[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F42793:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":10,"id":12,"imdb_id":13,"known_for_department":14,"name":7,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":352},false,[6,7],"Byeon Yeong-ju","Byun Young-joo","She is a founding member of the women's feminist film collective \"Bariteo,\" which was established in 1989. She worked as a cinematographer on Even Little Grass Has Its Own Name (dir. Kim So-young, 1989), a short film about gender discrimination at work, and My Children (dir. Doe Sung-hee, 1990), a documentary film about childcare in a poor neighborhood. Her first documentary Women Being in Asia (1993) centers on the sex trade in Asia, particularly the sex tourism of Jeju Island.","1966-12-20",null,1,42793,"nm1410208","Directing","Seoul, South Korea",1.2463,"\u002FtsJHdphVtZkq4bA3LJR5i1Ga42U.jpg",{"cast":19,"crew":165},[20,35,49,61,74,86,104,119,129,145,160],{"adult":4,"backdrop_path":10,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":10,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":30,"character":31,"credit_id":32,"order":33,"media_type":34},[22],99,413238,"Women Behind the Camera","en","Reveals the courageous lives of pioneer camerawomen from Hollywood to Bollywood, from war zones to children’s laughter, in a way that has never been seen before. Based on a book by Alexis Krasilovsky, the film tells the stories of camerawomen surviving the odds in Afghanistan, Australia, Canada, China, France, Germany, India, Iran, Mexico, the U.S. and other countries, as well as exploring their individual visions.",1.2708,"2007-08-15",3,4,"Self","57f980649251411fd3000d61",28,"movie",{"adult":4,"backdrop_path":36,"genre_ids":37,"id":38,"title":39,"original_language":40,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":46,"vote_count":11,"character":31,"credit_id":47,"order":48,"media_type":34},"\u002FxJQBC5ZMvVoodBhDphAmID0iUqd.jpg",[22],501421,"The Jang Sun-woo Variations","ko","장선우 변주곡","Divided into chapters, the documentary examines Jang's career and films from many different angles and includes the voices not only of those who have worked with Jang but also of numerous ordinary Koreans who have been affected by his work. Individual chapters are devoted to such topics as Jang's idiosyncratic hairstyle and the controversy surrounding his previous feature Lies. The documentary tries to place Jang and his work in the widest possible social context, not only in the context of Korean cinema. At its heart is a series of remarkably candid and revealing interviews with Jang himself.",0.977,"\u002Fezwh8iQNk4AMVNuAhsy9cQW2mva.jpg","2001-01-27",8,"5a6d9f9d925141076c0152ed",2,{"adult":4,"backdrop_path":10,"genre_ids":50,"id":51,"title":52,"original_language":40,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":58,"vote_count":58,"character":31,"credit_id":59,"order":60,"media_type":34},[22],546028,"Two Or Three Things I Know About Kim Ki-young","감독들, 김기영을 말하다","A documentary consisting of twenty-two Korean directors' interviews about Kim Ki-young and respect for his work and the influence",1.1438,"\u002FyVWZnLSsPCHBYbHuezqmDwzxxd6.jpg","2007-01-21",0,"5b8b48f792514151970268f3",9,{"adult":4,"backdrop_path":10,"genre_ids":62,"id":63,"title":64,"original_language":40,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":70,"vote_count":71,"character":31,"credit_id":72,"order":73,"media_type":34},[22],416728,"Ari Ari the Korean Cinema","영화판","Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie \"Unbowed\" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. \"Ari Ari the Korean Cinema\" is a documentary with interviews of Korean directors, actors and actresses.",1.7008,"\u002F15vLmV520q0wRuRSjPvmKUbonJh.jpg","2012-12-06",5.5,6,"5ceeada7c3a36876ef1f39ff",17,{"adult":4,"backdrop_path":10,"genre_ids":75,"id":76,"title":77,"original_language":40,"original_title":78,"overview":79,"popularity":80,"poster_path":81,"release_date":82,"softcore":4,"video":4,"vote_average":58,"vote_count":58,"character":83,"credit_id":84,"order":85,"media_type":34},[22],747060,"Keeping the Vision Alive","아름다운 생존: 여성 영화인이 말하는 영화","Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)",0.8885,"\u002F1tN5CmbTcPIs3fGb18TtB8E4FMR.jpg","2002-04-04","Herself","5f6f7b50fbe36f0037684aa8",7,{"adult":4,"backdrop_path":87,"genre_ids":88,"id":91,"origin_country":92,"original_language":40,"original_name":94,"overview":95,"popularity":96,"poster_path":97,"first_air_date":98,"softcore":4,"name":99,"vote_average":58,"vote_count":58,"character":100,"credit_id":101,"episode_count":102,"first_credit_air_date":98,"media_type":103},"\u002F8Zr7VF4JQhDX8oBUYQtKyOPR46o.jpg",[89,90],10767,10764,124410,[93],"KR","당신이 혹하는 사이","A dangerous dinner that transcends suspicion and enticement. One day, friends gathered at the house of movie planner Yoon Jong-shin are always thirsty for new stories. Like natural storytellers, they present amazing stories they have recently collected in front of their friends today. \"Have you ever heard of this?\" Even those who do not believe in conspiracy theories tend to find themselves \"unusually falling for themselves\" at some point when they encounter conspiracy theories by chance and are sucked into algorithms. How will your thoughts change at the end of this talk dinner tonight?",4.1483,"\u002Fiz2fIfWYJUytN3ANZqq7wBah5xn.jpg","2021-04-28","While you are tempted","","614d628ed55c3d00674c04d1",37,"tv",{"adult":4,"backdrop_path":105,"genre_ids":106,"id":107,"origin_country":108,"original_language":40,"original_name":109,"overview":110,"popularity":111,"poster_path":112,"first_air_date":113,"softcore":4,"name":114,"vote_average":115,"vote_count":11,"character":116,"credit_id":117,"episode_count":11,"first_credit_air_date":118,"media_type":103},"\u002FcrBOw7z4WPzHsIZ7zPaz4yXb8cE.jpg",[22],99503,[93],"모던코리아","The documentary series were made to look back on Korea’s modern history. It tells stories of specific moments in time weaving together relevant video clips from news broadcasts, dramas, shows and other documentaries",4.6736,"\u002FsZSoPHQu9SHOMw9Is6mqGJI2Ub1.jpg","2019-10-31","Modern Korea",10,"Self (archive footage)","6313697e7fcab3007fbec270","2021-03-25",{"adult":4,"backdrop_path":120,"genre_ids":121,"id":122,"origin_country":123,"original_language":40,"original_name":124,"overview":100,"popularity":125,"poster_path":126,"first_air_date":127,"softcore":4,"name":124,"vote_average":58,"vote_count":58,"character":31,"credit_id":128,"episode_count":30,"first_credit_air_date":127,"media_type":103},"\u002FlpKriNtwmSSEJ7LaXPjqb08J7wj.jpg",[90,89],213938,[93],"역습: 팩추얼 웹툰 창작단",1.1044,"\u002Ftnr9aBAjT2JEqZOUl2rkxdFFTly.jpg","2022-11-06","63778c8611c06600840ad03d",{"adult":4,"backdrop_path":130,"genre_ids":131,"id":134,"origin_country":135,"original_language":40,"original_name":136,"overview":137,"popularity":138,"poster_path":139,"first_air_date":140,"softcore":4,"name":141,"vote_average":142,"vote_count":132,"character":31,"credit_id":143,"episode_count":11,"first_credit_air_date":144,"media_type":103},"\u002FlmHoZwTkXc3CShClVX09poTifL5.jpg",[132,133],18,35,203697,[93],"연예인 매니저로 살아남기","Agents at a talent management firm tackle strong personalities and office politics while keeping their celebrity clients happy and helping them shine.",9.2614,"\u002FeInV2LeBPEQMqsrnmzVM9ClGnDk.jpg","2022-11-07","Behind Every Star",7.3,"636a8ddb0d1e7f007d452bbb","2022-11-08",{"adult":4,"backdrop_path":146,"genre_ids":147,"id":148,"origin_country":149,"original_language":40,"original_name":150,"overview":151,"popularity":152,"poster_path":153,"first_air_date":154,"softcore":4,"name":155,"vote_average":156,"vote_count":157,"character":31,"credit_id":158,"episode_count":159,"first_credit_air_date":154,"media_type":103},"\u002FbzARjVZSMxxHwQGtuOyypIJPegH.jpg",[89],85338,[93],"방구석1열","Movie meets humanities! This talk show\u002Fvariety show for movie enthusiasts features interesting discussions by a writer and two movie directors where film and humanities intertwine.",29.7111,"\u002FtiEqntBI49GB0XWY2oCqR1p79Kf.jpg","2018-05-04","Movie Room",9.4,5,"5e09c6d96d97e600133c7338",173,{"adult":4,"backdrop_path":146,"genre_ids":161,"id":148,"origin_country":162,"original_language":40,"original_name":150,"overview":151,"popularity":152,"poster_path":153,"first_air_date":154,"softcore":4,"name":155,"vote_average":156,"vote_count":157,"character":100,"credit_id":163,"episode_count":48,"first_credit_air_date":164,"media_type":103},[89],[93],"6906d95be329ae2988dd82cd","2022-08-11",[166,179,184,194,199,204,218,230,241,245,258,261,264,275,280,291,295,304,307,315,329,343,348],{"adult":4,"backdrop_path":167,"genre_ids":168,"id":170,"title":171,"original_language":40,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":157,"vote_count":73,"credit_id":177,"department":14,"job":178,"media_type":34},"\u002FhTgkK9hSLYlMjQoWpi5HSFFdQMa.jpg",[132,169],53,5252,"Ardor","밀애","In revenge for her husband's infidelity, a young beautiful housewife, Mi-heun, starts an affair with an attractive young doctor, In-gyu. Despite her husband's efforts to regain her love and the disapproval by the conservative little town, Mi-huen gradually finds happiness and satisfaction in the affair and decides to turn her back on her quiet life.",2.6359,"\u002F5CMIyLvPlJtdDsci81arbBAg1IG.jpg","2002-11-07","52fe4400c3a36847f807c8b7","Director",{"adult":4,"backdrop_path":167,"genre_ids":180,"id":170,"title":171,"original_language":40,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":157,"vote_count":73,"credit_id":181,"department":182,"job":183,"media_type":34},[132,169],"52fe4400c3a36847f807c8cb","Writing","Screenplay",{"adult":4,"backdrop_path":10,"genre_ids":185,"id":186,"title":187,"original_language":40,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":58,"vote_count":58,"credit_id":193,"department":14,"job":178,"media_type":34},[22],819733,"A Woman Being in Asia","아시아에서 여성으로 산다는 것","This documentary is an \"Asian report\" on so-called international prostitution. The subject matter of parasitic tourism in Jeju Island in Korea is focused on, and it is said that international prostitution in Asia has a relationship between countries, focusing on Thailand and Japan, and that it is not only a problem between countries biased by the flow of capital, but also in the context of \"sexual culture\" with long roots. In the second half, the question is what is the alternative and what is the boundary between prostitution and non-prostitution in the current situation that is considered to be like \"ghetto\" because it is separated from the life of the general public.",0.7232,"\u002FeJDwIynav1lS1XJhPlPOHFhA2Xe.jpg","1993-01-01","607b47969661fc0021b49b6e",{"adult":4,"backdrop_path":10,"genre_ids":195,"id":186,"title":187,"original_language":40,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":58,"vote_count":58,"credit_id":196,"department":197,"job":198,"media_type":34},[22],"607b489c66f2d200291d74a8","Editing","Editor",{"adult":4,"backdrop_path":10,"genre_ids":200,"id":186,"title":187,"original_language":40,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":58,"vote_count":58,"credit_id":201,"department":202,"job":203,"media_type":34},[22],"607b4886f6787a0058f8db67","Camera","Director of Photography",{"adult":4,"backdrop_path":205,"genre_ids":206,"id":208,"title":209,"original_language":40,"original_title":210,"overview":211,"popularity":212,"poster_path":213,"release_date":214,"softcore":4,"video":4,"vote_average":215,"vote_count":216,"credit_id":217,"department":14,"job":178,"media_type":34},"\u002FA6pz86y4OqRHbGVkEf76yKMg4yW.jpg",[207,169],9648,108972,"Helpless","화차","A woman suddenly disappears. Her fiance then sets out to find her and, in the process, uncovers layers of dark hidden secrets.",3.2951,"\u002Fyt1ZQ0C8C8fayMK8VRXiWX40Its.jpg","2012-03-08",7.021,94,"52fe4aa7c3a36847f81daa9f",{"adult":4,"backdrop_path":219,"genre_ids":220,"id":221,"title":222,"original_language":40,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":4,"video":4,"vote_average":228,"vote_count":60,"credit_id":229,"department":14,"job":178,"media_type":34},"\u002FcYYVIDb6e3fqS6bY52YMi5PIKZL.jpg",[132],114784,"Flying Boys","발레 교습소","Five high school teens on their way to college. But gradually they go through the struggles of life and end up discovering who they are and what it is they truly want in life.",1.4359,"\u002FalTlgMzGFxnqHAVZRTmWGOrs9bs.jpg","2004-12-03",6.4,"52fe4b59c3a36847f81ff54b",{"adult":4,"backdrop_path":231,"genre_ids":232,"id":233,"title":234,"original_language":40,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":4,"video":4,"vote_average":70,"vote_count":30,"credit_id":240,"department":14,"job":178,"media_type":34},"\u002Fn6TuX5t0zUnKsGNLGIMZ6SuPjeq.jpg",[22],257497,"My Own Breathing","낮은 목소리 3 - 숨결","\"My Own Breathing\" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.",0.7404,"\u002Fc4c6QxypG66H4vpiGzjxMpuvbab.jpg","2000-03-18","53115dd1c3a36829e2001ebf",{"adult":4,"backdrop_path":205,"genre_ids":242,"id":208,"title":209,"original_language":40,"original_title":210,"overview":211,"popularity":212,"poster_path":213,"release_date":214,"softcore":4,"video":4,"vote_average":215,"vote_count":216,"credit_id":243,"department":182,"job":244,"media_type":34},[207,169],"533844499251417da1002e4a","Writer",{"adult":4,"backdrop_path":246,"genre_ids":247,"id":249,"title":250,"original_language":40,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":157,"credit_id":257,"department":14,"job":178,"media_type":34},"\u002F7XtSa1GTlbcqSMpNAIfJzK5nHsY.jpg",[22,248],10752,271796,"The Murmuring","낮은 목소리 - 아시아에서 여성으로 산다는 것","Every Wednesday at noon, women who were kidnapped for sexual purpose by the Japanese army during its imperialism and their supporters demonstrate against Japanese government to request official apology and indemnity for their crimes. This documentary portrays sexually abused old women's suppressed story of overcoming of their shame and forced silence.",0.7646,"\u002FrIP2OEmgpz3OdYqyj4L2U64ntF2.jpg","1995-04-29",5.8,"5380f55dc3a36805980059e4",{"adult":4,"backdrop_path":231,"genre_ids":259,"id":233,"title":234,"original_language":40,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":4,"video":4,"vote_average":70,"vote_count":30,"credit_id":260,"department":202,"job":203,"media_type":34},[22],"6144a8a455c926004455e7ef",{"adult":4,"backdrop_path":246,"genre_ids":262,"id":249,"title":250,"original_language":40,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":157,"credit_id":263,"department":182,"job":244,"media_type":34},[22,248],"59b871c2c3a36813f200688a",{"adult":4,"backdrop_path":265,"genre_ids":266,"id":267,"title":268,"original_language":40,"original_title":269,"overview":270,"popularity":271,"poster_path":272,"release_date":273,"softcore":4,"video":4,"vote_average":157,"vote_count":48,"credit_id":274,"department":14,"job":178,"media_type":34},"\u002F7MkTanN8g6BGsjQieOyAX3ZCjbD.jpg",[22],349215,"Habitual Sadness","낮은 목소리 2","The story of the women at the \"House of Sharing\" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.",0.7961,"\u002FfvXQRyT43olPzw2qD0rSv7DqWoY.jpg","1997-08-23","5c0641df0e0a264866092fb1",{"adult":4,"backdrop_path":265,"genre_ids":276,"id":267,"title":268,"original_language":40,"original_title":269,"overview":270,"popularity":271,"poster_path":272,"release_date":273,"softcore":4,"video":4,"vote_average":157,"vote_count":48,"credit_id":277,"department":278,"job":279,"media_type":34},[22],"5c20de2492514167fdc1405a","Production","Producer",{"adult":4,"backdrop_path":281,"genre_ids":282,"id":283,"title":284,"original_language":40,"original_title":285,"overview":286,"popularity":287,"poster_path":288,"release_date":289,"softcore":4,"video":4,"vote_average":228,"vote_count":60,"credit_id":290,"department":202,"job":203,"media_type":34},"\u002FlE7jZkKzbxe8NGxziXwpCXyJcB5.jpg",[22],118180,"Repatriation","송환","In 1992, political prisoners from North Korea settled in the South Korean town where filmmaker Dong-won Kim lived. Sent to South Korea as spies during the war, they spent 30 years in jail. How did they endure the many years of torture? What will become of them now that they have been released? Twelve years in the making, Repatriation is a very personal view of a country divided by an ongoing cold war.",0.9758,"\u002FsK8V2Y0i5ExEx4znaKfOUWAWxaJ.jpg","2004-03-19","5c5c1929c3a3683cd1896f75",{"adult":4,"backdrop_path":205,"genre_ids":292,"id":208,"title":209,"original_language":40,"original_title":210,"overview":211,"popularity":212,"poster_path":213,"release_date":214,"softcore":4,"video":4,"vote_average":215,"vote_count":216,"credit_id":293,"department":202,"job":294,"media_type":34},[207,169],"5c5c18dfc3a3683cc6898a0b","Camera Operator",{"adult":4,"backdrop_path":10,"genre_ids":296,"id":297,"title":298,"original_language":40,"original_title":299,"overview":300,"popularity":301,"poster_path":10,"release_date":302,"softcore":4,"video":4,"vote_average":58,"vote_count":58,"credit_id":303,"department":182,"job":183,"media_type":34},[132],627957,"Even Little Grass Has Its Own Name","작은 풀에도 이름 있으니","Co-produced by Womenlink and the Feminist Film Collective Parituh, Even Little Grass Has Its Own Name was shot on 16mm film and was the first of its kind in Korea to address the issue of female office workers. The film is divided into two parts. Part 1 is about the conflicts of married female office workers who suffer from undertaking office work, housework, and childcare all at the same time. Part 2 focuses on single female workers who break away from being the traditional ‘flower of the company,’ and develop a greater sense of autonomy as they actively participate in forming a labor union.",0.7898,"1989-01-01","5d6cefb365686e5b9b893f5e",{"adult":4,"backdrop_path":10,"genre_ids":305,"id":297,"title":298,"original_language":40,"original_title":299,"overview":300,"popularity":301,"poster_path":10,"release_date":302,"softcore":4,"video":4,"vote_average":58,"vote_count":58,"credit_id":306,"department":202,"job":203,"media_type":34},[132],"5e4c2f7e9b86160016663939",{"adult":4,"backdrop_path":10,"genre_ids":308,"id":310,"title":311,"original_language":40,"original_title":312,"overview":100,"popularity":313,"poster_path":10,"release_date":100,"softcore":4,"video":4,"vote_average":58,"vote_count":58,"credit_id":314,"department":14,"job":178,"media_type":34},[169,132,309],80,1545049,"A Mark Against Thee","당신의 과녁",0.9077,"68c3006df23d3e3203948e5c",{"adult":4,"backdrop_path":316,"genre_ids":317,"id":318,"origin_country":319,"original_language":40,"original_name":320,"overview":321,"popularity":322,"poster_path":323,"first_air_date":324,"softcore":4,"name":325,"vote_average":326,"vote_count":73,"credit_id":327,"department":14,"episode_count":328,"first_credit_air_date":324,"job":178,"media_type":103},"\u002Fh5Ti3B09fuXHwjo4USe0cuobaV6.jpg",[132,207,309],135658,[93],"백설공주에게 죽음을-Black Out","Two 19 year old girls were brutally murdered. The bodies were abandoned and could not be found anywhere inside the warehouse scattered with blood. The only suspect, was their friend. He was drunk on the night of the incident. He doesn’t recall a single memory. No memories of committing a murder. No memories of not committing a murder either. The boy had become a young adult by the time he was released from prison in 11 years. He wished to pursue a quiet life… But another murder flips the village. A white bone carcass has been discovered. The real devil is hiding somewhere within the seemingly peaceful village. 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