":705,"softcore":4,"name":702,"vote_average":121,"vote_count":59,"character":33,"credit_id":706,"episode_count":59,"first_credit_air_date":707,"media_type":708},[23],328178,[701],"FR","Ciné regards",16.8022,"\u002FneCpAdj9o3EKkB5wntZt1nxCofb.jpg","1978-01-04","6a566f2264b66ad055cd3d5b","1981-12-19","tv",[710,724,729,744,748,760,763,777,781,784,787,790,793,796,799,809,819,822,825,830,840,851,863,866,869,877,881,894,905,918,921,924,927,930,933,946,955,959,970,973,978,981,984,987,992,995,998,1006,1009,1013,1016],{"adult":4,"backdrop_path":711,"genre_ids":712,"id":713,"title":714,"original_language":26,"original_title":715,"overview":716,"popularity":717,"poster_path":718,"release_date":719,"softcore":4,"video":4,"vote_average":695,"vote_count":720,"credit_id":721,"department":722,"job":723,"media_type":36},"\u002Fkb3wnJV4MARi7XivGaD0EShqHHQ.jpg",[253],74349,"Antonio das Mortes","O Dragão da Maldade contra o Santo Guerreiro","A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.",3.3926,"\u002FfOoqqn5A2XoPLblvAPpujRonzZm.jpg","1969-06-14",95,"604a516390b87e004390449f","Art","Production Design",{"adult":4,"backdrop_path":38,"genre_ids":725,"id":309,"title":310,"original_language":26,"original_title":311,"overview":312,"popularity":313,"poster_path":38,"release_date":314,"softcore":4,"video":4,"vote_average":162,"vote_count":59,"credit_id":726,"department":727,"job":728,"media_type":36},[23],"62170a4f5be00e006b380feb","Camera","Director of Photography",{"adult":4,"backdrop_path":730,"genre_ids":731,"id":732,"title":733,"original_language":26,"original_title":734,"overview":735,"popularity":736,"poster_path":737,"release_date":738,"softcore":4,"video":4,"vote_average":739,"vote_count":740,"credit_id":741,"department":742,"job":743,"media_type":36},"\u002FmcoUBNl7deKXEOb38RGOJxDp2Ja.jpg",[76],66184,"The Turning Wind","Barravento","In Bahia, an educated black man returns to his home fishing village to try and free people from mysticism, in particular the Candomblé religion, which he considers a factor of political and social oppression, with tragic outcome.",0.8877,"\u002FnaJthhzYp8kF0YDaAv3BMRHnqAg.jpg","1962-05-28",6.9,39,"52fe472fc3a368484e0b960b","Writing","Screenplay",{"adult":4,"backdrop_path":730,"genre_ids":745,"id":732,"title":733,"original_language":26,"original_title":734,"overview":735,"popularity":736,"poster_path":737,"release_date":738,"softcore":4,"video":4,"vote_average":739,"vote_count":740,"credit_id":746,"department":13,"job":747,"media_type":36},[76],"52fe472fc3a368484e0b9611","Director",{"adult":4,"backdrop_path":749,"genre_ids":750,"id":751,"title":752,"original_language":26,"original_title":753,"overview":754,"popularity":755,"poster_path":756,"release_date":757,"softcore":4,"video":4,"vote_average":638,"vote_count":758,"credit_id":759,"department":742,"job":743,"media_type":36},"\u002FxCSzJsUmgd61nXjxoslbWOgOlbY.jpg",[76],67062,"Entranced Earth","Terra em Transe","Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.",2.9331,"\u002FkuBU2eGzZyCBYxChYBUGbyTQ052.jpg","1967-05-02",125,"52fe4755c3a368484e0c1601",{"adult":4,"backdrop_path":749,"genre_ids":761,"id":751,"title":752,"original_language":26,"original_title":753,"overview":754,"popularity":755,"poster_path":756,"release_date":757,"softcore":4,"video":4,"vote_average":638,"vote_count":758,"credit_id":762,"department":13,"job":747,"media_type":36},[76],"52fe4755c3a368484e0c15fb",{"adult":4,"backdrop_path":764,"genre_ids":765,"id":767,"title":768,"original_language":26,"original_title":769,"overview":770,"popularity":771,"poster_path":772,"release_date":773,"softcore":4,"video":4,"vote_average":774,"vote_count":775,"credit_id":776,"department":13,"job":747,"media_type":36},"\u002FsDKHdt84JGzfxAJp2vqLdVzPj0Y.jpg",[766,253,76],12,67612,"Black God, White Devil","Deus e o Diabo na Terra do Sol","Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.",5.3799,"\u002FkeNDV8nbgVLiCUyzObisEDxdAI4.jpg","1964-03-13",7.1,170,"52fe476ec3a368484e0c68c9",{"adult":4,"backdrop_path":764,"genre_ids":778,"id":767,"title":768,"original_language":26,"original_title":769,"overview":770,"popularity":771,"poster_path":772,"release_date":773,"softcore":4,"video":4,"vote_average":774,"vote_count":775,"credit_id":779,"department":742,"job":780,"media_type":36},[766,253,76],"52fe476ec3a368484e0c68cf","Writer",{"adult":4,"backdrop_path":351,"genre_ids":782,"id":353,"title":354,"original_language":80,"original_title":354,"overview":355,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":359,"vote_count":266,"credit_id":783,"department":13,"job":747,"media_type":36},[76,23],"52fe48c6c3a368484e10a63b",{"adult":4,"backdrop_path":351,"genre_ids":785,"id":353,"title":354,"original_language":80,"original_title":354,"overview":355,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":359,"vote_count":266,"credit_id":786,"department":742,"job":780,"media_type":36},[76,23],"52fe48c6c3a368484e10a641",{"adult":4,"backdrop_path":295,"genre_ids":788,"id":297,"title":298,"original_language":26,"original_title":298,"overview":299,"popularity":300,"poster_path":301,"release_date":302,"softcore":4,"video":4,"vote_average":303,"vote_count":304,"credit_id":789,"department":13,"job":747,"media_type":36},[23],"52fe48c7c3a368484e10a6af",{"adult":4,"backdrop_path":197,"genre_ids":791,"id":199,"title":200,"original_language":26,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":4,"video":4,"vote_average":147,"vote_count":71,"credit_id":792,"department":13,"job":747,"media_type":36},[23],"52fe48c7c3a368484e10a6bd",{"adult":4,"backdrop_path":711,"genre_ids":794,"id":713,"title":714,"original_language":26,"original_title":715,"overview":716,"popularity":717,"poster_path":718,"release_date":719,"softcore":4,"video":4,"vote_average":695,"vote_count":720,"credit_id":795,"department":742,"job":743,"media_type":36},[253],"52fe48c6c3a368484e10a4a3",{"adult":4,"backdrop_path":711,"genre_ids":797,"id":713,"title":714,"original_language":26,"original_title":715,"overview":716,"popularity":717,"poster_path":718,"release_date":719,"softcore":4,"video":4,"vote_average":695,"vote_count":720,"credit_id":798,"department":13,"job":747,"media_type":36},[253],"52fe48c6c3a368484e10a491",{"adult":4,"backdrop_path":800,"genre_ids":801,"id":802,"title":803,"original_language":26,"original_title":803,"overview":804,"popularity":805,"poster_path":806,"release_date":807,"softcore":4,"video":4,"vote_average":695,"vote_count":75,"credit_id":808,"department":13,"job":747,"media_type":36},"\u002F2ZleTehrT4cjHPEsxZOD9qSv6U0.jpg",[],74353,"O Pátio","A man and a woman are laying on a chess-like patio. Both are trying to reach each other in the best way they can. However, for some odd reason they don't get on their feet, they don't talk to each other, and the only sounds heard are voices coming from a radio and strange sounds that seem to indicate something's about to happen.",0.7745,"\u002FgwFVMqkUnbC6M2NshQy0piYPQjG.jpg","1959-01-01","52fe48c6c3a368484e10a503",{"adult":4,"backdrop_path":38,"genre_ids":810,"id":811,"title":812,"original_language":26,"original_title":813,"overview":814,"popularity":815,"poster_path":816,"release_date":817,"softcore":4,"video":4,"vote_average":638,"vote_count":48,"credit_id":818,"department":13,"job":747,"media_type":36},[23],74367,"History of Brazil","História do Brasil","The film, created in exile from 1971 to 1973 between Cuba and Rome, is considered a \"semi-finished\" work by Glauber Rocha. It has a certain pedagogical character and seeks, through dialectical editing, to conduct a critical review of colonization, class struggle, messianism, and the establishment of populist governments in the Third World. There is a chronology in the events presented, which, supported by extensive iconography (films, engravings, photos, etc.), create \"free\" associations that allow the viewer a \"polyphonic\" view of the \"History of Brazil.\"",0.7226,"\u002FbRzS9rG8AeyDiMZVo74tKEJ4L20.jpg","1974-01-01","52fe48c7c3a368484e10a6d5",{"adult":4,"backdrop_path":38,"genre_ids":820,"id":811,"title":812,"original_language":26,"original_title":813,"overview":814,"popularity":815,"poster_path":816,"release_date":817,"softcore":4,"video":4,"vote_average":638,"vote_count":48,"credit_id":821,"department":742,"job":780,"media_type":36},[23],"52fe48c7c3a368484e10a6e1",{"adult":4,"backdrop_path":207,"genre_ids":823,"id":209,"title":210,"original_language":26,"original_title":211,"overview":212,"popularity":213,"poster_path":214,"release_date":215,"softcore":4,"video":4,"vote_average":216,"vote_count":217,"credit_id":824,"department":13,"job":747,"media_type":36},[76,75,139],"52fe494fc3a368484e124e23",{"adult":4,"backdrop_path":764,"genre_ids":826,"id":767,"title":768,"original_language":26,"original_title":769,"overview":770,"popularity":771,"poster_path":772,"release_date":773,"softcore":4,"video":4,"vote_average":774,"vote_count":775,"credit_id":827,"department":828,"job":829,"media_type":36},[766,253,76],"6262a112168ea31556785aeb","Production","Associate Producer",{"adult":4,"backdrop_path":831,"genre_ids":832,"id":833,"title":834,"original_language":26,"original_title":834,"overview":835,"popularity":836,"poster_path":837,"release_date":838,"softcore":4,"video":4,"vote_average":695,"vote_count":75,"credit_id":839,"department":13,"job":747,"media_type":36},"\u002FpBdkxN0Gjkg2CeFkq2ZxMOFw1Lo.jpg",[23],104840,"Maranhão 66","A report on Sarney's inauguration as the governor of the Maranhão state. His promises are heard alongside images of the grim reality.",0.9476,"\u002F43XIKAZnzYJW7OE0e1OR0GbLaoS.jpg","1966-01-01","52fe4a3ec3a36847f81c3103",{"adult":4,"backdrop_path":841,"genre_ids":842,"id":843,"title":844,"original_language":26,"original_title":845,"overview":846,"popularity":847,"poster_path":848,"release_date":849,"softcore":4,"video":4,"vote_average":35,"vote_count":123,"credit_id":850,"department":13,"job":747,"media_type":36},"\u002Fdv6VRlzLjomNQT3A6esc57bkFMo.jpg",[76],186908,"The Lion Has Seven Heads","Der Leone Have Sept Cabeças","A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self-interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile.",2.0358,"\u002FggcVPHmCnufUKPp87PCgLzzITMF.jpg","1971-08-03","52fe4d0a9251416c7512de71",{"adult":4,"backdrop_path":852,"genre_ids":853,"id":854,"title":855,"original_language":322,"original_title":856,"overview":857,"popularity":858,"poster_path":859,"release_date":860,"softcore":4,"video":4,"vote_average":861,"vote_count":68,"credit_id":862,"department":13,"job":747,"media_type":36},"\u002FcevLxGNNQ6Wsw7BesXc7PCLa1t4.jpg",[139,76],222843,"Cutting Heads","Cabezas cortadas","In a castle, somewhere in the Thirld World, Diaz is delirious, dreaming of the power he had in Eldorado, while oppressing the indians, workers and peasants. He is well aware of the menace his old victims represent, while a miracle-making shepherd fascinates and frightens him. Diaz finds a countrywoman, symbol of purity, and prepares a ceremony in his castle resembling his own funeral.",0.9086,"\u002Fta8kAu6n72ciGpWw8X5oYjP1jIc.jpg","1970-10-16",4.8,"52fe4dfd9251416c75147d3b",{"adult":4,"backdrop_path":184,"genre_ids":864,"id":186,"title":187,"original_language":26,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":193,"vote_count":68,"credit_id":865,"department":13,"job":747,"media_type":36},[23],"61072feef96a390074350419",{"adult":4,"backdrop_path":688,"genre_ids":867,"id":690,"title":691,"original_language":26,"original_title":691,"overview":692,"popularity":693,"poster_path":694,"release_date":648,"softcore":4,"video":4,"vote_average":695,"vote_count":48,"credit_id":868,"department":13,"job":747,"media_type":36},[76],"5301503692514121a7131d9d",{"adult":4,"backdrop_path":38,"genre_ids":870,"id":871,"title":872,"original_language":26,"original_title":872,"overview":873,"popularity":874,"poster_path":875,"release_date":838,"softcore":4,"video":4,"vote_average":739,"vote_count":86,"credit_id":876,"department":13,"job":747,"media_type":36},[23],255926,"Amazonas, Amazonas","A brief look at Amazonas, its population, their costumes, the rich nature and its importance to Brazil and the world.",0.6369,"\u002FuYfuaG7VAi5tzx8hT7DCACzynRk.jpg","53014f3c925141218f138f1f",{"adult":4,"backdrop_path":464,"genre_ids":878,"id":467,"title":468,"original_language":26,"original_title":468,"overview":469,"popularity":470,"poster_path":471,"release_date":472,"softcore":4,"video":4,"vote_average":473,"vote_count":86,"credit_id":879,"department":828,"job":880,"media_type":36},[76,466],"55245d2fc3a3684dda00a3d7","Executive Producer",{"adult":4,"backdrop_path":882,"genre_ids":883,"id":884,"title":885,"original_language":26,"original_title":886,"overview":887,"popularity":888,"poster_path":889,"release_date":890,"softcore":4,"video":4,"vote_average":891,"vote_count":68,"credit_id":892,"department":828,"job":893,"media_type":36},"\u002FxFImXjCUnKEdq9Q1OFYjYtkAILm.jpg",[76],181092,"The Big City","A Grande Cidade","In search of a better life, Luzia leaves the Northeast of Brazil and goes to Rio de Janeiro, looking for her fiance who went first to pave their way. 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