[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F17542:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":635},false,[6,7],"松本 俊夫","마츠모토 토시오","Toshio Matsumoto  (松本 俊夫, Matsumoto Toshio; March 25, 1932 – April 12, 2017)  was a Japanese film director, a pioneer of avant-garde experimental films, multimedia, and video in his homeland and abroad.\n\nBorn in Nagoya, Aichi, Japan and a graduate from Tokyo University in 1955, his first short was Ginrin, which he made in 1955, however his most famous work is 1969's wildly experimental Funeral Parade of Roses (also known as Bara no soretsu). A retelling of Oedipus Rex, a trans person (portrayed by Pîta) tries to move up in the world of the Japanese hostess clubs. Funeral Parade of Roses heavily influenced Stanley Kubrick's A Clockwork Orange (1971).\n\nMatsumoto published many books of photography and art and was a professor and dean of Arts at the Kyoto University of Art and Design. He was also the President of the Japan Society of Image Arts and Sciences.","1932-03-25","2017-04-12",2,null,17542,"nm0559564","Directing","Toshio Matsumoto","Nagoya, Aichi, Japan",1.4348,"\u002Fh1Rms3lIyrSyNtwBTlSlolIzqp8.jpg",{"cast":21,"crew":83},[22,39,52,63,72],{"adult":4,"backdrop_path":23,"genre_ids":24,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"character":35,"credit_id":36,"order":37,"media_type":38},"\u002FmdzvWABUIJlfoqJWfmUkKFzBGka.jpg",[25],16,328182,"Engram","ja","Engram is a three-part piece revolving around a few good old ideas such as photos inside of photos, movies inside of movies, photos inside of movies, movies inside of photos, and (even) a film director inside a TV set.",0.8678,"\u002FXSY68kGAcVYai29MGfKSGshjVx.jpg","1987-04-29",6.2,5,"","54f37aba925141799f00015a",0,"movie",{"adult":4,"backdrop_path":12,"genre_ids":40,"id":42,"title":43,"original_language":44,"original_title":43,"overview":45,"popularity":46,"poster_path":47,"release_date":48,"softcore":4,"video":4,"vote_average":49,"vote_count":49,"character":50,"credit_id":51,"order":37,"media_type":38},[41],99,468364,"Under the Skin","en","A documentary on sixties counterculture in Japan featuring Donald Richie, Tadanori Yokoo, Masao Adachi, Koji Wakamatsu, Toshio Matsumoto and Akaji Maro among others.",0.9311,"\u002FmjM8uxGrth7Jwes3sby0FrYRoAu.jpg","2002-06-14",1,"Himself","59a81886925141579d0161c8",{"adult":4,"backdrop_path":12,"genre_ids":53,"id":54,"title":55,"original_language":28,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"character":35,"credit_id":61,"order":62,"media_type":38},[41],1465483,"KIKAIDE MIRUKOTO = Eye Machine \u002F To See by Chance –The Pioneers of Japanese Video Arts–","キカイデミルコト: 日本のビデオアートの先駆者たち","Video began as a medium that inspired discovery. This art documentary traces the expressive roots of “media art” in Japan — works of video, performances, and installations created using video technology that allowed for free and creative visual expression.",1.2528,"\u002FqRfG2yCyrbFPLltHSsCpAJUK4sh.jpg","2013-04-10","67ffb987437f0b80eead7790",11,{"adult":4,"backdrop_path":12,"genre_ids":64,"id":65,"title":66,"original_language":28,"original_title":66,"overview":67,"popularity":68,"poster_path":12,"release_date":69,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"character":70,"credit_id":71,"order":37,"media_type":38},[41],1533169,"Filming the Unfilmable: An Interview with Toshio Matsumoto","Toshio Matsumoto articulates his perspective on the creation of Dogra Magra, presented in the supplementary section of the Radiance DVD release.",0.8048,"2003-08-06","self","68a60c2ec94cc5f3a925f172",{"adult":4,"backdrop_path":73,"genre_ids":74,"id":75,"title":76,"original_language":28,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"character":35,"credit_id":82,"order":37,"media_type":38},"\u002F8Bp2bzHBft9Rv9V7b8pJzMr7JVd.jpg",[41],1533183,"Discovery of Image – The Era of Toshio Matsumoto","映像の発見＝松本俊夫の時代","A five-part documentary chronicling Toshio Matsumoto, the legendary filmmaker known as a pioneer of experimental cinema in Japan and also active as a film theorist, who exerted a profound influence on innovative film expression from the 1950s onward. Directed by filmmaker and critic Takefumi Tsutsui—himself both a filmmaker and critic like Matsumoto—the project was filmed over the course of ten years. Interweaving excerpts from Matsumoto’s works with an extensive series of interviews with collaborators and critics, the documentary retraces, through the figure of Matsumoto, the tumultuous decades from the 1950s to the 2000s across five parts, totaling 700 minutes.",0.7847,"\u002FhD80N7aGXpEWg6hlQbcFahMTHJZ.jpg","2017-12-09","68a6155a4c7db4159c3e886f",[84,100,104,120,130,143,155,168,180,193,206,218,229,237,247,259,272,285,295,304,313,322,331,340,350,361,371,383,394,405,417,427,436,439,442,451,463,466,477,486,497,507,510,520,532,543,554,559,568,575,578,588,598,607,617,620,623],{"adult":4,"backdrop_path":85,"genre_ids":86,"id":88,"title":89,"original_language":28,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":96,"credit_id":97,"department":98,"job":99,"media_type":38},"\u002FwRBjG7wFxb4ewOWKWAarfbKARtK.jpg",[87],18,1556,"Funeral Parade of Roses","薔薇の葬列","In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.",4.2795,"\u002F7cRQ6rSGajW2soWDr3voEN2rgYO.jpg","1969-09-13",7.6,260,"52fe42fdc3a36847f8032223","Writing","Screenplay",{"adult":4,"backdrop_path":85,"genre_ids":101,"id":88,"title":89,"original_language":28,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":96,"credit_id":102,"department":15,"job":103,"media_type":38},[87],"52fe42fdc3a36847f8032211","Director",{"adult":4,"backdrop_path":105,"genre_ids":106,"id":110,"title":111,"original_language":28,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":117,"vote_count":118,"credit_id":119,"department":15,"job":103,"media_type":38},"\u002Fj3Pm1S9A8DfxUXSNRO54hS27tZg.jpg",[107,108,109],27,9648,14,91229,"Dogra Magra","ドグラ・マグラ","A young man murders his new bride and goes insane. He wakes in an asylum with no memory, left in the hands of two mysterious doctors who relate his condition with his biological identity.",1.8953,"\u002Fss6zWMdXWE7OsxXCqzirUBTTlQm.jpg","1988-10-15",6.7,45,"52fe48c89251416c750b32ab",{"adult":4,"backdrop_path":12,"genre_ids":121,"id":122,"title":123,"original_language":28,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":129,"department":15,"job":103,"media_type":38},[41],838547,"Kimoto","生酛","Format: 16 mm standard; Color; Sound; 30 min 10 sec  Sponsor: Japan Sake and Shochu Makers Association",0.6855,"\u002FdqNW6sw1U0P8ALJ5ex6A9m707q3.jpg","1980-06-18","60c0abb439a45d0040c42456",{"adult":4,"backdrop_path":131,"genre_ids":132,"id":133,"title":134,"original_language":28,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":140,"vote_count":141,"credit_id":142,"department":15,"job":103,"media_type":38},"\u002FitO1lYsPI7Afs03uZ41Y3qMYXG0.jpg",[41,25],104443,"For My Crushed Right Eye","つぶれかかった右眼のために","Two chaotic series of images, one for each eye. Hipster living, malformed fetuses, war, arts events and pop culture stands for the material.",0.9656,"\u002FgWkrN4HH4mRhhgHiWWLHzCgoOiX.jpg","1968-10-01",7.556,9,"52fe4a34c3a36847f81c0cf5",{"adult":4,"backdrop_path":144,"genre_ids":145,"id":146,"title":147,"original_language":148,"original_title":147,"overview":149,"popularity":150,"poster_path":151,"release_date":152,"softcore":4,"video":4,"vote_average":153,"vote_count":11,"credit_id":154,"department":15,"job":103,"media_type":38},"\u002Fc5qoUGyZrYeQ5ddr39HCrnrfvNZ.jpg",[109],104401,"Ecstasis","xx","Repetitive abstract experimental film. A bearded man flickers past a hundred times.",1.2236,"\u002FsMayalFjik26rK7eNFqr26XmWL4.jpg","1969-01-01",7.5,"52fe4a33c3a36847f81c0983",{"adult":4,"backdrop_path":156,"genre_ids":157,"id":158,"title":159,"original_language":28,"original_title":160,"overview":161,"popularity":162,"poster_path":163,"release_date":164,"softcore":4,"video":4,"vote_average":165,"vote_count":166,"credit_id":167,"department":15,"job":103,"media_type":38},"\u002FaJrwBXzk09zDXNpAPZHYZJkiw6A.jpg",[107,87],104548,"Demons","修羅","Gengobe Satsuma, an exiled samurai cast out as an Asano clan retainer, is given a second chance to join his brothers in arms to become the 48th Ronin against the Shogunate. His faithful servant gathers the 100 ryo required for his acceptance. Gengobe is also in love with a greedy geisha named Koman. About to be sold to another man, Gengobe learns that in order to keep her, her debt is exactly 100 ryo.",2.3685,"\u002FkUsODPIBhUdWz5N6jeXqrLIWOJu.jpg","1971-02-13",7.7,91,"52fe4a37c3a36847f81c1743",{"adult":4,"backdrop_path":169,"genre_ids":170,"id":171,"title":172,"original_language":28,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":177,"vote_count":178,"credit_id":179,"department":15,"job":103,"media_type":38},"\u002FwMvys1a2ZJgRiKK8RRGuWcmMckE.jpg",[41],105714,"Shift","By cutting up and zoom in on images of facades creates Matsumoto visual effects.",1.0871,"\u002F1XpT9Prz8WzlkUFhA5CImVfLBAn.jpg","1982-01-01",7.25,4,"52fe4a54c3a36847f81c7cc9",{"adult":4,"backdrop_path":181,"genre_ids":182,"id":184,"title":185,"original_language":28,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":191,"vote_count":178,"credit_id":192,"department":15,"job":103,"media_type":38},"\u002FAmZkKPEJLoaEtCB4kkZB74JSluR.jpg",[108,183,87],10752,155593,"The War of the 16 Year Olds","十六歳の戦争","A 20-year-old drifter and a precocious 16-year-old girl slowly form a bond in a small town haunted by its wartime past.",1.5853,"\u002FwmasLB8TLJLt6e6ZiyXalp02392.jpg","1976-08-19",6.8,"52fe4b839251416c910dce5f",{"adult":4,"backdrop_path":194,"genre_ids":195,"id":196,"title":197,"original_language":28,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":203,"vote_count":204,"credit_id":205,"department":15,"job":103,"media_type":38},"\u002FlejH6HlvhxR4FWFFKE1V6JQQGQH.jpg",[107,25],174838,"Atman","アートマン","ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.",1.3275,"\u002F74fZ1ajvxtmwMT08cUgG8GkO8a7.jpg","1975-07-01",6.6,38,"52fe4d53c3a36847f825af45",{"adult":4,"backdrop_path":12,"genre_ids":207,"id":209,"title":210,"original_language":28,"original_title":210,"overview":211,"popularity":212,"poster_path":213,"release_date":214,"softcore":4,"video":4,"vote_average":215,"vote_count":216,"credit_id":217,"department":15,"job":103,"media_type":38},[208],878,253541,"White Hole","A mesmerizing trip through the psychedelic vastness of space.",1.5564,"\u002Fats8momTKNCd9eo7IbUOZ995i2X.jpg","1979-02-01",6.385,13,"52fe4e849251416c9113452f",{"adult":4,"backdrop_path":12,"genre_ids":219,"id":220,"title":221,"original_language":148,"original_title":221,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":4,"video":4,"vote_average":226,"vote_count":227,"credit_id":228,"department":15,"job":103,"media_type":38},[25,208],260209,"Metastasis","Writes Matsumoto, \"I used the Erekutoro Karapurosesu (Electro Color Processor), which is mainly used in the field of medicine and engineering, to create moving image textures Metastasis, I was interested in layering images of a simple object and its electronically processed abstraction. The electronic abstract image is manipulated in a certain rhythm, depicting an organic process.\"",1.1611,"\u002F9Yte7kInNngB3tLY2LUeV1bQpzD.jpg","1971-03-20",5.625,8,"532b610f9251416e89000045",{"adult":4,"backdrop_path":12,"genre_ids":230,"id":231,"title":232,"original_language":28,"original_title":232,"overview":233,"popularity":234,"poster_path":12,"release_date":235,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":236,"department":15,"job":103,"media_type":38},[],262207,"Magnetic Scramble","Magnetic Scramble is the first video work by Toshio Matsumoto. Here, the artist manipulates television images (of student demonstrations against the U.S.-Japan Security Pact) by holding a magnetic coil next to the monitor. Matsumoto later incorporated this piece into a scene of his film Funeral Parade of Roses (1969).",0.8105,"1968-03-31","5338ac579251417da100353a",{"adult":4,"backdrop_path":12,"genre_ids":238,"id":239,"title":240,"original_language":28,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":246,"department":15,"job":103,"media_type":38},[41],997682,"Old\u002FNew","気配","Toshio Matsumoto's video on decommunization in Eastern Europe.",0.5821,"\u002FdG12RY6awQL7piQM9xDF5dcBN7H.jpg","1990-01-01","62c8d9de8a88b2004fbe4c69",{"adult":4,"backdrop_path":248,"genre_ids":249,"id":250,"title":251,"original_language":28,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":4,"video":4,"vote_average":257,"vote_count":178,"credit_id":258,"department":15,"job":103,"media_type":38},"\u002F1ffcLZHZZEwXecPvq4F9UgZtzj3.jpg",[25],277305,"Enigma: Nazo","Enigma (謎)","Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.",0.8095,"\u002FpdSiALlK5HL6AVseKUxGJrZ4tm7.jpg","1978-07-12",6.5,"53a0af00c3a3687b9b0007d6",{"adult":4,"backdrop_path":260,"genre_ids":261,"id":262,"title":263,"original_language":28,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":269,"vote_count":270,"credit_id":271,"department":15,"job":103,"media_type":38},"\u002F2x2uAm1rsB06caFCy3EBT4K98rD.jpg",[208],278481,"Ki or Breathing","気　Breathing","'Ki or Breathing' is a spare concoction assembled from slow motion shots of nature and set to a score by the much-acclaimed Tohru Takemitsu.",1.385,"\u002Fa8kSKdqeeJXnHhsW0l0QnYv5HCZ.jpg","1980-07-11",7.3,6,"53a99897c3a3687a34007046",{"adult":4,"backdrop_path":273,"genre_ids":274,"id":275,"title":276,"original_language":28,"original_title":277,"overview":278,"popularity":279,"poster_path":280,"release_date":281,"softcore":4,"video":4,"vote_average":282,"vote_count":283,"credit_id":284,"department":15,"job":103,"media_type":38},"\u002FmoBNwp6n6ZtAE8frsNzyVPC86pM.jpg",[25],288026,"Mona Lisa","モナ・リザ","An experimental short film from Toshio Matsumoto featuring Mona Lisa.",0.7782,"\u002FeJUIkhf1MwxSzAHzg8eie4G486w.jpg","1973-08-21",5.833,12,"53f68753c3a36834070041ec",{"adult":4,"backdrop_path":12,"genre_ids":286,"id":287,"title":288,"original_language":28,"original_title":289,"overview":290,"popularity":291,"poster_path":12,"release_date":292,"softcore":4,"video":4,"vote_average":293,"vote_count":270,"credit_id":294,"department":15,"job":103,"media_type":38},[41,25],289124,"Andy Warhol: Re-Reproduction","アンディ・ウォーホル＝複々製","A kaleidoskopic image of Andy Warhol, presumably found footage from some interview, is slowed down and played over sudden pangs of screeching white noise. Warhol's own distorted, delayed, voice guides us through the gaseous hallucination.",1.112,"1974-01-01",5.75,"53feb9a50e0a262de20035fe",{"adult":4,"backdrop_path":12,"genre_ids":296,"id":297,"title":298,"original_language":28,"original_title":299,"overview":35,"popularity":300,"poster_path":301,"release_date":302,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":303,"department":15,"job":103,"media_type":38},[109],1001942,"A Girl","青女",0.7209,"\u002Ffjaj2DfoaBjlESUDfcbN7a4OLT.jpg","1975-06-01","62d74643caa508004fffc909",{"adult":4,"backdrop_path":12,"genre_ids":305,"id":306,"title":307,"original_language":28,"original_title":308,"overview":35,"popularity":309,"poster_path":310,"release_date":311,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":312,"department":15,"job":103,"media_type":38},[41],1001938,"I'm Nylon","わたしはナイロン",0.6444,"\u002FneDTWkOhkBE3Pm750KQ9aFOmAV0.jpg","1962-09-01","62d7438277e1f600558b6a2d",{"adult":4,"backdrop_path":12,"genre_ids":314,"id":315,"title":316,"original_language":28,"original_title":317,"overview":35,"popularity":318,"poster_path":319,"release_date":320,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":321,"department":15,"job":103,"media_type":38},[25],1001937,"Autonomy","自律性",0.7433,"\u002Fu7nxJxwf0seNLBya7jPC4o0uKO1.jpg","1972-02-01","62d742c56beaea0299b6f941",{"adult":4,"backdrop_path":12,"genre_ids":323,"id":324,"title":325,"original_language":28,"original_title":326,"overview":35,"popularity":327,"poster_path":328,"release_date":329,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":330,"department":15,"job":103,"media_type":38},[25],1001940,"Fly","フライ",0.6364,"\u002F3MpJVubJVaguX03wbTXJDhhtbJH.jpg","1974-03-01","62d748852f8d0900681583c9",{"adult":4,"backdrop_path":12,"genre_ids":332,"id":333,"title":334,"original_language":28,"original_title":335,"overview":35,"popularity":336,"poster_path":337,"release_date":338,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":339,"department":15,"job":103,"media_type":38},[41],1001939,"Wave","ウェーブ",0.8663,"\u002F7L8rpo8NBsmJYTmslE2E6CxS2eJ.jpg","1984-11-01","62d74470109cd001734908cc",{"adult":4,"backdrop_path":12,"genre_ids":341,"id":343,"title":344,"original_language":28,"original_title":345,"overview":35,"popularity":346,"poster_path":347,"release_date":348,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":349,"department":15,"job":103,"media_type":38},[342],35,1001943,"Dissimulation","ディシミュレーション",0.7483,"\u002FQ1RDJtMXnLN05AQ0cUT4Veh0pv.jpg","1992-01-01","62d747558a0e9b00513fab53",{"adult":4,"backdrop_path":12,"genre_ids":351,"id":352,"title":353,"original_language":28,"original_title":354,"overview":355,"popularity":356,"poster_path":12,"release_date":357,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":358,"department":359,"job":360,"media_type":38},[],1190490,"Nichiray a la carte","ニチレ・ア・ラ・カルト","Nippon Rayon has produced clothing of  assorted colors, designs, and materials. Their nylon products are not limited to fashion  but extend to all aspects of life. The film features shots of models wearing vibrant outfits  as well as products being manufactured on the factory floor.",0.6721,"1963-09-04","6528aba30cb33516fec6cf89","Crew","Script",{"adult":4,"backdrop_path":12,"genre_ids":362,"id":363,"title":364,"original_language":28,"original_title":365,"overview":366,"popularity":367,"poster_path":368,"release_date":369,"softcore":4,"video":4,"vote_average":141,"vote_count":49,"credit_id":370,"department":15,"job":103,"media_type":38},[25],291097,"Silver Wheel","銀輪","Silver Wheel (Bicycle in Dream) is a PR film that was produced to promote the export of bicycles. However, Matsumoto Toshio, who was an employee of the Shin-riken Pictures, which had been contracted to produce the film, asked for the cooperation of Yamaguchi Katsuhiro, Kitadai Shozo and Takemitsu Toru, at the time members of Jikken Kobo, and also invited the participation of Tsuburaya Eiji, the leading expert in the field of special effects. Therefore, this work depicts a young boy’s dreams concerning a bicycle, while making the most of the realistic and materialistic character of bicycle parts and of surreal and fantasy-like scenes. Due to the course of its production and the fresh images and music used, this was seen as being the first example of experimental cinema in postwar Japan.",0.8382,"\u002FynsFqmkUZt9sjE6gxz1bLil2uiX.jpg","1955-01-01","540c760bc3a36879a2004227",{"adult":4,"backdrop_path":372,"genre_ids":373,"id":374,"title":375,"original_language":28,"original_title":376,"overview":377,"popularity":378,"poster_path":379,"release_date":380,"softcore":4,"video":4,"vote_average":381,"vote_count":87,"credit_id":382,"department":15,"job":103,"media_type":38},"\u002F9uhURSki605urM6R3fxKbeebqLS.jpg",[25,108],295791,"Phantom","幻妄","A psychedelic yoga lesson with some beautiful and bizarre visuals.",0.8183,"\u002FnKXBg0FX7IlZ0wYWhiMxZOMsAEe.jpg","1975-01-01",6.25,"542c6ced0e0a2607a400007e",{"adult":4,"backdrop_path":12,"genre_ids":384,"id":385,"title":386,"original_language":28,"original_title":387,"overview":388,"popularity":389,"poster_path":390,"release_date":391,"softcore":4,"video":4,"vote_average":392,"vote_count":34,"credit_id":393,"department":15,"job":103,"media_type":38},[41],315557,"Mothers","母たち","Documentary about the relationships between mothers and their children.",1.5459,"\u002Fe0fBLETWHkypmbFkZxTpQAaEGnv.jpg","1967-01-01",6.4,"54a9013bc3a3680c29003e57",{"adult":4,"backdrop_path":395,"genre_ids":396,"id":397,"title":398,"original_language":28,"original_title":399,"overview":400,"popularity":401,"poster_path":402,"release_date":403,"softcore":4,"video":4,"vote_average":257,"vote_count":270,"credit_id":404,"department":15,"job":103,"media_type":38},"\u002FpYRMdhUegyfpa1G69RAhz03olDf.jpg",[41],315553,"The Song of Stone","石の詩","While extracting and polishing their blocks of stone, stonecutters used to say “the stone is coming to life\". This paradox provided Matsumoto with the best metaphor for what making a film is all about. In his opinion, filmmakers work images in the same way that stonecutters work stones.",0.7155,"\u002FdvaJIitvnjKv5RDYpkLQLb1siTq.jpg","1963-02-01","54a8fb9cc3a3680c1e003b58",{"adult":4,"backdrop_path":406,"genre_ids":407,"id":408,"title":409,"original_language":28,"original_title":410,"overview":411,"popularity":412,"poster_path":413,"release_date":414,"softcore":4,"video":4,"vote_average":95,"vote_count":415,"credit_id":416,"department":15,"job":103,"media_type":38},"\u002F7HY2ZxW0t6yH26l7rT0C4vvYZZr.jpg",[41],315551,"The Weavers of Nishijin","西陣","The Weavers of Nishijin captures the process of traditional textile manufacture in Nishijin.",0.9733,"\u002Fla99ymVrhdxMZfJUouoTx1W5HUy.jpg","1961-12-01",7,"54a8f7dac3a3680c210040bb",{"adult":4,"backdrop_path":418,"genre_ids":419,"id":420,"title":421,"original_language":28,"original_title":422,"overview":423,"popularity":424,"poster_path":425,"release_date":380,"softcore":4,"video":4,"vote_average":95,"vote_count":141,"credit_id":426,"department":15,"job":103,"media_type":38},"\u002FnHM8a9snbw8wtzQgklgaiwddszG.jpg",[25],316305,"Everything Visible Is Empty","色即是空","There's more to picture than meets the eye in this journey into oriental metaphysical imagery. Starting (in a very Christian manner) with the Word, the film draws an explosion of visible forms, as if a sign of the shattering of shapes in the mundane world. But time is cyclical, of course, and what was once a multitude of sensible realities must eventually return to the Word and, finally, to sheer Color. (Sound of Eye)",1.2627,"\u002Fk8uIpGY9nmnjljGtqniUfj59gQU.jpg","54aea7c69251412cb1000532",{"adult":4,"backdrop_path":12,"genre_ids":428,"id":429,"title":430,"original_language":148,"original_title":430,"overview":431,"popularity":432,"poster_path":433,"release_date":434,"softcore":4,"video":4,"vote_average":392,"vote_count":178,"credit_id":435,"department":15,"job":103,"media_type":38},[208],316308,"Connection","In Connection, a static shot of the sky with moving clouds is subdivided into regular geometrical regions, which are then individually (and rhythmically) manipulated.",1.057,"\u002FtUK7GrKD4sljjiXxyqSlclRILpH.jpg","1981-12-05","54aea95392514113fa0019ac",{"adult":4,"backdrop_path":406,"genre_ids":437,"id":408,"title":409,"original_language":28,"original_title":410,"overview":411,"popularity":412,"poster_path":413,"release_date":414,"softcore":4,"video":4,"vote_average":95,"vote_count":415,"credit_id":438,"department":98,"job":99,"media_type":38},[41],"6179207771f095008b832138",{"adult":4,"backdrop_path":23,"genre_ids":440,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"credit_id":441,"department":15,"job":103,"media_type":38},[25],"54f37ab09251417992000185",{"adult":4,"backdrop_path":443,"genre_ids":444,"id":445,"title":446,"original_language":28,"original_title":446,"overview":447,"popularity":448,"poster_path":449,"release_date":176,"softcore":4,"video":4,"vote_average":257,"vote_count":34,"credit_id":450,"department":15,"job":103,"media_type":38},"\u002Fs8d77bXM8bK1SD5EtpP1wbWiriB.jpg",[41],328184,"Relation","In Relation, the focus of the viewer’s attention is guided by pointers moving through the screen.",0.9107,"\u002FhgjMX1W6L1ummdvkFcUMNFjIHNR.jpg","54f37ba7c3a3681de0000185",{"adult":4,"backdrop_path":452,"genre_ids":453,"id":454,"title":455,"original_language":28,"original_title":456,"overview":457,"popularity":458,"poster_path":459,"release_date":460,"softcore":4,"video":4,"vote_average":461,"vote_count":34,"credit_id":462,"department":15,"job":103,"media_type":38},"\u002Fkg7iST31Hp7Js6SBy6obE1swetX.jpg",[25,208],344825,"Expansion","拡張","Expansion remixes the images of Matsumoto’s Esctasis into an more colourful psychedelic short.",0.8874,"\u002FecOQNByqCV2DYMAYINUPRskial1.jpg","1973-02-15",7.4,"558027759251412f1d0019e4",{"adult":4,"backdrop_path":105,"genre_ids":464,"id":110,"title":111,"original_language":28,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":117,"vote_count":118,"credit_id":465,"department":98,"job":99,"media_type":38},[107,108,109],"55ac8ea2c3a3683002008298",{"adult":4,"backdrop_path":12,"genre_ids":467,"id":468,"title":469,"original_language":28,"original_title":470,"overview":471,"popularity":472,"poster_path":473,"release_date":474,"softcore":4,"video":4,"vote_average":475,"vote_count":178,"credit_id":476,"department":15,"job":103,"media_type":38},[41],438637,"Sway","揺らぎ　スウェイ","Pictures from a Buddhist temple cut up and manipulated.",0.8794,"\u002FpbhWZeOkCRLQAhYX6anfV4bxU3T.jpg","1985-01-01",7.2,"58921387c3a3680977009420",{"adult":4,"backdrop_path":12,"genre_ids":478,"id":479,"title":480,"original_language":28,"original_title":480,"overview":481,"popularity":482,"poster_path":483,"release_date":484,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":485,"department":15,"job":103,"media_type":38},[109],477729,"Space Projection Ako","Experimental film by Toshio Matsumoto created for the 1970 world's fair, Expo '70 in Osaka.  The film was made up of multiple projections onto the inside of the Textile Pavilion, a dome with an interior designed by Yokoo Tadanori, and featured a 57-channel music score by Joji Yuasa.",0.795,"\u002FiBDsBqRhffSshKuYlYiXXT9VKcD.jpg","1970-03-15","59c85d44c3a36813ed06888e",{"adult":4,"backdrop_path":12,"genre_ids":487,"id":488,"title":489,"original_language":28,"original_title":490,"overview":491,"popularity":492,"poster_path":493,"release_date":494,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":495,"department":98,"job":496,"media_type":38},[41],492955,"Security Treaty","安保条約","An early experimental film by Toshio Matsumoto. Produced as part of the student riots in Japan at the start of the 1960s, Matsumoto uses collage, archival footage, and impassioned narration to create an expressive, visceral criticism of the US-Japan Security Treaty.",0.7027,"\u002F9QYLjEwf1hMXXcnmAtDnGp65oFq.jpg","1959-09-01","5a353eb4c3a3680b9d1afb14","Writer",{"adult":4,"backdrop_path":12,"genre_ids":498,"id":499,"title":500,"original_language":28,"original_title":501,"overview":502,"popularity":503,"poster_path":504,"release_date":505,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":506,"department":15,"job":103,"media_type":38},[41],492959,"Record of A Long White Line","白い長い線の記録","Early experimental PR \"cine-poem\" by Toshio Matsumoto. Commissioned by Kansai Electricity, the film paints an abstract, near-wordless retelling of the development of power stations in Japan, through to the presumed oncoming advent of nuclear power.",0.7767,"\u002F3Boilvu2gfy0HmWBNWp4XgE8SZF.jpg","1960-03-03","5a3541c192514103361c8b44",{"adult":4,"backdrop_path":12,"genre_ids":508,"id":488,"title":489,"original_language":28,"original_title":490,"overview":491,"popularity":492,"poster_path":493,"release_date":494,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":509,"department":15,"job":103,"media_type":38},[41],"5a353e710e0a264cc81d3985",{"adult":4,"backdrop_path":12,"genre_ids":511,"id":512,"title":513,"original_language":28,"original_title":514,"overview":515,"popularity":516,"poster_path":517,"release_date":518,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":519,"department":15,"job":103,"media_type":38},[41],492951,"300 Ton Trailer","300トントレーラー","A short documentary about a trailer weighing over 300 tons that carries material for the construction of a dam toward Tokyo.",0.8271,"\u002FaUwDM3lPSDQCtRmCsAFpraSpgDA.jpg","1959-07-15","5a3537f8925141547203bf1f",{"adult":4,"backdrop_path":521,"genre_ids":522,"id":523,"title":524,"original_language":28,"original_title":525,"overview":526,"popularity":527,"poster_path":528,"release_date":529,"softcore":4,"video":4,"vote_average":257,"vote_count":530,"credit_id":531,"department":98,"job":99,"media_type":38},"\u002F4AI1lPHjkxXNuCkxwG0xWNirSZM.jpg",[183,87],90191,"The Catch","飼育","Towards the end of WWII, a black American pilot is captured and imprisoned by rural Japanese villagers, who await official instructions as to how to proceed with their 'catch'.",1.6849,"\u002Fxg5hBIr9ktsGcUQyhRfePQtAuTE.jpg","1961-11-22",15,"5af3352f0e0a2668b500c0d7",{"adult":4,"backdrop_path":533,"genre_ids":534,"id":535,"title":536,"original_language":44,"original_title":536,"overview":537,"popularity":538,"poster_path":539,"release_date":540,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":541,"department":359,"job":542,"media_type":38},"\u002FexKQtTv5UwFLFK9vQ75Ca8tMc8F.jpg",[107,109],533565,"The Devil In Mary","A paranoid girl is haunted by the frightening manifestations of her hypnophobia. She is at odds with the waking world as she attempts to get away from the decaying figure in black.",0.8672,"\u002FmknCTCqeczuSWlWzphRSeSMRilD.jpg","2018-07-02","6694f26eb767a40cd12b562b","Thanks",{"adult":4,"backdrop_path":544,"genre_ids":545,"id":546,"title":547,"original_language":28,"original_title":548,"overview":549,"popularity":550,"poster_path":551,"release_date":552,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":553,"department":15,"job":103,"media_type":38},"\u002F89XaJAfCaxYntIcadmfcNzdjO83.jpg",[41],542488,"1986 Summer","1986 夏","A previously unseen short by the Japanese avant-garde titan, Toshio Matsumoto's 1986 Summer locates faces and bodies within superimpositions, zooms, a lightning-fast montage of brick structures and verdant trees.",1.1652,"\u002FZRXhXxaDH5ATYpLpmrIZfCo5vz.jpg","1986-06-01","5b73d9610e0a267ee51b7176",{"adult":4,"backdrop_path":194,"genre_ids":555,"id":196,"title":197,"original_language":28,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":203,"vote_count":204,"credit_id":556,"department":557,"job":558,"media_type":38},[107,25],"5c7066629251410f8e8b1970","Editing","Editor",{"adult":4,"backdrop_path":12,"genre_ids":560,"id":561,"title":562,"original_language":28,"original_title":562,"overview":563,"popularity":564,"poster_path":565,"release_date":566,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":567,"department":15,"job":103,"media_type":38},[25],597364,"Delay Exposure","\"Set to a soundtrack of pulsing synth bleats, Delay Exposure rhythmically deploys a low-tech, in-camera tricks—including lens-flares, whip-pans, and rapid, strobing exposure shifts—to builds an affective sense of place and architecture.\" - filmlinc.org",1.1496,"\u002FeqiF3jbekfiNAGcB457RqyG29Gn.jpg","1984-01-01","5cc07f720e0a266b96fcadaa",{"adult":4,"backdrop_path":12,"genre_ids":569,"id":570,"title":571,"original_language":28,"original_title":571,"overview":572,"popularity":573,"poster_path":565,"release_date":566,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":574,"department":15,"job":103,"media_type":38},[25],597367,"Vibration","\"A flicker film made using only intense shock-zooms, Vibration is one of a series of films Matsumoto made in the 1980s that explored proprioception through a mixture of minimalist effects and modernist architecture.\" - filmlinc.org",0.9558,"5cc08029c3a368145884c98f",{"adult":4,"backdrop_path":156,"genre_ids":576,"id":158,"title":159,"original_language":28,"original_title":160,"overview":161,"popularity":162,"poster_path":163,"release_date":164,"softcore":4,"video":4,"vote_average":165,"vote_count":166,"credit_id":577,"department":98,"job":99,"media_type":38},[107,87],"5cd6fc7c92514106f6ced95c",{"adult":4,"backdrop_path":12,"genre_ids":579,"id":580,"title":581,"original_language":28,"original_title":582,"overview":583,"popularity":584,"poster_path":585,"release_date":474,"softcore":4,"video":4,"vote_average":586,"vote_count":11,"credit_id":587,"department":15,"job":103,"media_type":38},[25],732709,"EE Control","EEコントロール","It was produced to be exhibited at the “Personal Focus” (April 23-8, 1985), a three-minute, 8mm film screening held in Fukuoka. Digitized the original 8mm film that Matsumoto had been stored. The concept of this works is same as Delay Exposure, but in this film, it begins with a sequence that sets the aperture to excessive exposure. During a one to two-second-long shoot, the camera zooms in, the automatic exposure device also follows the movement of the image, and immediately lights the screen with proper exposure. This short sequence combined with a series of shots in the background, is processed.",0.9037,"\u002FeCtsqful5xLo3yrtr5bCV6udbDp.jpg",4.8,"5f3578c38813e40037509e4e",{"adult":4,"backdrop_path":12,"genre_ids":589,"id":590,"title":591,"original_language":28,"original_title":592,"overview":593,"popularity":594,"poster_path":595,"release_date":596,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":597,"department":15,"job":103,"media_type":38},[41],732744,"Toro Axe Part 3: All Things Change","Toro no Ono Daisambu: Bansho Mujo","Matsumoto's last video was produced by Sano Gallery. Matsumoto set the common theme as “Seeing” in 2009, six co-writers participated to directing the omnibus film, \"Seeing\". Initially, there were no plans to expand it into trilogy, and Matsumoto was also limitedly involved in the work. Later, Matsumoto envisioneds works that pursued the omnibus format, and sets up a common theme of \"memory.” Afterwards, Matsumoto begun the production of Pilgrimage into the Memory, a reconstruction of works produced by five participating artists. However, the Great East Japan Earthquake occurred while producing the work. Matsumoto shocked by the earthquake and Fukushima Daiichi nuclear accident, he decided to produce a new work, All Things Change, and titled it's trilogy, Toro no Ono Daisambu. The third part, All Things Change, consists of videos produced by Tanotaiga, Kanako Inaki, Hiroyuki Oki, Okuno Kunito, and Tanako Tanaka.",0.9148,"\u002Fv7gQNocWpjAfdlXNrZmXZnYIYAX.jpg","2012-01-01","5f3596d6c4f552003507e2c1",{"adult":4,"backdrop_path":12,"genre_ids":599,"id":600,"title":601,"original_language":28,"original_title":602,"overview":603,"popularity":604,"poster_path":605,"release_date":380,"softcore":4,"video":4,"vote_average":270,"vote_count":49,"credit_id":606,"department":15,"job":103,"media_type":38},[41],732749,"Murder Catalogue","殺人カタログ","Matsumoto's early video work Murder Catalogue, but there were few opportunities to be screened at that time since it dealt with a grotesque image. Digitized a half-inch videotape he had kept in his studio. It is a work that shows the original form of a mysterious narrative that later appears well in Matsumoto's work, as it is constructed to repeat an event through long-term filming of a video and monologues by a cassette tape recorder. A photograph is placed in front of the video camera by one by one and the camera zooms in mechanically towards the images. Also, in Matsumoto's voice, a short monologue about the photos recorded on the tape is played. However, the voice is suddenly cut off by the sounds of hitting and the screams of the terminal, followed by the camera starting to expand the different images in the same way, and the voice of the recorder is played over and over again. - Ex-Is",0.8609,"\u002F4OYfZCNJAMv0fYTpzFlY1WqdPgA.jpg","5f359a3493828e00353e730a",{"adult":4,"backdrop_path":12,"genre_ids":608,"id":609,"title":610,"original_language":28,"original_title":611,"overview":612,"popularity":613,"poster_path":614,"release_date":615,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":616,"department":15,"job":103,"media_type":38},[41],732876,"Caisson","マンモス潜函","The film is a promotional film, recording the construction of a pressurized lockbox at the Hachinohe power plant in Aomori. Matsumoto's official first directorial debut at the Shinriken Motion Picture, the film found a 16mm film print stored in a civil library and digitized. His official credit is the assistant director in Silver Ring, commonly known as Matsumoto's first work. Matsumoto challenged to objectively capture the image of the worker in camera in spite of  the limitations of promotional films where the records of the construction site were prioritized.",0.6909,"\u002FselMthvnS6UphQLKGZ8GiItOoD.jpg","1957-01-01","5f361898c4f55200320b996e",{"adult":4,"backdrop_path":181,"genre_ids":618,"id":184,"title":185,"original_language":28,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":191,"vote_count":178,"credit_id":619,"department":98,"job":99,"media_type":38},[108,183,87],"66f636d36c9a68155070a9d8",{"adult":4,"backdrop_path":12,"genre_ids":621,"id":363,"title":364,"original_language":28,"original_title":365,"overview":366,"popularity":367,"poster_path":368,"release_date":369,"softcore":4,"video":4,"vote_average":141,"vote_count":49,"credit_id":622,"department":98,"job":99,"media_type":38},[25],"694ff39f9da83e804e7ac16e",{"adult":4,"backdrop_path":624,"genre_ids":625,"id":626,"title":627,"original_language":28,"original_title":628,"overview":629,"popularity":630,"poster_path":631,"release_date":632,"softcore":4,"video":4,"vote_average":37,"vote_count":37,"credit_id":633,"department":15,"job":634,"media_type":38},"\u002FjCgMgOsJeH7IEIVBdoGSGq8zqT4.jpg",[41],803515,"Nippon Express Carries the Olympics to Tokyo","オリンピックを運ぶ","A documentary focusing on the things and animals necessary for the Olympics in Tokyo in 1964.",0.8162,"\u002FkuyIH8mWp06DwhlzjnUMPICjE1J.jpg","1964-12-12","6a2dd9b1cd6cbf465930253f","Co-Director",{"profiles":636},[637,641],{"aspect_ratio":638,"height":639,"iso_3166_1":12,"iso_639_1":12,"file_path":19,"vote_average":37,"vote_count":37,"width":640},0.667,480,320,{"aspect_ratio":638,"height":642,"iso_3166_1":12,"iso_639_1":12,"file_path":643,"vote_average":37,"vote_count":37,"width":644},450,"\u002FnXZ7u1R3XpSaoz0KCiahwdoEqY8.jpg",300]