[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F20024:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":931},false,[],"From Wikipedia, the free encyclopedia.\n\nAmos Gitai (born 11 October 1950 in Haifa, Israel) is an Israeli film director.\n\nDescription above from the Wikipedia article Amos Gitai, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1950-10-11",null,2,20024,"nm0321159","Directing","Amos Gitai","Haifa, Israele",1.0769,"\u002FwazopTRd6hDUVhe5jTpsMoyfwSk.jpg",{"cast":18,"crew":164},[19,35,47,57,70,83,98,109,121,132,143,151],{"adult":4,"backdrop_path":8,"genre_ids":20,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":9,"character":31,"credit_id":32,"order":33,"media_type":34},[21,22],99,18,159297,"Lullaby to my Father","fr","The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture. We follow the journey of Munio, my father, born in 1909 in Silesia, Poland, the son of a tenant farmer of a Prussian junker. At the age of 18, Munio goes to Berlin and Dessau to meet Walter Gropius, Kandinsky and Paul Klee at the Bauhaus. In 1933, the Bauhaus was closed by the Nazis, who accused Munio of treason against the German people. Munio was imprisoned, then deported to Basel. He left for Palestine. Upon his arrival in Haifa, he began a career as an architect and adapted European modernist principles to the Middle East.",1.3104,"\u002FZOCVLZJq1B94FvnkO98G3eQM8s.jpg","2012-10-30",7.5,"Narrator (voice)","52fe4c0d9251416c910ee10d",1,"movie",{"adult":4,"backdrop_path":8,"genre_ids":36,"id":37,"title":38,"original_language":39,"original_title":40,"overview":41,"popularity":42,"poster_path":8,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"character":45,"credit_id":46,"order":9,"media_type":34},[],1044919,"Shards of Cinema and Philosophy","it","Schegge di cinema e filosofia","Inspired by the \"The wind of cinema\" festival which every year deals with issues relating to the relationship between cinema and philosophy, it shows a conversation between the critic Enrico Ghezzi and some directors including Werner Herzog, Amos Gitai, and the philosopher Boris Groys. The theme addressed is the \"Catastrophe\".",1.0171,"",0,"Self","63673a5596e30b00827a43bd",{"adult":4,"backdrop_path":8,"genre_ids":48,"id":49,"title":50,"original_language":39,"original_title":50,"overview":51,"popularity":52,"poster_path":53,"release_date":54,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"character":43,"credit_id":55,"order":56,"media_type":34},[],1059389,"Marco Melani: The Man with the Golden Eye","\"The Man With The Golden Eye\" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.",1.4252,"\u002FbnCihg9My4LjVWkNT8AkBczQvg.jpg","2021-12-09","63938f776e0d72007f7fa6b0",8,{"adult":4,"backdrop_path":8,"genre_ids":58,"id":60,"title":61,"original_language":62,"original_title":61,"overview":63,"popularity":64,"poster_path":65,"release_date":66,"softcore":4,"video":4,"vote_average":67,"vote_count":68,"character":43,"credit_id":69,"order":56,"media_type":34},[59,21],36,206521,"Carmel","he","Israeli filmmaker Amos Gitaï offers a look  impressionist long history of armed conflict in their nation.",2.8649,"\u002F78FhqjINStcDe4I5NFD15wsi2J7.jpg","2009-07-12",7,6,"580fd30d925141680f00e418",{"adult":4,"backdrop_path":8,"genre_ids":71,"id":72,"title":73,"original_language":74,"original_title":73,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"character":81,"credit_id":82,"order":44,"media_type":34},[21],453279,"West of the Jordan River","en","Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.",1.5574,"\u002Fx63pHROfI7z9KHy8ZZ2vRJzQbkE.jpg","2018-03-15",5.6,5,"Himself","5aa02194925141580c014f7c",{"adult":4,"backdrop_path":84,"genre_ids":85,"id":86,"title":87,"original_language":25,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":4,"video":4,"vote_average":93,"vote_count":94,"character":95,"credit_id":96,"order":97,"media_type":34},"\u002Fat6icjcP5o8AGJ88PBP8zdNW20k.jpg",[22],17925,"Disengagement","Désengagement","A political drama centered around Israel's pullout from the occupied Gaza strip, in which a French woman of Israeli origin comes to the Gaza Strip to find her long ago abandoned daughter.",1.9212,"\u002F7zXQY7klMf1tCY65DkBq9CbPLOv.jpg","2007-09-07",4.9,14,"Dani","5b5aaffc9251412aad007fb8",11,{"adult":4,"backdrop_path":8,"genre_ids":99,"id":100,"title":101,"original_language":62,"original_title":101,"overview":102,"popularity":103,"poster_path":104,"release_date":105,"softcore":4,"video":4,"vote_average":106,"vote_count":107,"character":43,"credit_id":108,"order":107,"media_type":34},[21],538619,"A Letter to a Friend in Gaza","Gitai pays homage to Albert Camus and explores the return to Palestinian villages while interjecting texts by Izhar Smilansky, Emile Habibi, Mahmoud Darwish, and Amira Hass.",0.9535,"\u002F10MVUPNPgDCqeVYqCOoqEZCgzLS.jpg","2018-09-03",4,3,"5d822ef8f6787a00159dff78",{"adult":4,"backdrop_path":110,"genre_ids":111,"id":112,"title":113,"original_language":62,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":67,"vote_count":67,"character":119,"credit_id":120,"order":33,"media_type":34},"\u002F7Gc2V5GZrPpO1voTIKRHgFokwys.jpg",[22],271559,"Things","זכרון דברים","The story of three men living in Tel Aviv. They set off to attend a funeral. Unfortunately, they cannot find the right cemetery. Later the story shifts to their complex love lives.",1.1209,"\u002FjExs42DDNI7QjxwoJGieK7lqpjJ.jpg","1995-01-01","Goldman","60e24697a4af8f002ea8c802",{"adult":4,"backdrop_path":8,"genre_ids":122,"id":123,"title":124,"original_language":62,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":130,"vote_count":67,"character":43,"credit_id":131,"order":44,"media_type":34},[21],184874,"Field Diary","יומן שדה","The story of various journeys through the West Bank and Gaza Strip occupied territories during the months leading up to Israel's invasion of Lebanon.",0.959,"\u002F5KDGZ42DVqQFsnjxFw6CE2NCbZT.jpg","1982-04-10",6.1,"69b96e6c80804128fd08fa5c",{"adult":4,"backdrop_path":8,"genre_ids":133,"id":134,"title":135,"original_language":136,"original_title":135,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":141,"vote_count":33,"character":43,"credit_id":142,"order":44,"media_type":34},[21],502922,"War and Peace in Vesoul","ar","In the train on the way to the Festival in Vesoul, filmmakers Amos Gitai and Elia Suleiman talk about the subjects that preoccupy them: war and peace in the Middle East, their film projects, their cities, their private lives… In Vesoul, the French welcome is rather comical and the questions of war and peace in the Middle East create misunderstandings: through a kind of inverted exoticism, we end up wondering who is really the “stranger” in this story.",0.9018,"\u002F1YWESWDLgb7FI0RoNOXzqLrqOhE.jpg","1997-02-04",10,"69b97519bdcda3dc66020832",{"adult":4,"backdrop_path":8,"genre_ids":144,"id":145,"title":146,"original_language":39,"original_title":146,"overview":43,"popularity":147,"poster_path":8,"release_date":148,"softcore":4,"video":4,"vote_average":68,"vote_count":33,"character":149,"credit_id":150,"order":106,"media_type":34},[],1678329,"Marco Melani - The Man With The Golden Eye : Scheggia dall'ultima versione",1.6691,"2026-04-12","Self - film critic","69e7b0222853002937b27b56",{"adult":4,"backdrop_path":8,"genre_ids":152,"id":155,"origin_country":156,"original_language":39,"original_name":158,"overview":43,"popularity":159,"poster_path":8,"first_air_date":160,"softcore":4,"name":158,"vote_average":44,"vote_count":44,"character":43,"credit_id":161,"episode_count":33,"first_credit_air_date":162,"media_type":163},[21,153,154],10767,10768,293024,[157],"IT","Parola (su una data)",2.1547,"2003-01-01","683ff6488a6ded62b368a942","2003-01-22","tv",[165,179,195,198,203,218,221,233,246,259,262,275,278,291,294,302,315,318,323,326,329,341,353,356,359,369,372,384,391,403,410,413,423,434,437,450,461,464,467,470,481,484,487,499,512,515,525,528,539,549,552,564,567,579,588,597,600,603,612,625,628,631,638,641,650,653,663,666,674,683,690,698,704,711,714,717,720,723,726,735,738,741,744,747,751,754,757,767,770,780,789,792,795,798,806,809,818,821,824,834,837,845,848,855,862,865,874,877,881,885,888,891,894,897,900,903,909,915,925,928],{"adult":4,"backdrop_path":166,"genre_ids":167,"id":168,"title":169,"original_language":25,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"credit_id":177,"department":12,"job":178,"media_type":34},"\u002FmpCIVcb4ywBGU6K0Qt1DCIcKoJp.jpg",[22],1926,"September 11","11’09”01 – September 11","Eleven directors from eleven countries each contribute an eleven-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what's happened; city kids in Burkina Faso think they've spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son's death. Tones vary, as do the locales. Most concern coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.",2.458,"\u002F3DfDYe82PS4rDWpHKSSWeiPme8C.jpg","2002-09-04",6.409,126,"52fe4322c3a36847f803cf83","Director",{"adult":4,"backdrop_path":180,"genre_ids":181,"id":183,"title":184,"original_language":25,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":4,"video":4,"vote_average":190,"vote_count":191,"credit_id":192,"department":193,"job":194,"media_type":34},"\u002Fwi6Pblw018aQtlN6vU8WPJHLuxS.jpg",[22,182],10770,22560,"One Day You'll Understand","Plus tard tu comprendras","A man endeavors to collect memories of his grandparents who died in a concentration camp during the Holocaust.",1.5578,"\u002FtYb7nsBndgjTI5LEBCAtiggWsfZ.jpg","2008-01-01",5.7,9,"52fe4446c3a368484e019c15","Writing","Adaptation",{"adult":4,"backdrop_path":180,"genre_ids":196,"id":183,"title":184,"original_language":25,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":4,"video":4,"vote_average":190,"vote_count":191,"credit_id":197,"department":12,"job":178,"media_type":34},[22,182],"52fe4446c3a368484e019c09",{"adult":4,"backdrop_path":180,"genre_ids":199,"id":183,"title":184,"original_language":25,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":4,"video":4,"vote_average":190,"vote_count":191,"credit_id":200,"department":201,"job":202,"media_type":34},[22,182],"52fe4446c3a368484e019c21","Production","Producer",{"adult":4,"backdrop_path":204,"genre_ids":205,"id":207,"title":208,"original_language":62,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":214,"vote_count":215,"credit_id":216,"department":193,"job":217,"media_type":34},"\u002F1mnOvu1goRyEZZskvyqjibLwK99.jpg",[206,22],35,30735,"Alila","עלילה","Life in a Tel Aviv apartment complex, an urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. Gabi, a bobbed haired sexpot, and her lover Hezi—who's older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown. Other characters include illegal Chinese immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police detective.",1.4717,"\u002FjW5mdGa4CjvsD3h5c30j1cluRHH.jpg","2003-06-06",5.3,19,"52fe44389251416c91008f9b","Writer",{"adult":4,"backdrop_path":204,"genre_ids":219,"id":207,"title":208,"original_language":62,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":214,"vote_count":215,"credit_id":220,"department":12,"job":178,"media_type":34},[206,22],"52fe44389251416c91008f8d",{"adult":4,"backdrop_path":222,"genre_ids":223,"id":224,"title":225,"original_language":74,"original_title":225,"overview":226,"popularity":227,"poster_path":228,"release_date":229,"softcore":4,"video":4,"vote_average":230,"vote_count":231,"credit_id":232,"department":12,"job":178,"media_type":34},"\u002F9MIVMcFo5B8R5pNuCg9gkc82mzZ.jpg",[22],7483,"Free Zone","Rebecca, an American who has been living in Jerusalem for a few months now, has just broken off her engagement. She gets into a cab driven by Hanna, an Israeli. But Hanna is on her way to Jordan, to the Free Zone, to pick up a large sum of money.",3.0924,"\u002Fud4A2xRAa6j92dTuOy2B2Glv5xY.jpg","2005-06-18",5.583,60,"52fe447fc3a36847f8099b29",{"adult":4,"backdrop_path":234,"genre_ids":235,"id":237,"title":238,"original_language":62,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":4,"video":4,"vote_average":93,"vote_count":106,"credit_id":244,"department":193,"job":245,"media_type":34},"\u002F9TwMT8rYEryPtHaKfjT1uJAqcjP.jpg",[59,236,206],10749,728107,"Laila in Haifa","לילה בחיפה","The film was shot entirely in a nightclub, with an adjoining contemporary art gallery, whose customers are both Israelis and Palestinians, in one of Israel’s most open cities, Haifa. A long night in a place where the most diverse people meet: Jews, Muslims, gays, heterosexuals, transvestites; and three women, who in that multifaceted microcosm, a gathering peaceful hideout, can find shelter from male bullying and arrogance.",2.2521,"\u002F6vBKA5Yo1Vjuw7KZz3eEBje9QlE.jpg","2021-09-01","6079a2811b1f3c0057ba0c03","Screenplay",{"adult":4,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":62,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":257,"credit_id":258,"department":12,"job":178,"media_type":34},"\u002FwaEKuyRge5fdmqUgqa2xcGTbzXZ.jpg",[22,236],40476,"Kadosh","קדוש‎","The year 2000 approaches in Jerusalem's Orthodox Mea Shearim quarter, where the women work, keep house, and have children so the men can study the Torah and the Talmud. Rivka is happily and passionately married to Meir, but they remain childless. The yeshiva's rabbi, who is Meir's father, wants Meir to divorce Rivka: \"a barren woman is no woman.\" Rivka's sister, Malka, is in love with Yakov, a Jew shunned by the yeshiva as too secular. The rabbi arranges Malka's marriage to Yossef, whose agitation when fulfilling religious duties approaches the grotesque. Can the sisters sort out their hearts' desires within this patriarchal world? If not, have they any other options?",1.2059,"\u002FmQML6VNcmW80YlyS0Cfp7hnnrdP.jpg","1999-06-10",5.9,28,"52fe4593c3a36847f80cef49",{"adult":4,"backdrop_path":247,"genre_ids":260,"id":249,"title":250,"original_language":62,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":257,"credit_id":261,"department":193,"job":217,"media_type":34},[22,236],"52fe4593c3a36847f80cef4f",{"adult":4,"backdrop_path":263,"genre_ids":264,"id":265,"title":266,"original_language":25,"original_title":267,"overview":268,"popularity":269,"poster_path":270,"release_date":271,"softcore":4,"video":4,"vote_average":272,"vote_count":273,"credit_id":274,"department":12,"job":178,"media_type":34},"\u002F20vIC3JXCFrsLwv0TpiBbK7IKh2.jpg",[206,22],36108,"To Each His Own Cinema","Chacun son cinema ou Ce petit coup au coeur quand la lumiere s'eteint et que le film commence","Commissioned to mark the 60th anniversary of the Cannes Film Festival, \"To Each His Own Cinema\" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.",3.0338,"\u002F1bTniamnmxv8TY3AUrxddrNy9rV.jpg","2007-10-31",6.4,163,"52fe45cd9251416c9103edc5",{"adult":4,"backdrop_path":84,"genre_ids":276,"id":86,"title":87,"original_language":25,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":4,"video":4,"vote_average":93,"vote_count":94,"credit_id":277,"department":12,"job":178,"media_type":34},[22],"52fe47539251416c7509569b",{"adult":4,"backdrop_path":279,"genre_ids":280,"id":282,"title":283,"original_language":74,"original_title":284,"overview":285,"popularity":286,"poster_path":287,"release_date":288,"softcore":4,"video":4,"vote_average":289,"vote_count":215,"credit_id":290,"department":12,"job":178,"media_type":34},"\u002FnMX8ajpbCFDnuqNHV6tyItT9Ooc.jpg",[22,281],53,48870,"Promised Land","Ha-Aretz Hamuvtachat","\"Promised Land\" tells the story of a group of young unwitting Estonian girls smuggled through Egypt to be auctioned off as prostitutes in Israel, and of their initiation into this trade of flesh, and finally of the accidental freeing of one girl who most fight for her freedom.",2.0355,"\u002Fmw5yCuHlAh3viZNORFsC8SOkZUW.jpg","2004-10-21",5.1,"52fe4779c3a36847f8137b0b",{"adult":4,"backdrop_path":279,"genre_ids":292,"id":282,"title":283,"original_language":74,"original_title":284,"overview":285,"popularity":286,"poster_path":287,"release_date":288,"softcore":4,"video":4,"vote_average":289,"vote_count":215,"credit_id":293,"department":193,"job":217,"media_type":34},[22,281],"52fe4779c3a36847f8137b2f",{"adult":4,"backdrop_path":8,"genre_ids":295,"id":296,"title":297,"original_language":74,"original_title":297,"overview":298,"popularity":299,"poster_path":8,"release_date":300,"softcore":4,"video":4,"vote_average":67,"vote_count":33,"credit_id":301,"department":12,"job":178,"media_type":34},[],830923,"Charisma","An essay parable, part documentary part fiction, on the desire for a leader, anchored in Brecht’s 1935 poem A Worker Reads History.",1.27,"1976-01-01","60a3ae85764b9900579156de",{"adult":4,"backdrop_path":303,"genre_ids":304,"id":306,"title":307,"original_language":62,"original_title":308,"overview":309,"popularity":310,"poster_path":311,"release_date":312,"softcore":4,"video":4,"vote_average":214,"vote_count":313,"credit_id":314,"department":12,"job":178,"media_type":34},"\u002Fb7BCGWuXsc68kU7jEkjfhgajm2O.jpg",[22,305],10752,49709,"Kippur","כיפור","When the Yom Kippur War breaks out, two Israeli soldiers find themselves unable to locate their unit. Eager to take part in the war effort, they join an airborne medical evacuation unit.",1.6982,"\u002Fi7oZ01TVX0srYXemw35UM04QWGQ.jpg","2000-09-07",41,"52fe47a2c3a36847f814058f",{"adult":4,"backdrop_path":303,"genre_ids":316,"id":306,"title":307,"original_language":62,"original_title":308,"overview":309,"popularity":310,"poster_path":311,"release_date":312,"softcore":4,"video":4,"vote_average":214,"vote_count":313,"credit_id":317,"department":193,"job":217,"media_type":34},[22,305],"52fe47a2c3a36847f8140595",{"adult":4,"backdrop_path":8,"genre_ids":319,"id":296,"title":297,"original_language":74,"original_title":297,"overview":298,"popularity":299,"poster_path":8,"release_date":300,"softcore":4,"video":4,"vote_average":67,"vote_count":33,"credit_id":320,"department":321,"job":322,"media_type":34},[],"60aba6bed7fbda00299d710d","Crew","Cinematography",{"adult":4,"backdrop_path":8,"genre_ids":324,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":9,"credit_id":325,"department":201,"job":202,"media_type":34},[21,22],"60c7811edb154f006c8c34cb",{"adult":4,"backdrop_path":8,"genre_ids":327,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":9,"credit_id":328,"department":321,"job":322,"media_type":34},[21,22],"60c781f4283ed9002af0dbb6",{"adult":4,"backdrop_path":330,"genre_ids":331,"id":332,"title":333,"original_language":74,"original_title":333,"overview":334,"popularity":335,"poster_path":336,"release_date":337,"softcore":4,"video":4,"vote_average":338,"vote_count":339,"credit_id":340,"department":12,"job":178,"media_type":34},"\u002FmRKNcOUdrkl976N5uGeFGveZZ6t.jpg",[22,236,305],99637,"Eden","In 1939, Kalman, an ambitious young businessman, leaves Europe to join his sister Samantha in Palestine. She lives with Dov, an idealistic architect obsessed with the Bauhaus style. With their friends, they form a group, which discusses the future Israeli State.",1.4246,"\u002F2j4ItcoPcly4hBSPNpghAWVu3vF.jpg","2001-08-29",3.1,12,"52fe4a3b9251416c750e215b",{"adult":4,"backdrop_path":342,"genre_ids":343,"id":344,"title":345,"original_language":62,"original_title":346,"overview":347,"popularity":348,"poster_path":349,"release_date":350,"softcore":4,"video":4,"vote_average":80,"vote_count":351,"credit_id":352,"department":12,"job":178,"media_type":34},"\u002FlqOvuikqW4wjgxlY6exH30Bg9nC.jpg",[305,22],125945,"Kedma","קדמה","In May 1948, shortly before the creation of the State of Israel, hundreds of immigrants from across Europe arrive in Palestine--only to risk arrest by British troops.",1.4528,"\u002Fv8YVI45BAbJgU4Yt6AGZkGdt2N6.jpg","2002-05-22",16,"52fe4ad3c3a368484e1691cf",{"adult":4,"backdrop_path":110,"genre_ids":354,"id":112,"title":113,"original_language":62,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":67,"vote_count":67,"credit_id":355,"department":193,"job":245,"media_type":34},[22],"60e245c42f266b002bbffcf1",{"adult":4,"backdrop_path":8,"genre_ids":357,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":9,"credit_id":358,"department":12,"job":178,"media_type":34},[21,22],"52fe4c0c9251416c910ee101",{"adult":4,"backdrop_path":8,"genre_ids":360,"id":361,"title":362,"original_language":25,"original_title":363,"overview":364,"popularity":365,"poster_path":8,"release_date":366,"softcore":4,"video":4,"vote_average":367,"vote_count":106,"credit_id":368,"department":12,"job":178,"media_type":34},[21],162764,"Pineapple","Ananas","Documentary about the process canned pineapple takes from cultivation to sale.",1.0075,"1984-01-01",5.8,"52fe4c5dc3a36847f822a857",{"adult":4,"backdrop_path":8,"genre_ids":370,"id":60,"title":61,"original_language":62,"original_title":61,"overview":63,"popularity":64,"poster_path":65,"release_date":66,"softcore":4,"video":4,"vote_average":67,"vote_count":68,"credit_id":371,"department":12,"job":178,"media_type":34},[59,21],"52fe4d1fc3a368484e1d83fb",{"adult":4,"backdrop_path":373,"genre_ids":374,"id":375,"title":376,"original_language":74,"original_title":377,"overview":378,"popularity":379,"poster_path":380,"release_date":381,"softcore":4,"video":4,"vote_average":382,"vote_count":9,"credit_id":383,"department":12,"job":178,"media_type":34},"\u002Fak6QXhtIXe8MqBh9hcrx5T0n7K7.jpg",[21],184702,"A House in Jerusalem","Bait be Yerushalayim","Can a house be a metaphor for Arab-Jewish relations in Israel? Amos Gitai returns to the house in West Jerusalem he profiled in 1980. He interviews members of the Jewish families who live there, and he talks with the Arab family who lived in the house until 1948. They are now in East Jerusalem and pay a nearly furtive visit to the street in front of their old house. Gitai also interviews Palestinian laborers at work on renovations and excavating an old tunnel to the Holy Mount. What do people think of each other, what do they think of Israel, what do they think of co-existence? Do the current residents know the house's history?",0.9879,"\u002F73NhJzx4eVXGwPGribhHmRcZOQL.jpg","1998-04-09",6.5,"52fe4cc69251416c751252ab",{"adult":4,"backdrop_path":8,"genre_ids":385,"id":386,"title":387,"original_language":25,"original_title":387,"overview":43,"popularity":388,"poster_path":8,"release_date":389,"softcore":4,"video":4,"vote_average":191,"vote_count":107,"credit_id":390,"department":12,"job":178,"media_type":34},[21],184704,"Wadi 1981 - 1991",0.8286,"1992-04-09","52fe4cc69251416c75125307",{"adult":4,"backdrop_path":392,"genre_ids":393,"id":394,"title":395,"original_language":25,"original_title":396,"overview":397,"popularity":398,"poster_path":399,"release_date":400,"softcore":4,"video":4,"vote_average":401,"vote_count":80,"credit_id":402,"department":12,"job":178,"media_type":34},"\u002F9XFQqcikjYQix1B0TzApAZQxMeI.jpg",[21],184683,"House","Bayit","House is the story of a house in West-Jerusalem: abandoned during the 1948 war by its owner, a Palestinian doctor; requisitioned by the Israeli government as \"vacant'; rented to Jewish Algerian immigrants in 1956; purchased by a university professor who undertakes its transformation into a patrician villa... The building site is like a theatre in which the former inhabitants, the neighbours, the workers, the builder and the new owner all appear. Israeli television censured the film.  \"Gitai wants this house to be both a symbol and something very concrete; he wants it to become a character in a film. He achieves one of the most beautiful things a camera can register 'live', as it were; people who look at the same thing but see different things - and who are moved by that vision. In this crumbling shell of a house, real hallucinations begin to take shape. The film's central idea is simple and the film has simply the force of that idea, no more, no less.\"",1.1828,"\u002Fcf4LS1zrX8aed54LaJ7XGGQ08M.jpg","1980-01-30",7.8,"52fe4cc59251416c7512510f",{"adult":4,"backdrop_path":8,"genre_ids":404,"id":405,"title":406,"original_language":25,"original_title":406,"overview":43,"popularity":407,"poster_path":8,"release_date":408,"softcore":4,"video":4,"vote_average":56,"vote_count":33,"credit_id":409,"department":12,"job":178,"media_type":34},[21],184706,"Wadi Grand Canyon, 2001",1.0079,"2001-04-09","52fe4cc69251416c75125313",{"adult":4,"backdrop_path":8,"genre_ids":411,"id":123,"title":124,"original_language":62,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":130,"vote_count":67,"credit_id":412,"department":12,"job":178,"media_type":34},[21],"52fe4ccc9251416c75125ecd",{"adult":4,"backdrop_path":8,"genre_ids":414,"id":415,"title":416,"original_language":25,"original_title":417,"overview":418,"popularity":419,"poster_path":420,"release_date":421,"softcore":4,"video":4,"vote_average":67,"vote_count":33,"credit_id":422,"department":12,"job":178,"media_type":34},[21],184869,"The Arena of Murder","Zirat Ha'Rezach","This documentary by Amos Gitai is a personal look at the aftermath of the Rabin assassination.",1.12,"\u002Fb9hHslLV9U1p79sSkb6UvNBGWeh.jpg","1996-01-01","52fe4ccc9251416c75125e6f",{"adult":4,"backdrop_path":424,"genre_ids":425,"id":426,"title":427,"original_language":62,"original_title":428,"overview":429,"popularity":430,"poster_path":431,"release_date":432,"softcore":4,"video":4,"vote_average":130,"vote_count":97,"credit_id":433,"department":12,"job":178,"media_type":34},"\u002F8wpz6k7qzL0fPfSZzp8QdXY08xU.jpg",[22],216789,"Ana Arabia","אנה ערביה","Filmed in one sequence-shot of 1 hour and 25 minutes, Ana Arabia is a moment in the life of a small community of outcasts, Jews and Arabs, who live together in a forgotten enclave at the “border” between Jaffa and Bat Yam, in Israel. One day, Yael, a young journalist, visits them. In these dilapidated shacks, in the orchard filled with lemon trees and surrounded by mass public houses, she discovers a range of characters far removed from the usual clichés offered by the region. Yael has the feeling of having discovered a human goldmine. She no longer thinks of her job. Faces and words of Youssef and Miriam, Sarah and Walid, of their neighbors, their friends tell her about life, its dreams and its hopes, its love affairs, desires and disillusions. Their relation to time is different than that of the city around them. In this tinkered and fragile place, there is a possibility of coexistence. A universal metaphor.",1.1231,"\u002FcmOX2EPYJOWYx3VXVIxNxjpgnWG.jpg","2013-09-02","52fe4e20c3a368484e20fb11",{"adult":4,"backdrop_path":424,"genre_ids":435,"id":426,"title":427,"original_language":62,"original_title":428,"overview":429,"popularity":430,"poster_path":431,"release_date":432,"softcore":4,"video":4,"vote_average":130,"vote_count":97,"credit_id":436,"department":193,"job":217,"media_type":34},[22],"52fe4e20c3a368484e20fb17",{"adult":4,"backdrop_path":438,"genre_ids":439,"id":441,"title":442,"original_language":25,"original_title":443,"overview":444,"popularity":445,"poster_path":446,"release_date":447,"softcore":4,"video":4,"vote_average":448,"vote_count":56,"credit_id":449,"department":12,"job":178,"media_type":34},"\u002FoFbPRPimKLXl8B6LG0lPirxX2wl.jpg",[94,440],9648,217297,"Birth of a Golem","Naissance d'un Golem","With the feel of experimental film, Gitai mixes storytelling, readers' theater, cityscapes (usually seen from moving trains), and desolate landscapes to mediate on the act of creation. What if a golem were fashioned out of dirt, much like Adam, and came to life? The film imagines it, in the desert and in Moscow. Interspersed are stories of a 14th-century Tuscan artist's creation of a tower that plays music when the wind blows, of a film director, and of Jeremiah and Sirat. In what ways is making a movie like creating a golem?",1.2796,"\u002Fhn0mIyUHVwW5yvUkvjjakqUrg1n.jpg","1990-08-27",3.4,"52fe4e2dc3a368484e212921",{"adult":4,"backdrop_path":451,"genre_ids":452,"id":453,"title":454,"original_language":62,"original_title":455,"overview":456,"popularity":457,"poster_path":458,"release_date":459,"softcore":4,"video":4,"vote_average":256,"vote_count":67,"credit_id":460,"department":193,"job":217,"media_type":34},"\u002FnLqnt00SCilJh47RHCbYrjLUsic.jpg",[206,22],258308,"Day After Day","יום יום","In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe leads a rootless existence. Grown weary of his impatient wife Didi and ambivalent about his needy young mistress Grisha, the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna and Arab Yussuf, and with Jules, Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.",1.4345,"\u002FdD3b5jAfJjhYZPHEHNhqrr2W7av.jpg","1998-09-02","5319997892514177bf002351",{"adult":4,"backdrop_path":451,"genre_ids":462,"id":453,"title":454,"original_language":62,"original_title":455,"overview":456,"popularity":457,"poster_path":458,"release_date":459,"softcore":4,"video":4,"vote_average":256,"vote_count":67,"credit_id":463,"department":12,"job":178,"media_type":34},[206,22],"5319996a92514177ae002325",{"adult":4,"backdrop_path":330,"genre_ids":465,"id":332,"title":333,"original_language":74,"original_title":333,"overview":334,"popularity":335,"poster_path":336,"release_date":337,"softcore":4,"video":4,"vote_average":338,"vote_count":339,"credit_id":466,"department":193,"job":217,"media_type":34},[22,236,305],"62b4a336a24c500cfaa7970d",{"adult":4,"backdrop_path":330,"genre_ids":468,"id":332,"title":333,"original_language":74,"original_title":333,"overview":334,"popularity":335,"poster_path":336,"release_date":337,"softcore":4,"video":4,"vote_average":338,"vote_count":339,"credit_id":469,"department":201,"job":202,"media_type":34},[22,236,305],"62b4a4343e6f2b1127d1fed5",{"adult":4,"backdrop_path":471,"genre_ids":472,"id":473,"title":474,"original_language":62,"original_title":475,"overview":476,"popularity":477,"poster_path":478,"release_date":479,"softcore":4,"video":4,"vote_average":130,"vote_count":67,"credit_id":480,"department":12,"job":178,"media_type":34},"\u002FlrKJw7ENevoP9hGzdn6ZmQiZ7bm.jpg",[22],263681,"Esther","אסתר","Ahasverus, king of Persia and Media, puts aside Vashti and makes Esther his queen, choosing her among maidens in a kingdom stretching from India to Ethiopia. Esther, using information from Mordecai, her uncle and patron, saves the king from assassination. Haman, the king's favorite, is miffed when Mordecai won't bow to him, so he orders death to all Jews in the kingdom, under the seal of the king. Esther pleads for her people, and Mordecai is in turn given license to make his own edict under the king's seal. Mordecai loses sight of his original intention, and bloody murder ensues. Purim annually celebrates the story. At the end of the film, the actors comment.",1.1204,"\u002Fy2UqcTdFSHxe7afhj1pYIY0vxjk.jpg","1986-01-01","53441bbd0e0a260be00001bd",{"adult":4,"backdrop_path":110,"genre_ids":482,"id":112,"title":113,"original_language":62,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":67,"vote_count":67,"credit_id":483,"department":12,"job":178,"media_type":34},[22],"538ae8a20e0a266702000f20",{"adult":4,"backdrop_path":247,"genre_ids":485,"id":249,"title":250,"original_language":62,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":257,"credit_id":486,"department":201,"job":202,"media_type":34},[22,236],"62cb9fb0a698cf00509ee312",{"adult":4,"backdrop_path":488,"genre_ids":489,"id":490,"title":491,"original_language":62,"original_title":492,"overview":493,"popularity":494,"poster_path":495,"release_date":496,"softcore":4,"video":4,"vote_average":497,"vote_count":68,"credit_id":498,"department":12,"job":178,"media_type":34},"\u002F74yASRKSDYBStEQLdm6FKMXOuzM.jpg",[22,305],288688,"Tsili","צילי","Tsili is a young girl caught in the middle of World War II. After her family is taken to a concentration camp, Tsili hides in the forest, free from hatred and men, until the arrival of Marek, a stranger who speaks to her in Yiddish.",1.0167,"\u002Fv5szqqhBCpVwyX49733RA46f30c.jpg","2015-04-23",5.2,"53faf11d0e0a267a75006dc7",{"adult":4,"backdrop_path":500,"genre_ids":501,"id":502,"title":503,"original_language":25,"original_title":504,"overview":505,"popularity":506,"poster_path":507,"release_date":508,"softcore":4,"video":4,"vote_average":509,"vote_count":510,"credit_id":511,"department":12,"job":178,"media_type":34},"\u002FtSLGY4JgdK9ErDLfzdbaAtWdvFR.jpg",[236,22,305,182],292019,"Roses on Credit","Roses à crédit","A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.",1.3551,"\u002FfLtprxQx1zTcfjNB59dsPDFXESk.jpg","2010-09-09",4.5,17,"5418aaccc3a3680aca000772",{"adult":4,"backdrop_path":500,"genre_ids":513,"id":502,"title":503,"original_language":25,"original_title":504,"overview":505,"popularity":506,"poster_path":507,"release_date":508,"softcore":4,"video":4,"vote_average":509,"vote_count":510,"credit_id":514,"department":193,"job":194,"media_type":34},[236,22,305,182],"5418aade0e0a26250100076b",{"adult":4,"backdrop_path":516,"genre_ids":517,"id":518,"title":519,"original_language":74,"original_title":519,"overview":520,"popularity":521,"poster_path":522,"release_date":523,"softcore":4,"video":4,"vote_average":190,"vote_count":56,"credit_id":524,"department":12,"job":178,"media_type":34},"\u002FgR7XokQ7uidQtRfoaCmmAodZ9Q0.jpg",[22,206],268677,"Words with Gods","The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his\u002Fher god or gods...or the lack thereof.  In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.",1.9361,"\u002FhlVeqMN4wbP8r8WbM4UcAvMjKpj.jpg","2014-11-20","53f45df5c3a36833fd001082",{"adult":4,"backdrop_path":516,"genre_ids":526,"id":518,"title":519,"original_language":74,"original_title":519,"overview":520,"popularity":521,"poster_path":522,"release_date":523,"softcore":4,"video":4,"vote_average":190,"vote_count":56,"credit_id":527,"department":193,"job":217,"media_type":34},[22,206],"53f46e5b0e0a267f8d001b41",{"adult":4,"backdrop_path":529,"genre_ids":530,"id":531,"title":532,"original_language":25,"original_title":533,"overview":534,"popularity":535,"poster_path":536,"release_date":537,"softcore":4,"video":4,"vote_average":80,"vote_count":56,"credit_id":538,"department":12,"job":178,"media_type":34},"\u002FabdoGXBPadMCjI0SwaufraSnV3r.jpg",[22],261601,"Golem, the Spirit of Exile","Golem, l'esprit de l'exil","An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.",1.3193,"\u002Fzuyw4KopGRUmAjTxxRzrLwpXvyQ.jpg","1992-09-24","5420e87cc3a36818d90006c9",{"adult":4,"backdrop_path":8,"genre_ids":540,"id":541,"title":542,"original_language":25,"original_title":543,"overview":544,"popularity":545,"poster_path":546,"release_date":547,"softcore":4,"video":4,"vote_average":497,"vote_count":80,"credit_id":548,"department":193,"job":217,"media_type":34},[22],294447,"Golem: The Petrified Garden","Golem, le jardin pétrifié","Danny Cornish, a sort of stateless man who arranges art exhibits, is called from Tel Aviv to Paris with the news that a great uncle has died, in Birobidjan, the autonomous Jewish zone in Russia, leaving him a valuable art collection and the hand of a huge sculpture of a Golem. The uncle's will instructs Danny to find the rest of the statue, so Danny, who speaks no Russian, embarks on a trip that takes him (and the Golem's hand) to Moscow, St. Petersburg, and Siberia, fumbling with hotel clerks, taxi drivers, and bureaucrats, following leads, and making discoveries about myth, story telling, art, and hope.",2.0727,"\u002F3XNKjWS9RHjOymZKysQZbmBuP4x.jpg","1993-01-01","542173140e0a265d1d0016b8",{"adult":4,"backdrop_path":8,"genre_ids":550,"id":541,"title":542,"original_language":25,"original_title":543,"overview":544,"popularity":545,"poster_path":546,"release_date":547,"softcore":4,"video":4,"vote_average":497,"vote_count":80,"credit_id":551,"department":12,"job":178,"media_type":34},[22],"54217308c3a36818c600161e",{"adult":4,"backdrop_path":553,"genre_ids":554,"id":555,"title":556,"original_language":39,"original_title":557,"overview":558,"popularity":559,"poster_path":560,"release_date":561,"softcore":4,"video":4,"vote_average":80,"vote_count":562,"credit_id":563,"department":12,"job":178,"media_type":34},"\u002FhoaLD1f2yleIi4znLepuNTKhbw1.jpg",[22,21],220709,"Venice 70: Future Reloaded","Venezia 70: Future Reloaded","Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.",3.2041,"\u002FpHRlMgNdMUA5jJpEYqcYzR6WYZK.jpg","2013-08-28",21,"546919cf22136e68c7001716",{"adult":4,"backdrop_path":84,"genre_ids":565,"id":86,"title":87,"original_language":25,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":4,"video":4,"vote_average":93,"vote_count":94,"credit_id":566,"department":193,"job":217,"media_type":34},[22],"5478a660c3a3685e48000707",{"adult":4,"backdrop_path":8,"genre_ids":568,"id":569,"title":570,"original_language":571,"original_title":572,"overview":573,"popularity":574,"poster_path":575,"release_date":576,"softcore":4,"video":4,"vote_average":577,"vote_count":56,"credit_id":578,"department":12,"job":178,"media_type":34},[22,21],279832,"Welcome to São Paulo","pt","Bem-Vindo a São Paulo","All the feature is given prestige to by the narration in Caetano Veloso's voice, that also signs one of the segments of the project. 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She promotes feminism and laments a shift in the men from self-defense to aggression. Her friend, Else Lasker-Schuler (1869 - 1945), expressionist poet and German Jew, is in Berlin, writing, caring for her son, watching Hitler's movement take power. She goes to Jerusalem and imagines a park for Arab and Jew. Her poems, voiced from within, capture her experience. The film meditates on the violence at the root of Israel's birth: of the Nazis and of the Zionists.",0.8391,"1989-02-03","54d1bf60925141579e0014f4",{"adult":4,"backdrop_path":8,"genre_ids":589,"id":590,"title":591,"original_language":74,"original_title":591,"overview":592,"popularity":593,"poster_path":594,"release_date":595,"softcore":4,"video":4,"vote_average":191,"vote_count":33,"credit_id":596,"department":12,"job":178,"media_type":34},[21],319115,"In the Valley of the Wupper","Following the 1992 killing of a man mistakenly believed to be Jewish, Amos Gitai interviews residents, witnesses, and legal figures in Wuppertal. 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