[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F2872222:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":7,"gender":8,"homepage":7,"id":9,"imdb_id":7,"known_for_department":10,"name":11,"place_of_birth":7,"popularity":12,"profile_path":7,"combined_credits":13,"images":59},false,[],"",null,0,2872222,"Acting","Dorothy Zeidman",0.381,{"cast":14,"crew":58},[15,33,46],{"adult":4,"backdrop_path":16,"genre_ids":17,"id":20,"title":21,"original_language":22,"original_title":21,"overview":23,"popularity":24,"poster_path":25,"release_date":26,"softcore":4,"video":4,"vote_average":27,"vote_count":28,"character":29,"credit_id":30,"order":31,"media_type":32},"\u002FxMG7TNX6DDHkSpt2Uqyn6VEV1sC.jpg",[18,19],80,18,125305,"Landscape Suicide","en","Benning continues his examination of Americana in this film through the stories of two murderers. Ed Gein was a Wisconsin farmer and multiple murderer who taxidermied his victims in the 1950s. Bernadette Protti was a California teenager who stabbed a friend to death over an insult in 1984.",1.2885,"\u002F7rqkSNz9eNGL9rpAIBbqho8AcOV.jpg","1987-09-17",7.4,27,"Narrator (voice)","6609a941528b2e0130b0531c",7,"movie",{"adult":4,"backdrop_path":7,"genre_ids":34,"id":36,"title":37,"original_language":22,"original_title":37,"overview":38,"popularity":39,"poster_path":40,"release_date":41,"softcore":4,"video":4,"vote_average":42,"vote_count":43,"character":6,"credit_id":44,"order":45,"media_type":32},[35],99,171960,"North on Evers","In NORTH ON EVERS James Benning takes the road movie seriously, making his circular trip across the U.S. a marvelously photographed, intensely felt, and disturbing portrait of contemporary America. In many ways, this recent film is a departure of Benning’s earlier films which are characterized, at times, by extremely long, carefully planned takes and a minimal narrative approach. In NORTH ON EVERS, the shots are kept short with a narrative that is direct and detailed, like a diary or a long series of postcards to a friend. What this work shares with the other films is a dry wit and a deep interest in the American social landscape.",1.1237,"\u002FAmHK2TiEGQXRk9BP3JxcgqAyaOa.jpg","1992-01-27",7.5,9,"66c45c42f5be4a32a83b1dfd",8,{"adult":4,"backdrop_path":7,"genre_ids":47,"id":48,"title":49,"original_language":22,"original_title":49,"overview":50,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":45,"character":55,"credit_id":56,"order":57,"media_type":32},[19],442408,"Empty Suitcases","Bette Gordon describes her first feature film as “a narrative derived from film’s own material and my concern for exploring issues of representation and identification in cinema.\"",0.6886,"\u002F9af6yV6sKVzYTGJadLYspqbm6rx.jpg","1980-01-01",5.1,"(voice)","5fc13e10590086003f9a2e4e",10,[],{"profiles":60},[]]