[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F20660:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":10,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":575},false,[6,7],"Carlos Reygadas Castillo","카를로스 레이가다스","Carlos Reygadas Castillo (Spanish pronunciation: [ˈkaɾlos rejˈɣaðas]; born October 10, 1971) is a Mexican filmmaker. Influenced by existentialist art and philosophy, Reygadas' movies feature spiritual journeys into the inner worlds of his main characters, through which themes of love, suffering, death, and life's meaning are explored.\n\nReygadas has been described as \"the one-man third wave of Mexican cinema\"; his works are generally considered art films, and are known for their expressionistic cinematography, long takes, and emotionally charged stories. His first and third films, Japón (2002) and Silent Light (2007), made him one of Latin America's most prominent writer-directors, with various critics having named Silent Light as one of the best films of its decade. His films Battle in Heaven (2005) and Post Tenebras Lux (2012) divided critics.\n\nHe has co-produced other directors such as Amat Escalante (Sangre, Los Bastardos, Heli) or Pedro Aguilera (The Influence).\n\nDescription above from the Wikipedia article Carlos Reygadas, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1971-10-10",null,2,20660,"nm1196161","Directing","Carlos Reygadas","Mexico City, Distrito Federal, Mexico",0.9121,"\u002FxJzdv6CYRg4y6ZuZiCM28nUysxM.jpg",{"cast":20,"crew":141},[21,37,47,60,68,83,93,102,114,126],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":25,"title":26,"original_language":27,"original_title":28,"overview":29,"popularity":30,"poster_path":10,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":34,"order":35,"media_type":36},"\u002FuFLZl24Q0WZVWeDjvM1SJD6KplS.jpg",[24],99,879704,"Talking Heads 2021","pl","Gadające głowy 2021","The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.",1.2762,"2021-09-23",1,"Self","619e4870310325002172a20e",7,"movie",{"adult":4,"backdrop_path":10,"genre_ids":38,"id":39,"title":40,"original_language":41,"original_title":40,"overview":42,"popularity":43,"poster_path":10,"release_date":44,"softcore":4,"video":4,"vote_average":45,"vote_count":45,"character":44,"credit_id":46,"order":45,"media_type":36},[],1244171,"Filmando Batalla en el Cielo","en","BTS of Reygadas' 2005 film Battle in Heaven.",0.7865,"",0,"65ca8e83cffeed0164bf6e7b",{"adult":4,"backdrop_path":10,"genre_ids":48,"id":49,"title":50,"original_language":51,"original_title":50,"overview":52,"popularity":53,"poster_path":54,"release_date":55,"softcore":4,"video":4,"vote_average":56,"vote_count":57,"character":33,"credit_id":58,"order":59,"media_type":36},[24],370876,"Tras Nazarin: Following Nazarin","es","\"Nazarín is a Quixote of the priesthood \" \"Among the films I have made in Mexico, Nazarin is one that I prefer.\" \"As inexplicable as the accidents that set it off, our imagination is a crucial privilege.\"",1.2911,"\u002FrL8geQbX3sWT7srSScZ3LeWuttH.jpg","2015-03-09",5.2,4,"6695ede5b864ce88965dcde7",8,{"adult":4,"backdrop_path":10,"genre_ids":61,"id":62,"title":63,"original_language":51,"original_title":63,"overview":64,"popularity":65,"poster_path":10,"release_date":66,"softcore":4,"video":4,"vote_average":45,"vote_count":45,"character":44,"credit_id":67,"order":45,"media_type":36},[24],438577,"Por la libertad","In this portrait, Mexican light master Carlos Reygadas (Post Tenebras Lux, 2012) seldom addresses the camera directly, but allows himself to be filmed during his first commercial assignment. An unexpectedly playful approach from this solitary filmmaker, in which his driver has as much to say as he does.",0.5449,"2017-01-31","589316c7c3a3686d240041e6",{"adult":4,"backdrop_path":69,"genre_ids":70,"id":72,"title":73,"original_language":51,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"character":81,"credit_id":82,"order":45,"media_type":36},"\u002F8Y8o6YPcJE6MbAiByoTyjRY74ll.jpg",[71],18,389218,"Our Time","Nuestro tiempo","A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. Although in an open marriage, their relationship begins to crumble when Esther falls in love with an American horsebreaker and Juan is unable to control his jealousy.",2.2511,"\u002Fzc1PFbsxGSknbb0AqKTA8ArXG5e.jpg","2018-09-28",6.7,68,"Juan","58bc3b7a925141608403ee7c",{"adult":4,"backdrop_path":10,"genre_ids":84,"id":85,"title":86,"original_language":87,"original_title":86,"overview":88,"popularity":89,"poster_path":90,"release_date":91,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":92,"order":11,"media_type":36},[24,71],461713,"En ningún lugar, Don Luis Buñuel","fr","Denis Lavant reads long passages from Luis Buñuel's semi-autobiographical \"My Last Sigh\". From this text, without film excerpts, Laurence Garret travels in the footsteps of Buñuel, from Calanda to Zaragoza, Madrid to Toledo, Spain to Mexico.",1.0985,"\u002Fzg35okBAVcPTXbutQGZS1rGqGEs.jpg","2013-06-13","59400b52c3a36803c10104b8",{"adult":4,"backdrop_path":10,"genre_ids":94,"id":95,"title":96,"original_language":41,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":45,"vote_count":45,"character":33,"credit_id":101,"order":11,"media_type":36},[24],704577,"Wiara","Six authorities of cinema describe their approach to transcendence, mysticism, spirituality and life after dead.",1.0534,"\u002Fb7QBFg5afTtUD23GiQRLo1zoIbV.jpg","2018-01-14","5ebeb747bc8abc0023c305d0",{"adult":4,"backdrop_path":10,"genre_ids":103,"id":104,"title":105,"original_language":51,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":45,"vote_count":45,"character":111,"credit_id":112,"order":113,"media_type":36},[24],765246,"Symphony Of The Invisible","Sinfonía de lo invisible","\"Symphony of the Invisible\" is a reflection on creation and how through art, poetry and images you can break the limits that have been imposed on language and life itself.",1.1629,"\u002Fj0fhXEY5Gwxw67FFpvOhlXuJGmP.jpg","2020-11-17","Self (voice)","5fb4baf79ca759003f4f78e6",11,{"adult":4,"backdrop_path":10,"genre_ids":115,"id":116,"title":117,"original_language":87,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":4,"video":123,"vote_average":124,"vote_count":35,"character":33,"credit_id":125,"order":59,"media_type":36},[24],745698,"Agnès Varda: From Here to There","Agnès de ci de là Varda","Agnès Varda travels around the world to meet friends, artists and filmmakers for an expansive view of the global contemporary art scene.",1.1473,"\u002Fc9DjodpFeT04RX2g1rEYbNnuvIL.jpg","2011-10-01",true,7.6,"67d9e0f234f861aed80e8914",{"adult":4,"backdrop_path":127,"genre_ids":128,"id":129,"origin_country":130,"original_language":87,"original_name":118,"overview":132,"popularity":133,"poster_path":134,"first_air_date":135,"softcore":4,"name":117,"vote_average":136,"vote_count":137,"character":33,"credit_id":138,"episode_count":139,"first_credit_air_date":135,"media_type":140},"\u002FT2bKnmyLgJwnOfN12CBIjn5DKD.jpg",[24],76372,[131],"FR","Agnès Varda takes us on a journey of discovery as she travels the globe—from Stockholm to St. Petersburg, Lisbon to Rio de Janeiro, Mexico City to Los Angeles—meeting with friends, artists, and fellow filmmakers.",3.0533,"\u002F4FUWBC5LZbovsLvf6UsOaVkXgTN.jpg","2011-12-19",6.5,6,"69b3301e9dc4c57e54d43ed5",5,"tv",[142,157,162,167,178,182,195,198,211,223,235,238,250,253,267,278,291,300,312,315,318,321,326,335,346,358,361,371,374,389,392,403,413,424,433,436,439,442,452,462,473,486,498,507,510,524,536,546,557,566,569,572],{"adult":4,"backdrop_path":143,"genre_ids":144,"id":146,"title":147,"original_language":51,"original_title":148,"overview":149,"popularity":150,"poster_path":151,"release_date":152,"softcore":4,"video":4,"vote_average":153,"vote_count":154,"credit_id":155,"department":14,"job":156,"media_type":36},"\u002FgdQCvXF7TpBez8F4Ud6Chw94oJ3.jpg",[71,145],10749,2012,"Silent Light","Luz silenciosa","Johan and his family are Mennonites from the north of Mexico. Against the law of God and Man, Johan falls in love with another woman.",3.7749,"\u002FcxYo82e0JT5u7an0VRF9J8h6V5B.jpg","2007-10-12",6.9,130,"52fe432cc3a36847f803fccf","Director",{"adult":4,"backdrop_path":143,"genre_ids":158,"id":146,"title":147,"original_language":51,"original_title":148,"overview":149,"popularity":150,"poster_path":151,"release_date":152,"softcore":4,"video":4,"vote_average":153,"vote_count":154,"credit_id":159,"department":160,"job":161,"media_type":36},[71,145],"52fe432cc3a36847f803fcd5","Writing","Screenplay",{"adult":4,"backdrop_path":143,"genre_ids":163,"id":146,"title":147,"original_language":51,"original_title":148,"overview":149,"popularity":150,"poster_path":151,"release_date":152,"softcore":4,"video":4,"vote_average":153,"vote_count":154,"credit_id":164,"department":165,"job":166,"media_type":36},[71,145],"52fe432cc3a36847f803fcdb","Production","Producer",{"adult":4,"backdrop_path":168,"genre_ids":169,"id":170,"title":171,"original_language":51,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":4,"video":4,"vote_average":79,"vote_count":176,"credit_id":177,"department":14,"job":156,"media_type":36},"\u002F3jLbq8i0QStXfPIxfOgFJQaeGPV.jpg",[71],36211,"Japón","A painter from the big city goes to a remote canyon to commit suicide. To reach some calmness he stays at the farmstead of Ascen, an old religious woman. Although only a few words are spoken, love grows.",1.9983,"\u002FdvLPpPzRhwHx32wNbtglIUWQFhq.jpg","2003-01-15",76,"52fe45d49251416c9103fe69",{"adult":4,"backdrop_path":168,"genre_ids":179,"id":170,"title":171,"original_language":51,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":4,"video":4,"vote_average":79,"vote_count":176,"credit_id":180,"department":160,"job":181,"media_type":36},[71],"52fe45d49251416c9103fe6f","Writer",{"adult":4,"backdrop_path":183,"genre_ids":184,"id":185,"title":186,"original_language":51,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":193,"credit_id":194,"department":14,"job":156,"media_type":36},"\u002FlKc9mOjyvImvZji9tBBsv2KWSsG.jpg",[71],17247,"Battle in Heaven","Batalla en el cielo","Set in Mexico City, Carlos Reygadas's sexually explicit drama centers on a man in turmoil over his past actions. Chauffer Marcos feels compelled to reveal a dark secret to his boss's daughter, Ana, a wealthy woman who works as a prostitute just for the thrill of it. Marcos confesses that he and his wife committed a crime that ended in horrible tragedy. Haunted by his past, Marcos searches for redemption.",3.7552,"\u002Fh7ovpCYol1s3i3rNn7iv7vFPo62.jpg","2005-10-05",5.83,215,"52fe47139251416c7508cfe3",{"adult":4,"backdrop_path":183,"genre_ids":196,"id":185,"title":186,"original_language":51,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":193,"credit_id":197,"department":160,"job":181,"media_type":36},[71],"52fe47139251416c7508cfe9",{"adult":4,"backdrop_path":199,"genre_ids":200,"id":201,"title":202,"original_language":203,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":4,"video":4,"vote_average":209,"vote_count":11,"credit_id":210,"department":165,"job":166,"media_type":36},"\u002Fc92E4QvhwdpcWSJqx75HX7uZkdv.jpg",[71],878966,"Crane Lantern","az","Durna Çırağı","Musa, a law student seeks out Davud, a man imprisoned for kidnapping four women. He soon discovers that all of his victims have no wish to press charges. On the contrary, they have the feeling of a new truth in themselves. Musa's encounter with the purported criminal becomes a journey into someone else's inner world. Are the questions he asks the correct ones? Is the law a genuine form of justice? What is the meaning of humans imposing punishment on others? Is Musa being enlightened by a superior man, or is he being lured into a world of illusion?",2.5895,"\u002Fj8yCeOL0Dj9UFjbvFjVPRgnmHDu.jpg","2022-01-24",5.5,"6251e7c3447f9c353e3c7994",{"adult":4,"backdrop_path":212,"genre_ids":213,"id":214,"title":215,"original_language":51,"original_title":215,"overview":216,"popularity":217,"poster_path":218,"release_date":219,"softcore":4,"video":4,"vote_average":220,"vote_count":221,"credit_id":222,"department":14,"job":156,"media_type":36},"\u002FlxvRuKr0Kgm1T8BvboSsPeDYV5p.jpg",[],69357,"Revolución","Made up of 10 short films, 'Revolucion' analyzes through the eyes of the directors what is the revolution today and what it means to the young minds of Mexico.",1.2511,"\u002F1nnB85qJj68vygVH4GOOm0zSDag.jpg","2010-07-16",5.1,12,"52fe47c4c3a368484e0d864f",{"adult":4,"backdrop_path":224,"genre_ids":225,"id":226,"title":227,"original_language":51,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":233,"credit_id":234,"department":14,"job":156,"media_type":36},"\u002FnNNSRaEI5WzUR8VHtoc6fC01QxR.jpg",[71],103689,"Post Tenebras Lux","Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complimentary or if they strive to eliminate one another.",2.0579,"\u002Fisyc1Hk0L3neLoeWhP7Zktj7ftD.jpg","2012-11-22",6.1,139,"52fe4a24c3a36847f81bc4cb",{"adult":4,"backdrop_path":224,"genre_ids":236,"id":226,"title":227,"original_language":51,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":233,"credit_id":237,"department":160,"job":161,"media_type":36},[71],"52fe4a24c3a36847f81bc4f1",{"adult":4,"backdrop_path":239,"genre_ids":240,"id":241,"title":242,"original_language":87,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":247,"vote_count":248,"credit_id":249,"department":14,"job":156,"media_type":36},"\u002F3Q7nJsD0y51SMDcxkUup5Y04HqW.jpg",[],143716,"Maxhumain","A suicidal man recalls life with his mother as a boy.",0.6105,"\u002F3aofYZVJLihOkOiDJaEIP1UsFez.jpg","1998-08-01",4.8,16,"52fe4b149251416c750f7a7d",{"adult":4,"backdrop_path":239,"genre_ids":251,"id":241,"title":242,"original_language":87,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":247,"vote_count":248,"credit_id":252,"department":160,"job":181,"media_type":36},[],"52fe4b149251416c750f7a8f",{"adult":4,"backdrop_path":254,"genre_ids":255,"id":257,"title":258,"original_language":203,"original_title":259,"overview":260,"popularity":261,"poster_path":262,"release_date":263,"softcore":4,"video":4,"vote_average":264,"vote_count":265,"credit_id":266,"department":165,"job":166,"media_type":36},"\u002F1sNvYzZxBf7EzfJ3unTvuwq4Mob.jpg",[256,71],10752,997108,"Sermon to the Fish","Balıqlara xütbə","Davud returns from war to find everyone in his village has succumbed to a strange illness and has decomposed. His sister, the only survivor, is slowly rotting away herself. Davud is troubled by his memories as a soldier, as he confronts the only true question: is surviving the same as living?",0.9808,"\u002FhjOLzrk8zR1TG6RfFP4yKL1K9sN.jpg","2022-08-03",7.3,3,"62c720f2447f9c005161e966",{"adult":4,"backdrop_path":268,"genre_ids":269,"id":270,"title":271,"original_language":203,"original_title":272,"overview":273,"popularity":274,"poster_path":275,"release_date":276,"softcore":4,"video":4,"vote_average":137,"vote_count":32,"credit_id":277,"department":165,"job":166,"media_type":36},"\u002Fwu4MZ5WhnVjqhYLOhRdxTS5tdyj.jpg",[71],1186670,"Sermon to the Birds","Quşlara Xütbə","Davud and Sura are under siege. They wait for the Hunter. Hunter is omnipresent.",0.7695,"\u002FqvVwFD5Tf03cd1cNGyr9eNN5xu8.jpg","2023-10-26","6524ce020cb33516f7449634",{"adult":4,"backdrop_path":279,"genre_ids":280,"id":281,"title":282,"original_language":51,"original_title":283,"overview":284,"popularity":285,"poster_path":286,"release_date":287,"softcore":4,"video":4,"vote_average":139,"vote_count":139,"credit_id":288,"department":289,"job":290,"media_type":36},"\u002FaX73dc9xRNIjokz7jdiuLscCazP.jpg",[71],344514,"Violence","Violencia","A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.",0.9116,"\u002Fe05o5ULMAYYh6zwRkzvI1YWTNc1.jpg","2015-02-07","5684db01c3a368227b010137","Crew","Thanks",{"adult":4,"backdrop_path":10,"genre_ids":292,"id":293,"title":294,"original_language":41,"original_title":294,"overview":295,"popularity":296,"poster_path":297,"release_date":298,"softcore":4,"video":4,"vote_average":139,"vote_count":11,"credit_id":299,"department":14,"job":156,"media_type":36},[24],674203,"Serenghetti","Two female soccer teams face off in an ancient mountain range in central Mexico, shot as if for TV, complete with on-screen graphics, gratuitous replays and a leggy sideline reporter.",0.7615,"\u002F6Ndk1e17P8SE7bV9PQm9RgOKOki.jpg","2009-01-01","61e938f63a993700a08ef361",{"adult":4,"backdrop_path":301,"genre_ids":302,"id":303,"title":304,"original_language":51,"original_title":304,"overview":305,"popularity":306,"poster_path":307,"release_date":308,"softcore":4,"video":4,"vote_average":309,"vote_count":310,"credit_id":311,"department":165,"job":166,"media_type":36},"\u002Fj4Y3xJwOKuVFuUcswyUZxlQKvkw.jpg",[71,24],924098,"Eami","Eami means ‘forest’ in Ayoreo. It also means ‘world’.  The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the \"Ayoreo Totobiegosode Natural and Cultural Heritage\". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.",0.8682,"\u002F77u1Qi5jFokfm7zDyNXIlvtNDfL.jpg","2022-06-03",5.8,9,"61f865ccccb15f00be0128d6",{"adult":4,"backdrop_path":69,"genre_ids":313,"id":72,"title":73,"original_language":51,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"credit_id":314,"department":14,"job":156,"media_type":36},[71],"56f28365925141553f001300",{"adult":4,"backdrop_path":69,"genre_ids":316,"id":72,"title":73,"original_language":51,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"credit_id":317,"department":160,"job":181,"media_type":36},[71],"56f283cb925141554600124a",{"adult":4,"backdrop_path":183,"genre_ids":319,"id":185,"title":186,"original_language":51,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":193,"credit_id":320,"department":165,"job":166,"media_type":36},[71],"65cbfa40e194b001844eb6c5",{"adult":4,"backdrop_path":183,"genre_ids":322,"id":185,"title":186,"original_language":51,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":193,"credit_id":323,"department":324,"job":325,"media_type":36},[71],"65cbfa8a00508a017b431093","Editing","Editor",{"adult":4,"backdrop_path":10,"genre_ids":327,"id":328,"title":329,"original_language":51,"original_title":330,"overview":331,"popularity":332,"poster_path":10,"release_date":333,"softcore":4,"video":4,"vote_average":45,"vote_count":45,"credit_id":334,"department":289,"job":290,"media_type":36},[24,71],308633,"The Return of the Dead","El regreso del muerto","The Return of the Dead is a story about human condition and repentance. This documentary is the story of a tormented man, Don Rosendo, who has been haunted by his past and in the dawn of his life tries to find a sense for his existence. This story happens at the Mexico-USA border, in a transitory hostel.",1.1349,"2015-01-01","57d7e1f5c3a3682b540046cf",{"adult":4,"backdrop_path":10,"genre_ids":336,"id":337,"title":338,"original_language":51,"original_title":339,"overview":340,"popularity":341,"poster_path":342,"release_date":343,"softcore":4,"video":4,"vote_average":344,"vote_count":265,"credit_id":345,"department":289,"job":290,"media_type":36},[24],363297,"Lenin Park","Parque Lenin","Antoin, Yesuán and Karla share a common memory of their last moment together in the amusement park Parque Lenin. When they lost their mother, four years ago, their paths changed radically. 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