[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F29905:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":11,"birthday":12,"deathday":13,"gender":14,"homepage":15,"id":16,"imdb_id":17,"known_for_department":18,"name":19,"place_of_birth":20,"popularity":21,"profile_path":22,"combined_credits":23,"images":1219},false,[6,7,8,9,10],"Marguerite Donnadieu","마르그리트 뒤라스","마르그리트 뒤라","마가렛 뒤라스","玛格丽特·杜拉斯","Marguerite Germaine Marie Donnadieu (4 April 1914 – 3 March 1996), known as Marguerite Duras, was a French novelist, playwright, screenwriter, essayist, and experimental filmmaker. Her script for the film Hiroshima mon amour (1959) earned her a nomination for Best Original Screenplay at the Academy Awards.\n\nDuras was born Marguerite Donnadieu on 4 April 1914, in Gia Định, Cochinchina, French Indochina (now Vietnam). Her parents, Marie (née Legrand, 1877–1956) and Henri Donnadieu (1872–1921), were teachers from France who likely had met at Gia Định High School. They both had previous marriages. Marguerite had two brothers: Pierre, the older, and the younger Paul.\n\nDuras' father fell ill and he returned to France, where he died in 1921, when Duras was seven years old. Between 1922 and 1924, the family lived in France while her mother was on administrative leave. They then moved back to French Indochina when she was posted to Phnom Penh followed by Vĩnh Long and Sa Đéc. The family struggled financially, and her mother made a bad investment in an isolated property and area of rice farmland in Prey Nob, a story which was fictionalized in Un barrage contre le Pacifique (The Sea Wall).\n\nIn 1931, when she was 17, Duras and her family moved to France where she successfully passed the first part of the baccalaureate with the choice of Vietnamese as a foreign language, as she spoke it fluently. Duras returned to Saigon in late 1932 where her mother found a teaching post. There, Marguerite continued her education at the Lycée Chasseloup-Laubat and completed the second part of the baccalaureate, specializing in philosophy.\n\nIn autumn 1933, Duras moved to Paris, graduating with a degree in public law in 1936. At the same time, she took classes in mathematics. She continued her education, earning a diplôme d'études supérieures (DES) in public law and, later, in political economy. After finishing her studies in 1937, she found employment with the French government at the Ministry of the Colonies. In 1939, she married the writer Robert Antelme, whom she had met during her studies.\n\nDuring World War II, from 1942 to 1944, Duras worked for the Vichy government in an office that allocated paper quotas to publishers and in the process operated a de facto book-censorship system. She then became an active member of the PCF (the French Communist Party) and a member of the French Resistance as a part of a small group that also included François Mitterrand, who later became President of France and remained a lifelong friend of hers. Duras' husband, Antelme, was deported to Buchenwald in 1944 for his involvement in the Resistance, and barely survived the experience (weighing on his release, according to Duras, just 38 kg, or 84 pounds). She nursed him back to health, but they divorced once he recovered.\n\nIn 1943, when publishing her first novel, she began to use the surname Duras, after the town that her father came from, Duras, Lot-et-Garonne.\n\nIn 1950, her mother returned to France from Indochina, wealthy from property investments and from the boarding school she had run. ...\n\nSource: Article \"Marguerite Duras\" from Wikipedia in English, licensed under CC-BY-SA.","1914-04-04","1996-03-03",1,null,29905,"nm0243921","Directing","Marguerite Duras","Gia Định, Vietnam",1.2947,"\u002F3VxhnVjV5G86aIOhqFrTHC3aGXL.jpg",{"cast":24,"crew":639},[25,42,57,71,81,92,105,118,132,144,154,162,177,189,201,210,222,230,242,252,263,271,282,296,305,316,327,338,348,359,369,378,389,398,411,424,435,446,455,466,476,486,496,506,517,527,536,546,555,566,578,591,605,617,626],{"adult":4,"backdrop_path":26,"genre_ids":27,"id":29,"title":30,"original_language":31,"original_title":30,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"character":38,"credit_id":39,"order":40,"media_type":41},"\u002Fr8xJMWhI1Yr55x7ibHSLBwOtVkP.jpg",[28],18,4747,"Nathalie Granger","fr","With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.",2.9736,"\u002Fc5yrKbNHG67C0HggbcJw0OMIhAH.jpg","1973-09-27",6.1,28,"(voice)","63d65345955c6500a0ead02d",11,"movie",{"adult":4,"backdrop_path":43,"genre_ids":44,"id":46,"title":47,"original_language":31,"original_title":48,"overview":49,"popularity":50,"poster_path":51,"release_date":52,"softcore":4,"video":4,"vote_average":53,"vote_count":54,"character":55,"credit_id":56,"order":14,"media_type":41},"\u002FvVRv67FQAN8XfRxVIBCwYNWq6AB.jpg",[28,45],10749,64133,"The Lorry","Le Camion","In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.",3.4484,"\u002F93knueN8tjQ3jAe8NrYFbivGi2I.jpg","1977-05-27",6.4,22,"elle","52fe46cac3a368484e0a4061",{"adult":4,"backdrop_path":58,"genre_ids":59,"id":61,"title":62,"original_language":31,"original_title":63,"overview":64,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":70,"order":68,"media_type":41},"\u002FzNmqRvjF7wD1QZcj3wS4XMwtlsU.jpg",[60],99,946101,"The Marguerite Duras Century","Le siècle de Duras","Marguerite Duras still has much to tell us about her words and about her silences. In this film, hers is the only voice we hear. She talks about herself, without excuses, and with the keen wit, the humour, and the straightforward attitude that became her trademark.",1.0913,"\u002FwR9JrPifoBglCQ4ez5kK4PhdUWW.jpg","",0,"Self","622396ca52dc7f0044e21a78",{"adult":4,"backdrop_path":72,"genre_ids":73,"id":74,"title":75,"original_language":31,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":80,"order":68,"media_type":41},"\u002FAk5gIdCax3tfycPWSGMAkigaDJ.jpg",[60],946089,"Marguerite Duras, l'écriture et la vie","25 years ago, Marguerite Duras passed away at the age of 81. At the evocation of this name, one spontaneously thinks of the intellectual superstar Duras, adulated or hated, with her big glasses and turtleneck, who received the Goncourt prize for her mythical novel, \"L'Amant\". But behind the superstar writer, who either fascinates or annoys, and behind his double novel, the young Indochinese girl, with her hair pulled back and lips underlined with lipstick, which is precisely the subject of \"L'Amant\", are hidden other, perhaps less well-known facets of the character, a writer, but also a filmmaker, journalist, a woman committed to the left, a transient lover or a loving mother. Marguerite Duras will have had 1000 lives in one and many other faces. This film attempts to get as close as possible to this extraordinary destiny.",1.0086,"\u002F56dIWjrhpmK2LXz8wxgpiSeszvZ.jpg","2021-02-19","62238877d71fb4006cc8cf6e",{"adult":4,"backdrop_path":82,"genre_ids":83,"id":84,"title":85,"original_language":31,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":90,"order":91,"media_type":41},"\u002FxYftDzyfMQu6vCiLn64X10VaSsX.jpg",[60],142541,"Un metteur en ordre: Robert Bresson","A documentary, originally produced in 1966 for the French TV series \"Pour le plaisir,\" about Robert Bresson's film \"Au Hasard Balthazar,\" featuring interviews and discussions with Bresson, Jean-Luc Godard, Louis Malle, Marguerite Duras and others.",1.1002,"\u002FsYNSN3d2nVEE8JiyNNMJkE20q4t.jpg","1966-05-11","52fe4ae49251416c750f192d",3,{"adult":4,"backdrop_path":15,"genre_ids":93,"id":95,"title":96,"original_language":31,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":14,"character":102,"credit_id":103,"order":104,"media_type":41},[94,28],10402,752485,"Cygne I","Stages a double persona on a music of Monteverdi (Ariadne’s lamento interpreted by Janet Baker).",1.9768,"\u002FzvPl2BXJj9v8DoR8RKrvURWkUu7.jpg","1976-07-02",7,"Narrator (voice)","64bdeee785c0a2014407c824",2,{"adult":4,"backdrop_path":106,"genre_ids":107,"id":108,"title":109,"original_language":31,"original_title":109,"overview":110,"popularity":111,"poster_path":112,"release_date":113,"softcore":4,"video":4,"vote_average":114,"vote_count":115,"character":116,"credit_id":117,"order":68,"media_type":41},"\u002FXw81zQSDizSyoSDXLvioTJB9nA.jpg",[28],163378,"Les Mains négatives","Traces a slow advance through Paris in the early hours of the morning. The deserted boulevards of Paris are punctuated by interspersed groups of dark-skinned workers, stray prostitutes and vagabonds.",1.0925,"\u002Fere4PIkPtQOBpJXPICreX0edzgw.jpg","1978-01-01",7.2,17,"Self - Narrator (voice)","52fe4c66c3a36847f822c27f",{"adult":4,"backdrop_path":119,"genre_ids":120,"id":121,"title":122,"original_language":31,"original_title":123,"overview":124,"popularity":125,"poster_path":126,"release_date":127,"softcore":4,"video":4,"vote_average":114,"vote_count":128,"character":129,"credit_id":130,"order":131,"media_type":41},"\u002FlhWTYoBcHk3x7hFTSBoGiHjPAMy.jpg",[28,45],65883,"Woman of the Ganges","La Femme du Gange","A man returns to the place he once lived a passionate love affair with a woman who is now dead.  So powerful are the emotions that seize him that he imagines she is still alive, and begins to live as if this were the case...",1.5928,"\u002F13VqEkDhhRWYGzGV632VfOXSFnG.jpg","1974-04-03",8,"Voice","6266bdf0d954200099d72876",6,{"adult":4,"backdrop_path":133,"genre_ids":134,"id":135,"title":136,"original_language":31,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":114,"vote_count":141,"character":67,"credit_id":142,"order":143,"media_type":41},"\u002FvedH34xmYP2kXwYPIlWnyaKW9o2.jpg",[28],65720,"Son nom de Venise dans Calcutta désert","The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.",1.0556,"\u002Fjs9EdnGKEzhxlg0QirgJ2go4CYf.jpg","1976-06-02",15,"6269801864f716160e708355",9,{"adult":4,"backdrop_path":15,"genre_ids":145,"id":146,"title":147,"original_language":148,"original_title":147,"overview":149,"popularity":150,"poster_path":151,"release_date":152,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":153,"order":68,"media_type":41},[60],251687,"Marguerite Duras: Worn Out with Desire . . . to Write","en","She was the sort of woman who spared neither herself nor others—and arguably qualifies as 20th-century France’s greatest femme de lettres. In this interview, the late novelist and filmmaker talks openly about the hardship and the romance of her childhood in French Indochina, sharing how this period haunted her life and shaped her work. Excerpts from her films and readings from her books by actress Elizabeth Rider and Duras herself—including The Lover, winner of the Prix Goncourt and translated into more than forty languages—bring to life those formative years in Vietnam.",1.1206,"\u002FxcdfJlP6VvO3b27xNNchuKX1Kju.jpg","1985-01-01","52fe4e219251416c9112764f",{"adult":4,"backdrop_path":15,"genre_ids":155,"id":156,"title":19,"original_language":31,"original_title":19,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":161,"order":68,"media_type":41},[60],993261,"Marguerite Duras.is interviewed twice, first in 1984 and then in 1993, on her life and work as a writer and filmmaker.",1.2561,"\u002FfHbaANPPIEXT3nKogl54TGgleeC.jpg","1994-02-06","62bb1c3e229ae21211b46e5a",{"adult":4,"backdrop_path":163,"genre_ids":164,"id":166,"title":167,"original_language":31,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":4,"video":4,"vote_average":172,"vote_count":173,"character":174,"credit_id":175,"order":176,"media_type":41},"\u002F6IJZrSRNsMkOHLvx8v5NKecYnoW.jpg",[28,165],36,1095873,"Little Girl Blue","In 2016, French writer and photographer Carole Achache took her own life. After Carole's death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.",2.0071,"\u002FAeBTKZjkcT5ETeknExFw9ojTac1.jpg","2023-11-01",6.233,58,"Self (archive footage)","655fa6a61d35630138895c05",14,{"adult":4,"backdrop_path":178,"genre_ids":179,"id":180,"title":181,"original_language":31,"original_title":181,"overview":182,"popularity":183,"poster_path":184,"release_date":185,"softcore":4,"video":4,"vote_average":186,"vote_count":187,"character":102,"credit_id":188,"order":68,"media_type":41},"\u002Fz2bA3KtLQPMW4BGjQTiXMmuKLRA.jpg",[60],236771,"Aurélia Steiner (Vancouver)","Based on the letters of a fictitious poetess to her lover. Duras reads extracts from the letters, about the poetess’s Jewish past, while the film shows stark waves beating against the seashore. – BFI",0.9734,"\u002FeGgttENgVGBrftSNrNel3BtO4HT.jpg","1979-01-01",8.5,4,"630e91aa564ec7007a8d5b87",{"adult":4,"backdrop_path":15,"genre_ids":190,"id":191,"title":192,"original_language":31,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":198,"vote_count":14,"character":199,"credit_id":200,"order":68,"media_type":41},[60],1026179,"Duras and Cinema","Duras et le cinéma","Documentary on famous writer Marguerite Duras and her paradoxical relation to the seventh art by her former film editor.",2.174,"\u002FtGWuctSZJp91QawWtShXw9g43PJ.jpg","2014-07-03",10,"self (archive footage)","632863f0dcb6a30085b49e54",{"adult":4,"backdrop_path":15,"genre_ids":202,"id":203,"title":204,"original_language":148,"original_title":205,"overview":206,"popularity":207,"poster_path":15,"release_date":208,"softcore":4,"video":4,"vote_average":101,"vote_count":14,"character":69,"credit_id":209,"order":68,"media_type":41},[60],343457,"Duras Shoots","Duras filme","A documentary about filmmaker Marguerite Duras.",1.8378,"1981-01-01","5572f7b3925141318e0021b4",{"adult":4,"backdrop_path":211,"genre_ids":212,"id":213,"title":214,"original_language":31,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":114,"vote_count":219,"character":174,"credit_id":220,"order":221,"media_type":41},"\u002FurzCDuu94CMvio4f7AXlXTl8AMk.jpg",[165,60],924493,"La TV des 70's : Quand Giscard était président","In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.",1.5713,"\u002F8Heh90FuUdSPKT67UlWjA291bX3.jpg","2022-01-07",5,"63b6a43a07e281007ef962ba",129,{"adult":4,"backdrop_path":15,"genre_ids":223,"id":224,"title":225,"original_language":31,"original_title":225,"overview":67,"popularity":226,"poster_path":227,"release_date":228,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":229,"order":104,"media_type":41},[60],806203,"Savannah Bay c’est toi",0.8595,"\u002FkcimMQVmQQ8EliFauttkM1ZrYi4.jpg","1984-01-01","63b9f0018c0a48008537ef76",{"adult":4,"backdrop_path":231,"genre_ids":232,"id":233,"title":234,"original_language":31,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":4,"video":4,"vote_average":36,"vote_count":128,"character":240,"credit_id":241,"order":14,"media_type":41},"\u002FzA2hemv1Pq8AjEy4ZJgFa0ugLqv.jpg",[60],367988,"One Minute for One Image","Une minute pour une image","TV series directed by Varda in which she gives thoughts to her favorite images and why she is drawn to them (in short one minute segments per image)",0.9877,"\u002FxGFjOw4RRPpVjgCMpELcbPVRgh1.jpg","1983-01-31","Self - Narrator","56441d51c3a36870d60046d1",{"adult":4,"backdrop_path":15,"genre_ids":243,"id":244,"title":245,"original_language":31,"original_title":245,"overview":246,"popularity":247,"poster_path":248,"release_date":249,"softcore":4,"video":4,"vote_average":250,"vote_count":187,"character":69,"credit_id":251,"order":68,"media_type":41},[60],403034,"Écrire","When Duras saw 'La mort du jeune aviateur anglais', she told Benoît Jacquot that the film was about him, not her. \"She treated me like a thief. So I offered to make another film, where she could say whatever she wanted about her life as a writer. That’s how we did Écrire. I brought the same film crew. We went to her house at Neauphle-le-Château and we set up in the room she called 'the music room,' where there was a piano and you could listen to records. She settled in and for two days of non-stop filming, she talked.\"",0.7082,"\u002F7EyUj8ThYsn09Wgv6vOS00qSRrZ.jpg","1994-08-04",6.5,"5768dc1bc3a368025e0013b9",{"adult":4,"backdrop_path":15,"genre_ids":253,"id":254,"title":255,"original_language":31,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":260,"softcore":4,"video":4,"vote_average":261,"vote_count":101,"character":69,"credit_id":262,"order":68,"media_type":41},[60],403033,"The Death of the Young English Aviator","La Mort du jeune aviateur anglais","Marguerite Duras tells the story of the death of a young English aviator in a French village.",0.7337,"\u002FengafFUUuXw0Stc7UUUIOIY6DIb.jpg","1993-01-01",6.7,"5768daa2c3a3680eaf001273",{"adult":4,"backdrop_path":15,"genre_ids":264,"id":265,"title":266,"original_language":31,"original_title":266,"overview":267,"popularity":268,"poster_path":15,"release_date":269,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":116,"credit_id":270,"order":68,"media_type":41},[60],1308402,"Les enfants et Noël","Reflections (in voice-over) by Marguerite DURAS on toys \"the most beautiful are those you see behind the window\", children's relationship with toys, the \"laughter of joy\". Shots of dazzled children in front of toys in a window, two children in a shop admiring mechanical toys, different expressions of these children and other children in front of a few toys.",1.0456,"1965-11-25","66793b1befcbcda788a08de8",{"adult":4,"backdrop_path":15,"genre_ids":272,"id":273,"title":274,"original_language":31,"original_title":275,"overview":276,"popularity":277,"poster_path":278,"release_date":279,"softcore":4,"video":4,"vote_average":280,"vote_count":91,"character":174,"credit_id":281,"order":68,"media_type":41},[60],411286,"Marguerite as She Was","Marguerite, telle qu’en elle-même","On June 3, 1991, Marguerite Duras gave me her last published work, \"The North China Lover\", autographed for the first time. She wrote: \"For my friend Dominique Auvray, in memory of a wonder of wonders: a still recent past, when we worked together in the cinema\". This is a portrait of her as she was cheerful and serious, authentic and provocative, considerate and categorical, but first and foremost young and free.",1.6867,"\u002Fky5HHaMsYGcrfMNsPmkjspuJq5U.jpg","2003-04-04",7.3,"57b03157c3a3682c86000db4",{"adult":4,"backdrop_path":283,"genre_ids":284,"id":285,"title":286,"original_language":31,"original_title":286,"overview":287,"popularity":288,"poster_path":289,"release_date":290,"softcore":4,"video":4,"vote_average":291,"vote_count":292,"character":293,"credit_id":294,"order":295,"media_type":41},"\u002FfBh1T0i1ODGiD8BNcQ4VGfdfTeN.jpg",[28,45],85927,"India Song","Anne-Marie Stretter, the wife of a French diplomat in 1930s India, takes many lovers to relieve the boredom in her life.",1.87,"\u002FkCAla6EHtwymFS73o0Gu3lRbGMl.jpg","1975-06-04",6.3,92,"Voix Intemporelle (voice)","5a6fc9540e0a26796f0088fb",12,{"adult":4,"backdrop_path":15,"genre_ids":297,"id":298,"title":299,"original_language":31,"original_title":300,"overview":301,"popularity":302,"poster_path":15,"release_date":303,"softcore":4,"video":4,"vote_average":143,"vote_count":14,"character":69,"credit_id":304,"order":68,"media_type":41},[60],250958,"The Colour of Words","La couleur des mots","This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview  to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul.\r Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten.\r The conversations are punctuated by clips of the film.",1.3434,"1984-06-12","5b716a720e0a267ef618edfa",{"adult":4,"backdrop_path":306,"genre_ids":307,"id":308,"title":309,"original_language":31,"original_title":309,"overview":310,"popularity":311,"poster_path":312,"release_date":313,"softcore":4,"video":4,"vote_average":314,"vote_count":40,"character":102,"credit_id":315,"order":14,"media_type":41},"\u002FxoxzL1l0ZQr3DblI8rHJnPBAoYY.jpg",[28],361150,"L’homme atlantique","A woman watches and speaks to a man as he moves through a house by the sea. She observes his presence and tracks his shifting distance from her.",2.0177,"\u002F1zHp3B7Kwy838OMWfYcWXjLecFw.jpg","1981-11-25",5.6,"5bb198610e0a2633a900cb06",{"adult":4,"backdrop_path":317,"genre_ids":318,"id":319,"title":320,"original_language":31,"original_title":320,"overview":321,"popularity":322,"poster_path":323,"release_date":324,"softcore":4,"video":4,"vote_average":325,"vote_count":54,"character":38,"credit_id":326,"order":91,"media_type":41},"\u002FApa7IDCFh7VC3FuA3stEbp2Vv4Z.jpg",[28],220991,"Le Navire Night","Le Navire Night is a story of love and desire sustained and nourished through sound waves. The film’s voice-over tells the story of a woman, terminally ill with leukemia, living in isolation at her wealthy father's villa, and a man working night shifts at a telephone company. They have never met in person.",1.8712,"\u002FknLVUWmTx9VjHeprKvg3V8iKkwT.jpg","1979-03-21",6.6,"5bcce3c7c3a368285e0122f9",{"adult":4,"backdrop_path":328,"genre_ids":329,"id":330,"title":331,"original_language":31,"original_title":332,"overview":333,"popularity":334,"poster_path":335,"release_date":336,"softcore":4,"video":4,"vote_average":53,"vote_count":54,"character":102,"credit_id":337,"order":104,"media_type":41},"\u002FfWGW5di4SwiKyvexdTCeCDQuVy1.jpg",[28,45],63659,"Agatha and the Limitless Readings","Agatha et les lectures illimitées","A man and his sister meet at a seaside village to discuss their relationship.",1.3241,"\u002FagrscypKfjYeFVqw6rtD9GwQp5f.jpg","1981-10-07","5d0e99ec0e0a263296cf078c",{"adult":4,"backdrop_path":339,"genre_ids":340,"id":341,"title":342,"original_language":31,"original_title":342,"overview":343,"popularity":344,"poster_path":345,"release_date":346,"softcore":4,"video":4,"vote_average":131,"vote_count":14,"character":174,"credit_id":347,"order":198,"media_type":41},"\u002FaItcbIKzpoMhMrAWlmU9qqzQvdx.jpg",[60],664372,"Les vendredis d'Apostrophes","Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.",2.2356,"\u002FewMifK17s1147QoVGF7Xna2rcmA.jpg","2015-11-06","5e208aff3dd1260014b32eb7",{"adult":4,"backdrop_path":349,"genre_ids":350,"id":351,"title":352,"original_language":31,"original_title":352,"overview":353,"popularity":354,"poster_path":355,"release_date":356,"softcore":4,"video":357,"vote_average":68,"vote_count":68,"character":174,"credit_id":358,"order":104,"media_type":41},"\u002FxhEarz8LqJvGz5FhR2ibXFBpnbK.jpg",[60],664545,"L'affaire Matzneff","About the Gabriel Matzneff affair and pedophilia in French culture and society from the 1950s to the present day. \"It was not very difficult to know who Matzneff was at the time.\" Vanessa Springora denounces thus, in an interview with the Parisian , the support which benefited the writer Gabriel Matzneff , in the years 1970 and 1980. The author fifties then maintains an affair with the young girl, aged 14 years. A relationship under control that the editor tells in Le Consentement (éd. Grasset), published Thursday. \"After having analyzed the work \" , the Paris public prosecutor's office announced Friday January 3 the opening of an investigation for \"rapes committed on the person of a minor of 15 years\".",1.2425,"\u002FusBttuGB9MOv2eIrG9MITSfckdj.jpg","2020-01-05",true,"5e219f98bfeb8b0015ceca0b",{"adult":4,"backdrop_path":360,"genre_ids":361,"id":362,"title":363,"original_language":31,"original_title":363,"overview":364,"popularity":365,"poster_path":366,"release_date":367,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":368,"order":68,"media_type":41},"\u002Fgt4mVfvKhW3cJzXnKyMXOUWOvN9.jpg",[60],673752,"Duras\u002FGodard","On December 2, 1987, the filmmaker visited the novelist at her home in Paris. This meeting gave rise to this hour-long documentary in which JLG and Marguerite Duras attempt to establish a dialogue about artistic creation.",1.7435,"\u002Fz82Lug68mDoUBXgAJsp3xjy5mg1.jpg","1987-12-02","5e4aabb69a3c490016310f41",{"adult":4,"backdrop_path":15,"genre_ids":370,"id":371,"title":372,"original_language":31,"original_title":373,"overview":374,"popularity":375,"poster_path":15,"release_date":376,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":38,"credit_id":377,"order":104,"media_type":41},[60],673196,"Hiroshima: The Time of Return","Hiroshima : le temps d'un retour","Luc Lagier puts Alain Resnais' film back in its historical context and in the filmmaker's biography. He tells the story, then the development of what was originally intended to be a short documentary film and which turned into an unusual allegory. Composed of fascinating archives, including notably the correspondence between Duras and Resnais, this analysis of 'Hiroshima mon amour' manages to put the film in perspective while detaching itself from it. A rare and captivating work.",1.1961,"2005-02-28","5e4849a735811d0015468cbc",{"adult":4,"backdrop_path":379,"genre_ids":380,"id":381,"title":382,"original_language":31,"original_title":383,"overview":384,"popularity":385,"poster_path":386,"release_date":387,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":388,"order":68,"media_type":41},"\u002FkbyxPvKvQaakcHlXu44zJwjCLP4.jpg",[60],685871,"Dim Dam Dom: Marguerite Duras and Little François","Dim Dam Dom: Marguerite Duras et le petit François","Broadcast once a month, Dim Dam Dom was a TV variety show on the second channel of French public television agency ORTF made up of a series of short sequences presented by one–off guest presenters. On the 30th of April 1965, Marguerite Duras interviewed François, a little seven-year old boy. Duras asked him what he thought about the inventions of the future, school, the usefulness of TV, \"Belphégor\" and talking horses. Francois answered the writer’s cunning questions with humour, candour and poetry.",1.1599,"\u002FIeBJeqgwdDupco6ld2jCp9kvgC.jpg","1965-04-30","5e793019cabfe40018249fb6",{"adult":4,"backdrop_path":15,"genre_ids":390,"id":391,"title":392,"original_language":31,"original_title":392,"overview":393,"popularity":394,"poster_path":395,"release_date":396,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":397,"order":68,"media_type":41},[60],439093,"La Dame des Yvelines","Conversation between a woman (Duras) and a man (D. Noguez) about a woman and a man.",1.6716,"\u002FcBhnhcavL5MqOj8Tjfbjem51pdf.jpg","1984-07-01","5efa19ede93e950032b8ebc4",{"adult":4,"backdrop_path":399,"genre_ids":400,"id":402,"title":403,"original_language":31,"original_title":403,"overview":404,"popularity":405,"poster_path":406,"release_date":407,"softcore":4,"video":4,"vote_average":314,"vote_count":408,"character":409,"credit_id":410,"order":101,"media_type":41},"\u002FwMX6vBbg45NsRnT4Vx4MS1eQofq.jpg",[401,28],9648,65719,"Baxter, Vera Baxter","In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.",2.0506,"\u002FxaLdvNsiYZAfCv9S6ocFETE4X1f.jpg","1977-06-08",34,"Narrator (voice) (uncredited)","5f348bb093828e00343be649",{"adult":4,"backdrop_path":412,"genre_ids":413,"id":415,"title":416,"original_language":31,"original_title":417,"overview":418,"popularity":419,"poster_path":420,"release_date":421,"softcore":4,"video":4,"vote_average":101,"vote_count":131,"character":422,"credit_id":423,"order":115,"media_type":41},"\u002FyValNdxxeeCdHtQ2cu4M6ZCFVw7.jpg",[60,414],10770,595713,"Jeanne Moreau: Free Spirit","Jeanne Moreau, l'affranchie","An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.",1.6182,"\u002FuQOCrGfUTwhBU8yZQTC15zIQNeR.jpg","2018-04-02","Self - Writer (archive footage)","5f3779fbefcea90037959925",{"adult":4,"backdrop_path":425,"genre_ids":426,"id":427,"title":428,"original_language":31,"original_title":429,"overview":430,"popularity":431,"poster_path":432,"release_date":433,"softcore":4,"video":4,"vote_average":101,"vote_count":131,"character":422,"credit_id":434,"order":219,"media_type":41},"\u002FyZcwbiWKwLadfHrnOfXgxlxQZRj.jpg",[60,165],748727,"Pornotropic","Pornotropic : Marguerite Duras et l'illusion coloniale","When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.",1.4827,"\u002FeOPyPrVrwdLoyiNGIA4lYDIvHBL.jpg","2020-09-30","5f7f7d0a2667780038b15e66",{"adult":4,"backdrop_path":436,"genre_ids":437,"id":438,"title":439,"original_language":31,"original_title":440,"overview":441,"popularity":442,"poster_path":443,"release_date":444,"softcore":4,"video":4,"vote_average":131,"vote_count":104,"character":69,"credit_id":445,"order":68,"media_type":41},"\u002F9knEXOZroWygh7pj468zcyO3cFv.jpg",[60],748107,"The Places of Marguerite Duras","Les lieux de Marguerite Duras","Her whole childhood, Marguerite Duras spent her time moving. Her house in Neauphle-le-Château is the one she has lived in the most, and the one she says: “All the women in my books have lived in this house. All ... ” Duras tells about her house and her garden closely linked to his work, remembers the forest of her childhood and evokes her fear of music.",1.2367,"\u002FxwjC3TwJFWyxnrLqITI5X1RMwI1.jpg","1976-05-03","5f7351a6d38b580039f18451",{"adult":4,"backdrop_path":15,"genre_ids":447,"id":448,"title":449,"original_language":31,"original_title":449,"overview":450,"popularity":451,"poster_path":452,"release_date":453,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":454,"order":131,"media_type":41},[60],766715,"Pop Age","Report on the young people of the yéyé period and pop music. Jerk at the Palladium, Beatles, press clippings, questions about the impact of fashion (long hair and accoutrements) and modernity, youth, change, freedom.",0.7957,"\u002F3jx3bIyiMzFoleI7420fnFXiFPt.jpg","1966-01-01","5fb8e767be6d88003e309f8d",{"adult":4,"backdrop_path":456,"genre_ids":457,"id":458,"title":459,"original_language":31,"original_title":460,"overview":461,"popularity":462,"poster_path":463,"release_date":464,"softcore":4,"video":4,"vote_average":53,"vote_count":141,"character":174,"credit_id":465,"order":187,"media_type":41},"\u002FjJDzYHKegaAXpNfwlE4XhxlFD1Z.jpg",[60],580073,"Delphine and Carole","Delphine et Carole, insoumuses","In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.",1.5517,"\u002FrtT2UlBVXcE8RzPwu4YmJVCs3mb.jpg","2020-01-14","5fbfbac3323eba0040ff0029",{"adult":4,"backdrop_path":15,"genre_ids":467,"id":468,"title":469,"original_language":31,"original_title":470,"overview":471,"popularity":472,"poster_path":473,"release_date":474,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":475,"order":68,"media_type":41},[60],830470,"Marguerite Duras interviews Jeanne Moreau","Jeanne Moreau par Marguerite Duras","Duras interviews an exhausted Jeanne Moreau, addressing her friend as vous, despite the fact \"the two were close friends for many years, living in neighbouring houses and cooking for each other from the early ‘60s.",1.4866,"\u002F95L4iSJmHciMXZ1t4JTkJ91oTMp.jpg","1965-07-28","60a1c7408072980029a9b08e",{"adult":4,"backdrop_path":15,"genre_ids":477,"id":478,"title":479,"original_language":31,"original_title":480,"overview":481,"popularity":482,"poster_path":483,"release_date":484,"softcore":4,"video":4,"vote_average":101,"vote_count":14,"character":69,"credit_id":485,"order":68,"media_type":41},[60],830474,"Marguerite Duras in the Lions' Den","Marguerite Duras chez les fauves","Duras, ever the challenging interviewer, forensically questions a Parisian zookeeper regarding the happiness of the animals in his charge. Intercut with her questions is  stark black-and-white footage of the animals themselves behind bars, as they pace the length of their small concrete enclosures. Duras is very much on the side of the big cats. “Are you ever careless?” she asks the zookeeper. When he replies in the negative, Duras says smilingly: “In your position I’d be tempted to be careless”.",1.4232,"\u002FcHyu13MjjBBzVIZ4qPrZPn9Gc3R.jpg","1966-02-25","60a1c8d4596a910029112136",{"adult":4,"backdrop_path":15,"genre_ids":487,"id":488,"title":489,"original_language":31,"original_title":490,"overview":491,"popularity":492,"poster_path":493,"release_date":494,"softcore":4,"video":4,"vote_average":250,"vote_count":104,"character":69,"credit_id":495,"order":68,"media_type":41},[60],830475,"Marguerite Duras and the Prison Governess","Marguerite Duras à la petite Roquette","During this strange and confrontational interview, Duras takes on France’s only female prison warden. In the women’s verbal wrangling we find reflected many contemporary concerns surrounding the ongoing moral disaster of the prison industrial complex.",1.3547,"\u002FtTC08SPNcXZVwoxL332OWZx2CMP.jpg","1967-11-12","60a1c9e7162bc3002adf0098",{"adult":4,"backdrop_path":15,"genre_ids":497,"id":498,"title":499,"original_language":31,"original_title":500,"overview":501,"popularity":502,"poster_path":503,"release_date":504,"softcore":4,"video":4,"vote_average":131,"vote_count":14,"character":69,"credit_id":505,"order":68,"media_type":41},[60],830476,"Marguerite Duras and the '68ers","Les lycéens ont la parole","Here Duras assumes a more distant role, less an interviewer than an invested documentarian. Her questions precede footage of her main subject, the sixteen-year-old Romain Goupil, recently excluded from the lycée, among his peers and fellow student revolutonaries. After we see them discuss the complexities of their position and deal with internal dissent, Duras asks Romain if he ever forgets how young he is. Romain replies with a grin: “Totally.”",1.405,"\u002FwrPxBpxue3FseMcujtBhS86KyMr.jpg","1968-03-10","60a1cb57596a91003fc1a7f2",{"adult":4,"backdrop_path":15,"genre_ids":507,"id":508,"title":509,"original_language":31,"original_title":510,"overview":511,"popularity":512,"poster_path":513,"release_date":514,"softcore":4,"video":4,"vote_average":515,"vote_count":187,"character":69,"credit_id":516,"order":68,"media_type":41},[60],830468,"Marguerite Duras and Stripper Lolo Pigalle","Lolo Pigalle Strip-teaseuse","In this episode of Dim Dam Dom, Duras interviews the stripper Lolo Pigalle. A clip of Lolo dancing in a golden dress is followed by an intense and intimate conversation in which Lolo discusses the definition of work, the splitting of the self, and acting vs. sex work.",1.2439,"\u002FcSWelwPgswjegT1nSCg5kYGXavq.jpg","1965-10-28",6.8,"60a1c535e18e3f002a430755",{"adult":4,"backdrop_path":518,"genre_ids":519,"id":520,"title":521,"original_language":31,"original_title":521,"overview":522,"popularity":523,"poster_path":524,"release_date":525,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":174,"credit_id":526,"order":28,"media_type":41},"\u002F7eqN3ohKynrLzwqQoUpCQMA50pW.jpg",[60,414,165],829290,"Mitterrand, président culturel","On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.",0.8827,"\u002FqsPPjKjyJEFtQao7KTj5W88aBwO.jpg","2021-05-12","60a386e759008600581fb58f",{"adult":4,"backdrop_path":15,"genre_ids":528,"id":529,"title":530,"original_language":31,"original_title":531,"overview":532,"popularity":533,"poster_path":534,"release_date":228,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":535,"order":68,"media_type":41},[60],833878,"Work and Words","La caverne noire","In this interview with Dominique Noguez, Marguerite Duras talks successively about each of her four short films made in 1979: Césarée, Les Mains négatives, Aurélia Steiner (Melbourne), Aurélia Steiner (Vancouver). She touches briefly on the various subjects dealt with: the return to Césarée of Berenice, repudiated for reasons of state, Jewish wandering, the scandal of the camps in the two Aurelia Steiner. Negative Hands as the colonial data of humanity, a film offered to the blacks and Portuguese who clean up Paris before leaving the place. Marguerite Duras also comments, with excerpts, on the various traveling shots that make up the main plot of each of the short films. And the documentary ends with a few words of epilogue: a real pamphlet by Marguerite Duras against dreams, significantly entitled Work and Words.",0.9611,"\u002Fe700mLj8QJvCcQSoQ1e8FPqhR6U.jpg","60af48ad8ee49c006dc319c1",{"adult":4,"backdrop_path":15,"genre_ids":537,"id":538,"title":539,"original_language":31,"original_title":540,"overview":541,"popularity":542,"poster_path":543,"release_date":544,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"character":69,"credit_id":545,"order":68,"media_type":41},[60],1443210,"Mulher a Mulher: Interview with Marguerite Duras by Yann Lemée","Mulher a Mulher: Marguerite Duras em Lisboa responde a Jann Lemée","‘Mulher a Mulher’ is a Portuguese TV show dedicated to the condition of women that aims to demystify gender prejudice. Its last programme looks at the literary and cinematographic work of Marguerite Duras (writer, playwright and film director) with an interview conducted by writer Yann Lemée and provided by the Centro Nacional de Cultura, in Lisbon.",0.6939,"\u002FvlN5aHUwBln1D2JW4tCTpi3c8zJ.jpg","1980-06-15","67c7502126b4e196b1f06bd0",{"adult":4,"backdrop_path":15,"genre_ids":547,"id":548,"title":549,"original_language":31,"original_title":549,"overview":550,"popularity":551,"poster_path":552,"release_date":553,"softcore":4,"video":4,"vote_average":131,"vote_count":14,"character":102,"credit_id":554,"order":68,"media_type":41},[60],572374,"Gaumont-Palace","From the deserted halls and corridors of the Gaumont-Palace cinema in Paris, memories of the great films that inhabited it before its demolition emerge like ghosts. The voice of Marguerite Duras, who reads texts from “Nathalie Granger” and “Woman of the Ganges”, adds a touch of nostalgia to this complex essay.",1.8522,"\u002Fislw0YgqHzdP0dtcwgsJboGXOpU.jpg","1976-03-25","67e17d344ce07d684e0816fc",{"adult":4,"backdrop_path":556,"genre_ids":557,"id":558,"title":559,"original_language":31,"original_title":559,"overview":560,"popularity":561,"poster_path":562,"release_date":563,"softcore":4,"video":4,"vote_average":564,"vote_count":295,"character":116,"credit_id":565,"order":68,"media_type":41},"\u002F6QdriAT04UUpIkTu7c5RxKw75M0.jpg",[60],169512,"Césarée","On images of the Tuileries Gardens, Marguerite Duras recalls Césarée, an ancient destroyed city.",1.2824,"\u002F4hvW9aBrYNjzrZBkpAbl16Tzbao.jpg","1978-08-27",6.2,"67fe912fef5ae687cbd97856",{"adult":4,"backdrop_path":567,"genre_ids":568,"id":569,"title":570,"original_language":31,"original_title":571,"overview":572,"popularity":573,"poster_path":574,"release_date":575,"softcore":4,"video":4,"vote_average":314,"vote_count":176,"character":174,"credit_id":576,"order":577,"media_type":41},"\u002FkcDyzBiXrcpLaVpFVGvRgT7gcxk.jpg",[60],1005409,"Godard Cinema","Godard, seul le cinéma","Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.",1.4384,"\u002Fcz5DGkSyAfoe31AY5yV855Lx2zR.jpg","2023-06-05","69652f0a17c4d9100a7b1a70",26,{"adult":4,"backdrop_path":579,"genre_ids":580,"id":581,"origin_country":582,"original_language":31,"original_name":584,"overview":67,"popularity":585,"poster_path":586,"first_air_date":587,"softcore":4,"name":584,"vote_average":128,"vote_count":104,"character":69,"credit_id":588,"episode_count":198,"first_credit_air_date":589,"media_type":590},"\u002F4KoONHc2UnQSOdk0veFIjX3hCr4.jpg",[60],27058,[583],"FR","Dim Dam Dom",8.2292,"\u002FoxPTNSZJMu9XU82HV7kDnMYxiFa.jpg","1965-03-07","604cbf791d538600530fa954","1965-03-28","tv",{"adult":4,"backdrop_path":592,"genre_ids":593,"id":595,"origin_country":596,"original_language":31,"original_name":597,"overview":598,"popularity":599,"poster_path":600,"first_air_date":601,"softcore":4,"name":597,"vote_average":602,"vote_count":104,"character":69,"credit_id":603,"episode_count":14,"first_credit_air_date":604,"media_type":590},"\u002F4rJpvb0fi7Coh96e35WTRPrkods.jpg",[594],10767,244224,[583],"Spécial cinéma","Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.",70.4104,"\u002FjONImBKU4sK9mBcK5cx7a4R4h5v.jpg","1974-09-25",9.5,"65bf804c12c6040149ff89e5","1992-02-03",{"adult":4,"backdrop_path":606,"genre_ids":607,"id":608,"origin_country":609,"original_language":31,"original_name":610,"overview":611,"popularity":612,"poster_path":613,"first_air_date":614,"softcore":4,"name":610,"vote_average":186,"vote_count":187,"character":69,"credit_id":615,"episode_count":14,"first_credit_air_date":616,"media_type":590},"\u002Fwkmh7WClhfU7DQdti6lEFH0qLT3.jpg",[594],30243,[583],"Apostrophes","Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called \"Antenne 2\" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.",48.0479,"\u002F8sAKVFRZDoZa51a60BO24Pf6jnb.jpg","1975-01-10","63bff314df857c00bc2110b4","1984-09-28",{"adult":4,"backdrop_path":15,"genre_ids":618,"id":619,"origin_country":620,"original_language":31,"original_name":621,"overview":67,"popularity":622,"poster_path":623,"first_air_date":624,"softcore":4,"name":621,"vote_average":68,"vote_count":68,"character":69,"credit_id":625,"episode_count":14,"first_credit_air_date":89,"media_type":590},[60],328500,[583],"Pour le plaisir",6.6794,"\u002Fi9iCdQwd2m876zwgbBwe84w7em3.jpg","1964-11-04","6a555929a7d335e74cf6e52e",{"adult":4,"backdrop_path":627,"genre_ids":628,"id":629,"origin_country":630,"original_language":148,"original_name":632,"overview":633,"popularity":634,"poster_path":635,"first_air_date":636,"softcore":4,"name":632,"vote_average":314,"vote_count":101,"character":67,"credit_id":637,"episode_count":14,"first_credit_air_date":638,"media_type":590},"\u002F5eLxISVlLlyAnQFXCh5Wye7njlV.jpg",[60,594],2448,[631],"GB","The South Bank Show","The South Bank Show is a television arts magazine show produced by ITV between 1978 and 2010. A new series began on Sky Arts from 27 May 2012. Presented by Melvyn Bragg, the show aims to bring both high art and popular culture to a mass audience.",42.4051,"\u002FQBT2EAFORGpvrCY2sVLbrSj8tS.jpg","1978-01-14","6aba74421d51c9b55c040abd","1985-11-17",[640,652,666,669,673,687,699,710,713,716,719,732,735,738,748,756,759,772,783,795,798,801,804,807,819,828,831,841,851,864,876,879,888,891,894,897,900,911,921,931,934,943,953,963,966,969,972,975,978,981,984,987,990,993,996,1006,1014,1027,1038,1048,1053,1065,1068,1080,1083,1086,1097,1100,1111,1123,1133,1142,1153,1164,1173,1184,1193,1204,1214],{"adult":4,"backdrop_path":15,"genre_ids":641,"id":642,"title":643,"original_language":148,"original_title":643,"overview":644,"popularity":645,"poster_path":646,"release_date":647,"softcore":4,"video":4,"vote_average":648,"vote_count":91,"credit_id":649,"department":650,"job":651,"media_type":41},[28],2856,"Half Past Ten","An alcoholic married man discovers he has fallen out of love with his moody wife.",0.8662,"\u002FkJVjieC4T5NgLNjh38q1ILoiMxY.jpg","2008-12-01",3.3,"52fe4371c3a36847f805485d","Writing","Author",{"adult":4,"backdrop_path":653,"genre_ids":654,"id":655,"title":656,"original_language":31,"original_title":657,"overview":658,"popularity":659,"poster_path":660,"release_date":661,"softcore":4,"video":4,"vote_average":662,"vote_count":663,"credit_id":664,"department":650,"job":665,"media_type":41},"\u002F4fynFAYPPYCkyIdt0bsCwWn3Hxv.jpg",[28,165,45],5544,"Hiroshima Mon Amour","Hiroshima mon amour","The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.",4.1811,"\u002FzieczjWnvalaxwX5EQASEx0on5f.jpg","1959-06-10",7.667,965,"52fe440cc3a36847f807f57f","Screenplay",{"adult":4,"backdrop_path":26,"genre_ids":667,"id":29,"title":30,"original_language":31,"original_title":30,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"credit_id":668,"department":650,"job":651,"media_type":41},[28],"52fe43d8c3a36847f80738e5",{"adult":4,"backdrop_path":26,"genre_ids":670,"id":29,"title":30,"original_language":31,"original_title":30,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"credit_id":671,"department":18,"job":672,"media_type":41},[28],"52fe43d8c3a36847f80738df","Director",{"adult":4,"backdrop_path":674,"genre_ids":675,"id":676,"title":677,"original_language":31,"original_title":678,"overview":679,"popularity":680,"poster_path":681,"release_date":682,"softcore":4,"video":4,"vote_average":683,"vote_count":684,"credit_id":685,"department":650,"job":686,"media_type":41},"\u002Fmygq3cQkS4v1MoLxo22KABiK90l.jpg",[28,45],10995,"The Lover","L'Amant","A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.",9.2311,"\u002FlgBGy8QaIFD9jQJWgi837czobEp.jpg","1992-01-22",7.01,791,"52fe43df9251416c75021569","Novel",{"adult":4,"backdrop_path":688,"genre_ids":689,"id":690,"title":691,"original_language":31,"original_title":691,"overview":692,"popularity":693,"poster_path":694,"release_date":695,"softcore":4,"video":4,"vote_average":101,"vote_count":696,"credit_id":697,"department":650,"job":698,"media_type":41},"\u002FaVcdD7OJ9wmC9H6AMwuwwjFBImi.jpg",[28],36457,"Mademoiselle","A sexually repressed school teacher releases her pent up passions in a series of shocking crimes.",1.4453,"\u002FnfTFh0ltQK7lkIpYXZmcjBUrDia.jpg","1966-06-01",48,"52fe45ea9251416c91042d4f","Writer",{"adult":4,"backdrop_path":700,"genre_ids":701,"id":702,"title":703,"original_language":31,"original_title":704,"overview":705,"popularity":706,"poster_path":707,"release_date":708,"softcore":4,"video":4,"vote_average":280,"vote_count":101,"credit_id":709,"department":18,"job":672,"media_type":41},"\u002FmOqSigsM3lEkcsqXaoUXDIxEdj4.jpg",[28],63330,"Entire Days in the Trees","Des journées entières dans les arbres","An old lady returns from Africa where she made a fortune to find her son in Paris, whom she has not seen in five years, with the intention of bringing him back with her. But this project fails.",1.2504,"\u002F2wnCz8m670Wb3m2wL3oglYOmcKw.jpg","1977-02-09","52fe46a6c3a368484e09c30b",{"adult":4,"backdrop_path":328,"genre_ids":711,"id":330,"title":331,"original_language":31,"original_title":332,"overview":333,"popularity":334,"poster_path":335,"release_date":336,"softcore":4,"video":4,"vote_average":53,"vote_count":54,"credit_id":712,"department":18,"job":672,"media_type":41},[28,45],"52fe46b5c3a368484e09f623",{"adult":4,"backdrop_path":43,"genre_ids":714,"id":46,"title":47,"original_language":31,"original_title":48,"overview":49,"popularity":50,"poster_path":51,"release_date":52,"softcore":4,"video":4,"vote_average":53,"vote_count":54,"credit_id":715,"department":18,"job":672,"media_type":41},[28,45],"52fe46cac3a368484e0a4059",{"adult":4,"backdrop_path":399,"genre_ids":717,"id":402,"title":403,"original_language":31,"original_title":403,"overview":404,"popularity":405,"poster_path":406,"release_date":407,"softcore":4,"video":4,"vote_average":314,"vote_count":408,"credit_id":718,"department":18,"job":672,"media_type":41},[401,28],"52fe4717c3a368484e0b48cf",{"adult":4,"backdrop_path":720,"genre_ids":721,"id":723,"title":724,"original_language":31,"original_title":725,"overview":726,"popularity":727,"poster_path":728,"release_date":729,"softcore":4,"video":4,"vote_average":730,"vote_count":176,"credit_id":731,"department":18,"job":672,"media_type":41},"\u002Ff9ofkDTzRvlzSzeLe5GBjCaxvpb.jpg",[28,176,722],53,65722,"Destroy, She Said","Détruire, dit-elle","In a secluded hotel circumscribed by a dense forest Max and Alissa Thor meet Stein and Elisabeth. Max, a professor of future history and an aspiring author, is immediately attracted to the brooding wife of industrialist Bernard Alione, Elisabeth, who is recovering from a miscarriage. Stein, a German Jew and potential writer, is infatuated by Alissa, Max's young wife and former student. During their sojourn the guests' identities gradually meld.",1.078,"\u002F8fSM9I56eUc1qNEyAW83wsPAF2i.jpg","1969-09-25",6.9,"52fe4717c3a368484e0b4913",{"adult":4,"backdrop_path":133,"genre_ids":733,"id":135,"title":136,"original_language":31,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":114,"vote_count":141,"credit_id":734,"department":18,"job":672,"media_type":41},[28],"52fe4717c3a368484e0b48f1",{"adult":4,"backdrop_path":119,"genre_ids":736,"id":121,"title":122,"original_language":31,"original_title":123,"overview":124,"popularity":125,"poster_path":126,"release_date":127,"softcore":4,"video":4,"vote_average":114,"vote_count":128,"credit_id":737,"department":18,"job":672,"media_type":41},[28,45],"52fe471ec3a368484e0b5fa7",{"adult":4,"backdrop_path":15,"genre_ids":739,"id":740,"title":741,"original_language":31,"original_title":742,"overview":743,"popularity":744,"poster_path":745,"release_date":746,"softcore":4,"video":4,"vote_average":128,"vote_count":91,"credit_id":747,"department":650,"job":686,"media_type":41},[28],391721,"The Afternoon of Mr. Andesmas","L'après-midi de monsieur Andesmas","Set mostly in the woods in the south of France, a fateful encounter changes the lives of a man and a woman.",1.0859,"\u002FtI3lEoUnVKIc97pYwgId4laBLFD.jpg","2004-07-14","626464a41495651653984a2d",{"adult":4,"backdrop_path":15,"genre_ids":749,"id":750,"title":751,"original_language":31,"original_title":751,"overview":752,"popularity":753,"poster_path":754,"release_date":208,"softcore":4,"video":4,"vote_average":101,"vote_count":14,"credit_id":755,"department":650,"job":698,"media_type":41},[28],965314,"La bête dans la jungle","Ten years after their first meeting, John Marcher and May Bartram meet again in the magnificent Weatherend estate, but, as the first time, John's certainty of being doomed to a tragic fate hinders the feelings they have for each other.",1.5541,"\u002FAbb3PjzEOE60g5rlMRKYUHC6Dwp.jpg","62605b8a63aad20051cf7661",{"adult":4,"backdrop_path":283,"genre_ids":757,"id":285,"title":286,"original_language":31,"original_title":286,"overview":287,"popularity":288,"poster_path":289,"release_date":290,"softcore":4,"video":4,"vote_average":291,"vote_count":292,"credit_id":758,"department":18,"job":672,"media_type":41},[28,45],"52fe49679251416c910ac365",{"adult":4,"backdrop_path":760,"genre_ids":761,"id":763,"title":764,"original_language":31,"original_title":765,"overview":766,"popularity":767,"poster_path":768,"release_date":769,"softcore":4,"video":4,"vote_average":564,"vote_count":770,"credit_id":771,"department":18,"job":672,"media_type":41},"\u002FcPOP8cYEprn1YYDBIWiKTvOt54c.jpg",[762],35,86096,"The Children","Les Enfants","Ernesto, a seven-year-old boy who has the body of a thirty-year-old man, decides, upon attending his first day of school, that he no longer wishes to attend, because he does not wish to be taught matters that he does not know.",1.3285,"\u002F2t6lQh3VUUepfFvZQK3WHVNpgys.jpg","1985-05-29",13,"52fe49729251416c910ad817",{"adult":4,"backdrop_path":773,"genre_ids":774,"id":775,"title":776,"original_language":31,"original_title":776,"overview":777,"popularity":778,"poster_path":779,"release_date":780,"softcore":4,"video":4,"vote_average":781,"vote_count":115,"credit_id":782,"department":650,"job":698,"media_type":41},"\u002FvpfFjmPoMofpiqiLPd5rFpj3d97.jpg",[762,28],843066,"Azuro","It’s summer, the heat is overwhelming and the weather is out of whack. A group of friends are enjoying their yearly holiday in their favorite little village, wedged between the sea and the mountains. As usual, they are bored and eat and drink a lot. They do not pay attention to the fire which progresses on the mountain nearby, nor to the world around them. But this year, a mysterious man arrives from the sea and shakes up their seemingly balanced existence...",2.5439,"\u002F4ldw48KYh3bMqciNOSGu16eOG8L.jpg","2022-03-30",4.9,"60cf3451dfe31d0041b3432a",{"adult":4,"backdrop_path":784,"genre_ids":785,"id":786,"title":787,"original_language":31,"original_title":788,"overview":789,"popularity":790,"poster_path":791,"release_date":792,"softcore":4,"video":4,"vote_average":261,"vote_count":793,"credit_id":794,"department":650,"job":698,"media_type":41},"\u002F4RjyPqzXvfmH6fnVQ44Zr2IBQlY.jpg",[28],131836,"The Long Absence","Une aussi longue absence","Therese, a café owner, mourns the mysterious disappearance of her husband sixteen years earlier. A tramp arrives in the town and she believes him to be her husband. But he is suffering from amnesia and she tries to bring back his memory of earlier times.",1.7998,"\u002FtPs6Lnp0vfiQDzZELxd4uI09AYa.jpg","1961-05-17",46,"52fe4b80c3a368484e18c04f",{"adult":4,"backdrop_path":106,"genre_ids":796,"id":108,"title":109,"original_language":31,"original_title":109,"overview":110,"popularity":111,"poster_path":112,"release_date":113,"softcore":4,"video":4,"vote_average":114,"vote_count":115,"credit_id":797,"department":18,"job":672,"media_type":41},[28],"52fe4c66c3a36847f822c275",{"adult":4,"backdrop_path":106,"genre_ids":799,"id":108,"title":109,"original_language":31,"original_title":109,"overview":110,"popularity":111,"poster_path":112,"release_date":113,"softcore":4,"video":4,"vote_average":114,"vote_count":115,"credit_id":800,"department":650,"job":698,"media_type":41},[28],"52fe4c66c3a36847f822c27b",{"adult":4,"backdrop_path":556,"genre_ids":802,"id":558,"title":559,"original_language":31,"original_title":559,"overview":560,"popularity":561,"poster_path":562,"release_date":563,"softcore":4,"video":4,"vote_average":564,"vote_count":295,"credit_id":803,"department":18,"job":672,"media_type":41},[60],"52fe4ce4c3a36847f8243527",{"adult":4,"backdrop_path":317,"genre_ids":805,"id":319,"title":320,"original_language":31,"original_title":320,"overview":321,"popularity":322,"poster_path":323,"release_date":324,"softcore":4,"video":4,"vote_average":325,"vote_count":54,"credit_id":806,"department":18,"job":672,"media_type":41},[28],"52fe4dbd9251416c7513f003",{"adult":4,"backdrop_path":808,"genre_ids":809,"id":810,"title":811,"original_language":812,"original_title":813,"overview":814,"popularity":815,"poster_path":816,"release_date":817,"softcore":4,"video":4,"vote_average":564,"vote_count":219,"credit_id":818,"department":18,"job":672,"media_type":41},"\u002FtnPGb8OrfXLuoH9dK0e91VvEZ4F.jpg",[28],244790,"Roman Dialogue","it","Il dialogo di Roma","'The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn't matter. (...) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.'  - Marguerite Duras, Venice film festival catalogue, 1982.",0.8971,"\u002F7gaqfQux1IdAeRh5pIEQeXDLZD5.jpg","1983-02-23","52fe4ef7c3a36847f82b405b",{"adult":4,"backdrop_path":15,"genre_ids":820,"id":821,"title":822,"original_language":823,"original_title":822,"overview":67,"popularity":824,"poster_path":15,"release_date":825,"softcore":4,"video":4,"vote_average":68,"vote_count":68,"credit_id":826,"department":650,"job":827,"media_type":41},[28],989015,"La Musica","cs",2.0726,"1969-08-11","62ad9b49960cde0061fed1ec","Theatre Play",{"adult":4,"backdrop_path":178,"genre_ids":829,"id":180,"title":181,"original_language":31,"original_title":181,"overview":182,"popularity":183,"poster_path":184,"release_date":185,"softcore":4,"video":4,"vote_average":186,"vote_count":187,"credit_id":830,"department":18,"job":672,"media_type":41},[60],"52fe4e60c3a36847f828cf01",{"adult":4,"backdrop_path":832,"genre_ids":833,"id":834,"title":835,"original_language":31,"original_title":835,"overview":836,"popularity":837,"poster_path":838,"release_date":185,"softcore":4,"video":4,"vote_average":839,"vote_count":219,"credit_id":840,"department":18,"job":672,"media_type":41},"\u002Fa5XQhiD0xmKSNUIirIk2SJgJNtd.jpg",[],236776,"Aurélia Steiner (Melbourne)","Based on the letters of a fictitious poetess to her lover. Duras reads extracts from these letters, as the film shows a boat journey down the Seine, past familiar bridges and landmarks. – BFI",1.206,"\u002Fnnavm1gZp42lIpKrr4VmXDSLtYA.jpg",8.2,"52fe4e60c3a36847f828cf4d",{"adult":4,"backdrop_path":15,"genre_ids":842,"id":843,"title":844,"original_language":31,"original_title":845,"overview":846,"popularity":847,"poster_path":848,"release_date":849,"softcore":4,"video":4,"vote_average":101,"vote_count":295,"credit_id":850,"department":650,"job":698,"media_type":41},[28],256843,"Dark Night, Calcutta","Nuit noire, Calcutta","Marin Karmitz's avant-garde short film is a haunting tale about an alcoholic novelist facing a crippling case of writer's block.",1.1577,"\u002FiddxyFyLPkS7a9xHtSwKKxMfSPK.jpg","1964-01-01","530a5a02c3a36841f60045ec",{"adult":4,"backdrop_path":852,"genre_ids":853,"id":854,"title":855,"original_language":31,"original_title":856,"overview":857,"popularity":858,"poster_path":859,"release_date":860,"softcore":4,"video":4,"vote_average":861,"vote_count":862,"credit_id":863,"department":650,"job":686,"media_type":41},"\u002F41bDrF7M8SJo17YibkkpQeu5URY.jpg",[28],52492,"The Sea Wall","Un barrage contre le Pacifique","The film centers on a young French widow and her two adolescent children as they attempt to carve out a meager life for themselves by farming rice fields alongside the ocean in French Indo-China in the 1930s. Their efforts are hampered each year by the presence of the sea, which invariably floods the fields with saltwater and wipes out the crops. In desperation, the mother realizes that their only hope lies in the construction of a sea wall to prevent continued flooding, but the mother must cut a swath through the local bureaucracy in an almost Sisyphean attempt to make this happen. Meanwhile, her obstinate daughter, Suzanne, draws the romantic obsessions of a well-to-do Chinese gentleman, Monsieur Jo. Though he could easily provide a way out, the possibility of a romantic relationship between Jo and Suzanne could just as easily fall prey to local racial prejudices that would damage or ruin the lives of both.",1.4545,"\u002FraQCfa5T9wD7N9Dfsx32T1v5AgS.jpg","2009-01-07",5.3,41,"535030200e0a267eb20014db",{"adult":4,"backdrop_path":865,"genre_ids":866,"id":867,"title":868,"original_language":31,"original_title":869,"overview":870,"popularity":871,"poster_path":872,"release_date":873,"softcore":4,"video":4,"vote_average":564,"vote_count":874,"credit_id":875,"department":650,"job":686,"media_type":41},"\u002F7mzqRltG7gWEtAX4CM6lfcelS4L.jpg",[28,45],83662,"Seven Days… Seven Nights","Moderato cantabile","Anne Desbarèdes is a young woman who is married to a wealthy businessman and lives a monotonous existence in the small commune town of Blaye. After indirectly witnessing a murder in a café, she returns to the scene of the crime the next day and meets Chauvin, who informs her in more detail about the events that took place. 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