[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F2924192:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":9,"birthday":10,"deathday":10,"gender":11,"homepage":10,"id":12,"imdb_id":10,"known_for_department":13,"name":14,"place_of_birth":10,"popularity":15,"profile_path":10,"combined_credits":16,"images":48},false,[6,7,8],"廖富啟","了不起","Fu-Qi Liao","",null,2,2924192,"Acting","Fu-Chi Liao",0.4979,{"cast":17,"crew":47},[18,34],{"adult":4,"backdrop_path":19,"genre_ids":20,"id":22,"title":23,"original_language":24,"original_title":25,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":9,"credit_id":31,"order":32,"media_type":33},"\u002FeuHIUNxH4H7pxeZOPoZtvYaAhKZ.jpg",[21],18,633677,"Future Shock","zh","未來的衝擊","In 1970, American futurist Alvin Toffler's iconic work Future Shock was published. One year later, a translation by Zhiwen Publishing House hit the market in Taiwan, thus introducing the writer's theories to readers of Chinese. The premise of the book can be summed up as: “A future that comes too quickly creates more apprehension than that of a foreign land. Future society will be stricken with a plethora of choices, throw-away society, information overload, and unethical technology.”",1.1994,"\u002FezbgG7VsT24qaguOQlqHmZ8nFUS.jpg","2019-10-20",0,"5ff4811e140bad0042a39d2a",5,"movie",{"adult":4,"backdrop_path":35,"genre_ids":36,"id":38,"title":39,"original_language":24,"original_title":40,"overview":41,"popularity":42,"poster_path":43,"release_date":44,"softcore":4,"video":4,"vote_average":11,"vote_count":11,"character":9,"credit_id":45,"order":46,"media_type":33},"\u002FhnHldL7BLlEQbatTts7yfSC0z5p.jpg",[37],28,778673,"The Women's Revenge","女性的復仇","In the early 1980s, hundreds of the so-called female revenging\u002Fexploitation films were produced in Taiwan. The 2020 version was based on the old genre to recreate a fantasy of the bloody revenge.  The film is one of Su Hui-Yu’s “Re-shooting” series, which re-visits historical sources in Taiwan during the old days around the 1970s-1980s while the country was under martial law governance.",0.7448,"\u002F3BF3KRRTfBGVb3xqzxx4vG2kv8X.jpg","2020-10-31","67943aae44ef39c860186ddc",14,[],{"profiles":49},[]]