[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1607683:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":8,"known_for_department":11,"name":12,"place_of_birth":13,"popularity":14,"profile_path":15,"combined_credits":16,"images":338},false,[],"Zoe Beloff works across a wide range of media, including film, stereoscopic projection performance, interactive media, installation and drawing. Seeking to graphically manifest the mind's unconscious processes in her work, she uses both archaic apparatuses and new analog\u002Fdigital hybrids. Beloff has written that she considers herself a medium, an interface between the living and the dead, the real and the imaginary. With each project she aims to connect the present with the past, to create new visual languages where, she writes, \"modern media will once again be invested with the uncanny.\"\n\nBeloff, who has directed many independent films, has also created numerous interactive digital media projects. Her interest in early cinema has led her to explore links between 19th-century industrial mechanics and 20th- and 21st-century computer technologies, in the transition from the \"real\" world to virtual space. Writes Beloff: \"Interactive cinema is itself an emerging media. Its language is in the process of being invented. This is my ongoing project.\"\n\nBeloff has collaborated with artists from other disciplines, including composer John Cale, the Wooster Group Theater Company, and composer, singer and performance artist Shelley Hirsch.\n\nBeloff was born in Edinburgh, Scotland, and moved to New York in 1980. She received an MA from Edinburgh University and an MFA in film studies from Columbia University, and was in the Independent Study Program at the Whitney Museum of American Art. She has been awarded fellowships from the Guggenheim Foundation (2003), The Foundation for Contemporary Performance Arts (1997), NYFA (1997, 2001), The Graham foundation, The Radcliffe Institute at Harvard and Change City College to Queens College CUNY. She has received individual artist grants from foundations including NYSCA, Jerome Foundation and the Experimental Television Center, and has had residencies at Harvestworks, Hallwalls in Buffalo and Tesla in Berlin. She teaches digital media at City College in New York.\n\nHer work has been shown internationally at venues that include The Museum of Modern Art, New York; Whitney Museum of American Art, New York; the Freud Dream Museum, St. Petersburg, Russia; Centre Georges Pompidou, Paris; Biennial de l'image, Paris; Galerie Vox, Montreal; San Francisco Cinematheque, 2009 Athens Biennale; and MuHKA Museum. Antwerp, among others. Her exhibition The Coney Island Amateur Psychoanalytic Society and their Circle was exhibited at the Coney Island Museum in Brooklyn from October 2009 to November 2010.\n\nBeloff lives in New York.","1958-01-01",null,1,1607683,"Directing","Zoe Beloff","Edinburgh, Scotland",0.5185,"\u002Fw278aEfkKp3vPYvHDZRnPqBphhl.jpg",{"cast":17,"crew":33},[18],{"adult":4,"backdrop_path":8,"genre_ids":19,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"character":30,"credit_id":31,"order":29,"media_type":32},[20,21],9648,36,1388555,"Beyond","en","Beyond is a mysterious virtual world. In a playful spirit of philosophical inquiry, it explores the paradoxes of technology, desire and the paranormal posed since the birth of mechanical reproduction. One might call it an investigation of the \"dream life\" of technology, from around 1850 to 1940.",0.5688,"\u002F9xhrc1viROvFjlXxLDFo2WIGRUa.jpg","1997-01-01",0,"Herself","6737b14ec62c3a26ad056efe","movie",[34,49,53,58,62,67,75,84,91,100,108,118,126,134,142,153,162,171,180,189,200,209,218,226,235,244,253,265,268,277,282,285,288,291,295,298,306,314,317,320,327,330,335],{"adult":4,"backdrop_path":35,"genre_ids":36,"id":40,"title":41,"original_language":24,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":46,"department":47,"job":48,"media_type":32},"\u002F5ke6kYCmrtMhUadyutNxyxEXPbP.jpg",[37,21,38,39],878,18,16,859248,"The Tramp's New World","In 1948 the James Agee wrote a scenario for his lifelong hero, Charlie Chaplin. Deeply disturbed by the bombing of Hiroshima and Nagasaki, Agee imagined New York destroyed. In the ruins, Chaplin's Little Tramp builds a shack in Central Park. Gradually a small community of the dispossessed grows up around him. For Agee, his story was a thought experiment about how one might start again in the aftermath of disaster, to go beyond capitalism and just how hard that is in the face of our modern technological world. The film focuses on his imaginative journey and what it might mean for us today.",0.9504,"\u002Fsdr3guDVjQW2JJ9Q079MiHIFekF.jpg","2021-08-04","610fafe35c5cc8002a259be0","Art","Production Design",{"adult":4,"backdrop_path":35,"genre_ids":50,"id":40,"title":41,"original_language":24,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":51,"department":11,"job":52,"media_type":32},[37,21,38,39],"610fafcb426ae80029a463d7","Director",{"adult":4,"backdrop_path":35,"genre_ids":54,"id":40,"title":41,"original_language":24,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":55,"department":56,"job":57,"media_type":32},[37,21,38,39],"610fafd1168935004617df11","Production","Producer",{"adult":4,"backdrop_path":35,"genre_ids":59,"id":40,"title":41,"original_language":24,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":60,"department":47,"job":61,"media_type":32},[37,21,38,39],"610fb4308c44b900615cd8f0","Art Direction",{"adult":4,"backdrop_path":35,"genre_ids":63,"id":40,"title":41,"original_language":24,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":64,"department":65,"job":66,"media_type":32},[37,21,38,39],"610fb435e635710048e7f814","Editing","Editor",{"adult":4,"backdrop_path":8,"genre_ids":68,"id":69,"title":70,"original_language":24,"original_title":70,"overview":71,"popularity":72,"poster_path":8,"release_date":73,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":74,"department":11,"job":52,"media_type":32},[],393500,"Charming Augustine","Augustine was the most extensively photographed of the young women hysterics at the Salpêtrière in Paris of the 1870's She was 'the Sarah Bernhardt' of the asylum. This is her story.",0.5966,"2005-04-18","571567af9251412c7f000a03",{"adult":4,"backdrop_path":8,"genre_ids":76,"id":78,"title":79,"original_language":24,"original_title":79,"overview":80,"popularity":81,"poster_path":8,"release_date":82,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":83,"department":11,"job":52,"media_type":32},[77],99,394695,"Glass House","An exploration of Soviet director Sergei Eisenstein's notes and drawings for a science fiction movie that he pitched to Paramount in 1930 about the residents of a skyscraper with walls and floors of clear glass.",0.6441,"2015-09-03","571fd747c3a3686241001bb5",{"adult":4,"backdrop_path":8,"genre_ids":85,"id":86,"title":87,"original_language":24,"original_title":87,"overview":88,"popularity":89,"poster_path":8,"release_date":82,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":90,"department":11,"job":52,"media_type":32},[77],394701,"A Model Family in a Model Home","The saga of a movie treatment written by German playwright Bertolt Brecht during his unhappy stint in Hollywood based on a Life Magazine article about a farm family who win a week's stay in a model home at the Ohio State Fair, with the catch that they will be on display to the public.",1.0106,"571fd8bec3a368339f0049b7",{"adult":4,"backdrop_path":8,"genre_ids":92,"id":93,"title":94,"original_language":24,"original_title":94,"overview":95,"popularity":96,"poster_path":8,"release_date":82,"softcore":4,"video":4,"vote_average":97,"vote_count":98,"credit_id":99,"department":11,"job":52,"media_type":32},[77],394694,"Two Marxists in Hollywood","Russian avant-garde filmmaker Sergei Eisenstein and German playwright Bertolt Brecht recount the brief portions of their lives they spent in Hollywood trying to make art that was both radical and popular.",1.0324,5,2,"571fd665925141531b000690",{"adult":4,"backdrop_path":8,"genre_ids":101,"id":102,"title":103,"original_language":24,"original_title":103,"overview":104,"popularity":105,"poster_path":8,"release_date":106,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":107,"department":11,"job":52,"media_type":32},[],397689,"Shadowland or Light from the Other Side","The title and the narrative are taken from the 1897 autobiography of Elizabeth d’Espérance, a materializing medium who could produce full body apparitions.\r We discover a lonely little girl who can conjure imaginary friends that appear, to her, completely real. This remarkable ability causes her much suffering, for upon reaching adolescence, she is diagnosed as mad on account of seeing people who are not there. Only later does she find a way to cultivate her gifts within the spiritualist movement.",0.6387,"2000-05-15","573910109251414b03000860",{"adult":4,"backdrop_path":109,"genre_ids":110,"id":111,"title":112,"original_language":24,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":117,"department":11,"job":52,"media_type":32},"\u002FiIcN1ML56r5JuceNVa6PSZwrhPM.jpg",[38],397820,"Nightmare Angel","Inspired by J.G. Ballard's novel Crash, the film focuses on Jack and Diana Weston, who, after suffering a car crash, find their lives intruded upon by Dr. de Freis, a chronicler of car accidents who attempts to verify the psychological changes that occur in victims of accidents and the subsequent articulation of their anxieties.",1.2771,"\u002F8frMmdP91zRlbzn23zzKouOOhOT.jpg","1987-10-15","573a4a31c3a3686fc20002e5",{"adult":4,"backdrop_path":8,"genre_ids":119,"id":120,"title":121,"original_language":24,"original_title":121,"overview":122,"popularity":123,"poster_path":8,"release_date":124,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":125,"department":11,"job":52,"media_type":32},[],1262120,"Visitor","",0.5419,"1983-10-24","65fadcdccf62cd017d5605d9",{"adult":4,"backdrop_path":8,"genre_ids":127,"id":128,"title":129,"original_language":24,"original_title":129,"overview":130,"popularity":131,"poster_path":8,"release_date":132,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":133,"department":11,"job":52,"media_type":32},[],1272795,"A REALITY SHOW","This interview is with Michael Paul Britto, Community Coordinator at Forsyth Satellite Academy High School, as well as an arts educator and artist.",0.6322,"2022-11-16","6616fafccb75d1018274fb2d",{"adult":4,"backdrop_path":8,"genre_ids":135,"id":136,"title":137,"original_language":24,"original_title":137,"overview":138,"popularity":139,"poster_path":8,"release_date":140,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":141,"department":11,"job":52,"media_type":32},[],1272796,"SEVEN DAYS A WEEK","This interview is with Ah Bao, a knife sharpener and shoe repair man in New York City's Chinatown.",0.7418,"2022-07-29","6616fba23cd12c017c71ec25",{"adult":4,"backdrop_path":143,"genre_ids":144,"id":146,"title":147,"original_language":24,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":152,"department":11,"job":52,"media_type":32},"\u002Fyq5ydzXjO9JiYqaUgg2awJX52IJ.jpg",[38,145,37],35,499415,"Exile","Zoe Beloff Surprise: Bertold Brecht and Walter Benjamin have been reincarnated as an Iranian and an African-American and they roam today’s New York. At times they are a comic duo, at others the voice of our conscience: the babbling couple provides good weapons to attack the world.",1.3803,"\u002Fn60FK9tYkISwD50jCYL4Pxo7CZS.jpg","2017-12-17","5a60ada392514159d50164a8",{"adult":4,"backdrop_path":8,"genre_ids":154,"id":155,"title":156,"original_language":24,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":161,"department":11,"job":52,"media_type":32},[],499633,"The Cognitive Era","Our emotions are increasingly being turned into commodities, manipulated by global corporations. This hack of an IBM commercial suggests how. What does the future hold for a world where people are treated like objects, while online objects are being granted agency and becoming increasingly anthropomorphic?",0.4409,"\u002Flep2oWETFkP8i2yytmFw688dNXb.jpg","2018-01-27","5a61f78a0e0a261034015805",{"adult":4,"backdrop_path":8,"genre_ids":163,"id":164,"title":165,"original_language":24,"original_title":165,"overview":166,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":170,"department":11,"job":52,"media_type":32},[],284030,"The Lonely Chicken Dream","(Fictional history):\r Year: 1954\r Filmmaker: Beverly d'Angelo\r Transfer note: copied at 24 frames per second from a 16mm Kodachrome original with magnetic stripped sound.\r Sound: from the album \"Wild Percussion and Horns A'Plenty\" Dick Schory's New Percussion Ensemble\r Running time: 3 minutes 5 seconds",0.6315,"\u002F1MsUHXGWqWvApxwQcNUwuvIJSt4.jpg","2009-10-19","5b3301ff0e0a26401101403d",{"adult":4,"backdrop_path":8,"genre_ids":172,"id":173,"title":174,"original_language":24,"original_title":174,"overview":175,"popularity":176,"poster_path":177,"release_date":178,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":179,"department":11,"job":52,"media_type":32},[],284032,"My Dream of Dental Irritation","(Fictional history):\r Year : 1964\r Filmmaker: Robert Troutman \"Bobby Beaujolais\"\r Transfer note: copied at 18 frames per second from an 8mm Kodachrome camera original with magnetic stripped sound.\r Music: \"The Man that Got Away\" and \"Somewhere over the Rainbow\" sung by Judy Garland on the album, \"Judy at Carnegie Hall\"\r Running time: 5 minutes 10 seconds",0.4901,"\u002FlVmxCDfVokxrLI4soOE4XL8OvwB.jpg","2009-10-21","5b3304a0c3a368532f0157cc",{"adult":4,"backdrop_path":8,"genre_ids":181,"id":182,"title":183,"original_language":24,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":98,"vote_count":9,"credit_id":188,"department":11,"job":52,"media_type":32},[],284029,"The Lion Dream","Teddy Weisengrund, a member of the Coney Island Amateur Psychoanalytic Society, recreates one of his dreams on film and analyzes it according to Freud's theories.",0.5181,"\u002F5KBN1tyYhSPEItvXy3GDH6vc6hV.jpg","2009-10-16","5b33044dc3a3685326016b91",{"adult":4,"backdrop_path":8,"genre_ids":190,"id":191,"title":192,"original_language":24,"original_title":192,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":4,"video":4,"vote_average":197,"vote_count":198,"credit_id":199,"department":11,"job":52,"media_type":32},[],252238,"The Bear Dream","(Fictional history):\r This film was made by in 1937 Arthur Rosenzweig, a member of the Coney Island Amateur Psychoanalytic Society. Here he recreates one of his dreams on film and analyzes it according to Freud's theories.",0.5423,"\u002F3WdsjffDLfV8XCnq7vBLL4ReXJ4.jpg","2009-10-14",5.7,3,"5b3303d3c3a368532c015ca4",{"adult":4,"backdrop_path":8,"genre_ids":201,"id":202,"title":203,"original_language":24,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":198,"vote_count":98,"credit_id":208,"department":11,"job":52,"media_type":32},[],284031,"The Abandoned Ark","(Fictional history)\r A film by Stella Weiss (1962) 16mm silent",0.5631,"\u002FnPglyYI5PB65ehFxrQHC5664YOH.jpg","2009-10-13","5b330477c3a368530e015377",{"adult":4,"backdrop_path":8,"genre_ids":210,"id":211,"title":212,"original_language":24,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":4,"video":4,"vote_average":98,"vote_count":9,"credit_id":217,"department":11,"job":52,"media_type":32},[],284025,"The Praying Mantis","(Fictional history):\r Year: 1931\r Filmmaker: Charmian de Forde\r Music: Duke Ellington, \"Mooche\", \"Black and Tan\"\r Transfer note: copied at 24 frames per second from a 16mm black and white Kodak print with variable density optical sound track.\r Running time: 6 minutes 22 seconds",0.5529,"\u002FexehTg9hHbXvGZHHepfWUDNrp2e.jpg","2009-10-17","5b33036d0e0a263ffc013d38",{"adult":4,"backdrop_path":8,"genre_ids":219,"id":220,"title":221,"original_language":24,"original_title":221,"overview":222,"popularity":223,"poster_path":224,"release_date":207,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":225,"department":11,"job":52,"media_type":32},[],284034,"The Society Documents Itself","(Fictional history):\r Years: 1926,1927,1934\r Filmmakers: not known\r Transfer note: copied at 18 frames per second from a 16mm black and white Kodak safely film original.\r Running time: 5 minutes 28 seconds\r Silent",0.5743,"\u002FjxUhUeN8y0804mSn63lf354A47z.jpg","5b33039a0e0a26401c014c5b",{"adult":4,"backdrop_path":8,"genre_ids":227,"id":228,"title":229,"original_language":24,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":98,"vote_count":9,"credit_id":234,"department":11,"job":52,"media_type":32},[],284022,"The Midget Crane","(Fictional history):\r Year: 1926\r Filmmaker: Albert Grass\r Transfer note: copied at 18 frames per second from a 16mm black and white Kodak safely film original.\r Running time: 2 minutes 41 seconds\r Silent",0.5803,"\u002FpGvzApXux6HjSr7pKCYt4kg3iSf.jpg","2009-10-15","5b330336c3a368532801664d",{"adult":4,"backdrop_path":8,"genre_ids":236,"id":237,"title":238,"original_language":24,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":98,"vote_count":9,"credit_id":243,"department":11,"job":52,"media_type":32},[],284027,"Chasing Louis Schnekowitz","(Fictional history):\r Year: 1945\r Filmmaker: Molly Lippman\r Transfer note: copied at 18 frames per second from a Regular 8mm black and white Kodak film, and Regular 8mm Kodachrome original.\r Running time: 3 minutes 46 seconds\r Silent",0.4726,"\u002F8rgFzZta7mFqQjqdFRJl8vasiSV.jpg","2009-10-18","5b330417c3a3685337010f35",{"adult":4,"backdrop_path":8,"genre_ids":245,"id":246,"title":247,"original_language":24,"original_title":247,"overview":248,"popularity":249,"poster_path":250,"release_date":251,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":252,"department":11,"job":52,"media_type":32},[],284033,"The Bobsled","(Fictional history)\r A film by Eddie Kammerer (1972), 16mm sound",0.9055,"\u002F1ycpbF9KjFkqWC6oXVUiP6UAW3v.jpg","2009-10-22","5b46f6c40e0a267ad5004233",{"adult":4,"backdrop_path":8,"genre_ids":254,"id":255,"title":256,"original_language":24,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":260,"softcore":4,"video":4,"vote_average":261,"vote_count":9,"credit_id":262,"department":263,"job":264,"media_type":32},[38],539682,"Wonderland USA","Alice ends up in the derelict houses of Coney Island and Times Square. She sinks into a wonderland of decadence and despair, into the no-mans-land of lost souls, charlatans, broken dreams and cheap perversions.",1.4143,"\u002Fm1aA3vdT2w5LecQghNQoP4jLCgX.jpg","1989-01-01",6,"5b61b2150e0a267ee5014318","Writing","Writer",{"adult":4,"backdrop_path":8,"genre_ids":266,"id":255,"title":256,"original_language":24,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":260,"softcore":4,"video":4,"vote_average":261,"vote_count":9,"credit_id":267,"department":11,"job":52,"media_type":32},[38],"5b61b20b0e0a267eeb01680d",{"adult":4,"backdrop_path":8,"genre_ids":269,"id":270,"title":271,"original_language":24,"original_title":271,"overview":272,"popularity":273,"poster_path":274,"release_date":275,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":276,"department":11,"job":52,"media_type":32},[],672547,"Days of the Commune","Zoe Beloff introduces the other installation, Days of the Commune, in her exhibition at the Talbot Rice Gallery.  Beloff studied the activities at Occupy Wall Street and created documentary style drawings of what she saw. She then recruited actors, activists and artists to take part in performances of Bert Brecht's play, 'Days of the Commune', written about the Paris Commune of 1871.",0.6702,"\u002FlZFfSbC2BKLTEYN0y7GTUEqekSK.jpg","2012-12-21","5e45eaa33dd12600145c923d",{"adult":4,"backdrop_path":8,"id":278,"title":279,"original_language":24,"original_title":279,"overview":280,"poster_path":8,"credit_id":281,"department":11,"job":52,"media_type":32},698955,"The Coney Island Amateur Psychoanalytic Society","Documentation of The Coney Island Amateur Psychoanalytic Society from 1926 and 1934. All ten films on a single 40-minute reel.","5eab2d7c15a4a1001af80c61",{"adult":4,"backdrop_path":143,"genre_ids":283,"id":146,"title":147,"original_language":24,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":284,"department":65,"job":66,"media_type":32},[38,145,37],"5fe1aae69e4586003b9bce2f",{"adult":4,"backdrop_path":8,"genre_ids":286,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":287,"department":11,"job":52,"media_type":32},[20,21],"6737b15d80fda6e3e3746ee8",{"adult":4,"backdrop_path":8,"genre_ids":289,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":290,"department":263,"job":264,"media_type":32},[20,21],"6737b257e05823bd9c7c83cd",{"adult":4,"backdrop_path":8,"genre_ids":292,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":293,"department":65,"job":294,"media_type":32},[20,21],"6737b26480fda6e3e3746f6f","Archival Footage Coordinator",{"adult":4,"backdrop_path":8,"genre_ids":296,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":297,"department":65,"job":66,"media_type":32},[20,21],"6737b26cc62c3a26ad056f6f",{"adult":4,"backdrop_path":8,"genre_ids":299,"id":300,"title":301,"original_language":24,"original_title":301,"overview":302,"popularity":303,"poster_path":8,"release_date":304,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":305,"department":11,"job":52,"media_type":32},[],1597072,"The Infernal Dream","The Infernal Dream incorporates two archival motion pictures Motion Studies Application and Folie a Deux both artlessly made instructional productions from the early 1950’s. Motion Studies illustrates methods of Scientific Management to show how work more efficiently on the assembly line. “Folie à Deux” is the clinical name of a contagious paranoid. The film was made to illustrate how to identify, but not treat, this mental disorder. Together they show two sides of the same coin, the presentation of the productive and unproductive body. The efficient and orderly gestures of women stuffing envelopes in Motion Studies Application find their distorted reflection in flamboyant gestures of the mother and daughter in Folie à Deux. In both films people are represented as the bearers of motion. One could call them objects.",0.5081,"2011-01-01","693b825ce20cf69182fc4715",{"adult":4,"backdrop_path":8,"genre_ids":307,"id":308,"title":309,"original_language":24,"original_title":309,"overview":310,"popularity":311,"poster_path":8,"release_date":312,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":313,"department":11,"job":52,"media_type":32},[21],1618622,"Life Forgotten","Evocative yet playful, Life Forgotten asks, how does everyday entertainment bring people together and act as a catalyst for social change? Situating archival film in parallel with reenactment, the film conjures up New York’s Lower East Side in the early years of the twentieth century, it centers on a real storefront cinema, Frank Seiden’s Variety Theater. Here silent movies were anything but. Frank and his sons improvised dialog for the films and sang Yiddish ballads to an audience that didn’t hesitate to join in or argue back. It was a welcoming space for women and the film follows a group of radical young garment workers who gather here to figure out how to fight for women’s rights and change their world.",1.3751,"2026-01-10","696bec898b9d779b89f119c3",{"adult":4,"backdrop_path":8,"genre_ids":315,"id":308,"title":309,"original_language":24,"original_title":309,"overview":310,"popularity":311,"poster_path":8,"release_date":312,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":316,"department":263,"job":264,"media_type":32},[21],"696bec91eafe7e3224f119f5",{"adult":4,"backdrop_path":8,"genre_ids":318,"id":308,"title":309,"original_language":24,"original_title":309,"overview":310,"popularity":311,"poster_path":8,"release_date":312,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":319,"department":65,"job":66,"media_type":32},[21],"696bed043ec6cbdd55aaa468",{"adult":4,"backdrop_path":8,"genre_ids":321,"id":322,"title":323,"original_language":24,"original_title":323,"overview":324,"popularity":325,"poster_path":8,"release_date":122,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":326,"department":11,"job":52,"media_type":32},[],1634511,"Josephine the Singer, or the Mouse People","The film is a work of remembrance. It asks but does not answer the question how does everyday art bring people together? One by one, the community that is the Mouse People, recite the text of Franz Kafka's short story in quite places on New York's Lower East Side. The film presents Josephine's story, as something transmitted across time, something that comes from inside the body of an oppressed people; spoken alone, summoned mysteriously, at the edge of consciousness. Why was it that Josephine's voice so captivated them?",0.6774,"698ec3bbede85121d9109da9",{"adult":4,"backdrop_path":109,"genre_ids":328,"id":111,"title":112,"original_language":24,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":329,"department":263,"job":264,"media_type":32},[38],"69d8ff282c712422e0191c19",{"adult":4,"backdrop_path":109,"genre_ids":331,"id":111,"title":112,"original_language":24,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":332,"department":333,"job":334,"media_type":32},[38],"69d8ffbfad0505da19127354","Crew","Cinematography",{"adult":4,"backdrop_path":109,"genre_ids":336,"id":111,"title":112,"original_language":24,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":337,"department":65,"job":66,"media_type":32},[38],"69d8ffcb1c5742415f44a71b",{"profiles":339},[340],{"aspect_ratio":341,"height":342,"iso_3166_1":8,"iso_639_1":8,"file_path":15,"vote_average":29,"vote_count":29,"width":343},0.667,540,360]