[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F18199:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":1124},false,[6],"André Sylvain Labarthe","André S. Labarthe (18 December 1931 – 5 March 2018) was a French actor, film producer and director. He starred alongside Anna Karina in the 1962 film Vivre sa vie. He was the director of many television documentaries that profile specific individuals, beginning with Cinéastes de notre temps.","1931-12-18","2018-03-05",2,null,18199,"nm0479351","Directing","André S. Labarthe","Oloron-Sainte-Marie, Pyrénées-Atlantiques, France",1.0625,"\u002FqSGjIBxHu6Kg0RU9Do11zdOVZo5.jpg",{"cast":20,"crew":371},[21,38,49,64,80,95,109,122,132,143,154,163,177,186,196,211,227,237,246,256,269,279,289,299,309,319,331,340,349,361],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":25,"title":26,"original_language":27,"original_title":28,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"character":35,"credit_id":36,"order":10,"media_type":37},"\u002F68NGFE8zD2gaQVH6MqJeKzojFJM.jpg",[24],18,1626,"Vivre Sa Vie","fr","Vivre sa vie: film en douze tableaux","Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.",5.111,"\u002FA0BjScjASfMFgyGI5sU0CwfKh3l.jpg","1962-09-20",7.697,727,"Paul","52fe4306c3a36847f80349b1","movie",{"adult":4,"backdrop_path":11,"genre_ids":39,"id":40,"title":41,"original_language":27,"original_title":41,"overview":42,"popularity":43,"poster_path":11,"release_date":44,"softcore":4,"video":4,"vote_average":45,"vote_count":46,"character":47,"credit_id":48,"order":10,"media_type":37},[],632072,"Alain Robbe-Grillet","A “Cinéastes de notre temps” series episode directed by french film critics Noël Burch and André S. Labarthe, originally aired in two parts.",0.5124,"1969-09-29",10,1,"","63d98a4522df2e008cca5145",{"adult":4,"backdrop_path":11,"genre_ids":50,"id":52,"title":53,"original_language":54,"original_title":55,"overview":56,"popularity":57,"poster_path":58,"release_date":59,"softcore":4,"video":4,"vote_average":60,"vote_count":10,"character":61,"credit_id":62,"order":63,"media_type":37},[24,51],878,1112090,"The New World","it","Il nuovo mondo","This short film shows a young couple during a short period after the explosion of a nuclear bomb 120 km above Paris. The city appears unaffected, but the man begins to notice changes in the behavior of the people in general and in that of his girl friend in particular. Part of the Italian anthology film RoGoPaG (1962).",0.9114,"\u002FphyqipOPoA02E5VmfkoqAxY3Jpf.jpg","1963-02-19",6.5,"(uncredited)","643679f5945d3601258a8d94",4,{"adult":4,"backdrop_path":65,"genre_ids":66,"id":68,"title":69,"original_language":27,"original_title":70,"overview":71,"popularity":72,"poster_path":73,"release_date":74,"softcore":4,"video":4,"vote_average":75,"vote_count":76,"character":77,"credit_id":78,"order":79,"media_type":37},"\u002FeixKV60qwus2JD4wCHUQsw5O4LA.jpg",[67,24],35,41273,"On Tour","Tournée","After leaving France in search of a better life in America, a television producer returns with a group of burlesque dancers to take the Paris club scene by storm.",3.3406,"\u002F75pDH2mQRduyq8RUI48Ni8QlguF.jpg","2010-06-30",6.3,74,"Le patron du cabaret","64438054cee2f6044b368527",20,{"adult":4,"backdrop_path":81,"genre_ids":82,"id":83,"title":84,"original_language":27,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":90,"vote_count":91,"character":92,"credit_id":93,"order":94,"media_type":37},"\u002FyXYUQfMPSNsvnqi7HU94GPdLfpE.jpg",[24],53016,"Germany Year 90 Nine Zero","Allemagne année 90 neuf zéro","The supremely world-weary Lemmy Caution, last seen in Godard's \"Alphaville\" (France\u002F1965), has several strange encounters while trying to make his way from the former East Germany to \"the west.\"",2.5202,"\u002FtHM0WHbeJHreRT5mqXDY9PFeKFx.jpg","1993-01-15",6.7,30,"Narrator","52fe484ec3a36847f8160bd7",3,{"adult":4,"backdrop_path":11,"genre_ids":96,"id":98,"title":99,"original_language":27,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":90,"vote_count":105,"character":106,"credit_id":107,"order":108,"media_type":37},[97],99,142696,"Code Name: Melville","Sous le nom de Melville","Mixing interviews, rare archival footage and film extracts, the film shows how Melville's works were impacted by what he experienced in his youth during WWII, and how it structured his whole approach to cinema, not only in its thematic but also in its aesthetics.",1.2228,"\u002FQtx5XN3lLCLeN0T9OQs8HDfomp.jpg","2010-03-27",7,"Self","52fe4ae99251416c750f2347",6,{"adult":4,"backdrop_path":110,"genre_ids":111,"id":112,"title":113,"original_language":54,"original_title":113,"overview":114,"popularity":115,"poster_path":116,"release_date":59,"softcore":4,"video":4,"vote_average":117,"vote_count":118,"character":119,"credit_id":120,"order":121,"media_type":37},"\u002FolvFHqjMCCUVJ6NxxDxNJKPSl21.jpg",[67,24],59045,"Ro.Go.Pa.G.","Four short films by four different directors dealing with the principles of modern life. \"Illibatezza\" (Rossellini): The hostess Anna Maria, to dissuade an aggressive suitor who prefers maternal tendencies, assumes an unscrupulous attitude, obeying the suggestions of her distant boyfriend. \"The New World\" (Godard): The deflagration of an atomic bomb causes strange effects on the inhabitants of a city. \"La ricotta\" (Pasolini): During the filming of a film about a religious subject, the extra Stracci dies hanging on the cross due to an indigestion of ricotta. \"Il pollo spante\" (Gregoretti): While an expert illustrates to a board of merchants the most modern techniques to increase sales through the discovery of the secret self of the average consumer, the human story of a bourgeois who, following these suggestions, focuses on the purchase of a plot of land in the countryside.",2.2825,"\u002FAjZgOidGeYN6ZGDHlwx1RZ9UFXV.jpg",7.2,133,"(segment \"Il nuovo mondo\") (voice) (uncredited)","6248c1f24bfa540095a71135",22,{"adult":4,"backdrop_path":11,"genre_ids":123,"id":124,"title":125,"original_language":27,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":108,"vote_count":130,"character":47,"credit_id":131,"order":46,"media_type":37},[24],149037,"Noviciat","A peeping tom caught spying on a women's self-defense class is taken captive by the class leader. At first the class uses him as a training dummy, but his treatment at the hands of the ladies steadily becomes more dangerous and humiliating.",0.6872,"\u002FrX15Sp9SIJ0l37JAfkT6z03wL2j.jpg","1965-12-31",8,"52fe4bdc9251416c75110547",{"adult":4,"backdrop_path":11,"genre_ids":133,"id":134,"title":135,"original_language":27,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":140,"vote_count":46,"character":141,"credit_id":142,"order":10,"media_type":37},[97],137865,"Jean Renoir, le patron, 3e partie: La règle et l'exception","In the third part of a Cinéastes triptych on Jean Renoir, the director sits alone in a cinema analyzing scenes from La Marseillaise and The Rules of the Game, and discussing his editing and storytelling techniques.",1.06,"\u002F1DdssI3T5zusuHkeMoPs5d6W3mV.jpg","1967-02-08",0,"Self - Interviewer","52fe4c3ac3a368484e1adca1",{"adult":4,"backdrop_path":11,"genre_ids":144,"id":145,"title":146,"original_language":27,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":152,"vote_count":94,"character":47,"credit_id":153,"order":94,"media_type":37},[24],259252,"The Evening","La Soirée","Unfinished film by Jean Eustache . A couple kisses. A group of friends talk inside a room. One of them reads from a paper.",1.8501,"\u002Fq2MLQbe7jYpZOCNNU4uVvMfyrjQ.jpg","1961-01-01",4.3,"5323b6a19251411f7e0054db",{"adult":4,"backdrop_path":11,"genre_ids":155,"id":156,"title":157,"original_language":27,"original_title":157,"overview":158,"popularity":159,"poster_path":160,"release_date":161,"softcore":4,"video":4,"vote_average":105,"vote_count":94,"character":106,"credit_id":162,"order":45,"media_type":37},[97],262790,"Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante","Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: \"I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!\"",1.0696,"\u002FxtmODLQ7GdeZkM764T4UgaFlpRn.jpg","1977-08-01","533d3ad8c3a368791b002d8e",{"adult":4,"backdrop_path":164,"genre_ids":165,"id":166,"title":167,"original_language":27,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":174,"character":175,"credit_id":176,"order":94,"media_type":37},"\u002F9sLZ7RbuNAByOaNu7YfU5ShtJNH.jpg",[24],104981,"The Children Play Russian","Les enfants jouent à la Russie","A famous French filmmaker is hired by a major Hollywood producer to make a documentary on the state of post-Cold War Russia. The filmmaker, though, subverts the project by stubbornly remaining in France and casting himself as the title character of Dostoyevsky's \"The Idiot,\" offering up a series of typically Godardian musings on art, politics, the nature of images and the future of cinema.",1.4016,"\u002FepiL7sjvzf1bnK09EkgRzVeiYvv.jpg","1993-08-08",6.2,5,"Alcide Jolivet","62cafb6005f9cf004c8432fa",{"adult":4,"backdrop_path":11,"genre_ids":178,"id":179,"title":180,"original_language":27,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"character":47,"credit_id":185,"order":46,"media_type":37},[24],274178,"Incident Urbain","Two enigmatic figures with code names, Costello and the Colonel, bound seemingly by some mysterious revolutionary past, engage in an intense conversation concerning the architecture surrounding them, with possible catastrophic consequences.",2.1297,"\u002FgyaobKUVWJR0QYKRlRv7XIOUSOL.jpg","2014-04-21","5390a93cc3a3680d75001b02",{"adult":4,"backdrop_path":11,"genre_ids":187,"id":188,"title":189,"original_language":190,"original_title":189,"overview":191,"popularity":192,"poster_path":193,"release_date":194,"softcore":4,"video":4,"vote_average":10,"vote_count":46,"character":47,"credit_id":195,"order":140,"media_type":37},[97],1013676,"Historia de invierno","es","A cinematographic poetry that portrays the artistic link between the French filmmaker André S. Labarthe and his disciple, the Uruguayan filmmaker Gabriela Guillermo. The letters that were written over the years testify, not only to the mutual affection and admiration, but also their will to one day make a movie together. After trouble in the production due to the teacher's delicate health and his subsequent death, we witness in the winter landscapes the creative complicity between both filmmakers.",1.5454,"\u002Fp65C1MIeSZ1ndTbwELYmIObnTmQ.jpg","2022-08-18","62fc65725f6c49007d22c2b1",{"adult":4,"backdrop_path":197,"genre_ids":198,"id":200,"title":201,"original_language":27,"original_title":202,"overview":203,"popularity":204,"poster_path":205,"release_date":206,"softcore":4,"video":4,"vote_average":207,"vote_count":208,"character":209,"credit_id":210,"order":105,"media_type":37},"\u002FnXTvtYJqqpOvAg3R1LbVKLmSPeC.jpg",[199,67],10749,289780,"Your Turn, My Turn","Va voir maman, papa travaille","Family mother and model wife, Agnes hits a vehicle while driving in Paris. She immediately falls in love with the driver of the damaged car.",1.3695,"\u002FzMuxHSj8KUGKO9Kl2S0SAlPEN2C.jpg","1978-03-15",4.5,11,"Doctor","54034b340e0a2658db007cba",{"adult":4,"backdrop_path":212,"genre_ids":213,"id":215,"title":216,"original_language":27,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":4,"video":4,"vote_average":222,"vote_count":223,"character":224,"credit_id":225,"order":226,"media_type":37},"\u002F4WGuyWf1f94CsEeVIIqDKGw5rmO.jpg",[24,214,199],80,269,"Breathless","À bout de souffle","A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.",11.2467,"\u002F9Wx0Wdn2EOqeCZU4SP6tlS3LOml.jpg","1960-03-16",7.477,2111,"Journalist at Orly","560189c69251412285001baa",12,{"adult":4,"backdrop_path":11,"genre_ids":228,"id":229,"title":230,"original_language":27,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":235,"vote_count":94,"character":141,"credit_id":236,"order":10,"media_type":37},[97],396434,"Jean Renoir, le patron, 1re partie: La recherche du relatif","The first of three documentaries by Rivette on Jean Renoir.",1.1017,"\u002Fpi1CsghHpqciMjzzFxmWb12pnAK.jpg","1967-01-18",8.3,"663db5cd5ad4ec9cf930a320",{"adult":4,"backdrop_path":11,"genre_ids":238,"id":239,"title":240,"original_language":27,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":130,"vote_count":63,"character":141,"credit_id":245,"order":94,"media_type":37},[97],396436,"Jean Renoir, le patron, 2e partie: La direction d'acteur","Second in the documentary trilogy from mastermind Jacques Rivette, featuring a conversation between Jean Renoir and Michel Simon, who celebrate their reunion by discussing, among other things,  La Chienne (1931) and Boudu Saved from Drowning  (1932).",1.2721,"\u002F9YXOmGa3XuiMNjyGAQoX1woz1wZ.jpg","1967-01-22","6641c0fac10d4be3e80c3f6b",{"adult":4,"backdrop_path":11,"genre_ids":247,"id":248,"title":249,"original_language":250,"original_title":249,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"character":47,"credit_id":255,"order":46,"media_type":37},[],387537,"Monsieur Morimoto","en","A retired Japanese ex-patriot living the life of a bohemian Parnassian painter in Paris loses his latest picture, and wanders into Belleville hoping to reclaim what is rightfully his. Along the way, the drifting stray cat comes into contact with a series of colorful dreamers on a never ending search for love - much like himself.",1.4068,"\u002Fj3tV5JJiQyDhRNTo6Q78wIBGAMQ.jpg","2008-03-13","56e609d9925141518e000f0c",{"adult":4,"backdrop_path":257,"genre_ids":258,"id":259,"title":260,"original_language":27,"original_title":260,"overview":261,"popularity":262,"poster_path":263,"release_date":264,"softcore":4,"video":4,"vote_average":265,"vote_count":266,"character":267,"credit_id":268,"order":63,"media_type":37},"\u002FaplcJYG3HnBoYIICl1wosfT3lYe.jpg",[199,24],63401,"L'Amour fou","A troubled marriage is tested by the couple's involvement in a theatrical production of Racine’s Andromaque.",1.9778,"\u002F7HzkSldZ1MWusqVTBzHuXEpFAII.jpg","1969-01-15",6.453,43,"Le réalisateur","57131fc792514141a5000a7d",{"adult":4,"backdrop_path":11,"genre_ids":270,"id":271,"title":272,"original_language":27,"original_title":272,"overview":273,"popularity":274,"poster_path":275,"release_date":276,"softcore":4,"video":4,"vote_average":174,"vote_count":46,"character":277,"credit_id":278,"order":140,"media_type":37},[97],1306617,"Postface : Le Dernier des hommes","Discussion between the critics André S. Labarthe, Jean Domarchi and director Marc'O, on a film of Murnau.",1.4587,"\u002FlVPrMkSqNVJkFJiUNV7N47Zc7ID.jpg","1969-11-04","Himself","667300556283a6acca16a297",{"adult":4,"backdrop_path":280,"genre_ids":281,"id":282,"title":283,"original_language":250,"original_title":283,"overview":284,"popularity":285,"poster_path":286,"release_date":287,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"character":106,"credit_id":288,"order":10,"media_type":37},"\u002F8USJfqPTFFncf2Qgwz2PacjYJzj.jpg",[],632808,"Adolfo Arrietta, (cadré - décadré)","A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired sometime around 2015.",1.0048,"\u002FpzXgOvdkAoSN5hpnEVOxqyuk6LF.jpg","2015-01-01","6673dd189e155aea7825ca93",{"adult":4,"backdrop_path":11,"genre_ids":290,"id":291,"title":292,"original_language":27,"original_title":293,"overview":294,"popularity":295,"poster_path":296,"release_date":297,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"character":106,"credit_id":298,"order":46,"media_type":37},[97],447116,"Jean-Luc Godard, Disorder Exposed","Jean-Luc Godard, le désordre exposé","The film retraces Jean-Luc Godard's notorious exhibition at the Centre national d'art et de culture Georges Pompidou in Paris between 11 May – 14 August 2006.",1.7886,"\u002F9kyQeWnX2aMAn3zeyu7i1Fz3akl.jpg","2012-08-20","58c9680792514110f800b348",{"adult":4,"backdrop_path":11,"genre_ids":300,"id":301,"title":302,"original_language":27,"original_title":302,"overview":303,"popularity":304,"poster_path":305,"release_date":306,"softcore":4,"video":4,"vote_average":307,"vote_count":108,"character":106,"credit_id":308,"order":174,"media_type":37},[97],441745,"Luis Buñuel : Un cinéaste de notre temps","An overview of Luis Buñuel's career. Includes an interview with the filmmaker.",0.957,"\u002FlZNz2VxowxJLgYbVQxwLjYYCqlg.jpg","1964-04-21",7.9,"59d1e4a7925141142f03b4c9",{"adult":4,"backdrop_path":11,"genre_ids":310,"id":312,"title":313,"original_language":27,"original_title":313,"overview":314,"popularity":315,"poster_path":316,"release_date":317,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"character":106,"credit_id":318,"order":10,"media_type":37},[97,311],10770,534218,"Amalric, l’art et la matière","On the shooting or when talking about it, Mathieu Amalric is preparing Barbara, his film about the iconic singer, starring the incredible Jeanne Balibar.",1.3544,"\u002FuUFRLl0X7zqTY4nIXkSKZACntoK.jpg","2018-07-12","5b4fb4970e0a264b84019d40",{"adult":4,"backdrop_path":320,"genre_ids":321,"id":322,"title":323,"original_language":27,"original_title":324,"overview":325,"popularity":326,"poster_path":327,"release_date":328,"softcore":4,"video":4,"vote_average":329,"vote_count":266,"character":61,"credit_id":330,"order":174,"media_type":37},"\u002F8fqKiVnv74TtWvDkjLpRDN45c0d.jpg",[97],104931,"JLG\u002FJLG: Self-Portrait in December","JLG\u002FJLG, autoportrait de décembre","Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.",1.9097,"\u002F7rOJA7MGKdL5ckSS4g6tb8i6H5s.jpg","1995-01-20",6.4,"5c924c719251410b6f9e9306",{"adult":4,"backdrop_path":11,"genre_ids":332,"id":333,"title":334,"original_language":27,"original_title":334,"overview":335,"popularity":336,"poster_path":337,"release_date":338,"softcore":4,"video":4,"vote_average":108,"vote_count":46,"character":106,"credit_id":339,"order":140,"media_type":37},[],699238,"La photo","Five, even six, variations on a theme, commentary and interpretation of the same photograph. An exercise to tell and summarize the history of the Cinémathèque française.",1.8173,"\u002FmS1NV5dSnMEHQ32qdenLXKxBaXB.jpg","2014-04-01","5eac6af166469a001f5c0a20",{"adult":4,"backdrop_path":11,"genre_ids":341,"id":342,"title":343,"original_language":250,"original_title":343,"overview":344,"popularity":345,"poster_path":346,"release_date":347,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"character":47,"credit_id":348,"order":108,"media_type":37},[],632812,"Reminiscences of Jonas Mekas","A “Cinéma, de notre temps” series episode directed by french filmmaker Jackie Raynal, originally aired 29 May 2016.",1.4127,"\u002Fs6B0wTSs7AA89yGnEYdsJUI0G0R.jpg","2016-05-29","5ffdd21ac3c891004072c135",{"adult":4,"backdrop_path":350,"genre_ids":351,"id":352,"title":353,"original_language":27,"original_title":354,"overview":355,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":359,"vote_count":10,"character":106,"credit_id":360,"order":174,"media_type":37},"\u002FtNlWsNtlxMRHb4m3AbRneGf7GEK.jpg",[97],272747,"Fragments of Conversations with Jean-Luc Godard","Morceaux de conversations avec Jean-Luc Godard","In his meetings with various different people, Jean-Luc Godard develops his thinking about history, politics, the cinema, images and time, and this will lead to his exhibition as an artist at the Pompidou Centre. Jean-Luc Godard’s conversations with Dominique Païni, Jean Narboni, André S. Labarthe, Jean-Marie Straub, Danielle Huillet and Christophe Kantcheff were filmed at his home in Rolle, in his study, at the Fresnoy National Studio for the Contemporary Arts (in front of students) and in the exhibition rooms of the Pompidou Centre.",1.5399,"\u002FdKWffCEx4fA6o3hKU1pTZFPXnM4.jpg","2009-01-21",7.5,"6915059091326c06e2dd32a1",{"adult":4,"backdrop_path":11,"genre_ids":362,"id":363,"title":364,"original_language":27,"original_title":364,"overview":365,"popularity":366,"poster_path":367,"release_date":368,"softcore":4,"video":4,"vote_average":45,"vote_count":46,"character":369,"credit_id":370,"order":94,"media_type":37},[311,97],685068,"Léaud l'unique","Documentary about the work of Nouvelle Vague actor Jean-Pierre Léaud, with interview clips, film clips and contributions from directors and actors he has worked with.",1.2428,"\u002F5IgCUOYgNo7C4wJjgS94RvWcBIe.jpg","2001-10-25","Self - film critic, filmmaker","6a2172cd1a149cd8a0805315",[372,386,394,406,409,420,429,441,451,460,463,466,475,478,487,490,493,502,505,508,517,526,529,532,541,544,552,556,559,569,580,583,592,600,603,606,613,621,629,636,645,652,661,671,674,682,691,700,708,717,726,735,744,752,761,769,777,786,793,801,804,812,820,830,839,847,856,864,867,875,883,891,899,907,917,925,933,942,951,960,969,976,984,992,1000,1008,1015,1018,1028,1031,1034,1042,1053,1062,1070,1078,1090,1102,1106,1115],{"adult":4,"backdrop_path":373,"genre_ids":374,"id":375,"title":376,"original_language":27,"original_title":377,"overview":378,"popularity":379,"poster_path":380,"release_date":381,"softcore":4,"video":4,"vote_average":382,"vote_count":174,"credit_id":383,"department":384,"job":385,"media_type":37},"\u002FbO7u7JpSz6LKG2yny9stEDfgRLe.jpg",[97],137864,"Jacques Rivette, the Watchman","Jacques Rivette, le veilleur","This film of interviews with the film director Jacques Rivette was produced in collaboration with Serge Daney, film critic from “Cahiers du cinéma”, then of “Liberation”. In the course of their conversations, the two speakers discuss Rivette’s career, his relationships with the other film makers of the new wave, his use of “mise en scene” and his working with actors.",1.498,"\u002FlOVSji5ykXUp9sG5h9EqPIoW9BA.jpg","1990-02-24",6.6,"608b841a43250f00776d1942","Production","Producer",{"adult":4,"backdrop_path":11,"genre_ids":387,"id":388,"title":389,"original_language":27,"original_title":389,"overview":47,"popularity":390,"poster_path":391,"release_date":47,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":392,"department":14,"job":393,"media_type":37},[97],961310,"John Ford et Alfred Hitchcock le loup et l'agneau",0.8272,"\u002FyzjFoaxIHYJKpWDKzyLu4eXJ7PL.jpg","62542ceb8e2e00143540510c","Director",{"adult":4,"backdrop_path":11,"genre_ids":395,"id":396,"title":397,"original_language":27,"original_title":398,"overview":399,"popularity":400,"poster_path":401,"release_date":402,"softcore":4,"video":4,"vote_average":45,"vote_count":46,"credit_id":403,"department":404,"job":405,"media_type":37},[97],267615,"Celluloid and Marble","Le Celluloïd et le Marbre","Celluloid and Marble is based on Rohmer's own articles published in \"Cahiers du cinéma\", discussing film in relation to the other arts, maintaining that, in an age of cultural self-consciousness, cinema was “the last refuge of poetry” - the only contemporary art form from which metaphor could still spring naturally and spontaneously.",0.936,"\u002FmbQa7CqeW5oA7j7ebdgHFxeQKh8.jpg","2011-06-25","64d9910cf495ee02919ff195","Crew","Creator",{"adult":4,"backdrop_path":11,"genre_ids":407,"id":134,"title":135,"original_language":27,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":140,"vote_count":46,"credit_id":408,"department":384,"job":385,"media_type":37},[97],"52fe4c3ac3a368484e1adc85",{"adult":4,"backdrop_path":410,"genre_ids":411,"id":412,"title":413,"original_language":27,"original_title":414,"overview":415,"popularity":416,"poster_path":417,"release_date":418,"softcore":4,"video":4,"vote_average":173,"vote_count":108,"credit_id":419,"department":14,"job":393,"media_type":37},"\u002FAkxpVlnQgD6GUaSRMowenQ0DynW.jpg",[97,311],255990,"The Dinosaur and the Baby","Cinéastes de notre temps : Le Dinosaure et le Bébé, dialogue en huit parties entre Fritz Lang et Jean-Luc Godard","An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)",1.154,"\u002FhF05JIxISU8rmzWDpdwoFYEXln3.jpg","1967-03-15","5301b04892514121a41f8181",{"adult":4,"backdrop_path":11,"genre_ids":421,"id":422,"title":423,"original_language":250,"original_title":423,"overview":424,"popularity":425,"poster_path":426,"release_date":427,"softcore":4,"video":4,"vote_average":105,"vote_count":46,"credit_id":428,"department":14,"job":393,"media_type":37},[97],261916,"Claude Chabrol, l'entomologiste","Made for \"Cinéma, de notre temps\" series. In a peaceful residence near the Loire River, Chabrol raised his favorite characters : monsters. In this documentary, we can see him actively working on the adaptation of Simenon's novel \"Betty\", and answering the questions posed by Jean Douchet (his former colleagues at the magazine \"Cahiers du Cinéma\"). Excerpts from The Butcher (Le Boucher), Violette Nozière, The Hatter's Ghost (Les Fantômes du chapelier) and Masks (Masques) will punctuate their meaningful and witty conversation.",1.2427,"\u002F3D2TeMY6O2mC0gYDIpMOAxs2wCh.jpg","1993-02-12","5336487ec3a3680e96000728",{"adult":4,"backdrop_path":430,"genre_ids":431,"id":432,"title":433,"original_language":250,"original_title":433,"overview":434,"popularity":435,"poster_path":436,"release_date":437,"softcore":4,"video":4,"vote_average":130,"vote_count":94,"credit_id":438,"department":439,"job":440,"media_type":37},"\u002FrqZPZIRdprffFOjA3iCmII3tBqK.jpg",[97],261918,"Georges Bataille - À perte de vue","A traveller investigates the life and work of Georges Bataille. Through a staging of the writer's obsessive motives, the film succeeds in grasping the elusive: the sensitive nucleus of radical thought.  The film contains the interviews with Pierre Klossowski and Jacques Pimpanneau.",0.9054,"\u002FclDTYGNgdcybFCBJi7yt4kFUZRQ.jpg","1997-04-30","53364a74c3a3680e7f000763","Writing","Writer",{"adult":4,"backdrop_path":11,"genre_ids":442,"id":443,"title":444,"original_language":27,"original_title":445,"overview":446,"popularity":447,"poster_path":11,"release_date":448,"softcore":4,"video":4,"vote_average":449,"vote_count":108,"credit_id":450,"department":14,"job":393,"media_type":37},[97],261913,"Jean-Pierre Melville: Portrait in 9 Poses","Jean-Pierre Melville: portrait en neuf poses","Shot while he was preparing Un Flic, Melville carefully leads Labarthe through the trajectory of his career, from his daring debut The Silence of the Sea to his great successes of the 1960s, Le Samourai and Le cercle rouge. Labarthe also details the development of the Melville “myth: the dark glasses, the trenchcoats, the Ford Mustang, and his general tough-guy demeanor. This documentary first appeared as an episode on the French television series \"Cinéastes de notres temps\".",0.8928,"1971-07-16",7.7,"53364349c3a3680e9f000671",{"adult":4,"backdrop_path":11,"genre_ids":452,"id":453,"title":454,"original_language":250,"original_title":454,"overview":455,"popularity":456,"poster_path":457,"release_date":458,"softcore":4,"video":4,"vote_average":105,"vote_count":46,"credit_id":459,"department":14,"job":393,"media_type":37},[97],261920,"Georges Franju - Le visionnaire","Made for \"Cinéma, de notre temps\" series. Interview with Georges Franju (1912-1987), a figure of immense importance in the history of French cinema, not primarily for his films (exceptional though many of these are) but for being the co-founder, with Henri Langlois, of the Cinémathèque Française in 1936, France's most famous and important film archive.",0.9697,"\u002FtfrGhK5azFucdaoogm4xUIC7UZd.jpg","1998-09-02","53364f4cc3a3680e96000783",{"adult":4,"backdrop_path":11,"genre_ids":461,"id":422,"title":423,"original_language":250,"original_title":423,"overview":424,"popularity":425,"poster_path":426,"release_date":427,"softcore":4,"video":4,"vote_average":105,"vote_count":46,"credit_id":462,"department":384,"job":385,"media_type":37},[97],"53364889c3a3680e7f000748",{"adult":4,"backdrop_path":11,"genre_ids":464,"id":453,"title":454,"original_language":250,"original_title":454,"overview":455,"popularity":456,"poster_path":457,"release_date":458,"softcore":4,"video":4,"vote_average":105,"vote_count":46,"credit_id":465,"department":384,"job":385,"media_type":37},[97],"53364f5bc3a3680e6900080f",{"adult":4,"backdrop_path":11,"genre_ids":467,"id":468,"title":469,"original_language":27,"original_title":469,"overview":470,"popularity":471,"poster_path":472,"release_date":473,"softcore":4,"video":4,"vote_average":130,"vote_count":10,"credit_id":474,"department":14,"job":393,"media_type":37},[97],261915,"La Nouvelle Vague par elle-même","Made for Cinéastes de notre temps series. In 1964, several French New Wave auteurs discuss the success and crisis of the wave. Featuring Claude Chabrol, François Truffaut, Jacques Rivette, Jean-Luc Godard, Jacques Rozier, Jacques Demy, Agnès Varda, Jean Rouch, and many others.",1.3327,"\u002F3okFZRnN0IUD04SrwPw6QyOpL9w.jpg","1964-05-19","5336464dc3a3680e76000726",{"adult":4,"backdrop_path":11,"genre_ids":476,"id":443,"title":444,"original_language":27,"original_title":445,"overview":446,"popularity":447,"poster_path":11,"release_date":448,"softcore":4,"video":4,"vote_average":449,"vote_count":108,"credit_id":477,"department":384,"job":385,"media_type":37},[97],"533643b4c3a3680e9f00067a",{"adult":4,"backdrop_path":11,"genre_ids":479,"id":480,"title":481,"original_language":27,"original_title":481,"overview":482,"popularity":483,"poster_path":484,"release_date":485,"softcore":4,"video":4,"vote_average":130,"vote_count":46,"credit_id":486,"department":14,"job":393,"media_type":37},[97],261919,"Artaud cité, atrocité","The film retraces the last two years of Antonin Artaud.",1.1424,"\u002F7qfcVbWAHTg0oYxkZu4JB0XKhkW.jpg","2001-05-01","53364cb5c3a3680e7f00078f",{"adult":4,"backdrop_path":11,"genre_ids":488,"id":480,"title":481,"original_language":27,"original_title":481,"overview":482,"popularity":483,"poster_path":484,"release_date":485,"softcore":4,"video":4,"vote_average":130,"vote_count":46,"credit_id":489,"department":439,"job":440,"media_type":37},[97],"53364cc1c3a3680e87000766",{"adult":4,"backdrop_path":430,"genre_ids":491,"id":432,"title":433,"original_language":250,"original_title":433,"overview":434,"popularity":435,"poster_path":436,"release_date":437,"softcore":4,"video":4,"vote_average":130,"vote_count":94,"credit_id":492,"department":14,"job":393,"media_type":37},[97],"53364a6cc3a3680e76000779",{"adult":4,"backdrop_path":11,"genre_ids":494,"id":495,"title":496,"original_language":250,"original_title":497,"overview":498,"popularity":499,"poster_path":11,"release_date":500,"softcore":4,"video":4,"vote_average":174,"vote_count":94,"credit_id":501,"department":384,"job":385,"media_type":37},[97],266410,"Josef von Sternberg - From Silence Comes Another","D'un silence l'autre - Josef von Sternberg","Speaking as scenes from Anatahan are shown, for which he directed, photographed, wrote, and provided voiceover narration, film director Josef von Sternberg takes the viewer on a fantastic filmmaking journey in this presentation of Cinéastes de notre temps: Josef von Sternberg - From Silence Comes Another.",0.944,"1967-12-09","5358fb960e0a26068400950c",{"adult":4,"backdrop_path":11,"genre_ids":503,"id":495,"title":496,"original_language":250,"original_title":497,"overview":498,"popularity":499,"poster_path":11,"release_date":500,"softcore":4,"video":4,"vote_average":174,"vote_count":94,"credit_id":504,"department":14,"job":393,"media_type":37},[97],"5358fb520e0a260688009494",{"adult":4,"backdrop_path":11,"genre_ids":506,"id":396,"title":397,"original_language":27,"original_title":398,"overview":399,"popularity":400,"poster_path":401,"release_date":402,"softcore":4,"video":4,"vote_average":45,"vote_count":46,"credit_id":507,"department":384,"job":385,"media_type":37},[97],"5361c0bb0e0a2649b1000bbf",{"adult":4,"backdrop_path":11,"genre_ids":509,"id":510,"title":511,"original_language":250,"original_title":511,"overview":512,"popularity":513,"poster_path":514,"release_date":515,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":516,"department":14,"job":393,"media_type":37},[97],1199970,"Wassily Kandinksky","Colour, form, area – this is the formula of the greatest pioneer of abstract painting. Kandinsky came to art late in life, but his impact through Der Blaue Reiter (The Blue Rider) and Bauhaus paved the way for modern art. In 1913, he created one of the first abstract pictures, the theoretical basis of which was inspired by his essay Über das Geistige in der Kunst (On the Spiritual in Art). Accompanied by Mussorgsky’s Pictures From An Exhibition Labarthe goes on a sensual journey which makes the soul resound with colours and forms. \"A picture has to resound and must be bathed in an inner glow.\" Kandinsky",0.9206,"\u002FwQyhRPR8e3RbN9898HBCT0k99jx.jpg","1986-01-01","654428918c7b0f00c6f88bce",{"adult":4,"backdrop_path":11,"genre_ids":518,"id":519,"title":520,"original_language":27,"original_title":520,"overview":521,"popularity":522,"poster_path":11,"release_date":523,"softcore":4,"video":4,"vote_average":524,"vote_count":46,"credit_id":525,"department":14,"job":393,"media_type":37},[97],319978,"Éric Rohmer, preuves à l’appui","Part of the Cinéastes de notre temps series.",1.453,"1994-01-01",9,"54bf0cde9251416eae007403",{"adult":4,"backdrop_path":11,"genre_ids":527,"id":239,"title":240,"original_language":27,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":130,"vote_count":63,"credit_id":528,"department":384,"job":385,"media_type":37},[97],"6307fe9215794a007e3fde2c",{"adult":4,"backdrop_path":11,"genre_ids":530,"id":229,"title":230,"original_language":27,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":235,"vote_count":94,"credit_id":531,"department":384,"job":385,"media_type":37},[97],"6307fdd1194186007b669c1c",{"adult":4,"backdrop_path":11,"genre_ids":533,"id":534,"title":535,"original_language":250,"original_title":535,"overview":536,"popularity":537,"poster_path":11,"release_date":538,"softcore":4,"video":4,"vote_average":539,"vote_count":174,"credit_id":540,"department":14,"job":393,"media_type":37},[97],373892,"David Cronenberg: I Have to Make the Word Be Flesh","“I Have to Make the Word Be Flesh” is an insightful and candid interview with the man himself about his films and his motivations. Cronenberg is cheerfully frank about his often grotesque images and controversial subject matter, and clearly relishes in the opportunity to explore the themes and motifs behind each one.",1.0722,"1999-10-20",7.8,"567a8698c3a3685bbc002298",{"adult":4,"backdrop_path":410,"genre_ids":542,"id":412,"title":413,"original_language":27,"original_title":414,"overview":415,"popularity":416,"poster_path":417,"release_date":418,"softcore":4,"video":4,"vote_average":173,"vote_count":108,"credit_id":543,"department":384,"job":385,"media_type":37},[97,311],"56b8e4869251410554000929",{"adult":4,"backdrop_path":11,"genre_ids":545,"id":546,"title":547,"original_language":27,"original_title":547,"overview":548,"popularity":549,"poster_path":11,"release_date":550,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":551,"department":14,"job":393,"media_type":37},[97],1054460,"Van Gogh à Paris, repérages","\"What is a location search ? Maybe that's it : hanging in a pub... let their thoughts flow freely.\" (André S. Labarthe) The camera reinvests the places that Van Gogh covered in Montmartre, but also among other things the Van Gogh Museum in Amsterdam. In this place which \"looks like an airport\" Labarthe imagine an incredible meeting between Vincent Van Gogh and Antonin Artaud. The Artaud's texts are read by Alain Cuny",0.9638,"1988-01-01","63848c3e229ae2158116d5bb",{"adult":4,"backdrop_path":11,"genre_ids":553,"id":546,"title":547,"original_language":27,"original_title":547,"overview":548,"popularity":549,"poster_path":11,"release_date":550,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":554,"department":439,"job":555,"media_type":37},[97],"638541e853866e007f8c67ad","Screenplay",{"adult":4,"backdrop_path":11,"genre_ids":557,"id":534,"title":535,"original_language":250,"original_title":535,"overview":536,"popularity":537,"poster_path":11,"release_date":538,"softcore":4,"video":4,"vote_average":539,"vote_count":174,"credit_id":558,"department":439,"job":440,"media_type":37},[97],"578fba61925141277b003637",{"adult":4,"backdrop_path":11,"genre_ids":560,"id":561,"title":562,"original_language":27,"original_title":563,"overview":564,"popularity":565,"poster_path":566,"release_date":567,"softcore":4,"video":4,"vote_average":524,"vote_count":10,"credit_id":568,"department":384,"job":385,"media_type":37},[97],433492,"Bresson: Without a Trace","Robert Bresson - Ni vu, ni connu","An episode of the television program Cinéastes de notre temps in which the director gives his first on-camera interview.",1.2093,"\u002FqzILX6gAn1dxRugoD7SCgX0GsWU.jpg","1965-06-17","586f0e919251412af1001885",{"adult":4,"backdrop_path":11,"genre_ids":570,"id":571,"title":572,"original_language":573,"original_title":574,"overview":575,"popularity":576,"poster_path":577,"release_date":578,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":579,"department":14,"job":393,"media_type":37},[97],1092683,"The Big O","ab","L'homme qui a vu l'homme qui a vu l'ours","A Hungarian filmmaker investigates the traces Orson Welles left behind in Hollywood, maintaining the ambiguity between truth and fiction.  Janine Bazin and André S. Labarthe had long hoped to dedicate an issue of their longstanding documentary series, \"Cinéastes de notre temps\" to Orson Welles. But the master director-actor died in 1985, and Labarthe was left with a considerable challenge: making a film about Welles, without Welles.",0.8751,"\u002FkxdbZRtfWfkdCljH0YARtP6WUnk.jpg","1987-01-01","63fcb6466aa8e0008e847a7c",{"adult":4,"backdrop_path":11,"genre_ids":581,"id":571,"title":572,"original_language":573,"original_title":574,"overview":575,"popularity":576,"poster_path":577,"release_date":578,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":582,"department":439,"job":440,"media_type":37},[97],"63fcb65496e30b009fcaa5eb",{"adult":4,"backdrop_path":11,"genre_ids":584,"id":585,"title":586,"original_language":27,"original_title":586,"overview":587,"popularity":588,"poster_path":589,"release_date":590,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":591,"department":14,"job":393,"media_type":37},[97],452051,"Kandinsky","Colour, form, area - this is the formula of the greatest pioneer of abstract painting. Kandinsky came to art late in life, but his impact through Der Blaue Reiter (The Blue Rider) and Bauhaus paved the way for modern art. In 1913, he created one of the first abstract pictures, the theoretical basis of which was inspired by his essay Uber das Geistige in der Kunst (On the Spiritual in Art). Accompanied by Mussorgsky's Pictures From An Exhibition Labarthe goes on a sensual journey which makes the soul resound with colours and forms. \"A picture has to resound and must be bathed in an inner glow.\" Kandinsky",1.3237,"\u002FnkJkaZJ8fv9FUgA8n8q9tox7urB.jpg","1986-03-06","58f0022992514125a900437c",{"adult":4,"backdrop_path":11,"genre_ids":593,"id":594,"title":595,"original_language":27,"original_title":595,"overview":47,"popularity":596,"poster_path":597,"release_date":598,"softcore":4,"video":4,"vote_average":108,"vote_count":46,"credit_id":599,"department":14,"job":393,"media_type":37},[97],450918,"Cinéastes de notre temps : Norman McLaren",1.1172,"\u002FcUtTJH3RmJQhkE2BHkJ1yQxCvuR.jpg","1972-07-26","58e6a53592514179de03a515",{"adult":4,"backdrop_path":11,"genre_ids":601,"id":594,"title":595,"original_language":27,"original_title":595,"overview":47,"popularity":596,"poster_path":597,"release_date":598,"softcore":4,"video":4,"vote_average":108,"vote_count":46,"credit_id":602,"department":439,"job":440,"media_type":37},[97],"58e6a549925141354c007036",{"adult":4,"backdrop_path":11,"genre_ids":604,"id":594,"title":595,"original_language":27,"original_title":595,"overview":47,"popularity":596,"poster_path":597,"release_date":598,"softcore":4,"video":4,"vote_average":108,"vote_count":46,"credit_id":605,"department":384,"job":385,"media_type":37},[97],"58e6a59292514127ec048f30",{"adult":4,"backdrop_path":11,"genre_ids":607,"id":608,"title":609,"original_language":27,"original_title":609,"overview":610,"popularity":611,"poster_path":11,"release_date":578,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":612,"department":14,"job":393,"media_type":37},[97],1095993,"Franju, l'avion et la DS","At the editing table, Georges Franju comments on two sequences from his film, Les Yeux sans visage.  Episode of the TV program \"Cinéma, cinémas\".",0.8463,"6405e19e13654500965df8aa",{"adult":4,"backdrop_path":11,"genre_ids":614,"id":615,"title":616,"original_language":27,"original_title":616,"overview":617,"popularity":618,"poster_path":11,"release_date":619,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":620,"department":14,"job":393,"media_type":37},[],1095994,"Skolimowski à la table","André S. Labarthe invites Jerzy Skolimowski to the editing table, to analyze his film Walkower shot by shot.  Episode of the TV program \"Cinéma, cinémas\".",0.888,"1990-01-01","6405e208383df200a955cfcf",{"adult":4,"backdrop_path":11,"genre_ids":622,"id":623,"title":624,"original_language":27,"original_title":624,"overview":625,"popularity":626,"poster_path":11,"release_date":627,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":628,"department":14,"job":393,"media_type":37},[],1096504,"Deneuve, revue de détails","Catherine Deneuve comments on passages from \"L'Ève future\" by Villiers de l'Isle-Adam.  Episode of the TV program \"Cinéma, cinémas\".",0.803,"1984-01-04","64070a04afe2240083ee882e",{"adult":4,"backdrop_path":11,"genre_ids":630,"id":631,"title":632,"original_language":27,"original_title":632,"overview":633,"popularity":634,"poster_path":11,"release_date":578,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":635,"department":14,"job":393,"media_type":37},[],1096507,"Adieu Rita","An acerbic criticism of the media coverage of the Cannes Film Festival and of cinema, at the time of the death of the actress Rita Hayworth.  Episode of the TV program \"Cinéma, cinémas\".",1.0533,"64070f3b9715ae007dc1974e",{"adult":4,"backdrop_path":637,"genre_ids":638,"id":639,"title":640,"original_language":27,"original_title":640,"overview":47,"popularity":641,"poster_path":642,"release_date":643,"softcore":4,"video":4,"vote_average":117,"vote_count":63,"credit_id":644,"department":384,"job":385,"media_type":37},"\u002F9jq9bPGyYXkdLhBg73KB9LRoLHo.jpg",[97],461460,"Cinéastes de notre temps : Jean Vigo",1.0134,"\u002FgcXR7zR9g7Xze54N9wYA9HufRxt.jpg","2012-10-08","593d3322925141059301d81f",{"adult":4,"backdrop_path":11,"genre_ids":646,"id":647,"title":648,"original_language":27,"original_title":648,"overview":47,"popularity":649,"poster_path":642,"release_date":650,"softcore":4,"video":4,"vote_average":174,"vote_count":46,"credit_id":651,"department":384,"job":385,"media_type":37},[97],461457,"Cinéastes de notre temps : Erich von Stroheim",1.396,"2012-10-14","593d45d3925141058701e687",{"adult":4,"backdrop_path":11,"genre_ids":653,"id":654,"title":655,"original_language":27,"original_title":656,"overview":47,"popularity":657,"poster_path":658,"release_date":659,"softcore":4,"video":4,"vote_average":359,"vote_count":10,"credit_id":660,"department":384,"job":385,"media_type":37},[97],461471,"Filmmakers of Our Time: François Truffaut or the Critical Spirit","Cinéastes de notre temps : François Truffaut ou l'esprit critique",1.2308,"\u002FqbxRLOOuPNaH7xUprKeYlbTi4vU.jpg","1965-12-02","593d4ac6c3a36828fc0097b2",{"adult":4,"backdrop_path":662,"genre_ids":663,"id":664,"title":665,"original_language":250,"original_title":665,"overview":666,"popularity":667,"poster_path":668,"release_date":669,"softcore":4,"video":4,"vote_average":130,"vote_count":10,"credit_id":670,"department":384,"job":385,"media_type":37},"\u002F3pOK8Q7OE9iaKreJb00hNkUNelS.jpg",[97],461682,"The Scorsese Machine","Amazing documentary shows rarely seen side of a master director. 1990 was a very good year for Martin Scorsese. After making a diverse group of films in the 80s, he reunited with Robert DeNiro for \"Goodfellas\" and later that year shot a segment for \"New York Stories\", an anthology film of three shorts by Scorsese, Woody Allen, and Francis Ford Coppola. During the editing, the French documentary series \"Cinéma, de notre temps\" filmed a documentary on the director, and it's a fascinating glimpse into his life, personality, and working habits as he edits his short with long-time collaborator Thelma Schoonmaker.",1.7363,"\u002FbLFI6P0vGp2vSD3ZianPVnxSI3p.jpg","1990-09-09","593fccb5c3a368517f0015dc",{"adult":4,"backdrop_path":662,"genre_ids":672,"id":664,"title":665,"original_language":250,"original_title":665,"overview":666,"popularity":667,"poster_path":668,"release_date":669,"softcore":4,"video":4,"vote_average":130,"vote_count":10,"credit_id":673,"department":14,"job":393,"media_type":37},[97],"593fcb629251414af200df31",{"adult":4,"backdrop_path":11,"genre_ids":675,"id":676,"title":677,"original_language":27,"original_title":677,"overview":47,"popularity":678,"poster_path":679,"release_date":680,"softcore":4,"video":4,"vote_average":108,"vote_count":46,"credit_id":681,"department":384,"job":385,"media_type":37},[97],458640,"Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)",1.5512,"\u002FgDQHXH514REMInQtvoBQNfyeJex.jpg","1999-08-11","5922c03a92514149f30692b4",{"adult":4,"backdrop_path":11,"genre_ids":683,"id":684,"title":685,"original_language":27,"original_title":685,"overview":686,"popularity":687,"poster_path":688,"release_date":689,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":690,"department":14,"job":393,"media_type":37},[97],466579,"Ciné regards: Jacques Tati","Interview with the French film director, conducted for television in 1978.",2.0335,"\u002F1VLnbWCyisgU5h0R3RmN2mULCKs.jpg","1978-04-05","596a74f2c3a3683b8c017a8a",{"adult":4,"backdrop_path":11,"genre_ids":692,"id":693,"title":694,"original_language":250,"original_title":694,"overview":695,"popularity":696,"poster_path":697,"release_date":698,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":699,"department":14,"job":393,"media_type":37},[],1285091,"Jean Reverzy, tentative de lecture","The camera scans the typography of a book while the voice launches into a first attempt at reading: \"Chapter one... The Passage...\"; The camera freezes on the word Polynesia. In an abandoned waiting room, an ageless man keeps coughing. He is waiting. The voice resumes its attempt to read, but is interrupted by that of the witness (the writer Charles Juliet), who recounts his meetings with Jean Reverzy. The coughing man ventures into the apartment; Polynesia emerges from a television. At the origin of this series of essays, there is the desire to invite European writers of the 20th century to be read today. What they have in common is having lived and written in a Europe shaken by crises, wars and revolutions. Their works and their lives bear witness to this. Each film has the character of a very personal preface and expresses the pleasure of discovering a work.",0.8642,"\u002F11lfsVFHVBI5EK7nQmQY8PHLBgv.jpg","1989-01-01","6636a2c383ee67012d4172c5",{"adult":4,"backdrop_path":11,"genre_ids":701,"id":702,"title":703,"original_language":250,"original_title":703,"overview":704,"popularity":705,"poster_path":706,"release_date":698,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":707,"department":14,"job":393,"media_type":37},[],1283420,"Préfaces: Bruno Schulz","In the “Prefaces” series, Labarthe takes us to discover the Polish writer Bruno Schulz. André S. Labarthe presents some drawings and literary fragments and recreates with the help of photos and comments the historical, geographical and family context in which Bruno Schulz lived.",0.6991,"\u002F3V1a2QEptsYZ1jOHo1PW7WhzXzx.jpg","663281f683ee67012a400da8",{"adult":4,"backdrop_path":11,"genre_ids":709,"id":710,"title":711,"original_language":250,"original_title":711,"overview":712,"popularity":713,"poster_path":714,"release_date":715,"softcore":4,"video":4,"vote_average":329,"vote_count":45,"credit_id":716,"department":384,"job":385,"media_type":37},[97],219054,"Double Play: James Benning and Richard Linklater","In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.",2.6208,"\u002FjmrOrMnoyg9cDQuMVn7iMjlGjA9.jpg","2013-09-03","59c960df9251415b5d0770b6",{"adult":4,"backdrop_path":11,"genre_ids":718,"id":719,"title":720,"original_language":250,"original_title":720,"overview":721,"popularity":722,"poster_path":723,"release_date":724,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":725,"department":14,"job":393,"media_type":37},[],1285750,"Rauschenberg, fragments d'un portrait","This film portrays Robert Rauschenberg, an artist mixing pop art and abstract expressionism, who tells his story in front of André Labarthe's camera.",0.8526,"\u002Fo6hrRsnXZFVFJXUYIdB8dgpSFrG.jpg","1968-01-01","663873290f2fbd01291739e4",{"adult":4,"backdrop_path":11,"genre_ids":727,"id":728,"title":729,"original_language":250,"original_title":729,"overview":730,"popularity":731,"poster_path":732,"release_date":733,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":734,"department":14,"job":393,"media_type":37},[],1286070,"Soleil cou coupé","Some thoughts and a hypothesis about the invention of the Close-up.",0.6739,"\u002Fco5tdXOXoOBylPxUKhFqjbmmvb8.jpg","2007-01-01","66392212cc277c0129243fbc",{"adult":4,"backdrop_path":11,"genre_ids":736,"id":737,"title":738,"original_language":250,"original_title":738,"overview":739,"popularity":740,"poster_path":741,"release_date":742,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":743,"department":14,"job":393,"media_type":37},[],1286088,"Philippe Sollers, l'isolé absolu","With Sollers, the absolute isolated, André S. Labarthe approached as closely as possible “the most recognized and the most fought, the most solicited and the most secretly hated, the most turbulent and the most embarrassing, the most uncontrollable and therefore the most intolerable, in short, the least localizable of contemporary writers.”  A unique Sollers, deliberately spun outside the walls and against the grain.  Far from the conventional, plethoric imagery of the spectacular Parisian scene, an inexhaustible field of social observation.  Few archive elements, apart from a few photos and two significant extracts where Philippe Sollers displays his Paradise seized head-on by Jean-Paul Fargier in 1983.",0.8151,"\u002Ft4gbzHL5CsrwLgQnMLvdo2dlvhY.jpg","1998-01-01","66392b5de92d83012ad43aff",{"adult":4,"backdrop_path":11,"genre_ids":745,"id":746,"title":747,"original_language":250,"original_title":747,"overview":748,"popularity":749,"poster_path":750,"release_date":698,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":751,"department":14,"job":393,"media_type":37},[],1285086,"Introduction à l'art océanien","The space of the museum as the visitor travels through it is a long sentence of sleep. But if suddenly this sleep is interrupted, if this space is torn apart, if the hydrometric devices go haywire, then like a sleepwalker who is awakened at the edge of a roof, the object decomposes as everything has decomposed before it. which allowed it to exist. When tuberoses decompose, Zola notes, they smell human.",0.8045,"\u002Fxe3ovKZO6hGTSBVfucgwesI7ANs.jpg","6636a0229a64c101263ec6c0",{"adult":4,"backdrop_path":11,"genre_ids":753,"id":754,"title":755,"original_language":27,"original_title":755,"overview":756,"popularity":757,"poster_path":758,"release_date":759,"softcore":4,"video":4,"vote_average":524,"vote_count":46,"credit_id":760,"department":384,"job":385,"media_type":37},[97],514408,"Cinéastes de notre temps : François Truffaut : Dix ans, dix films","Episode of the French television series about the work of François Truffaut.",1.0152,"\u002Fy67msNuLes9N4Zmyjg4orzsFNI.jpg","1970-01-26","5ab9b8e00e0a26365b00d462",{"adult":4,"backdrop_path":11,"genre_ids":762,"id":763,"title":764,"original_language":27,"original_title":764,"overview":765,"popularity":766,"poster_path":11,"release_date":767,"softcore":4,"video":4,"vote_average":130,"vote_count":46,"credit_id":768,"department":384,"job":385,"media_type":37},[97],514411,"Cinéastes de notre temps : Jacques Becker","Episode of the French television series about the work of film director Jacques Becker. (A 27-minute excerpt from this show appears on the Criterion Collection's release of \"Casque d'Or.\" )",1.2474,"1967-11-18","5ab9ba940e0a26365b00d57d",{"adult":4,"backdrop_path":11,"genre_ids":770,"id":771,"title":772,"original_language":27,"original_title":772,"overview":773,"popularity":774,"poster_path":11,"release_date":775,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":776,"department":14,"job":393,"media_type":37},[97],514413,"Cinéastes de notre temps : Samuel Fuller","Episode of the French television series about the work of American film director Samuel Fuller. (A 23-minute edited version of this show appears on the Criterion Collection release of \"The Naked Kiss.\"",0.8508,"1967-09-30","5ab9bba0c3a36871ce00dbc0",{"adult":4,"backdrop_path":11,"genre_ids":778,"id":779,"title":780,"original_language":27,"original_title":780,"overview":781,"popularity":782,"poster_path":783,"release_date":784,"softcore":4,"video":4,"vote_average":524,"vote_count":46,"credit_id":785,"department":14,"job":393,"media_type":37},[97],522148,"Les deux marseillaises","The campaign of the parliamentary elections of June 1968 in Asnieres with the three main candidates: Albin Chalandon ( UDR ), Claude Denis ( PCF ) and Roger Hanin ( FGDS ).",0.8214,"\u002F2cDChp4HMJlmyPaT7cbEEJHQCyB.jpg","1968-07-04","5aeb404592514167ee00655a",{"adult":4,"backdrop_path":11,"genre_ids":787,"id":788,"title":789,"original_language":27,"original_title":789,"overview":790,"popularity":791,"poster_path":11,"release_date":47,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":792,"department":14,"job":393,"media_type":37},[97],525143,"Sylvie Guillem Au Travail","A documentary about the dancer Sylvie Guillem on her daily round of classes, rehearsals and peformances.",1.6626,"5b1a2e859251414bc10130b7",{"adult":4,"backdrop_path":11,"genre_ids":794,"id":795,"title":796,"original_language":27,"original_title":796,"overview":797,"popularity":798,"poster_path":11,"release_date":799,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":800,"department":14,"job":393,"media_type":37},[],1139835,"Rouben Mamoulian, Lost and found","1965. We ring the doorbell of the Beverley Hills house where a forgotten filmmaker seems to spend his time reminiscing. His name is Rouben Mamoulian. He hasn't been shooting for 5 years, but cinema has not ceased to inhabit him. Episode of the documentary TV series \"Cinéastes de notre temps\"",0.7206,"2016-01-01","6495b1c4a284eb00ad2d5285",{"adult":4,"backdrop_path":11,"genre_ids":802,"id":312,"title":313,"original_language":27,"original_title":313,"overview":314,"popularity":315,"poster_path":316,"release_date":317,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":803,"department":14,"job":393,"media_type":37},[97,311],"5b3fa402c3a36866ff00a099",{"adult":4,"backdrop_path":11,"genre_ids":805,"id":806,"title":807,"original_language":250,"original_title":807,"overview":808,"popularity":809,"poster_path":11,"release_date":810,"softcore":4,"video":4,"vote_average":105,"vote_count":46,"credit_id":811,"department":14,"job":393,"media_type":37},[],535192,"Roger Leenhardt ou Le dernier humaniste","A 1965 film by André S. Labarthe.",0.8435,"1965-11-11","5b45b913925141689b002b4e",{"adult":4,"backdrop_path":11,"genre_ids":813,"id":814,"title":815,"original_language":27,"original_title":815,"overview":47,"popularity":816,"poster_path":817,"release_date":818,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":819,"department":14,"job":393,"media_type":37},[],1161809,"Antonioni, la dernière séquence",1.1176,"\u002F8PNnuIFUAYLvFIl8p54DUtBiVOh.jpg","1985-01-01","64d0e4ad6d4c9700ec58899a",{"adult":4,"backdrop_path":821,"genre_ids":822,"id":823,"title":824,"original_language":250,"original_title":824,"overview":825,"popularity":826,"poster_path":827,"release_date":828,"softcore":4,"video":4,"vote_average":130,"vote_count":94,"credit_id":829,"department":384,"job":385,"media_type":37},"\u002FaMdluZdJbGGIHU6vMH68fBuHuOt.jpg",[97],127819,"Abel Ferrara: Not Guilty","Intimate portrait of Abel Ferrara: the result is an eccentric road movie, with the restless film maker as a charming, shabby guide around New York by night.",1.3831,"\u002F4lzosZrOnhviCFUEwdRW6eiLOcK.jpg","2003-09-12","5c3d40e40e0a2615548cc029",{"adult":4,"backdrop_path":11,"genre_ids":831,"id":832,"title":833,"original_language":250,"original_title":833,"overview":834,"popularity":835,"poster_path":836,"release_date":698,"softcore":4,"video":4,"vote_average":837,"vote_count":94,"credit_id":838,"department":384,"job":385,"media_type":37},[97],607699,"David Lynch: Don't Look at Me","A documentary about American director David Lynch from the Cinéma, de notre temps series.",1.5262,"\u002FhqH2iF47HVbw2ATC51smHf7OzXc.jpg",9.3,"5cfcf1e2c3a3683bb61ef906",{"adult":4,"backdrop_path":11,"genre_ids":840,"id":841,"title":842,"original_language":250,"original_title":842,"overview":843,"popularity":844,"poster_path":11,"release_date":845,"softcore":4,"video":4,"vote_average":105,"vote_count":10,"credit_id":846,"department":14,"job":393,"media_type":37},[],632047,"Entre chien et loup, John Ford","A “Cinéastes de notre temps” series episode directed by french film critic André S. Labarthe, originally aired 16 June 1966.",0.861,"1966-06-16","5d818115869e75001e0b293c",{"adult":4,"backdrop_path":11,"genre_ids":848,"id":849,"title":850,"original_language":250,"original_title":850,"overview":851,"popularity":852,"poster_path":853,"release_date":854,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":855,"department":14,"job":393,"media_type":37},[97],632069,"Conversation avec George Cukor","A “Cinéastes de notre temps” series episode directed by french film critic André S. Labarthe, originally aired 12 May 1969.",0.8431,"\u002Fn8Ptxy0OGGuSU6x4gaG3CDy9YuZ.jpg","1969-05-12","5d81a057869e7500260b4da3",{"adult":4,"backdrop_path":11,"genre_ids":857,"id":858,"title":859,"original_language":27,"original_title":859,"overview":860,"popularity":861,"poster_path":11,"release_date":862,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":863,"department":14,"job":393,"media_type":37},[97],632062,"Bleu comme une orange","Documentary on the use of color and black and white in contemporary arts through nine artists.\r A “Cinéastes de notre temps” series episode directed by french film critic André S. Labarthe, originally aired 16 March 1968.",1.0993,"1968-03-16","5d8193d6869e7500260b36d9",{"adult":4,"backdrop_path":11,"genre_ids":865,"id":40,"title":41,"original_language":27,"original_title":41,"overview":42,"popularity":43,"poster_path":11,"release_date":44,"softcore":4,"video":4,"vote_average":45,"vote_count":46,"credit_id":866,"department":14,"job":393,"media_type":37},[],"5d81a2c3d34eb3002c4fb014",{"adult":4,"backdrop_path":11,"genre_ids":868,"id":869,"title":870,"original_language":250,"original_title":870,"overview":871,"popularity":872,"poster_path":11,"release_date":873,"softcore":4,"video":4,"vote_average":45,"vote_count":46,"credit_id":874,"department":14,"job":393,"media_type":37},[],632044,"Marcel Pagnol ou Le cinéma tel qu'on le parle","A \"Cinéastes de notre temps\" series episode dedicated to french filmmaker Marcel Pagnol, originally aired in two parts.",0.9543,"1966-05-05","5d817cd35c071b00254a8987",{"adult":4,"backdrop_path":11,"genre_ids":876,"id":877,"title":878,"original_language":250,"original_title":878,"overview":879,"popularity":880,"poster_path":11,"release_date":881,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":882,"department":14,"job":393,"media_type":37},[],632046,"Raoul Walsh ou Le bon vieux temps","A “Cinéastes de notre temps” series episode directed by french film critic André S. Labarthe, originally aired 4 October 1966.",0.8513,"1966-10-04","5d81802dd34eb300144f7bfa",{"adult":4,"backdrop_path":11,"genre_ids":884,"id":885,"title":886,"original_language":250,"original_title":886,"overview":887,"popularity":888,"poster_path":11,"release_date":889,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":890,"department":14,"job":393,"media_type":37},[],632063,"Pierre Perrault - L'action parlée","A “Cinéastes de notre temps” series episode directed by french film critics André S. Labarthe and Jean-Louis Comolli, originally aired 11 November 1968.",0.7848,"1968-11-11","5d8194e8869e7500260b3a36",{"adult":4,"backdrop_path":11,"genre_ids":892,"id":893,"title":894,"original_language":27,"original_title":894,"overview":895,"popularity":896,"poster_path":11,"release_date":897,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":898,"department":14,"job":393,"media_type":37},[],632067,"Tours (Festival de)","A “Cinéastes de notre temps” series episode directed by french film critic André S. Labarthe, originally aired 2 February 1968.",0.8965,"1968-02-02","5d8197fdd34eb300144fa390",{"adult":4,"backdrop_path":11,"genre_ids":900,"id":901,"title":902,"original_language":250,"original_title":902,"overview":903,"popularity":904,"poster_path":11,"release_date":905,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":906,"department":14,"job":393,"media_type":37},[],632298,"Claude Autant-Lara - L'oreille du diable","A “Cinéastes de notre temps” series episode directed by french film critic André S. Labarthe, originally aired 10 May 1972.",0.7887,"1972-05-10","5d82b1dfd34eb3002450afd3",{"adult":4,"backdrop_path":11,"genre_ids":908,"id":909,"title":910,"original_language":27,"original_title":911,"overview":912,"popularity":913,"poster_path":914,"release_date":915,"softcore":4,"video":4,"vote_average":359,"vote_count":10,"credit_id":916,"department":14,"job":393,"media_type":37},[97],632292,"Rome Is Burning: Portrait of Shirley Clarke","Rome brûle","Documentary about filmmaker Shirley Clarke which originally aired on the French television series “Cinéastes de notre temps”.",0.9142,"\u002FjNRGT9fyu6gdKzvojd7ZFzESwUD.jpg","1970-10-04","5d82aa0ecabfe400248b2fac",{"adult":4,"backdrop_path":11,"genre_ids":918,"id":919,"title":920,"original_language":250,"original_title":920,"overview":921,"popularity":922,"poster_path":11,"release_date":923,"softcore":4,"video":4,"vote_average":140,"vote_count":140,"credit_id":924,"department":14,"job":393,"media_type":37},[],632291,"King Vidor","A “Cinéastes de notre temps” series episode directed by french film critic André S. 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