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Super Giant pursues a Nazi-like army that operates on a huge satellite in space. The satellite is armed with weapons that could destroy whole cities on Earth from afar. 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Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate.  The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.",1.2924,"\u002Fo11Y6xVG5zxFF56xTUquZk3W70a.jpg","1960-01-13","Ranko Kuroki","5ac958ae0e0a26496b052df0",{"adult":4,"backdrop_path":132,"genre_ids":133,"id":134,"title":135,"original_language":21,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"character":6,"credit_id":141,"order":42,"media_type":30},"\u002Fu7UukyPe43Kbs8ZaSrKdH9uGbRO.jpg",[18,34],827719,"Roar of the Bullets","怒号する巨弾","At the end of the Greater East Asia War, young Amada Koichi and his father were wrongfully accused as spy suspects and his father died in prison after being tortured. 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Based on the original work by Seishi Yokomizo, the film was adapted by Mitsuo Kaneda (The Nude Model Murder Case), directed by Tatsuo Yamada, who worked on The Golden Bugyo, and shot by Kikuzo Kawasaki. Keiko Hibino, Shigeru Amachi, Tomisaburo Wakayama",1.0694,"\u002FfW4aBRWxYZZVsAE7GxwFJInORIz.jpg","1958-12-05","691a266a7c2ac3502e446712",31,[],{"profiles":186},[]]