[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F2615330:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":9,"gender":10,"homepage":9,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":9,"popularity":15,"profile_path":16,"combined_credits":17,"images":336},false,[6,7],"Роман Хімей","Roman Himey","Roman Khimei, together with Yarema Malashchuk, has been working as a filmmaker and visual artist since 2016, exploring the intersections of documentary and fiction to engage with Ukraine’s recent history and present. The work of the duo examines the lingering structures of post-imperial power and their impact on a new generation of Ukrainians, caught between historical trauma and an uncertain future. Through multi-channel video installations and cinematic narratives, they capture the fractured nature of reality, where collective memory and personal experience intertwine. The duo’s practice reflects on the role of the extra, the unseen figures of history, and the ways in which individuals navigate shifting political and social landscapes.\n\nThey received the main award of the PinchukArtCentre Prize (2020) and the VISIO Young Talent Acquisition Prize (2021). Their recent short film Additional Scenes won the main awards at Tallinn Black Nights IFF 2024 and the Ukrainian Film Critics Award. The duo has participated in the Future Generation Art Prize 2021, Baltic Triennial 14, Gothenburg Biennial, and Kyiv Biennial, as well as group exhibitions at Haus der Kunst, Castello di Rivoli, and Albertinum. They have also presented solo exhibitions at Kunstverein Hannover and Galeria Arsenał, Białystok.\n\nTheir video works are part of collections at Fondazione In Between Art Film, Kunstmuseum Liechtenstein, Kontakt, TBA21, Frac Bretagne, Museum of Contemporary Art Kiasma, and Museum of Contemporary Art Antwerp, among others. Their most recent installation was presented at Dare to Dream, a Collateral Event of the 60th La Biennale di Venezia 2024.\n\nYarema and Roman are members of the Prykarpattian Theater, an art group that recently established the project Theater of Hopes and Expectations, which was presented at the Ukrainian Pavilion during Venice Biennale Architettura 2023. Yarema Malashchuk, together with Roman Khimei, have been working as filmmakers and visual artists since 2016, exploring the intersections of documentary and fiction to engage with Ukraine’s recent history and present. Their work examines the lingering structures of post-imperial power and their impact on a new generation of Ukrainians, caught between historical trauma and an uncertain future. Through multi-channel video installations and cinematic narratives, they capture the fractured nature of reality, where collective memory and personal experience intertwine. The duo’s practice reflects on the role of the extra, the unseen figures of history, and the ways in which individuals navigate shifting political and social landscapes.\n\nThey received the main award of the PinchukArtCentre Prize (2020) and the VISIO Young Talent Acquisition Prize (2021). Their recent short film Additional Scenes won the main awards at Tallinn Black Nights IFF 2024 and the Ukrainian Film Critics Award. The duo has participated in the Future Generation Art Prize 2021, Baltic Triennial 14, Gothenburg Biennial, and Kyiv Biennial, as well as group exhibitions at Haus der Kunst, Castello di Rivoli, and Albertinum. They have also presented solo exhibitions at Kunstverein Hannover and Galeria Arsenał, Białystok.",null,2,2615330,"nm10190491","Directing","Roman Khimei",0.5619,"\u002FwNBzmZoWKdOPNlXSrwKgqJOk4Ne.jpg",{"cast":18,"crew":45},[19,33],{"adult":4,"backdrop_path":9,"genre_ids":20,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"character":30,"credit_id":31,"order":29,"media_type":32},[21],99,1202216,"The Wanderer","uk","Yarema Malashchuk and Roman Khimei work with staged images that show their own bodies in the landscape of the Carpathian Mountains. Lying still in unnatural positions, dressed in trekking clothes, they seem to ask us: who is depicted on the screen?",1.1814,"\u002FPQUMmmsrFir0NDEZNxUfeQjfu8.jpg","2023-11-18",0,"Self","654b6d0c41a561336c5ebb55","movie",{"adult":4,"backdrop_path":34,"genre_ids":35,"id":38,"title":39,"original_language":24,"original_title":39,"overview":40,"popularity":41,"poster_path":9,"release_date":42,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"character":42,"credit_id":43,"order":44,"media_type":32},"\u002F4d37M9YIUxOycT7DfihQ5Q4cKuj.jpg",[36,37],18,12,1233041,"Times New Roman","After the end of the Russo-Ukrainian war, Roman, a struggling artist from Kyiv, has to grapple with wartime trauma, alcoholism and an advancing midlife crisis. Seeking comfort and desperately wanting to leave his wartorn homeland, he learns of a an exciting new job opportunity, a recreation of three famous political assasinations pivotal to Ukrainian history.",0.8475,"","6a3bd07a9f0653389c9498ec",1,[46,59,71,76,81,85,95,98,103,113,116,121,124,127,139,149,152,155,158,161,164,167,170,173,182,193,204,216,228,231,242,253,256,267,278,288,296,306,317,320,324,327],{"adult":4,"backdrop_path":47,"genre_ids":48,"id":49,"title":50,"original_language":24,"original_title":51,"overview":52,"popularity":53,"poster_path":54,"release_date":55,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":56,"department":57,"job":58,"media_type":32},"\u002FjQPht3kfXAqllNNh6a7my09YkvN.jpg",[36],851179,"Nail","Цвях","Valentina works in Lichtenstein. She lived in Kyiv until the age of 13. In 1996, during a hard transitive economic period in Ukraine, Valentina emigrated to Switzerland with her mother and stepfather. 20 years have passed.",0.7936,"\u002Fv8Jm0nKJGHuSRJodUPIbzsZD5aU.jpg","2016-07-18","6256a4aacf4a640ea4a2712b","Camera","Camera Operator",{"adult":4,"backdrop_path":60,"genre_ids":61,"id":62,"title":63,"original_language":64,"original_title":63,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":69,"department":13,"job":70,"media_type":32},"\u002FA8UICDO1u3dEyfiK4rplwaT7oAF.jpg",[21],1185575,"Explosions Near the Museum","en","Looted by Russian occupational forces between 24 and 26 October 2022, the Kherson Museum of Local Lore used to house Southern Ukraine's largest and oldest collections of antiquities. The museum featured more than 173000 objects, spanning seven thousand years, from Scythian gold to World War II weaponry. Two weeks before Kherson was liberated by the Ukrainians, Russian occupational forces enacted a strategic theft, stripping centuries of Ukrainian history from the museum\u002Fregion. The sound of shellings and missile strikes was recorded during filming inside the museum on December 12, less than two kilometers away from russian-occupied territory.",0.719,"\u002F96GRGSwjdVQkMqtTiFQhV1dWawK.jpg","2023-05-18","6517ed53a199a60138b89e6e","Director",{"adult":4,"backdrop_path":60,"genre_ids":72,"id":62,"title":63,"original_language":64,"original_title":63,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":73,"department":74,"job":75,"media_type":32},[21],"6517ed5c93bd6900c4decfe6","Writing","Screenplay",{"adult":4,"backdrop_path":60,"genre_ids":77,"id":62,"title":63,"original_language":64,"original_title":63,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":78,"department":79,"job":80,"media_type":32},[21],"6517ed65ea84c700eb9928aa","Editing","Editor",{"adult":4,"backdrop_path":60,"genre_ids":82,"id":62,"title":63,"original_language":64,"original_title":63,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":83,"department":57,"job":84,"media_type":32},[21],"6517ed6fc50ad200ad80368b","Director of Photography",{"adult":4,"backdrop_path":9,"genre_ids":86,"id":87,"title":88,"original_language":24,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":94,"department":13,"job":70,"media_type":32},[21],1001150,"To Whom Have You Abandoned Us, Our Father?","На кого ти нас покидаєш, батьку наш?","A docufiction about professional choristers singing sacred songs in the local opera. Lamentation of the ukrainian working class on-stage and behind.",0.8108,"\u002FoL2ZZF4ZnXQp1vEm2PfDWquaIhy.jpg","2018-02-21","62d486cbc92c5d004f0c61ee",{"adult":4,"backdrop_path":9,"genre_ids":96,"id":87,"title":88,"original_language":24,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":97,"department":74,"job":75,"media_type":32},[21],"62d486d472c13e00548a0e6f",{"adult":4,"backdrop_path":9,"genre_ids":99,"id":87,"title":88,"original_language":24,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":100,"department":101,"job":102,"media_type":32},[21],"62d486e05aba320067c166d0","Production","Producer",{"adult":4,"backdrop_path":9,"genre_ids":104,"id":105,"title":106,"original_language":24,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":112,"department":13,"job":70,"media_type":32},[21],1001154,"New City of Friends","Нове місто друзів","The documentary short depicts modern Kolomyia, where the cult of Austria-Hungary coexists with the post-Soviet reality: the developer hires a team of builders who, with thrift, brick by brick, dismantle old and uninhabitable real estate. Meanwhile, the artists invite fifteen-year-old Maksym to draw a walking route in Kolomyia: through the guide’s narration, the map of the city is transformed into a multi-layered historical palimpsest, where Soviet names are mixed with modern urban folklore and traditional Western Ukrainian piety, and “dog paths” are manifested by official intonation.",1.3244,"\u002FhfQ53JlooBVdY57eX0GRDIZ4w4f.jpg","2022-07-09","62d48a012dffd80057c6db5b",{"adult":4,"backdrop_path":9,"genre_ids":114,"id":105,"title":106,"original_language":24,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":115,"department":74,"job":75,"media_type":32},[21],"62d48a0afa4046007111541a",{"adult":4,"backdrop_path":9,"genre_ids":117,"id":105,"title":106,"original_language":24,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":118,"department":119,"job":120,"media_type":32},[21],"62d48a142dffd80061fb632a","Crew","Cinematography",{"adult":4,"backdrop_path":9,"genre_ids":122,"id":105,"title":106,"original_language":24,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":123,"department":79,"job":80,"media_type":32},[21],"62d48a1cd1a893005525c11a",{"adult":4,"backdrop_path":9,"genre_ids":125,"id":105,"title":106,"original_language":24,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":126,"department":101,"job":102,"media_type":32},[21],"62d48a26fa40460055acb50e",{"adult":4,"backdrop_path":128,"genre_ids":129,"id":130,"title":131,"original_language":24,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":4,"video":4,"vote_average":137,"vote_count":10,"credit_id":138,"department":119,"job":120,"media_type":32},"\u002FbqidJo6C1QUyJRPA2EFDd1gODB5.jpg",[36],876052,"The Diaper Cake","Пелюшковий торт","Lena and Vitya, both in their early 20s, are two kids who now have a kid of their own. In the postnatal hospital room, like in limbo, their first team project is to wake their son for a feed. As the new parents repeatedly fail, they have to deal with the irreversible changes in their lives and with each other. Meanwhile, the diaper cake silently sits in the room, like a time bomb.",1.2907,"\u002FzlWUKEM4qEZBSk1RKiergwkZlOc.jpg","2021-09-24",5.2,"6147bf92bf774400667aec13",{"adult":4,"backdrop_path":9,"genre_ids":140,"id":141,"title":142,"original_language":24,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":148,"department":13,"job":70,"media_type":32},[21],879341,"State Institution","Державна установа","The stuff and visitors of one of the state institutions going through their daily routine. This buildings is full of mystery and secrets. Nobody can understand the issues they are trying to solve or to find the final destination of their corridor marathons. We can only trust and wonder how everything is organized here.",1.4757,"\u002F4GEtAItRlKq1b2vFiGvPVBUXSBI.jpg","2018-05-31","61544ed9d1ca2a00906c443d",{"adult":4,"backdrop_path":9,"genre_ids":150,"id":141,"title":142,"original_language":24,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":151,"department":74,"job":75,"media_type":32},[21],"61544ee3fab3fa00639b5291",{"adult":4,"backdrop_path":9,"genre_ids":153,"id":141,"title":142,"original_language":24,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":154,"department":101,"job":102,"media_type":32},[21],"61544eefd1ca2a0023e68680",{"adult":4,"backdrop_path":9,"genre_ids":156,"id":141,"title":142,"original_language":24,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":157,"department":119,"job":120,"media_type":32},[21],"61544ef8e8a3e1006220527b",{"adult":4,"backdrop_path":9,"genre_ids":159,"id":141,"title":142,"original_language":24,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":160,"department":79,"job":80,"media_type":32},[21],"61544f08af58cb0090593366",{"adult":4,"backdrop_path":9,"genre_ids":162,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":163,"department":13,"job":70,"media_type":32},[21],"654b6d3129383500fe0e5ea3",{"adult":4,"backdrop_path":9,"genre_ids":165,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":166,"department":74,"job":75,"media_type":32},[21],"654b6d3b67b613013c4a6dd6",{"adult":4,"backdrop_path":9,"genre_ids":168,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":169,"department":79,"job":80,"media_type":32},[21],"654b6d441ac2927b2f27a4c4",{"adult":4,"backdrop_path":9,"genre_ids":171,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":172,"department":101,"job":102,"media_type":32},[21],"654b6d50532acb53361caebb",{"adult":4,"backdrop_path":9,"genre_ids":174,"id":175,"title":176,"original_language":64,"original_title":176,"overview":177,"popularity":178,"poster_path":179,"release_date":180,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":181,"department":13,"job":70,"media_type":32},[],1210555,"Kyiv’s Youth Leaving a Grocery Store","Kyiv’s Youth Leaving a Grocery Store is an homage to the Lumiere brothers’ classic “Workers leaving the Lumiere Factory”. Reconsidering the world’s first cinematic works, the artists address the redefining of labor and change of socio-economic formation. Thus, a producing factory turns into a consuming factory, and leisure turns into exhausting toil on the dance floor.",0.7852,"\u002FkXdyRepP1pmZ9buuPfkZZG6kJDJ.jpg","2017-10-20","6564a23fd9554b013af2e01a",{"adult":4,"backdrop_path":183,"genre_ids":184,"id":185,"title":186,"original_language":24,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":192,"department":13,"job":70,"media_type":32},"\u002F6Jw6oFJe6ea56O0hB5OhvbJ2UIq.jpg",[21],1089511,"So They Won't Say We Don't Remember","Щоб потім не казали що ми не памʼятаємо","The short film is based on events surrounding a 1977 mining accident in the Donbas region that ultimately led to the mine’s closure. In the film, locals, artists, and curators traverse the surface, paralleling one of the underground routes of the Novator mine. The procession ends at the monument to the dead miners, which is located just above the site of the underground accident that led to the death of the workers. Participants walk across the postindustrial landscape of Donbas, over the plowed fields, by bushes and courtyards, connecting the ground and the underground spaces through the choreography of their bodies.",0.764,"\u002F9dcUm3uYH17NebbxmhnX1zZEdns.jpg","2021-03-01","63f3cbfea24c5000848defe0",{"adult":4,"backdrop_path":194,"genre_ids":195,"id":196,"title":197,"original_language":24,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":203,"department":57,"job":84,"media_type":32},"\u002Fm14cbF3bMsgD5od1EpmSmV5DBnG.jpg",[36],995796,"Son","Син","During the political crisis in the Ukraine, young parents are going through a tough divorce. The mother wishes to emigrate with her child, but the father can't imagine living without his son.",0.9062,"\u002F6qKL6WFqtOBn6g363MPjNV1uJeu.jpg","2015-07-18","643280b48289a0009885f5d6",{"adult":4,"backdrop_path":205,"genre_ids":206,"id":207,"title":208,"original_language":24,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":214,"vote_count":10,"credit_id":215,"department":119,"job":120,"media_type":32},"\u002Fk95tC7bRjN15HYmiaKlos80J6dL.jpg",[21],1290744,"Under the Sign of Anchor","Під знаком якоря","The elite Kyiv Naval Political College operates in a city without access to the sea. The first Soviet aircraft carrier, the Kyiv, became the flagship of the Northern Fleet. The school's students, future political officers of the Soviet navy, go on a long navigation voyage; meanwhile, at their alma mater the Kyiv-Mohyla Academy opens. Focusing on the history of the institution's changing ideological functions, Under the Sign of Anchor explores the complex and sometimes paradoxical connections between war and culture, the Soviet past and the present. The film is based on materials from film archives from the time of the collapse of the USSR and the first years of Ukraine's independence.",1.2984,"\u002FuK4l9ZTqYgEo3fFosOF6MTKNkuh.jpg","2024-06-05",7.2,"6644935c0c18fad384241db6",{"adult":4,"backdrop_path":217,"genre_ids":218,"id":219,"title":220,"original_language":24,"original_title":221,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":4,"video":4,"vote_average":226,"vote_count":10,"credit_id":227,"department":13,"job":70,"media_type":32},"\u002FmfKIulgMzhKc1awL4mU2Z5pDJvr.jpg",[21],697262,"New Jerusalem","Зарваниця","Every year, thousands of Ukrainian Christians undertake a pilgrimage to Zarvanytsia, a sacred place. Between prayers they share news, brag about their wealth, take pictures of chapels, give interviews, witness miracles. Witness miracles?",0.6222,"\u002FarWadJIOoe4II10oI6VvbgIOBoL.jpg","2020-04-26",6.5,"5ea53da2713ed4001f540be0",{"adult":4,"backdrop_path":217,"genre_ids":229,"id":219,"title":220,"original_language":24,"original_title":221,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":4,"video":4,"vote_average":226,"vote_count":10,"credit_id":230,"department":119,"job":120,"media_type":32},[21],"5ea53db17304b5001e64c219",{"adult":4,"backdrop_path":232,"genre_ids":233,"id":234,"title":235,"original_language":24,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":241,"department":13,"job":70,"media_type":32},"\u002Fe99ZGK4gBh1g1y5pSk6cuqwvQl3.jpg",[21],727696,"Dedicated To The Youth Of The World II","Присвячується молоді всього світу ІІ","Camera observes the biggest rave in Ukraine called Cxema and leads us from the image of a crowd to intimate experience of each dancer.",0.7897,"\u002Fidt3qH79KTNv8YMAuWI8TyFTOlD.jpg","2019-04-16","5f1db2af735205003e507f5d",{"adult":4,"backdrop_path":9,"genre_ids":243,"id":245,"title":246,"original_language":24,"original_title":247,"overview":248,"popularity":249,"poster_path":250,"release_date":251,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":252,"department":13,"job":70,"media_type":32},[244,21],10752,1360647,"Additional Scenes","Додаткові сцени","Ukrainian actor Pavlo Aldoshyn played the lead role in the movie \"Sniper. 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