[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F224456:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":10,"combined_credits":17,"images":135},false,[],"","1936-02-08","1955-02-15",1,null,224456,"nm0547088","Acting","Marcella Mariani","Roma",0.6771,{"cast":18,"crew":134},[19,38,53,68,80,93,108,123],{"adult":4,"backdrop_path":20,"genre_ids":21,"id":24,"title":25,"original_language":26,"original_title":27,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"character":34,"credit_id":35,"order":36,"media_type":37},"\u002Fsojc5eM7veYH1CFXgWVBGTvhttE.jpg",[22,23],10749,35,276789,"The Girls of San Frediano","it","Le ragazze di San Frediano","Andrea, a young and charming florentine mechanic in the 1950s, romances five beautiful women simultaneously, enjoying life without really committing to anyone, but in the end who wants to grasp all lose all.",1.2205,"\u002FpRL2GwVcR5lbxdDi6UZL2WLqwxL.jpg","1955-03-11",5.4,18,"Gina","539d8af1c3a3683b310038b1",2,"movie",{"adult":4,"backdrop_path":39,"genre_ids":40,"id":42,"title":43,"original_language":26,"original_title":43,"overview":44,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":49,"character":50,"credit_id":51,"order":52,"media_type":37},"\u002Fq2ve97XH53hEUaWEUhD9AQcnn1A.jpg",[22,33,41],10752,43195,"Senso","A troubled and neurotic Italian Countess betrays her entire country for a self-destructive love affair with an Austrian Lieutenant.",3.7555,"\u002FiyWApADv4UD9KtVQvJ1mkKn9WXV.jpg","1954-03-25",7.2,259,"Clara, la Prostituta","541b27b5c3a368384c000636",10,{"adult":4,"backdrop_path":54,"genre_ids":55,"id":56,"title":57,"original_language":26,"original_title":58,"overview":59,"popularity":60,"poster_path":61,"release_date":62,"softcore":4,"video":4,"vote_average":63,"vote_count":64,"character":65,"credit_id":66,"order":67,"media_type":37},"\u002FiGIYdWhDYe16X6AFrvjQSbg1cJ8.jpg",[23,33],82063,"We, the Women","Siamo donne","Five portraits of actresses in their \"common\" life, seen as women rather than movie stars.",1.2202,"\u002FgG8UFZeWRlzUDM5Ui8ELuo4PSPv.jpg","1953-10-27",6.2,21,"Marcella (segment \"Concorso 4 Attrici 1 Speranza\") (uncredited)","65c703004350110183e7d7d5",26,{"adult":4,"backdrop_path":69,"genre_ids":70,"id":72,"title":73,"original_language":26,"original_title":73,"overview":74,"popularity":75,"poster_path":76,"release_date":77,"softcore":4,"video":4,"vote_average":52,"vote_count":9,"character":78,"credit_id":79,"order":9,"media_type":37},"\u002FhleyJ6eHK4S87JG3AZE3nuDqUOo.jpg",[71,23],10402,445532,"Il cantante misterioso","A man escapes from prison but he is seriously wounded and eventually becomes paralyzed. 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The movie is made of six vignettes set there.",2.0566,"\u002FA3rs6M15j0vuZcOSmhztuv9iZcd.jpg","1953-12-18",6.5,"Marcella (uncredited)","5efe5709a76ac50036fe86ab",38,{"adult":4,"backdrop_path":109,"genre_ids":110,"id":112,"title":113,"original_language":26,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":9,"character":120,"credit_id":121,"order":122,"media_type":37},"\u002FeuV5OxGTlbo21iZYr4mSBV4neHn.jpg",[23,111],36,736472,"Women and Soldiers","Donne e soldati","Donne e soldati was an example of a ‘decentralised’ production, far from Rome, something that for the most part Italian cinema didn’t fully succeed in achieving until the 1990s. . In many ways the film, which is both Picaresque and anti-heroic, was too far ahead of its time, and it is often considered the precursor to Monicelli’s L’armata brancaleone. This time out, Ferreri takes the reins as producer of the ill-fated undertaking (the two directors will never make another film); however, Donne e soldati, apart from marking Ferreri’s estrangement from Italian cinema for a number of years, today appears to display earthy and carnivalesque elements that will subsequently influence certain aspects of the Milanese director’s vision.",1.1223,"\u002FeiU19WYuE6Pd51jUBHqnGcYFgsk.jpg","1955-11-25",7,"Margherita","5f46bfa5f6596f0040aa2994",0,{"adult":4,"backdrop_path":124,"genre_ids":125,"id":126,"title":127,"original_language":26,"original_title":128,"overview":6,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":89,"vote_count":9,"character":6,"credit_id":132,"order":133,"media_type":37},"\u002FbBFpZw0sBygeFr8jOtYizfmqCSF.jpg",[71],791301,"Cavalcade of Song","Canzoni, canzoni, canzoni",0.8726,"\u002Fj1n4SvZk7eUZXL3ZiHVbKvPwGNO.jpg","1953-10-09","6013d4bcbe2d490042fdcd81",28,[],{"profiles":136},[]]