[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F2036382:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":7,"gender":8,"homepage":7,"id":9,"imdb_id":7,"known_for_department":10,"name":11,"place_of_birth":7,"popularity":12,"profile_path":7,"combined_credits":13,"images":31},false,[],"",null,0,2036382,"Acting","Andreas Schmidt",0.2824,{"cast":14,"crew":30},[15],{"adult":4,"backdrop_path":16,"genre_ids":17,"id":19,"title":20,"original_language":21,"original_title":20,"overview":22,"popularity":23,"poster_path":24,"release_date":25,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"character":26,"credit_id":27,"order":28,"media_type":29},"\u002FnfmfXV53Ewqv3Xc0SAkMQgrvzj.jpg",[18],10402,522434,"Otello","en","One of the chief pleasures of this live production of Otello from the Berlin Staatsoper Unter den Linden is Daniel Barenboim's conducting. From the opening gale-force blast of storm music, through the crunching and stabbing accompaniment of Iago's \"Credo\" to the shimmering strings of Desdemona's \"Willow Song\", he doesn't miss a trick. Everything works at the highest pitch of intensity and the orchestra sticks to his beat like glue. It's a necessary compensation for the shortcomings of the staging: the stolid chorus remains unperturbed by the storm and is directed to perform with unison movements; the acting (apart from Valeri Alexejev) is non-committal, and Alexandre Tarta's video direction somewhat flat-footed. She doesn't manage to make much small-screen sense of an impenetrably murky opening scene, for example, and doesn't seem fond of reaction shots.",0.7442,"\u002FfHyWyNd3l8t08mTTGiLzQpv343c.jpg","2001-01-01","Roderigo (tenor)","5aed631b9251411d020062f2",4,"movie",[],{"profiles":32},[]]