[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1546340:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":438},false,[],"A versatile actress and creator, Louise Latraverse has been a defining presence in Quebec’s cultural landscape for more than six decades. She began her career in radio before turning to theatre, where she performed over thirty roles and served as director of the Théâtre de Quat’Sous from 1984 to 1986. On television, she became a familiar face through popular series such as Côte de sable, Moi et l’autre, Symphorien, Grand-Papa, Les Héritiers Duval, Le Retour, Mauvais Karma, and 30 vies. In film, she is notably recognized for her work in Michel Brault’s Les Ordres, Entre la mer et l’eau douce, Deux actrices, À l’origine d’un cri, and Mon cirque à moi.\n\nAn artist with a free‑spirited and unconventional path, she is also a columnist, author, painter, and theatre translator. 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At first glance, these guests would seem to have little in common. However, something does unite them all: an event or experience that they have graciously agreed to share that justifies their seat at the same table. 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At the rate things are changing, every day brings surprising new trends, unusual developments and contradictory social movements. Sébastien is joined by regular contributors and invites various celebrities to talk about the hottest topics in this modern round table.",31.2005,"\u002FzP9aaC35KwAyI2NPXGRa5YuvqC4.jpg","2019-09-09","5d8752dab76cbb0017e17aee","2019-09-17",{"adult":4,"backdrop_path":346,"genre_ids":347,"id":348,"origin_country":349,"original_language":24,"original_name":350,"overview":351,"popularity":352,"poster_path":353,"first_air_date":354,"softcore":4,"name":350,"vote_average":33,"vote_count":9,"character":209,"credit_id":355,"episode_count":68,"first_credit_air_date":356,"media_type":212},"\u002F86DaGXvmEXyMq27tk02K0glEdlt.jpg",[198],88191,[201],"Bonsoir bonsoir!","Each day, Jean-Philippe Wauthier welcomes guests on the show in warm, friendly setting. 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As Fouquet rises in power, wealth, and prestige—building the magnificent château of Vaux‑le‑Vicomte and securing Mazarin’s favor—his influence begins to alarm the young Louis XIV. Colbert seizes the opportunity to undermine his rival, weaving a political trap that will reshape the future of the kingdom. Through court intrigues, shifting alliances, and the growing authority of the Sun King, the film portrays the fall of a man who shone too brightly and the birth of absolute monarchy in France.",2.2852,"\u002FpkUDoQn0BjzMK4E4GqUS6AFWEhl.jpg","2011-03-05","The King, the Squirrel and the Grass Snake","Madame de Tourzel","69e5c5c6693e8b05e925bd80",[426],{"adult":4,"backdrop_path":427,"genre_ids":428,"id":429,"title":430,"original_language":24,"original_title":430,"overview":431,"popularity":432,"poster_path":433,"release_date":434,"softcore":4,"video":4,"vote_average":68,"vote_count":9,"credit_id":435,"department":436,"job":437,"media_type":34},"\u002FpHl2u2aiB6fkmZy6tHJhLXnBbnt.jpg",[37],232768,"Anne Roumanoff - Follement Roumanoff","Recording of Anne Roumanoff's one-woman show at Bobino in December 2003, where she brilliantly plays multiple characters: from the obsessed butcher to the drunk taxi driver, no one is spared.",0.784,"\u002Fqe9dD5TZXXOgCkgHjuyOCZlsZ2k.jpg","2003-12-20","5a9824199251415472000618","Art","Art Direction",{"profiles":439},[440],{"aspect_ratio":441,"height":442,"iso_3166_1":8,"iso_639_1":8,"file_path":16,"vote_average":30,"vote_count":30,"width":443},0.667,3000,2000]