[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F19789:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":11,"combined_credits":18,"images":572},false,[6],"Marcel Wall","Marcel Ophuls (German: [ˈɔfʏls]; born 1 November 1927) was a German-French documentary film maker and former actor, best known for his films The Sorrow and the Pity and Hôtel Terminus: The Life and Times of Klaus Barbie.\n\nOphuls was born in Frankfurt, Germany, the son of Hildegard Wall and the director Max Ophüls. His family left Germany in 1933 following the coming to power of the Nazi Party and settled in Paris, France. Following the invasion of France by Germany in May 1940 they were forced to flee to the Vichy zone, remaining in hiding for over a year before crossing the Pyrenees into Spain in order to travel to the United States, arriving there in December 1941. Marcel attended Hollywood High School, then Occidental College, Los Angeles. He spent a brief period serving in a U.S. Army theatrical unit in Japan in 1946, then studied at the University of California, Berkeley. Ophuls became a naturalized citizen of France in 1938, and of the United States in 1950.\n\nWhen the family returned to Paris in 1950 Marcel became an assistant to Julien Duvivier and Anatole Litvak, and worked on John Huston's Moulin Rouge (1952) and his father's Lola Montès (1955). Through François Truffaut, Ophuls got to direct an episode of the portmanteau film Love at Twenty (1962). There followed the commercial hit Banana Peel (1964), a detective film starring Jeanne Moreau and Jean-Paul Belmondo.\n\nWith a slump in box-office fortunes, Ophuls turned to television news reporting and a documentary on the Munich crisis of 1938: Munich (1967). He then embarked on his examination of France under Nazi occupation, The Sorrow and the Pity. Although he enjoyed making entertaining films, Ophuls became identified as a documentarian, using a characteristically sober interview style to resolve disparate experiences into a persuasive argument. A Sense of Loss (1972) looked at Northern Ireland, and The Memory of Justice (1973) was an ambitious comparison of US policy in Vietnam and the atrocities of the Nazis. Disagreements with his French backers over interpretation led Ophuls to smuggle a print to New York where it was shown privately. Legal wrangles left him disappointed and financially broke, and Ophuls turned to university lecturing.\n\nIn the mid-1970s, he began producing documentaries for CBS and ABC. His feature documentary Hotel Terminus: The Life and Times of Klaus Barbie (1988) won an Academy Award; since then he has made an interview film with two senior East German Communists, November Days (1992) and a ruminative look at how journalists cover war, The Trouble We've Seen (1994).\n\nEvery year the IDFA (International Documentary Festival) in Amsterdam screens an acclaimed filmmaker's ten favorite films. In 2007, Iranian filmmaker Maziar Bahari selected The Sorrow and the Pity for his top ten classics from the history of documentary. At the 65th Berlin International Film Festival in February 2015 Ophuls received the Berlinale Camera award for his life work.","1927-11-01","2025-05-24",2,null,19789,"nm0649096","Directing","Marcel Ophüls","Frankfurt am Main, Germany",0.7939,{"cast":19,"crew":295},[20,38,51,64,73,88,99,108,119,129,138,147,155,168,181,195,206,219,232,248,261,277,286],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"character":34,"credit_id":35,"order":36,"media_type":37},"\u002Fsuxg30jaOoTLHQlvaz5ulUcxJQd.jpg",[23,24],10752,99,41954,"Hôtel Terminus: The Life and Times of Klaus Barbie","en","Marcel Ophuls' riveting film details the heinous legacy of the Gestapo head dubbed \"The Butcher of Lyon.\" Responsible for over 4,000 deaths in occupied France during World War II, Barbie would escape—with U.S. help—to South America in 1951, where he lived until a global manhunt led to his 1983 arrest and subsequent trial.",1.6864,"\u002FgyU6I5h7K4M59QxFLCPJTMSzkDC.jpg","1988-11-01",7.1,40,"Self","52fe45e5c3a36847f80e08c5",1,"movie",{"adult":4,"backdrop_path":11,"genre_ids":39,"id":40,"title":41,"original_language":27,"original_title":42,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"character":34,"credit_id":49,"order":50,"media_type":37},[24],191728,"Ain't Misbehavin","Un voyageur","18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.",2.2321,"\u002F3yezcC6fFIJ0ZfwFaBfMapTi5WM.jpg","2013-05-16",6.2,4,"52fe4c909251416c910f8e9b",0,{"adult":4,"backdrop_path":52,"genre_ids":53,"id":54,"title":55,"original_language":56,"original_title":57,"overview":58,"popularity":59,"poster_path":60,"release_date":61,"softcore":4,"video":4,"vote_average":62,"vote_count":10,"character":34,"credit_id":63,"order":36,"media_type":37},"\u002Ft3JMgcFCxUjBuwBSOmgze4Qu87i.jpg",[24],223836,"Marcel Ophuls and Jean-Luc Godard: The Meeting in St-Gervais","fr","Marcel Ophuls et Jean-Luc Godard, La rencontre de St-Gervais","In 2009, in a small theater in Geneva, Switzerland, the film directors Marcel Ophuls and Jean-Luc Godard met for an unusual, surprisngly intimate and sometimes contentious dialogue with each other in front of a live audience. Luckily for us, it was filmed.",1.4127,"\u002FvfuSNJFAMyOOEFF2xfAKBy2vKAC.jpg","2011-04-07",7,"52fe4e259251416c7514cd2d",{"adult":4,"backdrop_path":11,"genre_ids":65,"id":66,"title":67,"original_language":27,"original_title":68,"overview":69,"popularity":70,"poster_path":11,"release_date":71,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":34,"credit_id":72,"order":50,"media_type":37},[24],1181660,"Marcel Ophuls: The Memory Hunter","Marcel Ophüls: the Memory Hunter","Storyville's Nick Fraser meets German-French documentary film maker and former actor, Marcel Ophüls.",0.6291,"2004-07-10","650c7c1744ea54013b7f27b8",{"adult":4,"backdrop_path":74,"genre_ids":75,"id":77,"title":78,"original_language":56,"original_title":78,"overview":79,"popularity":80,"poster_path":81,"release_date":82,"softcore":4,"video":4,"vote_average":83,"vote_count":84,"character":85,"credit_id":86,"order":87,"media_type":37},"\u002F8pEwM0mk5BcVVXXn3aTqIpf3qJ9.jpg",[76],18,444484,"Liberty Belle","The story of a group of students' involvement with a group who oppose the French-Algerian war.",1.3149,"\u002Fp6CzIv0mi8aBR5EfZbYNIKZ85MY.jpg","1983-09-14",4.2,6,"German teacher","6369f14ce0ec510079cb09b9",9,{"adult":4,"backdrop_path":11,"genre_ids":89,"id":91,"title":92,"original_language":93,"original_title":92,"overview":94,"popularity":95,"poster_path":11,"release_date":96,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":97,"credit_id":98,"order":48,"media_type":37},[90],10770,1045697,"Festspiele","de","Television film",0.7096,"1982-01-01","Clown","6369eaac1684f7007a9c3ce5",{"adult":4,"backdrop_path":11,"genre_ids":100,"id":101,"title":102,"original_language":93,"original_title":102,"overview":103,"popularity":104,"poster_path":11,"release_date":105,"softcore":4,"video":4,"vote_average":87,"vote_count":36,"character":106,"credit_id":107,"order":84,"media_type":37},[76],353951,"Das schöne irre Judenmädchen","",1.127,"1984-02-08","Medardus","55c909e692514177cc000480",{"adult":4,"backdrop_path":11,"genre_ids":109,"id":110,"title":111,"original_language":27,"original_title":111,"overview":112,"popularity":113,"poster_path":114,"release_date":115,"softcore":4,"video":4,"vote_average":116,"vote_count":117,"character":34,"credit_id":118,"order":10,"media_type":37},[24],369363,"Claude Lanzmann: Spectres of the Shoah","Claude Lanzmann discusses the long and difficult process of researching, shooting, editing, and presenting his groundbreaking and influential documentary, \"Shoah\" (1985).",1.2367,"\u002FrrtvECuiOeTLxI0a78Jw40PPhOV.jpg","2015-04-25",6.8,10,"5697b5df92514154cf0026e4",{"adult":4,"backdrop_path":11,"genre_ids":120,"id":121,"title":122,"original_language":56,"original_title":123,"overview":124,"popularity":125,"poster_path":11,"release_date":126,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":127,"credit_id":128,"order":36,"media_type":37},[24],1315954,"A Journey Through Le Plaisir","Les chemins du plaisir","Philippe Roger found the secretary of director Max Ophüls, Ulla de Colstoun, and Valere his first assistant, mobilized them on his project and, together during the documentary, they will both find in Normandy, the filming locations of Maison Tellier, sketch of the film Le Plaisir and the spirit of the film with the still intact impressions of these exceptional witnesses.",0.5757,"2002-01-01","himself","6690fb1ab35808659406b207",{"adult":4,"backdrop_path":11,"genre_ids":130,"id":131,"title":132,"original_language":56,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":4,"video":4,"vote_average":48,"vote_count":36,"character":34,"credit_id":137,"order":36,"media_type":37},[24],435856,"Cinéastes de notre temps : Max Ophuls ou la ronde","A 1965 episode of the French television program Cinéastes de notre temps, featuring interviews with many of film director Max Ophuls’s collaborators",1.0773,"\u002FgcXR7zR9g7Xze54N9wYA9HufRxt.jpg","1965-10-26","587ffb01925141777a0026a9",{"adult":4,"backdrop_path":11,"genre_ids":139,"id":140,"title":141,"original_language":56,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":34,"credit_id":146,"order":50,"media_type":37},[24],477574,"Max par Marcel: Lola Montès","In a series of four documentaries, Marcel Ophuls pays tribute to his father Max, and in this last one discusses his role as an assistant director on \"Lola Montès\".",1.1264,"\u002FtjUYFX3Wlc4Q7o4sjF3jRFdSG9Y.jpg","2009-10-27","59c71a5bc3a3681443053be5",{"adult":4,"backdrop_path":11,"genre_ids":148,"id":149,"title":150,"original_language":27,"original_title":150,"overview":151,"popularity":152,"poster_path":11,"release_date":153,"softcore":4,"video":4,"vote_average":50,"vote_count":50,"character":34,"credit_id":154,"order":50,"media_type":37},[24],571120,"A Deal Made in a Turkish Bath","An interview with French documentarian Marcel Ophüls about his father Max Ophüls, regarding Max's arrival in Hollywood, how he received approval for Letter from an Unknown Woman (1948) from the head of the studio, his return to France, and what Marcel has learned from his father. An extra on Olive Signature's Blu-Ray release of Letter from an Unknown Woman.",0.775,"2017-01-01","5c252c46925141419dde9bb2",{"adult":4,"backdrop_path":11,"genre_ids":156,"id":157,"title":158,"original_language":56,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":4,"video":4,"vote_average":164,"vote_count":165,"character":166,"credit_id":167,"order":48,"media_type":37},[24],128743,"François Truffaut: Stolen Portraits","François Truffaut: Portraits volés","Twenty-six people - including two daughters, an ex-wife, his last lover, actors, fellow directors and writers, a neighbor, and boyhood friends - talk about François Truffaut. They discuss his attitudes toward wealth, his early writings about cinema, the undercurrent of violence in his films and his personality, the way he used and altered events in his life when making films, his search for a father (both artistic and biological), his relationship with his mother, the scenes in his films that cause a squirm of embarrassment, and his ultimate mysticism. Clips from a dozen of his films are included.",1.7361,"\u002F5XLdflYRN0dltzuYB7CgO8ge6Tn.jpg","1993-05-14",5.6,8,"Self (archive footage)","5d74e404d19a33001211fad0",{"adult":4,"backdrop_path":11,"genre_ids":169,"id":171,"title":172,"original_language":93,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":116,"vote_count":48,"character":178,"credit_id":179,"order":180,"media_type":37},[170,24],36,343262,"November Days","Novembertage – Stimme und Wege","Marcel Ophüls interviews various important Eastern European figures for their thoughts on the reunification of Germany and the fall of Communism.",1.429,"\u002F50jQOJnj90eDFIVY41ZPRVgQhwN.jpg","1991-02-16","Self - Interviewer","5e46288d41465c001ad516d1",3,{"adult":4,"backdrop_path":182,"genre_ids":183,"id":185,"title":186,"original_language":93,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":76,"character":193,"credit_id":194,"order":117,"media_type":37},"\u002F12I5FqelXLCR4bzMAcNPhDrJF9p.jpg",[76,184,170],10749,47688,"Egon Schiele: Excess and Punishment","Egon Schiele - Exzesse","In 1912, in Austria, the painter Egon Schiele is sent to jail accused of pornography with the nymphet Tatjana in his erotic paints. His mate, the model Vally, gets help from a famous lawyer to release him. Then he leaves Vally, marries with another woman and goes to the war.",1.4867,"\u002FhjRU3VcEWwKHhFwJVjac0te3mxI.jpg","1980-10-28",5.5,"Dr. Stovel","5f75c7e821621b0035341ba8",{"adult":4,"backdrop_path":11,"genre_ids":196,"id":197,"title":198,"original_language":56,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":48,"character":34,"credit_id":205,"order":50,"media_type":37},[24],127002,"The Troubles We've Seen","Veillées d'armes","We follow Marcel Ophuls' two journeys to Sarajevo in 1993. He is starting a documentary about war correspondants. But this also becomes a reflexion about truth and life. The form consists in many interviews of mostly French and American journalists and reporters of television or newspapers.",1.4555,"\u002FK8BhOWowOkRB55k6WJpMXJsuqN.jpg","1994-11-23",5.8,"5fae6ed501e4d1003e54eea0",{"adult":4,"backdrop_path":207,"genre_ids":208,"id":209,"title":210,"original_language":56,"original_title":211,"overview":212,"popularity":213,"poster_path":214,"release_date":215,"softcore":4,"video":4,"vote_average":165,"vote_count":216,"character":217,"credit_id":218,"order":48,"media_type":37},"\u002FlLzJ2tNrHViyQl9WCPlFIp41SD4.jpg",[24,170,90],1262519,"The Sorrow and the Pity: The Film That Shocked France","« Le Chagrin et la Pitié » : La France de Vichy dynamitée","The story of the documentary The Sorrow and the Pity (1971), directed by Marcel Ophüls, which caused a scandal in a France still traumatized by the German occupation during World War II, because it shattered the myth, cultivated by the followers of President Charles de Gaulle (1890-1970), of a united France that had supposedly stood firm in the face of the ruthless invaders.",1.5432,"\u002F8Ijk39l8zJBWtTti84CwIkL5QsT.jpg","2024-03-20",5,"Self (archive footage) - Director (\"Le Chagrin et la Pitié\")","684a840a55d594d3a69f5e4b",{"adult":4,"backdrop_path":220,"genre_ids":221,"id":222,"title":223,"original_language":56,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":4,"video":4,"vote_average":228,"vote_count":229,"character":230,"credit_id":231,"order":33,"media_type":37},"\u002Fd0v44yJkq95FZZFCVlzaHKwcZvU.jpg",[76,184],35987,"Lola Montès","Lola Montes, previously a great adventuress, is reduced to being the attraction of a circus after having been the lover of various important men.",3.1575,"\u002FycePcddfSvqaalyPxMvFYT5D8wV.jpg","1955-12-23",6.9,157,"(uncredited)","6a740759759235eb3a3ec5ae",{"adult":4,"backdrop_path":233,"genre_ids":234,"id":236,"origin_country":237,"original_language":56,"original_name":239,"overview":240,"popularity":241,"poster_path":242,"first_air_date":243,"softcore":4,"name":239,"vote_average":244,"vote_count":10,"character":34,"credit_id":245,"episode_count":36,"first_credit_air_date":246,"media_type":247},"\u002F4rJpvb0fi7Coh96e35WTRPrkods.jpg",[235],10767,244224,[238],"FR","Spécial cinéma","Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. 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