[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F2518368:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":7,"gender":8,"homepage":7,"id":9,"imdb_id":7,"known_for_department":10,"name":11,"place_of_birth":7,"popularity":12,"profile_path":7,"combined_credits":13,"images":31},false,[],"",null,0,2518368,"Acting","Duncan Smith",0.4637,{"cast":14,"crew":30},[15],{"adult":4,"backdrop_path":16,"genre_ids":17,"id":20,"title":21,"original_language":22,"original_title":21,"overview":23,"popularity":24,"poster_path":25,"release_date":26,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"character":6,"credit_id":27,"order":28,"media_type":29},"\u002Fthz8IZO79ksTJohuiQH07SJhsUD.jpg",[18,19],18,80,666331,"Stiletto","en","A woman, Nadja, searches for her sister's murderer. This search goes through differing moments of reality, or unreality, that overlap within facets of a broken-up time sense. In this emulation of film noir, the investigative structure does not create suspense; the dialectic murderer\u002Fvictim does not exist. The crime is fabricated bit by bit, like the staging of a spectacle, and it is in the traditional tools of seduction (the spiked heels) that the weapons will be hidden. Ultimately, the crime Nadja achieves makes her neither a triumphant heroine nor a victim.",1.3644,"\u002Fj1fDRCiXSs5GBSbjUBM76nnU8qf.jpg","1981-01-30","5e2941ba1685da0013e2aa7a",6,"movie",[],{"profiles":32},[]]