[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1601664:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":610},false,[],"Robert Gardner was the Director of the Film Study Center at Harvard University from 1957 to 1997. He is known for his work in the field of non-fiction film.\n\nHe is an internationally renowned filmmaker and author whose works have entered the permanent canon of non-fiction filmmaking. Some of his most prominent films include Dead Birds (1964), a lyric account of the Dugum Dani, a Stone Age society at one time living an isolated existence in the Highlands of the former Netherlands New Guinea (Gardner was the leader of the Peabody Museum-sponsored expedition to study the Dani in 1961-62); Rivers of Sand (1974), a social commentary on the Hamar people of southwestern Ethiopia; and Forest of Bliss (1985), a cinematic essay on the ancient city of Benares, India, which explores the ceremonies, rituals, and industries associated with death and regeneration.\n\nGardner’s films have received numerous awards, including the Robert J. Flaherty Award for best nonfiction film (twice); the Golden Lion for Best Film at the Florence Film Festival (three times); and First Prizes at the Trento, USA Dallas, Melbourne, Nuoro, EarthWatch, Athens, and San Francisco film festivals. His films have been invited to Festivals throughout the world including Jerusalem, Bergen, London, Munich, Toronto, Montreal, Margaret Mead, Marseilles, Locarno, Chicago and Cinema du Réel.","1925-11-05","2014-06-21",2,"http:\u002F\u002Fwww.robertgardner.net\u002F",1601664,"nm0307086","Directing","Robert Gardner","Brookline, Massachusetts, USA",0.698,"\u002Fox1tNdFm47AfMBk1cOah4NPtgfK.jpg",{"cast":19,"crew":154},[20,35,48,59,70,84,93,102,111,120,129,141],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":32,"credit_id":33,"order":31,"media_type":34},null,[23],99,995570,"Flaherty and Film","en","Robert Gardner interviews Frances H. Flaherty about the production of The Fishermen of Aran.",0.8477,"\u002FjQWdbLB1aTzaULR5M6bTKrxJq5X.jpg","1960-01-01",0,"Self - Host","62c278166a300b007c285c9c","movie",{"adult":4,"backdrop_path":36,"genre_ids":37,"id":38,"title":39,"original_language":26,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"character":46,"credit_id":47,"order":9,"media_type":34},"\u002FqO4GcDFmLgYBEvWvRo72nVZ6Hhx.jpg",[23],98280,"Time Indefinite","After documentarian Ross McElwee gets married, a series of misfortunes follow: his grandmother dies, his wife miscarries, and then his father dies less than a week later. Shaken by the sudden string of deaths, McElwee becomes depressed. After spending time with his friend and former high school poetry teacher, Charlene, he goes to meet his brother, a doctor. In a series of interviews, McElwee contemplates his morbid preoccupation with death and tries to figure out how to shake it off.",1.3438,"\u002FuSoMpJ0uW7CBcpKEknj1UAUtMpr.jpg","1993-05-12",7,10,"Himself","553b3102c3a3685cf8004d8c",{"adult":4,"backdrop_path":21,"genre_ids":49,"id":50,"title":51,"original_language":26,"original_title":51,"overview":52,"popularity":53,"poster_path":54,"release_date":55,"softcore":4,"video":4,"vote_average":9,"vote_count":56,"character":57,"credit_id":58,"order":31,"media_type":34},[23],452122,"Q'eros: The Shape of Survival","Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.",1.1167,"\u002FjlCxSV7jYU0xvsM1S6HwEOpiZwC.jpg","1979-03-14",1,"Narrator","58f0bf0092514125b8010bff",{"adult":4,"backdrop_path":60,"genre_ids":61,"id":62,"title":63,"original_language":26,"original_title":63,"overview":64,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":45,"character":57,"credit_id":69,"order":31,"media_type":34},"\u002FaiY332gJcT9IAsSFQxwmeY6PYHS.jpg",[23],75608,"Dead Birds","An ethnographic documentary documenting the ritual warfare cycle, social life, and belief systems of the Dani people of the Baliem Valley in western New Guinea.",1.7134,"\u002FwPmfQlZbqQgCU66pGVVBhoEb0DM.jpg","1963-10-01",6,"59d7b25dc3a36862000132fa",{"adult":4,"backdrop_path":71,"genre_ids":72,"id":73,"title":74,"original_language":26,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"character":81,"credit_id":82,"order":83,"media_type":34},"\u002F3TdQnKysiqUa8bQsQ5Zon5cipv.jpg",[23],463839,"Reality's Invisible","Fulton made the film during his brief time at Harvard, where he had been invited to teach by Robert Gardner, his friend and collaborator (Fulton would later serve as a cinematographer on Gardner’s 1981 documentary Deep Hearts, among others). Reality’s Invisible could be described as a portrait of the Carpenter Center, yet it is a portrait of an extremely idiosyncratic and distinctive sort. Fulton moves us through the concrete space of the Center’s Le Corbusier-designed building—the only structure by the architect in North America—but, more centrally, presents us footage of students making and discussing their work alongside figures like Gardner, theorist Rudolf Arnheim, artist Stan Vanderbeek, filmmaker Stan Brakhage, and graphic designer Toshi Katayama.",0.7922,"\u002F46AmOvEymYgUXlt3yrysw2rhUu7.jpg","1972-04-19",5.9,8,"Self","5ba76438c3a3680e5002800b",3,{"adult":4,"backdrop_path":21,"genre_ids":85,"id":86,"title":87,"original_language":26,"original_title":87,"overview":88,"popularity":89,"poster_path":90,"release_date":91,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":46,"credit_id":92,"order":56,"media_type":34},[23],570747,"Looking at Forest of Bliss","Director Robert Gardner and legendary filmmaker Stan Brakhage share an in-depth viewing of Gardner's ethnographic masterwork, Forest of Bliss. The film is shown in its entirety, with Gardner occasionally pausing to elucidate, and Brakhage brilliantly observing tonality, poetic imagery, life, death, the unconscious, and, well, just being damned insightful. - dred",1.1606,"\u002F3GEXoPcpAsEN3xr9fzvT6aE83vh.jpg","2000-05-13","5c22ccca92514167fbc43ee7",{"adult":4,"backdrop_path":21,"genre_ids":94,"id":95,"title":96,"original_language":26,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":57,"credit_id":101,"order":31,"media_type":34},[23],1396319,"Fort Rupert","Kwakiutl, Kwakwaka'Wakw, potlatches. British Columbia tribe as a civilization in decline as assimilation has almost obliterated native culture. Fort Rupert, Britsh Columbia Canada",1.2627,"\u002F9aCFKAa9chI647vrz4925V2Z91a.jpg","1951-12-02","674d6ab87473778bbd9ae426",{"adult":4,"backdrop_path":21,"genre_ids":103,"id":104,"title":105,"original_language":26,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":45,"vote_count":56,"character":57,"credit_id":110,"order":31,"media_type":34},[23],728799,"Loving Krishna","Loving Krishna is about the worship of Krishna and the meaning of devotion. It explores the rural and urban character of the town of Vishnapur in West Bengal by examining the royal past, everyday life, work in traditional arts and crafts, bazaar exchange, and sacred rituals and festivals. Public and private devotional life is represented by detailed visual narratives of the Chariot Journey of Krishna, celebrated by the whole town, and the Birthday Festival commemorated on a much smaller scale of intimate family worship.",1.2239,"\u002F3Gei3lx73nFYLbTOWoOTNKCM7iy.jpg","1985-10-08","68447839b68cba1afa1ea162",{"adult":4,"backdrop_path":21,"genre_ids":112,"id":113,"title":114,"original_language":26,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":57,"credit_id":119,"order":31,"media_type":34},[],494462,"Serpent Mother","Serpent Mother is about devotion to the Goddess of Snakes and the importance of divine female power in West Bengal Indian life. The film's focus is the Jhapan Festival, the great celebration of snakes. Shown are festival preparations, the role of traditional arts and crafts in the worship of the Goddess, devotional singing, and an exposition of ritual action. The difficult and complex symbolism of the ritual is explained by the participants themselves. In addition to the commentary, this makes accessible what is, at first glance, exotic and inexplicable behavior.",1.5063,"\u002FbUBFh8w6VFxLNvb8JRDeMaOZXCS.jpg","1985-07-10","6844787df0993891e43fc10e",{"adult":4,"backdrop_path":21,"genre_ids":121,"id":122,"title":123,"original_language":26,"original_title":123,"overview":124,"popularity":125,"poster_path":126,"release_date":127,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":81,"credit_id":128,"order":31,"media_type":34},[23],757085,"Oh, What a Blow That Phantom Gave Me!","Several filmmakers discuss the introduction of Western modes of communication, especially film, to native cultures. While these tools can help a native people to document their own culture, it can also \"swallow\" their culture, encroaching upon and irreversibly altering it. The film takes its title from a book written by filmmaker Edmund Carpenter in 1972 about his engagement with media in Papua New Guinea.",1.0637,"\u002Fb32aRM1SXZxFXkkLxS7DU6XhnZk.jpg","2003-01-01","6898eb2786c32cdfa28ead61",{"adult":4,"backdrop_path":130,"genre_ids":131,"id":132,"title":133,"original_language":26,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":44,"vote_count":138,"character":81,"credit_id":139,"order":140,"media_type":34},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[23],295120,"Birth of a Nation","Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.",1.6817,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06",4,"6ab7fef2961bc3c1ce9be828",61,{"adult":4,"backdrop_path":142,"genre_ids":143,"id":144,"origin_country":145,"original_language":26,"original_name":146,"overview":147,"popularity":148,"poster_path":149,"first_air_date":150,"softcore":4,"name":146,"vote_average":31,"vote_count":31,"character":46,"credit_id":151,"episode_count":152,"first_credit_air_date":150,"media_type":153},"\u002Fh4MJBdiGmsn6ZKIOwePdw85Zbqe.jpg",[],90318,[],"Screening Room","Independent filmmakers are given a chance to show and discuss their work on a commercial (ABC-TV) affiliate station.",2.2882,"\u002FyQCjk2jhHbHlezR1qnOf2ib4doV.jpg","1972-11-01","5d046f45925141131bb86511",30,"tv",[155,165,178,181,190,199,207,212,221,229,241,249,254,264,273,282,290,298,310,313,316,321,326,329,332,335,338,341,344,347,350,353,362,371,374,377,380,385,392,401,410,419,428,437,446,454,463,472,481,490,499,508,517,526,535,544,553,562,571,580,589,593,605],{"adult":4,"backdrop_path":21,"genre_ids":156,"id":157,"title":158,"original_language":26,"original_title":158,"overview":159,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":44,"vote_count":56,"credit_id":163,"department":13,"job":164,"media_type":34},[23],323132,"Altar of Fire","This film records a 12 day ritual performed by Mambudiri Brahmins in Kerala, southwest India, in April 1975. This event was possibly the last performance of the Agnicayana, a Vedic ritual of sacrifice dating back 3,000 years and probably the oldest surviving human ritual. Long considered extinct and never witnessed by outsiders, the ceremonies require the participation of seventeen priests, involve libations of Soma juice and oblations of other substances, all preceded by several months of preparation and rehearsals. They include the construction, from a thousand bricks, of a fire altar in the shape of a bird.",0.6761,"\u002FiJ78kYBNFIJ1HhZ2DoDf3MyN0ca.jpg","1976-01-01","5704ab009251417dab000c1f","Director",{"adult":4,"backdrop_path":166,"genre_ids":167,"id":168,"title":169,"original_language":170,"original_title":169,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"credit_id":177,"department":13,"job":164,"media_type":34},"\u002FrVgnD7goeyl6oWvlfwOqoRtVAta.jpg",[23],84001,"Forest of Bliss","xx","Forest of Bliss is an unsparing yet redemptive account of the inevitable griefs, religious passions and frequent happinesses that punctuate daily life in Benares, India's most holy city. The film unfolds from one sunrise to the next without commentary, subtitles or dialogue. It is an attempt to give the viewer a wholly authentic, though greatly magnified and concentrated, sense of participation in the experiences examined by the film.",0.7344,"\u002FnFEfn1fTl0TmR5TACPA21Oecusc.jpg","1986-03-12",6.8,12,"5704af8d9251417d9e000cb5",{"adult":4,"backdrop_path":60,"genre_ids":179,"id":62,"title":63,"original_language":26,"original_title":63,"overview":64,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":45,"credit_id":180,"department":13,"job":164,"media_type":34},[23],"5704afc4c3a3683ef8000ce0",{"adult":4,"backdrop_path":21,"genre_ids":182,"id":183,"title":184,"original_language":26,"original_title":184,"overview":185,"popularity":186,"poster_path":187,"release_date":188,"softcore":4,"video":4,"vote_average":44,"vote_count":83,"credit_id":189,"department":13,"job":164,"media_type":34},[23],257472,"Rivers of Sand","The people portrayed in this film are called Hamar. They dwell in the thorny scrubland of southwestern Ethiopia, about one hundred miles north of Lake Rudolph, Africa's great inland sea. They are isolated by some distant choice that now limits their movement and defines their condition. At least until recently, it has resulted in their retaining a highly traditional way of life.  Hamar women eagerly accept their ritual whipping when boys come of age.  Part of that tradition was the open, even flamboyant, observance of male supremacy. In their isolation, they seemed to have refined this not uncommon principle of social organization into a remarkably pure state. Hamar men are masters and their women are slaves. The film tries to disclose the effect on mood and behavior of lives governed by the idea of sexual inequality.",0.8724,"\u002FjntatUSsHf4gjNBIFW2IKDTqn85.jpg","1974-10-30","5704afecc3a3681f0c000315",{"adult":4,"backdrop_path":21,"genre_ids":191,"id":192,"title":193,"original_language":26,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":198,"department":13,"job":164,"media_type":34},[],420044,"Mark Tobey","This short documentary was made while the painter lived in Seattle, Washington, early in the 1950s. It is only the second film made by Robert Gardner and tries to show in cinematic language how this man looked at the world; Mark Tobey himself both performs and is observed. A unique film in the Gardner ouvre, the film not only presents an experimental portrait of Tobey but serves as a window into the American art, avant garde film and poetic movements of this period.",1.0802,"\u002F3CqoUXw8HxNdeFAQev7vRKnekhD.jpg","1952-01-01","57f84793c3a3685f3500104a",{"adult":4,"backdrop_path":21,"genre_ids":200,"id":201,"title":202,"original_language":26,"original_title":202,"overview":203,"popularity":204,"poster_path":21,"release_date":205,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":206,"department":13,"job":164,"media_type":34},[23],276895,"Deep Hearts","Deep Hearts is a film about the Bororo Fulani, a nomadic society located in central Niger Republic and the title is a reference to an important aspect of these people’s thought and demeanor.",1.3694,"1980-03-14","58196bc0c3a36809540035df",{"adult":4,"backdrop_path":21,"genre_ids":208,"id":201,"title":202,"original_language":26,"original_title":202,"overview":203,"popularity":204,"poster_path":21,"release_date":205,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":209,"department":210,"job":211,"media_type":34},[23],"58196c6e92514133a5003796","Editing","Editor",{"adult":4,"backdrop_path":21,"genre_ids":213,"id":214,"title":215,"original_language":26,"original_title":215,"overview":216,"popularity":217,"poster_path":218,"release_date":219,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":220,"department":13,"job":164,"media_type":34},[23],257137,"Marathon","Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.",1.5517,"\u002FUcSt0SUVTw24RkKYlKXtVRb1m6.jpg","1965-01-01","58196d8d925141339c003c36",{"adult":4,"backdrop_path":21,"genre_ids":222,"id":223,"title":224,"original_language":26,"original_title":224,"overview":225,"popularity":226,"poster_path":21,"release_date":227,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":228,"department":13,"job":164,"media_type":34},[23],423984,"Sons of Shiva","Sons of Shiva is a sustained attempt to film a four-day ceremony concerned with the worship of Shiva. Devotees of the God Shiva are shown from the initial taking of the Sacred Thread through gradually intensifying action to a culmination in a variety of ascetic and self denying practices.",0.7653,"1985-01-01","58196e6dc3a368094b003957",{"adult":4,"backdrop_path":21,"genre_ids":230,"id":231,"title":232,"original_language":26,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":4,"video":4,"vote_average":237,"vote_count":9,"credit_id":238,"department":239,"job":240,"media_type":34},[23],355027,"The Nuer","Portrays the Nuer, Nilotic herdsmen of the Nile basin. Shows how their daily lives revolve about their cattle, and depicts the psychological bonds between them. Includes extensive use of Nuer music and poetry.",1.4693,"\u002Fj9fd3SSuHuYDvm0oEkdueNlPuPV.jpg","1970-12-01",5.5,"58196f1f92514133ae003888","Production","Producer",{"adult":4,"backdrop_path":21,"genre_ids":242,"id":243,"title":244,"original_language":26,"original_title":244,"overview":245,"popularity":246,"poster_path":21,"release_date":247,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":248,"department":13,"job":164,"media_type":34},[23],423981,"Dancing with Miklos","\"When Michael Fitzgerald and I decided to help Mikos Jansco make The Blue Danube Waltz neither of us even considered the possibility of not watching him do it. We both loved his work and we both, perhaps for our own reasons, wanted to know how he managed to make films of such immense visual power so quickly and so inexpensively. It was not long before I had succumbed to the by now banal idea of filming filmmaking. In due course I also proceeded to betray my deepest aesthetic principles by agreeing to shoot it in (Hi8) video. Dancing with Miklos is the outcome, greatly enhanced by Zsuzsi Csakany (Jansco)’s sharp eye for her husband’s craft. It is, though admittedly lighthearted, a deeply felt tribute to a fellow filmmaker’s grace.\"  - Robert Gardner",0.6826,"1993-01-01","58196abac3a36809580038e8",{"adult":4,"backdrop_path":21,"genre_ids":250,"id":201,"title":202,"original_language":26,"original_title":202,"overview":203,"popularity":204,"poster_path":21,"release_date":205,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":251,"department":252,"job":253,"media_type":34},[23],"58196bdfc3a3680958003944","Crew","Cinematography",{"adult":4,"backdrop_path":21,"genre_ids":255,"id":256,"title":257,"original_language":26,"original_title":257,"overview":258,"popularity":259,"poster_path":260,"release_date":261,"softcore":4,"video":4,"vote_average":262,"vote_count":44,"credit_id":263,"department":13,"job":164,"media_type":34},[23],275331,"The Hunters","An ethnographic documentary following four Ju\u002F’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.",1.8658,"\u002Fp7GnfRZq8oUYM6a8xVxZEf33hPA.jpg","1957-03-21",6.5,"58196cefc3a368095c003523",{"adult":4,"backdrop_path":21,"genre_ids":265,"id":266,"title":267,"original_language":26,"original_title":267,"overview":268,"popularity":269,"poster_path":270,"release_date":271,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":272,"department":13,"job":164,"media_type":34},[23],423987,"Mark Tobey Abroad","Robert Gardner visits the great American painter Mark Tobey in Basel, Switzerland, where he lived for the last years of his life. With remarkable candor and objectivity, Tobey discusses his work and that of fellow artists including Picasso.",0.7075,"\u002FyRXhLQWY1Q9oOzJJYZFuewIRF3Q.jpg","1973-01-01","58197068925141339f003b7b",{"adult":4,"backdrop_path":21,"genre_ids":274,"id":275,"title":276,"original_language":26,"original_title":276,"overview":277,"popularity":278,"poster_path":279,"release_date":280,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":281,"department":13,"job":164,"media_type":34},[],418455,"Blunden Harbour","“In the middle of the twentieth century, Blunden Harbour was a small village on the coast of Vancouver Island in British Colombia inhabited by a handful of impoverished Kwakiutl Indians who gained their meagre livelihood from fishing and gathering...It is a beginner's attempt to impart the rhythm and atmostphere of a place and a people.” - Robert Gardner",1.3476,"\u002F3AABcf7ejAgkTia9O4nYaeQqkK9.jpg","1951-01-01","5819694bc3a368094b003746",{"adult":4,"backdrop_path":21,"genre_ids":283,"id":284,"title":285,"original_language":26,"original_title":285,"overview":286,"popularity":287,"poster_path":21,"release_date":288,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":289,"department":13,"job":164,"media_type":34},[],423986,"Land-Divers of Melanesia","On the island of Pentecost in the New Hebrides archipelago, a few hundred Melanesians maintain a traditional life thanks to their geographic isolation and to the leaders who have resisted Christianity, schools and cooperatives.",0.7547,"1972-01-01","58196fe0c3a368094f00390e",{"adult":4,"backdrop_path":21,"genre_ids":291,"id":292,"title":293,"original_language":26,"original_title":293,"overview":294,"popularity":295,"poster_path":21,"release_date":296,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":297,"department":13,"job":164,"media_type":34},[23],334698,"Ika Hands","In the highlands of Northern Columbia the Ika live a strenuous and isolated life, economically dependent on small gardens and a handful of domestic animals. They are thought to be descendants of the Maya who fled from the turmoil of Central American High Civilization’s warring states to the remote valleys of Colombia’s Sierra Nevadas. The Ika still inhabit a spectacular but demanding terrain extending between five and fifteen thousand feet, an almost vertical geography through which they move with prodigious ease.",1.1116,"1988-04-07","58196d1992514133a8003a5e",{"adult":4,"backdrop_path":21,"genre_ids":299,"id":300,"title":301,"original_language":302,"original_title":303,"overview":304,"popularity":305,"poster_path":306,"release_date":307,"softcore":4,"video":4,"vote_average":44,"vote_count":56,"credit_id":308,"department":239,"job":309,"media_type":34},[23],1259032,"The Shepherds of Berneray","gd","Cìobairean Bhearnaraidh","In 1980, Jack Shae and Allen Moore, two ethnographic filmmakers from Harvard University, moved their families to the island of Berneray in the Outer Hebrides. Over the course of 18 months they documented the everyday lives and struggles of the crofters they lived among, whom were even then a vanishing breed. The film is in English and Gaelic.  This carefully observed documentary by filmmakers Jack Shae and Allen Moore is a poetic ethnographic film in the style of their mentor, Robert Gardner (“Dead Birds”). It follows the rhythm of life on a wind-swept island in the Outer Hebrides through the four seasons and in the filmmakers’ observation of the day-to-day struggles of a vanishing society we see the deep-time legacy of their kind. The film is in English and Gaelic.",1.2865,"\u002FnqGHgUG81x9Wghiz04pSlK2VKp1.jpg","1981-10-28","65f2fc5fc49048018619eb6a","Executive 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They were made during a performance by those still familiar with the tradition of ‘Hamatsa’ or cannibal dancing. This type of dance was brought to impressive artistic heights by the Kwakiutl people of the Northwest coast.",0.8098,"5e6a64fc357c0000193f8d03",{"adult":4,"backdrop_path":21,"genre_ids":393,"id":394,"title":395,"original_language":26,"original_title":395,"overview":396,"popularity":397,"poster_path":398,"release_date":399,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":400,"department":13,"job":164,"media_type":34},[23],1434674,"Good to Pull (Bon a Tirer)","\"Good to Pull\" is a 10 minute film by Robert Gardner, produced by the Film Study Center at Harvard University. Watch Michael Mazur’s printmaking process and techniques as he develops the intaglio plates for his Dante’s \"Inferno\" portfolio which is on view now in \"The Inferno of Dante: Etchings by Michael Mazur.\" Free and open to the public.",0.7379,"\u002FzNjHbE6pquBZuzwPkIfGZnBTAdF.jpg","2000-02-06","67b099b7b5c58ae5ee362b14",{"adult":4,"backdrop_path":21,"genre_ids":402,"id":403,"title":404,"original_language":26,"original_title":404,"overview":405,"popularity":406,"poster_path":407,"release_date":408,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":409,"department":13,"job":164,"media_type":34},[23],1434682,"Scully in Malaga","A short film acknowledging the efforts of those responsible for installing the exhibition “Sean Scully 1987-1997” in Malaga. Equally important, the film captures Scully's parents dancing their beloved 'paso doble' in the midst of their son's work.",0.7004,"\u002Fkem9EOmQ06JFlZaCoeh2u2IdFQH.jpg","1997-02-06","67b09bcfba14712f77362420",{"adult":4,"backdrop_path":21,"genre_ids":411,"id":412,"title":413,"original_language":26,"original_title":413,"overview":414,"popularity":415,"poster_path":416,"release_date":417,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":418,"department":13,"job":164,"media_type":34},[23],1434685,"Sean Scully: Passenger","In Passenger, Robert Gardner made what he calls “an observation in four movements.” The intent of the piece is to impart an experience of the engagement by Sean Scully with the work in question, an engagement which is both physical and emotional. The only sounds are those made by the artist as he works and, occasionally, musical passages from tapes Scully listens to while he is painting.",0.6409,"\u002Fspf2Rnwcdz5Nm8LRSe4alBeG0Ch.jpg","1998-02-05","67b09c2514263d4fe76c43e5",{"adult":4,"backdrop_path":21,"genre_ids":420,"id":421,"title":422,"original_language":26,"original_title":422,"overview":423,"popularity":424,"poster_path":425,"release_date":426,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":427,"department":13,"job":164,"media_type":34},[23],1434686,"Sean Scully: Testigos AKA The Witnesses","Testigos is a small painting done when Gardner and Scully worked together in Barcelona. The title, which means 'witnesses,' is the name of a small island in the Caribbean. Testigos, and at least one other painting, was made on the days that the larger canvas Passenger was drying.",0.8046,"\u002F8fvH0K7tbIplEyHXr3zxY45c75P.jpg","1997-01-17","67b09c68ba14712f773624cf",{"adult":4,"backdrop_path":21,"genre_ids":429,"id":430,"title":431,"original_language":26,"original_title":431,"overview":432,"popularity":433,"poster_path":434,"release_date":435,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":436,"department":13,"job":164,"media_type":34},[23],1479609,"Policeman","Early in the seventies I was involved in the programming of an ABC affiliate TV station in Boston (Channel 5). I was given the opportunity to make what I called \"non commercials\" to be shown between programs just like a conventional advertisement but consisting instead of a 60 second look at a commonplace social activity. Policeman was one of several such \"non commercials\" that aired on this station to many peoples' astonishment.",1.4381,"\u002FzbvLXsb4NwDNwePZgJi5oXlxk5n.jpg","1973-05-09","68219c9d34194d40d04b44c0",{"adult":4,"backdrop_path":21,"genre_ids":438,"id":439,"title":440,"original_language":26,"original_title":440,"overview":441,"popularity":442,"poster_path":443,"release_date":444,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":445,"department":13,"job":164,"media_type":34},[23],1479613,"Farmer","While active in the programming of ABC affiliate Channel 5 in Boston, Gardner was permitted to make a few short one-minute vignettes illustrating the working lives of relatively ordinary people. These vignettes were meant to be used by the TV station as ‘non commercials’ or unexpected looks at ordinary lives.",1.3982,"\u002FhFKMJkEAfupRKYdnd9uWlELrlnq.jpg","1973-02-14","68219de6acdd4e2fe373912f",{"adult":4,"backdrop_path":21,"genre_ids":447,"id":448,"title":449,"original_language":26,"original_title":449,"overview":441,"popularity":450,"poster_path":451,"release_date":452,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":453,"department":13,"job":164,"media_type":34},[23],1479614,"Lobsterman",0.9638,"\u002F8Yg8pXXKtA0ZU4CatMDx052ooz3.jpg","1973-01-16","68219e9de2c6e0fbe4ad9269",{"adult":4,"backdrop_path":21,"genre_ids":455,"id":456,"title":457,"original_language":26,"original_title":457,"overview":458,"popularity":459,"poster_path":460,"release_date":461,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":462,"department":13,"job":164,"media_type":34},[23],1479618,"The Old Lady AKA A Human Document","The only film except for helping John Marshall with The Hunters that I did when I went to the Kalahari in 1957. I became entranced by an old lady about whom I photographed and made this little film.",0.5066,"\u002FfFRg16bTT7s7h3880DbKCCOyLM2.jpg","1958-05-21","6821a0109dc9d442965a2a5b",{"adult":4,"backdrop_path":21,"genre_ids":464,"id":465,"title":466,"original_language":26,"original_title":466,"overview":467,"popularity":468,"poster_path":469,"release_date":470,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":471,"department":13,"job":164,"media_type":34},[23],1479619,"Salt","One of my filmic interests in Ethiopia was to see and film the salt trade between the Highlands and the Dallol Depression, a wondrous environment of unbearable heat and intense color. I managed a start only and these are the bits that emerged.",0.9735,"\u002FltDqhBo9FlDE2Pd0LhEfAGhvMDq.jpg","1968-05-01","6821a0a8936aa744732d19f4",{"adult":4,"backdrop_path":21,"genre_ids":473,"id":474,"title":475,"original_language":26,"original_title":475,"overview":476,"popularity":477,"poster_path":478,"release_date":479,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":480,"department":13,"job":164,"media_type":34},[23],1479620,"The Photographer","Short by Robert Gardner",0.9217,"\u002FjX5Q5DboxzhjuJxEBmqUui7F80a.jpg","1966-05-06","6821a17b0834f8f64c2d1854",{"adult":4,"backdrop_path":21,"genre_ids":482,"id":483,"title":484,"original_language":26,"original_title":484,"overview":485,"popularity":486,"poster_path":487,"release_date":488,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":489,"department":13,"job":164,"media_type":34},[23],1479621,"Tide","In the late sixties I picked up my seldom used Arri 35mm camera and set off for the famous tidal flats of Nova Scotia. This fragment is of an elderly farmer who fished a weir using his horse and carriage to go out to it with the ebbing time and home with the incoming tide. I thought I saw a nice structure for a film that even included the element of chase, that old standby of film narrative. Would the carriage get home before being engulfed by the incoming tide, would the fog appear and obscure all points of reference?",1.4492,"\u002FlySVlMvuvzsHg3juoTOxot5nOoj.jpg","1966-05-21","6821a204cc948059285a2b1a",{"adult":4,"backdrop_path":21,"genre_ids":491,"id":492,"title":493,"original_language":26,"original_title":493,"overview":494,"popularity":495,"poster_path":496,"release_date":497,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":498,"department":13,"job":164,"media_type":34},[23],1479623,"Creatures of Pain","In 1967 I was hoping to make a film about sheepherders in Nigeria. 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We rigged microphones to record what we were saying to each other as we flew among these extraordinary formations.",0.6613,"\u002Fs1zhz5HzMXlXT7FqxntpqgcwzfJ.jpg","1997-05-30","6821a67fb5cdf0122d86407a",{"adult":4,"backdrop_path":21,"genre_ids":554,"id":555,"title":556,"original_language":26,"original_title":556,"overview":557,"popularity":558,"poster_path":559,"release_date":560,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":561,"department":13,"job":164,"media_type":34},[23],1479636,"Deus Ex Boltanski","Robert Gardner has known Boltanski since the 1970s, when he invited him to the Carpenter Center for Visual Arts at Harvard as a visting artist, and the following years since Boltanski has become a major figure in the art world. Gardner and photographer Michael Hutcherson travelled to Paris to make a film about Boltanski and the PERSONNES installation process.",0.7072,"\u002FcxWoH1hYx3q6hBCulkZDkv6Fh4f.jpg","2010-05-23","6821a73c10285256852d1a1b",{"adult":4,"backdrop_path":21,"genre_ids":563,"id":564,"title":565,"original_language":26,"original_title":565,"overview":566,"popularity":567,"poster_path":568,"release_date":569,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":570,"department":13,"job":164,"media_type":34},[23],1479637,"Still Journey On","An unfinished examination of life by Robert Gardner",0.6364,"\u002Fz4iPUijJmSCL2STahuJlg0DCcAy.jpg","2010-05-28","6821a80e5817e02f2d6ee2c4",{"adult":4,"backdrop_path":21,"genre_ids":572,"id":573,"title":574,"original_language":26,"original_title":574,"overview":575,"popularity":576,"poster_path":577,"release_date":578,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":579,"department":13,"job":164,"media_type":34},[23],1480312,"The Great Sail","Alexander Calder's La Grande Voile was erected on the Massachusetts Institute of Technology campus in 1966 with the artist directing the work. As the spectacular steel forms of this monumental stabile rise, it is filmed with time-lapse and verité photography. One can see that the structure owes its spare elegance to the precision of its design and construction. Calder remains absorbed in quiet concentration as skeptical students and bemused bystanders observe the somewhat peculiar event.",0.7374,"\u002Fip1JytpogqYuj3Z3U03jwViCOTj.jpg","1966-05-28","6822f32b68736a23834b4aa1",{"adult":4,"backdrop_path":21,"genre_ids":581,"id":582,"title":583,"original_language":26,"original_title":583,"overview":584,"popularity":585,"poster_path":586,"release_date":587,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":588,"department":239,"job":240,"media_type":34},[23],1480487,"People and Particles","This film was produced to make the life of science more appealing to school children in America. It was intended to tell the story of purpose and even drama that scientists experienced in the world of experimental physics. 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Within the span of a few centuries, the Islamic empires blossomed, projecting their power from Africa to the East Indies, and from Spain to India. 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