[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1342919:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":856},false,[6],"Ричард Ликок","Richard Leacock (July 18, 1921 – March 15, 2011) was a pioneering American-born filmmaker, widely regarded as one of the founding figures of the cinéma vérité movement. He was a key influence on the development of observational documentary filmmaking, known for his innovative use of handheld cameras and his emphasis on capturing spontaneous, real-time events. Leacock's most notable works include Primary (1960), which followed John F. Kennedy and Hubert Humphrey during the 1960 Democratic primary campaign, and Chronicle of a Summer (1961), co-directed with Jean Rouch, a landmark film in the cinéma vérité genre. Throughout his career, Leacock collaborated with other influential filmmakers, including Robert Drew and D.A. Pennebaker, and helped shape the way documentaries were made. His legacy continues to influence contemporary documentary filmmakers.","1921-07-18","2011-03-23",2,null,1342919,"nm0494886","Directing","Richard Leacock","London, UK",0.6046,"\u002Ft3laii6SV2HYNvuQa910UmbHNQV.jpg",{"cast":20,"crew":247},[21,37,49,61,71,82,90,99,112,125,134,142,154,166,175,190,201,214,226,238],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":34,"order":35,"media_type":36},"\u002F8zG30e00dREImCAjFbU75xJk7MQ.jpg",[24],99,1058956,"Monica in the South Seas","fi","Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.",1.0968,"\u002Fi5jOPkfOEsFs1492QGzpvXIpyTI.jpg","2023-11-03",0,"Self","641579d70d5d850083865a41",5,"movie",{"adult":4,"backdrop_path":11,"genre_ids":38,"id":40,"title":41,"original_language":42,"original_title":41,"overview":43,"popularity":44,"poster_path":11,"release_date":45,"softcore":4,"video":4,"vote_average":46,"vote_count":47,"character":33,"credit_id":48,"order":47,"media_type":36},[24,39],10770,929052,"Cinéma! Cinéma! The French New Wave","en","An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.",0.9135,"1992-06-18",3.3,3,"61e8f413a9117f00becfdd0d",{"adult":4,"backdrop_path":11,"genre_ids":50,"id":51,"title":52,"original_language":53,"original_title":54,"overview":55,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":59,"order":60,"media_type":36},[24],929929,"Mario Ruspoli, Prince of the Whales","fr","Mario Ruspoli, prince des baleines et autres raretés","Colleagues, friends and specialists pay tribute to the filmmaker Mario Ruspoli in a portrait that mixes encounters, archive images and film excerpts. With testimonies from Richard Leacock, Albert Maysles, Edgar Morin, D.A. Pennebaker and others.",0.9635,"\u002FuFkMDvM0u8Z10IKUOKcwSWxsGRZ.jpg","2011-01-01","623f83351cfe3a004769b873",1,{"adult":4,"backdrop_path":62,"genre_ids":63,"id":64,"title":65,"original_language":42,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":70,"order":60,"media_type":36},"\u002F6ptgOrQthjz12y7SiKZrRGmPdsC.jpg",[24],583773,"A Boatload of Wild Irishmen","Robert Flaherty is credited with being the father of the modern documentary after making \"Nanook of the North\" and classics such as \"Man of Aran\" and \"Louisiana Story\", but he is also criticized for engaging in distortion and stereotyping.",0.8319,"\u002F9WUFpmVrL2J2Ye0VJZMDnEtIp2j.jpg","2010-07-07","654e5e1c67b613011f42aa9b",{"adult":4,"backdrop_path":11,"genre_ids":72,"id":73,"title":74,"original_language":75,"original_title":76,"overview":77,"popularity":78,"poster_path":11,"release_date":79,"softcore":4,"video":4,"vote_average":80,"vote_count":60,"character":33,"credit_id":81,"order":10,"media_type":36},[],1044557,"The Last Documentary","de","Der letzte Dokumentarfilm","Documentary by Jan Sebening and Daniel Sponsel.",0.7954,"2000-10-25",10,"6366e377e33f83007aa71626",{"adult":4,"backdrop_path":11,"genre_ids":83,"id":84,"title":85,"original_language":42,"original_title":85,"overview":86,"popularity":87,"poster_path":11,"release_date":88,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":89,"order":10,"media_type":36},[24],125036,"Ricky on Leacock","A 38-year journey that the director began in 1972 as a young filmmaker and, shooting off and throughout many years, the director filmed many and various encounters between Ricky, his friends and contemporaries including Henri Langlois, Jean Rouch, Jean-Luc Godard, DA Pennebaker, Robert Drew, and others. Mixing her own footage with film clips and rare images from Leacock's personal film archives, this film pays homage to the director's mentor and, most importantly, allows him to tell us the story of his long film making career in his own words.",0.6786,"2012-06-10","562abd17c3a3681b5c002ea2",{"adult":4,"backdrop_path":11,"genre_ids":91,"id":92,"title":93,"original_language":42,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":98,"order":47,"media_type":36},[24],410887,"Morris Engel: The Independent","Short documentary on the life and work of photographer and filmmaker Morris Engel",1.0763,"\u002FcvlEUJHH2sqYLkzEzFCyiyFX0ls.jpg","2008-05-08","57ac0787c3a368767d000013",{"adult":4,"backdrop_path":100,"genre_ids":101,"id":102,"title":103,"original_language":104,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":110,"order":111,"media_type":36},"\u002FlEkbTC5d7HtEDmsK4YLRBTmI73y.jpg",[24],542913,"Message to Man","ru","Послание к человеку","In January 1989 the first Message to Man International Film Festival took place in Leningrad. This film, made during the festival, is a record of its events, guests and participants, such as the American director Leo Hurwitz, the Latvian director Ivars Seleckis, and the ballerina Natalya Makarova, among others. It also shows the “engine room” of the festival: the work of the main office and the PROKKa professional cinematographers’ club, guests being greeted and seen off. A charity evening with Natalya Makarova, a memorial service to commemorate the victims of the war and excerpts of documentary films presented at the festival are also featured.",0.7558,"\u002F7BTUYgHBY2ZURAFD9emyu9aBrW9.jpg","1989-06-01","668ab4dc5b75e3c4d0183149",8,{"adult":4,"backdrop_path":113,"genre_ids":114,"id":115,"title":116,"original_language":42,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":121,"vote_count":122,"character":33,"credit_id":123,"order":124,"media_type":36},"\u002F1JUNdM9g3C08OUnYARRoNWc5MBq.jpg",[24],143437,"1 P.M.","Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.",1.2103,"\u002FqxYCjYW9ktZEwJYRGD9s11mNE6L.jpg","1971-06-08",6.2,9,"668f5a46debe9635d2e69eae",13,{"adult":4,"backdrop_path":11,"genre_ids":126,"id":127,"title":128,"original_language":75,"original_title":128,"overview":129,"popularity":130,"poster_path":11,"release_date":131,"softcore":4,"video":4,"vote_average":122,"vote_count":60,"character":132,"credit_id":133,"order":60,"media_type":36},[24],434813,"Ein Film für Bossak und Leacock","A portrait of the two documentary filmmakers Jerzy Bossak and Richard Leacock.",0.7538,"1984-03-30","","5878b4f89251417864006a8a",{"adult":4,"backdrop_path":11,"genre_ids":135,"id":136,"title":137,"original_language":42,"original_title":137,"overview":138,"popularity":139,"poster_path":11,"release_date":140,"softcore":4,"video":4,"vote_average":111,"vote_count":60,"character":33,"credit_id":141,"order":60,"media_type":36},[24],541299,"Robert Drew & Associates at the Museum of Tolerance","In 1998, documentary filmmaker Robert Drew and his associates attend the Museum of Tolerance.",1.0293,"2016-04-20","5b6b3995c3a36818881185de",{"adult":4,"backdrop_path":143,"genre_ids":144,"id":145,"title":146,"original_language":42,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":151,"vote_count":35,"character":152,"credit_id":153,"order":60,"media_type":36},"\u002F4uvYAN6rBcuKD7SsVn7Tnm1h8hs.jpg",[24],197752,"Lulu in Berlin","Vérité documentarian Richard Leacock’s LULU IN BERLIN features one of the few long interviews ever done with actor Louise Brooks. It took place in her apartment in Rochester, New York, in 1971.",0.5701,"\u002F2R3ZcAYcV07oKCW3zGuc3vks71F.jpg","1984-05-27",7.6,"Self - Interviewer","5e0c0cd312c60400143b7752",{"adult":4,"backdrop_path":155,"genre_ids":156,"id":157,"title":158,"original_language":42,"original_title":158,"overview":159,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":163,"vote_count":164,"character":33,"credit_id":165,"order":32,"media_type":36},"\u002F4XF8m8yJeUakwB23pNlafHW0InD.jpg",[24],290407,"How To Smell A Rose: A Visit with Ricky Leacock at his Farm in Normandy","In the year 2000, Les Blank, along with co-filmmaker Gina Leibrecht, visited Richard Leacock (1921-2011) at his farm in Normandy, France and recorded conversations with him about his life, his work, and his other passion: cooking! With the flair of a seasoned raconteur, Leacock recounts key moments in his seventy years as a filmmaker and the innovations that he, D.A. Pennebaker, Albert Maysles and others invented that revolutionized documentary filmmaking, and explores the mystery of creativity. With the passing of both Blank and Leacock, the documentary is a moving insight into the lives of two seminal figures in the history of film.",1.0182,"\u002Fpz9NvPWQYqhgnvBT6yZ4YB3yWDn.jpg","2014-08-31",4.8,4,"6022c43fa22d3e003fb86bb2",{"adult":4,"backdrop_path":11,"genre_ids":167,"id":168,"title":169,"original_language":42,"original_title":169,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":132,"credit_id":174,"order":32,"media_type":36},[],1418912,"Solstice and Solyanka","Super 8 film. Observations of the Institute on Film, Video & Photography, Amherst, MA, summer 1975.  Among the cast of characters, in order of appearance, are Robert Breer, John Terry, Steve Ascher, Richard Leacock, Jon Rubin, Frank Daniel, Ed Emshwiller, Ann McIntosh, Terry Lockhart, Standish Lawder, Jerome Liebling.",0.6365,"\u002Fxv6t932MHHTZIfq31MZ5iNm94h4.jpg","1975-01-04","678a13e2c9e03e442d97731e",{"adult":4,"backdrop_path":176,"genre_ids":177,"id":179,"title":180,"original_language":42,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":4,"video":4,"vote_average":185,"vote_count":186,"character":187,"credit_id":188,"order":189,"media_type":36},"\u002F7zIDgoNUk5orB6nlWQMxYw8qQJp.jpg",[178],18,96349,"Working Girls","A lesbian college graduate, trying to bankroll her own photography business, works as a high-priced New York City escort.",2.2834,"\u002FrNL99DhSMHPba0jdZ6BdbWhBJSZ.jpg","1987-02-27",6.265,51,"Joseph","68a0b30e89c5ad67f1744c32",16,{"adult":4,"backdrop_path":191,"genre_ids":192,"id":193,"title":194,"original_language":42,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":198,"softcore":4,"video":4,"vote_average":199,"vote_count":111,"character":33,"credit_id":200,"order":111,"media_type":36},"\u002F3TdQnKysiqUa8bQsQ5Zon5cipv.jpg",[24],463839,"Reality's Invisible","Fulton made the film during his brief time at Harvard, where he had been invited to teach by Robert Gardner, his friend and collaborator (Fulton would later serve as a cinematographer on Gardner’s 1981 documentary Deep Hearts, among others). Reality’s Invisible could be described as a portrait of the Carpenter Center, yet it is a portrait of an extremely idiosyncratic and distinctive sort. Fulton moves us through the concrete space of the Center’s Le Corbusier-designed building—the only structure by the architect in North America—but, more centrally, presents us footage of students making and discussing their work alongside figures like Gardner, theorist Rudolf Arnheim, artist Stan Vanderbeek, filmmaker Stan Brakhage, and graphic designer Toshi Katayama.",0.832,"\u002F46AmOvEymYgUXlt3yrysw2rhUu7.jpg","1972-04-19",5.9,"699318d4386a13fed02af696",{"adult":4,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":42,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":4,"video":4,"vote_average":210,"vote_count":211,"character":212,"credit_id":213,"order":80,"media_type":36},"\u002Fce8iO3sSv4CCoesn3uiSQXofkbM.jpg",[24],41480,"Sherman's March","Documentarian Ross McElwee originally set out to make a travelogue of sorts tracing General William T. Sherman's infamous scorched-earth march through the Confederacy in the latter stages of the Civil War. Instead, haunted by a recent breakup with a girlfriend, McElwee ends up documenting his progress -- or lack thereof -- in starting a new relationship. His journey then becomes one of self-reflection and self-discovery rather than a historical\u002Fsociological exploration.",1.8696,"\u002F55YscDYNXdffYwDGMrpveqnsa9d.jpg","1986-09-05",6.3,46,"Self - Historical Narration (voice)","69dbe172aeebe0e2cd9b8048",{"adult":4,"backdrop_path":215,"genre_ids":216,"id":217,"title":218,"original_language":42,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":4,"video":4,"vote_average":223,"vote_count":164,"character":33,"credit_id":224,"order":225,"media_type":36},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[24],295120,"Birth of a Nation","Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.",1.5828,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06",7,"6ab7c4e131bd63c361eb653e",60,{"adult":4,"backdrop_path":227,"genre_ids":228,"id":229,"title":230,"original_language":42,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":235,"vote_count":236,"character":33,"credit_id":237,"order":189,"media_type":36},"\u002F68Qic4gQ6YGoQdDyYxEhufJCunI.jpg",[24],130824,"As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty","A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas \"purely by chance\", without concern for chronological order.",2.3184,"\u002FtDaxB5juEGwXD7oZwh8IXsnisar.jpg","2000-11-05",7.8,87,"6abe9ce908d16f10c5e9b215",{"adult":4,"backdrop_path":11,"genre_ids":239,"id":240,"title":241,"original_language":42,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":132,"credit_id":246,"order":223,"media_type":36},[24],695490,"My Paris Movie","For some time I had been thinking about doing something with my Paris footage, of which I have many many hours. So [curator Danièle Hibon’s] suggestion [to make a new work celebrating 20 years of cinema at the Jeu de Paume museum] came just in time. I spent some three months going through my Paris footage and I managed to reduce it to the length you will be seeing, two hours and 39 minutes. It was very very hard to do so. I have so many friends in Paris, so many memories – and it’s all on video. So this is my love letter to Paris. To its streets, to the river Seine, to its cafes, bistros, bars, to the jambon de Paris, and, especially, to all of you, my Paris friends!",1.062,"\u002FaPN2deScSLfueAS6cEkXN8SKcYq.jpg","2011-12-31","6ad0f6458b5e3d90034e99a1",[248,258,267,280,290,299,312,317,329,338,347,360,369,372,375,385,394,403,412,415,424,432,435,438,448,458,467,476,485,496,505,517,524,533,543,551,560,563,573,581,590,598,601,606,609,618,629,638,641,644,651,654,662,671,674,677,689,698,709,719,722,733,736,746,749,759,768,777,786,789,792,795,798,801,813,828,839,844],{"adult":4,"backdrop_path":11,"genre_ids":249,"id":250,"title":251,"original_language":42,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":256,"department":14,"job":257,"media_type":36},[24],943068,"Nehru","The first candid film made on a foreign chief of state, three weeks in the life of Jawaharlal Nehru.",0.6293,"\u002F58eNNpBsyA7xt5DYApV8hyLMaJu.jpg","1962-01-01","6217aedb54f6eb006952043c","Director",{"adult":4,"backdrop_path":11,"genre_ids":259,"id":260,"title":261,"original_language":42,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":266,"department":14,"job":257,"media_type":36},[24],945012,"Centerbeam","Film produced and directed by Ricky Leacock, Edward Pincus, and MIT Center for Advanced Visual Studies documenting the Centerbeam kinetic sculpture project and its first installation at documenta 6 in Kassel, Germany in 1977",0.9359,"\u002Fo2AnpK74saHK2K3VB1FISkizLov.jpg","1977-01-01","621eba3e41aac4006c694635",{"adult":4,"backdrop_path":268,"genre_ids":269,"id":271,"title":272,"original_language":42,"original_title":272,"overview":273,"popularity":274,"poster_path":275,"release_date":276,"softcore":4,"video":4,"vote_average":223,"vote_count":60,"credit_id":277,"department":278,"job":279,"media_type":36},"\u002Fs1rI7ZYwJgPexqWGvLFNW0bv32Y.jpg",[24,270],10402,278998,"Little Richard: Keep on Rockin'","Keep On Rockin', aka Little Richard: Keep On Rockin' (USA video title) is a film of a 1969 Little Richard concert at the Sweet Toronto Peace Festival, originally released in 1970. Richard performs a number of his greatest hits, including \"Good Golly Miss Molly,\" \"Long Tall Sally,\" and \"Tutti Frutti.\" The film is in color.",1.2605,"\u002Fc27Ox4ugifZG0dBoo944BAKlKuW.jpg","1973-01-01","60ce704ca199a60058468cd8","Camera","Director of Photography",{"adult":4,"backdrop_path":11,"genre_ids":281,"id":282,"title":283,"original_language":42,"original_title":283,"overview":284,"popularity":285,"poster_path":11,"release_date":286,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":287,"department":288,"job":289,"media_type":36},[],984875,"Elizabeth and Mary","A film focusing on a day in the life of two identical twin girls, one of whom is blind and mentally handicapped",0.613,"1965-01-01","629e7f65dc1cb452decaf4e2","Production","Producer",{"adult":4,"backdrop_path":11,"genre_ids":291,"id":292,"title":293,"original_language":42,"original_title":293,"overview":294,"popularity":295,"poster_path":296,"release_date":297,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":298,"department":14,"job":257,"media_type":36},[24],984878,"Ku Klux Klan—The Invisible Empire","A documentary on the KKK",0.7814,"\u002FsWoZaFx3PeM0BpWHdvseiLNr36v.jpg","1965-09-21","629e818df3e0df0053dc4f43",{"adult":4,"backdrop_path":300,"genre_ids":301,"id":302,"title":303,"original_language":42,"original_title":303,"overview":304,"popularity":305,"poster_path":306,"release_date":307,"softcore":4,"video":4,"vote_average":308,"vote_count":309,"credit_id":310,"department":278,"job":311,"media_type":36},"\u002Fe6IPjjDzZDkgdkvxQtCjaVCMYJF.jpg",[24],133,"Primary","Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring.  Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.",1.8922,"\u002FgVloWsthHRlw719vzRWRpBqDM20.jpg","1960-11-08",6.5,42,"64ffa8451bf266011c77bc2c","Camera Operator",{"adult":4,"backdrop_path":300,"genre_ids":313,"id":302,"title":303,"original_language":42,"original_title":303,"overview":304,"popularity":305,"poster_path":306,"release_date":307,"softcore":4,"video":4,"vote_average":308,"vote_count":309,"credit_id":314,"department":315,"job":316,"media_type":36},[24],"64ffa98d6a222700c3b59076","Editing","Editor",{"adult":4,"backdrop_path":318,"genre_ids":319,"id":321,"title":322,"original_language":42,"original_title":322,"overview":323,"popularity":324,"poster_path":325,"release_date":326,"softcore":4,"video":4,"vote_average":210,"vote_count":186,"credit_id":327,"department":288,"job":328,"media_type":36},"\u002Ff5z01S7J9st1zUYLSocBUGqYpBK.jpg",[320,178],12,70447,"Louisiana Story","Cajun boy Alexander Napoleon Ulysses LaTour lives with his family and his beloved pet raccoon in the Louisiana bayou. When his father allows an oil barge to drill on their land, the boy questions the process and its safety.",2.0559,"\u002FkwEbsHAvdY9G2gJKRKYmxJ6IB6L.jpg","1948-09-28","613949bcbe55b7002de8e01a","Associate Producer",{"adult":4,"backdrop_path":11,"genre_ids":330,"id":331,"title":332,"original_language":42,"original_title":332,"overview":333,"popularity":334,"poster_path":335,"release_date":336,"softcore":4,"video":4,"vote_average":122,"vote_count":60,"credit_id":337,"department":14,"job":257,"media_type":36},[],282487,"Community of Praise","This documentary examines one family's desperate search for faith and religious meaning in Muncie, Indiana.",0.5919,"\u002FvlkspaYc6rLxhW86tO8QegFqNgN.jpg","1983-01-02","53c8eb140e0a26648a001925",{"adult":4,"backdrop_path":11,"genre_ids":339,"id":340,"title":341,"original_language":42,"original_title":341,"overview":342,"popularity":343,"poster_path":344,"release_date":345,"softcore":4,"video":4,"vote_average":308,"vote_count":10,"credit_id":346,"department":278,"job":279,"media_type":36},[24],284543,"Jane","Documentary focusing on 25 year-old actress Jane Fonda as she and her director Andreas Voutsinas prepare a stage play called The Fun Couple for Broadway.",0.9535,"\u002FvBrjgKvSDo6HoQ4XUKxEwIF87bd.jpg","1962-01-02","6317b5771d1bf400797e196c",{"adult":4,"backdrop_path":348,"genre_ids":349,"id":350,"title":351,"original_language":42,"original_title":351,"overview":352,"popularity":353,"poster_path":354,"release_date":355,"softcore":4,"video":4,"vote_average":356,"vote_count":10,"credit_id":357,"department":358,"job":359,"media_type":36},"\u002FlYEPJGUKIg9Ga2STfIKaAUzMcy0.jpg",[24],297719,"The Chair","Follows a crusading lawyer as he embarks on a campaign to save an African-American man, Paul Crump, from the electric chair.  Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.",0.9335,"\u002FfuZ5E6M2VTx904UkJTNC7usuwto.jpg","1963-08-24",7.5,"654f567cd4fe0400e1b035fb","Crew","Cinematography",{"adult":4,"backdrop_path":11,"genre_ids":361,"id":362,"title":363,"original_language":42,"original_title":363,"overview":364,"popularity":365,"poster_path":366,"release_date":367,"softcore":4,"video":4,"vote_average":80,"vote_count":60,"credit_id":368,"department":358,"job":359,"media_type":36},[24],327190,"A President to Remember: In the Company of John F. Kennedy","Bringing to life an American President who was widely respected by his countrymen and celebrated around the world. Composed from four break through films by Robert Drew, each an unprecedented record in candid photography of a phase of John F. Kennedy’s political life. Kennedy is seen in close up from young Senator campaigning for the Presidency, to an ebullient new President moving into the White House, to a burdened President trying to solve grave problems in the Oval Office. The shock of his death is seen through the faces of his compatriots. Now these four films are edited together with other footage of the time. This film is an intimate history of how one American President struggled to bring wisdom and honor to the office of the Presidency.",1.4979,"\u002F2tg7EB9KOef4xZ5ownFWQfxfLSK.jpg","2008-04-12","654f5aa6d4653700ab95ab2f",{"adult":4,"backdrop_path":11,"genre_ids":370,"id":362,"title":363,"original_language":42,"original_title":363,"overview":364,"popularity":365,"poster_path":366,"release_date":367,"softcore":4,"video":4,"vote_average":80,"vote_count":60,"credit_id":371,"department":315,"job":316,"media_type":36},[24],"654f5ad529383543ef50aa59",{"adult":4,"backdrop_path":348,"genre_ids":373,"id":350,"title":351,"original_language":42,"original_title":351,"overview":352,"popularity":353,"poster_path":354,"release_date":355,"softcore":4,"video":4,"vote_average":356,"vote_count":10,"credit_id":374,"department":315,"job":316,"media_type":36},[24],"654f566c67b6130102e368f6",{"adult":4,"backdrop_path":376,"genre_ids":377,"id":378,"title":379,"original_language":42,"original_title":379,"overview":380,"popularity":381,"poster_path":382,"release_date":383,"softcore":4,"video":4,"vote_average":356,"vote_count":10,"credit_id":384,"department":358,"job":359,"media_type":36},"\u002FdvSKWWSC1d0dHL9nsoNki0y1t2c.jpg",[270,24],1202720,"Monterey Pop - The Outtake Performances","Additional musical performances from the 1967 Monterey Pop Festival in California, shot for the film Monterey Pop (1968) and released on the Criterion Blu-ray The Complete Monterey Pop Festival.",1.4714,"\u002Fq6X1TDHEor9q7oZpMu5CJEEj62a.jpg","2002-12-11","654d01415a5ed000e3f5a0cf",{"adult":4,"backdrop_path":11,"genre_ids":386,"id":387,"title":388,"original_language":42,"original_title":388,"overview":389,"popularity":390,"poster_path":391,"release_date":392,"softcore":4,"video":4,"vote_average":111,"vote_count":60,"credit_id":393,"department":14,"job":257,"media_type":36},[24],1210860,"Canary Island Bananas","A short documentary made by Richard Leacock at the age of fourteen on his father’s banana plantation in the Canary Islands. Inspired by Soviet industrial films such as Turksib, the film traces the planting, harvesting, and preparation of bananas for shipment, using fluid pans and tilts to organize labor into a continuous visual sequence. Often cited as Leacock’s earliest completed film, it attracted the attention of Robert Flaherty and foreshadowed Leacock’s later observational documentary style.",0.4646,"\u002FtbafX71xDwJChREWr6djO5PVPmk.jpg","1935-10-10","656549fba3491100e1c9c0d6",{"adult":4,"backdrop_path":11,"genre_ids":395,"id":396,"title":397,"original_language":42,"original_title":397,"overview":398,"popularity":399,"poster_path":400,"release_date":401,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":402,"department":14,"job":257,"media_type":36},[24],1210862,"Queen of Apollo","In 1970 I went to New Orleans with Noel Parmentel to shoot fragments of the “The Moviegoer.” While we were down there my daughter Elspeth and I went to visit some friends of mine whose teenager daughter was to be Queen of a fancy Mardi Gras ball.  I didn’t know anything about this, but my friends thought it would be a nice idea if we filmed it. So we went over for an evening; black tie, dinner gown and all the rest of it. We changed a few light bulbs in the house and unobtrusively filmed the evening. I ended up making a 12-minute short with my daughter Elspeth taking sound.  – Richard Leacock",0.5009,"\u002FwDX53zfRxhvBq6KzKCSlHXrMUib.jpg","1970-11-10","65654b03a8b2ca010bc0bd07",{"adult":4,"backdrop_path":11,"genre_ids":404,"id":405,"title":406,"original_language":42,"original_title":406,"overview":407,"popularity":408,"poster_path":11,"release_date":409,"softcore":4,"video":4,"vote_average":410,"vote_count":60,"credit_id":411,"department":288,"job":289,"media_type":36},[24],365110,"Frames of Reference","An educational physics film utilizing a fascinating set consisting of a rotating table and furniture occupying surprisingly unpredictable spots within the viewing area, Leacock’s Frames of Reference (1960), features fine cinematography by Abraham Morochnik, and funny narration by University of Toronto professors Donald Ivey and Patterson Hume, in a wonderful example of the fun a creative team of filmmakers can have with a subject other, less imaginative types might find pedestrian.",0.6696,"1960-01-01",9.5,"562ab8ba9251414ab70014ca",{"adult":4,"backdrop_path":11,"genre_ids":413,"id":405,"title":406,"original_language":42,"original_title":406,"overview":407,"popularity":408,"poster_path":11,"release_date":409,"softcore":4,"video":4,"vote_average":410,"vote_count":60,"credit_id":414,"department":14,"job":257,"media_type":36},[24],"562ab8e892514140060016ed",{"adult":4,"backdrop_path":11,"genre_ids":416,"id":417,"title":418,"original_language":42,"original_title":418,"overview":419,"popularity":420,"poster_path":421,"release_date":422,"softcore":4,"video":4,"vote_average":199,"vote_count":122,"credit_id":423,"department":14,"job":257,"media_type":36},[24],130978,"A Happy Mother's Day","A cinéma vérité documentary observing the Fischer family of Aberdeen, South Dakota, following the 1963 birth of the first surviving American quintuplets. Filmed shortly after the event, the film contrasts civic promotion, media attention, and commercial interest with the private fatigue and quiet suffering of Mrs. Fischer, revealing the tensions between spectacle and family life.",1.0959,"\u002Fm3Kp66YtXXSlWl3NiJoVbJrI9U9.jpg","1963-12-31","562abbd69251412853003066",{"adult":4,"backdrop_path":11,"genre_ids":425,"id":426,"title":427,"original_language":42,"original_title":427,"overview":428,"popularity":429,"poster_path":11,"release_date":430,"softcore":4,"video":4,"vote_average":111,"vote_count":60,"credit_id":431,"department":14,"job":257,"media_type":36},[24],214931,"The Children Were Watching","A harrowing portrait of the struggle for school desegregation in New Orleans against the violent protests of white parents.",0.5424,"1961-02-16","562abbc1c3a3681b5c002e82",{"adult":4,"backdrop_path":113,"genre_ids":433,"id":115,"title":116,"original_language":42,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":121,"vote_count":122,"credit_id":434,"department":14,"job":257,"media_type":36},[24],"562abbf6c3a3681b4d00377e",{"adult":4,"backdrop_path":300,"genre_ids":436,"id":302,"title":303,"original_language":42,"original_title":303,"overview":304,"popularity":305,"poster_path":306,"release_date":307,"softcore":4,"video":4,"vote_average":308,"vote_count":309,"credit_id":437,"department":278,"job":279,"media_type":36},[24],"562abc73c3a3681b59002f4e",{"adult":4,"backdrop_path":439,"genre_ids":440,"id":441,"title":442,"original_language":42,"original_title":442,"overview":443,"popularity":444,"poster_path":445,"release_date":446,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":447,"department":14,"job":257,"media_type":36},"\u002Fv6quxpEmAlZO2IUNWmzEVsYCy5q.jpg",[24],475521,"Louise Brooks","55-Minute BBC Arena documentary on the film actress Louise Brooks",0.9402,"\u002FkIevukl8NKBCax5l6o5FO7ZLR8Q.jpg","1986-04-17","635170efa843c1007a9f9d59",{"adult":4,"backdrop_path":449,"genre_ids":450,"id":451,"title":452,"original_language":42,"original_title":452,"overview":453,"popularity":454,"poster_path":455,"release_date":409,"softcore":4,"video":4,"vote_average":151,"vote_count":456,"credit_id":457,"department":278,"job":311,"media_type":36},"\u002F3YRYgWWwKbUEzq4UBktIORFHj0s.jpg",[24],382561,"Integration Report 1","Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man in Brooklyn, capturing the incredible reach and scope of the civil rights movement, and working with this diverse of footage, as she would later say, “like an artist with a palette using different colors.”",1.1727,"\u002FsXw0qHbGdapC00Lz9REVhd6XRs7.jpg",6,"56bf6397c3a36817e4001163",{"adult":4,"backdrop_path":11,"genre_ids":459,"id":460,"title":461,"original_language":42,"original_title":461,"overview":462,"popularity":463,"poster_path":11,"release_date":464,"softcore":4,"video":4,"vote_average":465,"vote_count":47,"credit_id":466,"department":14,"job":257,"media_type":36},[24,270],393231,"Lambert & Co.","Jazz vocalist Dave Lambert auditions a new group of singers at RCA Studios in 1964.",0.8261,"1964-01-01",5.7,"571333d99251414a19000bfc",{"adult":4,"backdrop_path":11,"genre_ids":468,"id":469,"title":470,"original_language":42,"original_title":470,"overview":471,"popularity":472,"poster_path":473,"release_date":474,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":475,"department":14,"job":257,"media_type":36},[24],391875,"Campaign Manager","This brief portrait follows 28-year-old campaign manager John Grenier as he maps out strategies for Barry Goldwater’s 1964 presidential run and engineers a takeover of the Republican convention.",0.5607,"\u002F6eWOHy3c5WsuLeGCluuWNkLTvzb.jpg","1964-04-07","570860e39251411df80008bc",{"adult":4,"backdrop_path":11,"genre_ids":477,"id":478,"title":479,"original_language":42,"original_title":479,"overview":480,"popularity":481,"poster_path":482,"release_date":483,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":484,"department":14,"job":257,"media_type":36},[24,39],392749,"Mooney vs. Fowle","The doc brings us back to a 1961 football game played in front of 40,000 people at the Orange Bowl. A high school football game, pitting Miami High against their rivals from Edison High. The title refers to the coaches of each, and the film follows them separately, with their real families and their clan of players, in the days leading up to the big event. And then at last it astonishingly chronicles the game from all kinds of angles you wouldn’t expect from even the newly mobile tools of the Drew crew. Today’s television coverage doesn’t come nearly as close to capturing the spirit of the sport and its fans the way Lipscomb does here. (Nothing But the Doc)",0.7551,"\u002FmTXzZTL51qe8ctOP1iDwpwKqTkX.jpg","1962-04-12","570f0bc99251410a51000949",{"adult":4,"backdrop_path":486,"genre_ids":487,"id":488,"title":489,"original_language":42,"original_title":489,"overview":490,"popularity":491,"poster_path":492,"release_date":493,"softcore":4,"video":4,"vote_average":494,"vote_count":456,"credit_id":495,"department":14,"job":257,"media_type":36},"\u002FmMOY4eoYgZw6f2WaNrC6azPmGCV.jpg",[24,39],379895,"Adventures on the New Frontier","A look at the daily business of U.S. President John F. Kennedy, with a focus on some of the political issues he faces six weeks into his term.  Preserved by the Academy Film Archive in 2007.",1.6951,"\u002FdNLfaxKFBxwCPvHvowbEjkkf5JG.jpg","1961-03-28",5.5,"5722c904c3a3687660000e98",{"adult":4,"backdrop_path":11,"genre_ids":497,"id":498,"title":499,"original_language":42,"original_title":499,"overview":500,"popularity":501,"poster_path":502,"release_date":503,"softcore":4,"video":4,"vote_average":456,"vote_count":60,"credit_id":504,"department":14,"job":257,"media_type":36},[24],402615,"Two American Audiences: La Chinoise - A Film in the Making","Jean-Luc Godard visits NYU in order to discuss his latest feature \"La chinoise\" with graduate students on filmmaking and politics.",0.9255,"\u002Fe6b4ZiATtcxduBqePgBN6lfVOnh.jpg","1968-01-01","5764e5fdc3a3681838000824",{"adult":4,"backdrop_path":506,"genre_ids":507,"id":508,"title":509,"original_language":42,"original_title":509,"overview":510,"popularity":511,"poster_path":512,"release_date":513,"softcore":4,"video":514,"vote_average":515,"vote_count":35,"credit_id":516,"department":278,"job":311,"media_type":36},"\u002F195z1eR7s3t3KrcucjuDuR15hfj.jpg",[270],274722,"Chuck Berry: Rock and Roll Music","A pioneer in the world of rock-'n'-roll guitar, Chuck Berry has created a legacy that spans decades. Berry performs some of his greatest hits and all-time favorites in this concert video that was filmed on September 13, 1969 at 'Toronto Rock'n'Roll Revival.' The Concert includes the songs \"Rock and Roll Music,\" \"Long Live Rock and Roll,\" \"Johnny B. Goode,\" \"Promised Land,\" \"Carol,\" \"Hoochie Koochie Man,\" \"Maybellene,\" \"Too Much Monkey Business,\" \"Reelin' and Rockin',\" \"Sweet Little Sixteen\" and \"In the Wee, Wee Hours.\"",1.1269,"\u002FzzUHIizDSpPe8S8pLvnOQUeNn5a.jpg","1992-03-10",true,8.4,"57864aa192514110230014ed",{"adult":4,"backdrop_path":11,"genre_ids":518,"id":519,"title":520,"original_language":42,"original_title":520,"overview":521,"popularity":522,"poster_path":11,"release_date":58,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":523,"department":278,"job":311,"media_type":36},[],418856,"BodySongs","The classical nude as video in four male\u002Ffemale duets",0.503,"57ef80aa92514141df00567f",{"adult":4,"backdrop_path":11,"genre_ids":525,"id":526,"title":527,"original_language":42,"original_title":527,"overview":528,"popularity":529,"poster_path":530,"release_date":531,"softcore":4,"video":4,"vote_average":80,"vote_count":60,"credit_id":532,"department":14,"job":257,"media_type":36},[24],285641,"On the Pole: Eddie Sachs","A direct-cinema portrait of Indianapolis 500 driver Eddie Sachs, filmed before, during, and after the 1960 race as he competes from pole position. Using pioneering mobile camera and sound techniques, the film captures the psychological intensity of racing and the personal cost of high-speed competition.",1.3637,"\u002F89pZDRcsKcLcc3y8NxhAaEzhqea.jpg","1961-08-31","5805da459251415a7a00248f",{"adult":4,"backdrop_path":11,"genre_ids":534,"id":535,"title":536,"original_language":42,"original_title":536,"overview":537,"popularity":538,"poster_path":539,"release_date":540,"softcore":4,"video":4,"vote_average":541,"vote_count":456,"credit_id":542,"department":14,"job":257,"media_type":36},[24],476015,"Chiefs","Filmed at the October 1968 meeting in Hawaii of several hundred police chiefs of the International Association of Chiefs of Police as they watch demonstrations of gruesome anti-riot weapons, sing patriotic songs, and defend their policies in front of the camera. Although filmed with the permission of the chiefs, the view is unsympathetic, sometimes funny, and more often frightening.",0.4579,"\u002Ft7roQ0CJXADU37TxxSiwGE2GM67.jpg","1968-12-26",7.2,"59bc5394925141356100168f",{"adult":4,"backdrop_path":11,"genre_ids":544,"id":545,"title":546,"original_language":42,"original_title":546,"overview":547,"popularity":548,"poster_path":549,"release_date":409,"softcore":4,"video":4,"vote_average":35,"vote_count":60,"credit_id":550,"department":14,"job":257,"media_type":36},[178],477327,"Christopher and Me","A short documentary in which twins Christopher and David describe how an unplanned sailing trip led them into the midst of a boat race. Told largely from the children’s point of view, the film reflects Richard Leacock’s observational approach and includes contributions from Shirley Clarke and D. A. Pennebaker.",0.8094,"\u002FvnnGD5yj0ACwMxMB5Vy1i6alDW1.jpg","59c57602c3a36814300325ef",{"adult":4,"backdrop_path":11,"genre_ids":552,"id":553,"title":554,"original_language":42,"original_title":554,"overview":555,"popularity":556,"poster_path":557,"release_date":558,"softcore":4,"video":4,"vote_average":111,"vote_count":10,"credit_id":559,"department":315,"job":316,"media_type":36},[39,24,270],484157,"A Stravinsky Portrait","This documentary follows composer and conductor Igor Stavinsky at his home in California, in London, and in Hamburg where he conducts an orchestra rehearsal. Includes conversations with a variety of friends and musical collaborators. Includes footage of Stravinsky and Balanchine discussing the Variations (in memoriam Aldous Huxley) and rehearsing their ballet Apollo with Suzanne Farrell.",1.3265,"\u002FjfUcNfbyb8ilRAa4NHLDZbPoPVU.jpg","1967-05-16","59f65ae8c3a3682fd5022cdd",{"adult":4,"backdrop_path":11,"genre_ids":561,"id":553,"title":554,"original_language":42,"original_title":554,"overview":555,"popularity":556,"poster_path":557,"release_date":558,"softcore":4,"video":4,"vote_average":111,"vote_count":10,"credit_id":562,"department":14,"job":257,"media_type":36},[39,24,270],"59f65ac29251414d2003dbeb",{"adult":4,"backdrop_path":11,"genre_ids":564,"id":565,"title":566,"original_language":42,"original_title":566,"overview":567,"popularity":568,"poster_path":569,"release_date":570,"softcore":4,"video":4,"vote_average":571,"vote_count":164,"credit_id":572,"department":278,"job":279,"media_type":36},[24],405273,"ABC Close-Up: Yanki, No!","A 1960 cinéma vérité documentary on anti-American sentiment in Latin America, combining observational footage from Caracas and political events, directed by Robert Drew and shot by Maysles, Leacock, and Pennebaker.  (Note: Originally broadcast as a standalone documentary on ABC, \"Yanki, No!\" is widely cited and archived as a discrete direct-cinema film with its own title, production identity, and critical reception, rather than as an anonymous TV news magazine episode.)",1.529,"\u002Fq7UNXWs0EltNewOyBEICERZGC2S.jpg","1960-07-07",6.8,"64551331c04429010162b022",{"adult":4,"backdrop_path":11,"genre_ids":574,"id":575,"title":576,"original_language":42,"original_title":576,"overview":577,"popularity":578,"poster_path":11,"release_date":579,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":580,"department":278,"job":279,"media_type":36},[24],951941,"American Football","A coach’s whole career depends upon winning this football game, the U.S. Air Force Academy against the University of Colorado. The film was an early experiment by Drew and his Associates to capture real life happening in front of the cameras. They had not yet developed the new equipment that would allow portable sync-sound filming, so they improvised. Drew, who was still a correspondent for LIFE Magazine at the time, was trying to make films that would promote LIFE stories on television. This idea was how Drew had convinced Time-Life to bankroll his fledgling film unit. Although the football story never became a LIFE magazine cover story, it served as a kind of dry-run for a film about another football game covered by Drew and his Associates four years later. That film, “Mooney vs. Fowle,” led by filmmaker James Lipscomb, became an award-winning, groundbreaking documentary.",0.676,"1957-01-01","645513e987a27a00fe733f1c",{"adult":4,"backdrop_path":11,"genre_ids":582,"id":583,"title":584,"original_language":42,"original_title":584,"overview":585,"popularity":586,"poster_path":587,"release_date":588,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":589,"department":278,"job":279,"media_type":36},[],1011302,"A Conversation with Marcel Duchamp","Filmed amidst the Arensberg collection at the Philadelphia Museum of Art, where 35 works by Marcel Duchamp are gathered, this 1956 NBC interview features the artist talking with James Johnson Sweeney, former director of the Guggenheim Museum. Duchamp describes his transition away from Impressionism toward a Cubist, and then post-Cubist, approach, providing commentary while standing before Nude Descending a Staircase (“I was not aware of Italian Futurism when I painted it”) and The Large Glass (“The two crackings are symmetrically arranged and there is… almost an intention there… a ready-made intention, in other words, that I respect and love.”). These concepts are paradoxically, although quite logically, articulated alongside his desire for “dryness” and mechanical precision. Viewers also gain insight into Duchamp’s thoughts on painting for an “ideal” public—a notion he clearly distinguishes from ivory-tower elitism.",0.9168,"\u002F9aCFKAa9chI647vrz4925V2Z91a.jpg","1956-01-01","645513e0c044290164ec1126",{"adult":4,"backdrop_path":11,"genre_ids":591,"id":592,"title":593,"original_language":42,"original_title":593,"overview":594,"popularity":595,"poster_path":11,"release_date":596,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":597,"department":278,"job":311,"media_type":36},[24],500112,"Toby and the Tall Corn","Toby is a heartwarming and entertaining portrait of one of the last travelling variety shows in the United States. Every summer, Toby, the troupe's charming, down-to-earth owner\u002Flead actor takes his small band of performers to towns across the Midwest to perform under a massive tent. Leacock captures the heat of the summer night on the faces of the appreciative audiences, the thrill of the live performances and the challenge of the set-up.",0.8789,"1954-10-30","5a64ef709251410b27028bb7",{"adult":4,"backdrop_path":11,"genre_ids":599,"id":592,"title":593,"original_language":42,"original_title":593,"overview":594,"popularity":595,"poster_path":11,"release_date":596,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":600,"department":315,"job":316,"media_type":36},[24],"5a64ef4f0e0a2619f802ab3a",{"adult":4,"backdrop_path":11,"genre_ids":602,"id":592,"title":593,"original_language":42,"original_title":593,"overview":594,"popularity":595,"poster_path":11,"release_date":596,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":603,"department":604,"job":605,"media_type":36},[24],"5a64ef649251410b2102818d","Writing","Writer",{"adult":4,"backdrop_path":11,"genre_ids":607,"id":592,"title":593,"original_language":42,"original_title":593,"overview":594,"popularity":595,"poster_path":11,"release_date":596,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":608,"department":14,"job":257,"media_type":36},[24],"5a64ef47c3a3687fad028d81",{"adult":4,"backdrop_path":11,"genre_ids":610,"id":611,"title":612,"original_language":53,"original_title":612,"overview":613,"popularity":614,"poster_path":615,"release_date":616,"softcore":4,"video":4,"vote_average":223,"vote_count":60,"credit_id":617,"department":14,"job":257,"media_type":36},[24],502501,"Les oeufs à la coque de Richard Leacock","Inspired by both new love and Gulliver's Travels, Les Oeufs à la Coque (aka Richard Leacock's Soft-Boiled Eggs), is a ravishingly beautiful, important film about nothing in particular, a love song dedicated to France, French women in general and one Frenchwoman in particular, and a montage portrait of quotidian life in a country at peace.",0.6172,"\u002F9PgkmeS4Lj6WUG2LphxCeT6NCf6.jpg","1991-02-02","5a745f620e0a26643002139b",{"adult":4,"backdrop_path":619,"genre_ids":620,"id":621,"title":622,"original_language":42,"original_title":622,"overview":623,"popularity":624,"poster_path":625,"release_date":626,"softcore":4,"video":4,"vote_average":627,"vote_count":320,"credit_id":628,"department":358,"job":359,"media_type":36},"\u002F7mvdddnJIIDyxCOuyoBgu8iiGph.jpg",[178],117424,"Maidstone","Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.",1.3578,"\u002FiurUIRRHh1Va8MDA3a5uZ1BOCGg.jpg","1971-03-09",4.2,"645c4d5a3fe16000fed0bc30",{"adult":4,"backdrop_path":11,"genre_ids":630,"id":631,"title":632,"original_language":42,"original_title":632,"overview":633,"popularity":634,"poster_path":635,"release_date":636,"softcore":4,"video":4,"vote_average":80,"vote_count":60,"credit_id":637,"department":14,"job":257,"media_type":36},[24],477267,"Brussels Loops","A collection of twenty short films, averaging 2-3 minutes, by various filmmakers depicting American life, intended to be shown in a continuous loop at the American Pavilion of the 1958 Brussels World’s Fair. Some releases of the film include ten extra minutes of rough cuts.",0.7259,"\u002FaDvWmsBQQBNCogaqLlIwg4O5awN.jpg","1958-04-17","5ab2acbd0e0a261dc400dc1e",{"adult":4,"backdrop_path":113,"genre_ids":639,"id":115,"title":116,"original_language":42,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":121,"vote_count":122,"credit_id":640,"department":278,"job":279,"media_type":36},[24],"668f54c15786204e1c2c201c",{"adult":4,"backdrop_path":113,"genre_ids":642,"id":115,"title":116,"original_language":42,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":121,"vote_count":122,"credit_id":643,"department":288,"job":289,"media_type":36},[24],"668f54991f1fc90813f6c635",{"adult":4,"backdrop_path":11,"genre_ids":645,"id":646,"title":647,"original_language":42,"original_title":647,"overview":648,"popularity":649,"poster_path":11,"release_date":255,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":650,"department":14,"job":257,"media_type":36},[],1341294,"Kenya: Land of the White Ghost","A film by the Drew-Leacock team.",0.5465,"66d23b524c75b4647978b9f6",{"adult":4,"backdrop_path":318,"genre_ids":652,"id":321,"title":322,"original_language":42,"original_title":322,"overview":323,"popularity":324,"poster_path":325,"release_date":326,"softcore":4,"video":4,"vote_average":210,"vote_count":186,"credit_id":653,"department":278,"job":279,"media_type":36},[320,178],"5c784d15c3a36844e1177bf2",{"adult":4,"backdrop_path":11,"genre_ids":655,"id":656,"title":657,"original_language":42,"original_title":657,"overview":658,"popularity":659,"poster_path":660,"release_date":503,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":661,"department":14,"job":257,"media_type":36},[],595728,"RainForest","Leacock and Pennebaker filmed choreographer Merce Cunningham’s dance “RainForest” as part of the 1968 Buffalo Arts Festival’s program “Whose Afraid of the Avant-Garde” presenting experimental art, music, dance, poetry and theater.  The dance composition also featured music by David Tudor, costumes by Jasper Johns and sets by Andy Warhol.",0.8184,"\u002F7BYPhPsMoPHnknFqyLjLihXJQg4.jpg","5cb737ca0e0a266ba2ef2f87",{"adult":4,"backdrop_path":11,"genre_ids":663,"id":664,"title":665,"original_language":42,"original_title":665,"overview":666,"popularity":667,"poster_path":668,"release_date":669,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":670,"department":14,"job":257,"media_type":36},[],643948,"A Magnet Laboratory","In the hands of another director, the inner-workings of a magnet laboratory could have caused a whole classroom to fall asleep of boredom. No so when Leacock was hired to produce this twenty-minute version of lab mayhem. Try this: six researchers in a lab at MIT in the late 1950's show-off the power of electro-magnets, and in the process, accidentally set an experiment on fire. Or this: half way through the film the phone rings off screen, and host Francis Bitter says \"tell 'em I'll call 'em back later\" while he's looking at the camera, discussing bus bars. Leacock’s fleshed out all the personalities here, from \"Beans\" Bardo, who cranks up the generator to nearly explosive proportions, to the mysterious Mr. Lin, who barely peeks over his shoulder at us, seemingly in mockery, disdain, or curiosity.",0.5202,"\u002FoiEFYrFvO4rW6knzNdi9KHzSkSQ.jpg","1959-07-18","5dba51820792e10013496e47",{"adult":4,"backdrop_path":143,"genre_ids":672,"id":145,"title":146,"original_language":42,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":151,"vote_count":35,"credit_id":673,"department":14,"job":257,"media_type":36},[24],"5e0c0be79974ee0017a2216f",{"adult":4,"backdrop_path":143,"genre_ids":675,"id":145,"title":146,"original_language":42,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":151,"vote_count":35,"credit_id":676,"department":288,"job":289,"media_type":36},[24],"5e0c0c019974ee0017a22181",{"adult":4,"backdrop_path":678,"genre_ids":679,"id":680,"title":681,"original_language":42,"original_title":681,"overview":682,"popularity":683,"poster_path":684,"release_date":685,"softcore":4,"video":4,"vote_average":686,"vote_count":687,"credit_id":688,"department":278,"job":311,"media_type":36},"\u002FynD2G6AnhnnnPesgcxcdzJGg8JK.jpg",[24,270],61708,"Shake! Otis at Monterey","Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving -- until Redding grabs them with his charged rendition of \"Shake.\" Redding's performance also includes \"Respect\" (which he wrote), \"I've Been Loving You Too Long,\" \"Satisfaction,\" and \"Try a Little Tenderness.\" Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton's 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.",1.2882,"\u002Fwyd0OdBxYK3m3DFf5xtBowd7Oe7.jpg","1987-10-16",7.4,35,"5fe19b70d29bdd004170f668",{"adult":4,"backdrop_path":11,"genre_ids":690,"id":691,"title":692,"original_language":42,"original_title":692,"overview":693,"popularity":694,"poster_path":695,"release_date":696,"softcore":4,"video":4,"vote_average":122,"vote_count":60,"credit_id":697,"department":278,"job":279,"media_type":36},[24],421481,"French Lunch","Documentary look behind the scenes of La Caravelle, an acclaimed French restaurant in New York City.",1.3383,"\u002F1Q8QwsMWt5Eb51kpdHuCObJrMdx.jpg","1968-09-28","5fe19ced4f9a99003ea0d807",{"adult":4,"backdrop_path":699,"genre_ids":700,"id":701,"title":702,"original_language":42,"original_title":702,"overview":703,"popularity":704,"poster_path":705,"release_date":706,"softcore":4,"video":4,"vote_average":541,"vote_count":707,"credit_id":708,"department":278,"job":279,"media_type":36},"\u002FYlPZHMV67Mucl1WCnKYpiHeFB9.jpg",[24,270],100776,"Original Cast Album: Company","In 1970, right after the triumphant premiere of Stephen Sondheim’s groundbreaking concept musical Company, the renowned composer and lyricist, his director Harold Prince, the show’s stars, and a large pit orchestra all went into a Manhattan recording studio as part of a time-honored Broadway tradition: the making of the original cast album. What ensued was a marathon session in which all involved pushed themselves to the limit.",1.804,"\u002F2kqkqG154DXzUOE9n9wXpfMLIao.jpg","1970-10-28",21,"5fe19d0615376c0041b60181",{"adult":4,"backdrop_path":710,"genre_ids":711,"id":712,"title":713,"original_language":42,"original_title":713,"overview":714,"popularity":715,"poster_path":716,"release_date":685,"softcore":4,"video":4,"vote_average":356,"vote_count":717,"credit_id":718,"department":278,"job":311,"media_type":36},"\u002Fmlo31XZhJ9mEgS7Is6L3cz75UyQ.jpg",[24,270],26028,"Jimi Plays Monterey","Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics \"Rock Me Baby\" and Howlin' Wolf's \"Killing Floor,\" interpreting and electrifying Bob Dylan's \"Like a Rolling Stone,\" debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing\u002Fburning of his guitar during an unhinged version of \"Wild Thing\" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.",1.3907,"\u002FlpO4JSRMzGH1A8KbXhyDFvlNe3D.jpg",31,"5fe19af14f9a990040a11679",{"adult":4,"backdrop_path":11,"genre_ids":720,"id":545,"title":546,"original_language":42,"original_title":546,"overview":547,"popularity":548,"poster_path":549,"release_date":409,"softcore":4,"video":4,"vote_average":35,"vote_count":60,"credit_id":721,"department":278,"job":279,"media_type":36},[178],"5fe19c2569eb9000419a2481",{"adult":4,"backdrop_path":723,"genre_ids":724,"id":725,"title":726,"original_language":42,"original_title":726,"overview":727,"popularity":728,"poster_path":729,"release_date":730,"softcore":4,"video":4,"vote_average":731,"vote_count":10,"credit_id":732,"department":278,"job":279,"media_type":36},"\u002Fbt1JAnhydDfriPaEQirbJxvzpfT.jpg",[24,270],256998,"To Hear Your Banjo Play","A short film about Pete Seeger and the birth of banjo music throughout the Southern United States.",0.9562,"\u002FyU5AdKh02Wo0cyU99Qvuj8y6QBp.jpg","1947-01-01",4.5,"5fe19ce06a2227003e89291b",{"adult":4,"backdrop_path":11,"genre_ids":734,"id":469,"title":470,"original_language":42,"original_title":470,"overview":471,"popularity":472,"poster_path":473,"release_date":474,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":735,"department":278,"job":279,"media_type":36},[24],"5fe19c3a5ed96200405c944e",{"adult":4,"backdrop_path":737,"genre_ids":738,"id":739,"title":740,"original_language":42,"original_title":740,"overview":741,"popularity":742,"poster_path":743,"release_date":540,"softcore":4,"video":4,"vote_average":686,"vote_count":744,"credit_id":745,"department":278,"job":311,"media_type":36},"\u002FqSiVTAtDU0kJd8KjHHpMfGusIMt.jpg",[270,24],42632,"Monterey Pop","Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix's post-performance antics -- lighting a guitar on fire, breaking it and tossing a part into the audience -- are captured.",1.8933,"\u002FwEB3c5Y5spAHOQaFWcsfFky3SWb.jpg",101,"5fe19bbf6a2227003f88ebb4",{"adult":4,"backdrop_path":11,"genre_ids":747,"id":553,"title":554,"original_language":42,"original_title":554,"overview":555,"popularity":556,"poster_path":557,"release_date":558,"softcore":4,"video":4,"vote_average":111,"vote_count":10,"credit_id":748,"department":278,"job":279,"media_type":36},[39,24,270],"5fe19cbff3b49a00408f7142",{"adult":4,"backdrop_path":11,"genre_ids":750,"id":751,"title":752,"original_language":42,"original_title":752,"overview":753,"popularity":754,"poster_path":755,"release_date":756,"softcore":4,"video":4,"vote_average":757,"vote_count":124,"credit_id":758,"department":278,"job":279,"media_type":36},[24,270],154392,"Jazz Dance","Few films wield the awesome spiritual power of Jazz Dance, on which Leacock was one of two cameramen charting the slow, smoldering build of a Manhattan dance club from idle space to explosive, carnal bacchanal. Employing handheld cameras, limited light and sheer proximity, the film achieved an intimacy never before witnessed in a documentary.",1.5864,"\u002FuQXC2DNY7fsyc06qbG5EfXmouo7.jpg","1954-09-04",5.8,"6020f3d7dd2589003fb77080",{"adult":4,"backdrop_path":11,"genre_ids":760,"id":761,"title":762,"original_language":42,"original_title":762,"overview":763,"popularity":764,"poster_path":765,"release_date":766,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":767,"department":14,"job":257,"media_type":36},[24],1396022,"Rebuilding an Old Japanese House","Five Japanese carpenters came to Boston that summer to reconstruct a Kyoto silkweaver's 150 year old townhouse that had been packed in crates and shipped to Boston Children's Museum. This first-hand observation of traditional tools and woodworking techniques chronicles the assembly process. In the progress of construction the contractor performed three Shinto housebuilding ceremonies.",0.6393,"\u002FcJNOhUgwg89qihJs4uy8O6gzBOH.jpg","1981-12-01","674c79cea391b587bcf08ea0",{"adult":4,"backdrop_path":11,"genre_ids":769,"id":770,"title":771,"original_language":42,"original_title":771,"overview":772,"popularity":773,"poster_path":774,"release_date":775,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":776,"department":14,"job":257,"media_type":36},[],811643,"Flora Natapoff - An American Painter","Flora Natapoff, known for her large collages of urban and industrial motifs, due to MS begins to work on a smaller scale that is no less powerful. She speaks of her way of looking, the impact of landscape, and a new sense of narrative and composition. A legendary teacher at Harvard, her compelling account introduces us to her highly original work.",0.6562,"\u002Fsy68X4JGHBuROBdtAzea5SiEFTE.jpg","1999-12-02","674c8678386283927de02022",{"adult":4,"backdrop_path":11,"genre_ids":778,"id":779,"title":780,"original_language":42,"original_title":780,"overview":781,"popularity":782,"poster_path":783,"release_date":784,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":785,"department":14,"job":257,"media_type":36},[],1396055,"Light Coming Through: A Portrait of Maud Morgan","This 23-minute, 16mm color film by Nancy V. Raine (Producer\u002FCo-Director) and Richard Leacock (Co-Director\u002FCinematographer) is a poetic, lyrical, impressionistic collaboration by Raine, a poet and writer, Leacock, a leading figure in the direct cinema movement, and Maud Morgan, the film’s subject, a Boston-area visual artist who was 78 years old when the film premiered at the Boston Museum of Fine Arts on October 21, 1980.",0.6408,"\u002F6TDFHd6Adg6vBdMNWdMHFrQQzQ5.jpg","1980-10-21","674c87fbbcf31949e128881a",{"adult":4,"backdrop_path":11,"genre_ids":787,"id":396,"title":397,"original_language":42,"original_title":397,"overview":398,"popularity":399,"poster_path":400,"release_date":401,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":788,"department":278,"job":311,"media_type":36},[24],"681b2d2b38cc07fafd7015c3",{"adult":4,"backdrop_path":11,"genre_ids":790,"id":387,"title":388,"original_language":42,"original_title":388,"overview":389,"popularity":390,"poster_path":391,"release_date":392,"softcore":4,"video":4,"vote_average":111,"vote_count":60,"credit_id":791,"department":604,"job":605,"media_type":36},[24],"697fa2a2ac79b87201b20e79",{"adult":4,"backdrop_path":11,"genre_ids":793,"id":526,"title":527,"original_language":42,"original_title":527,"overview":528,"popularity":529,"poster_path":530,"release_date":531,"softcore":4,"video":4,"vote_average":80,"vote_count":60,"credit_id":794,"department":358,"job":359,"media_type":36},[24],"697faca2436720946c1ebbef",{"adult":4,"backdrop_path":22,"genre_ids":796,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":797,"department":278,"job":311,"media_type":36},[24],"69ab1bf7d520500c1f1b8a15",{"adult":4,"backdrop_path":348,"genre_ids":799,"id":350,"title":351,"original_language":42,"original_title":351,"overview":352,"popularity":353,"poster_path":354,"release_date":355,"softcore":4,"video":4,"vote_average":356,"vote_count":10,"credit_id":800,"department":14,"job":257,"media_type":36},[24],"6a1dc7a07e95f322fb480f1d",{"adult":4,"backdrop_path":802,"genre_ids":803,"id":804,"title":805,"original_language":42,"original_title":805,"overview":806,"popularity":807,"poster_path":808,"release_date":809,"softcore":4,"video":4,"vote_average":810,"vote_count":811,"credit_id":812,"department":14,"job":257,"media_type":36},"\u002FfxWaI1sqdiYHCUt8oXSM8UolVZY.jpg",[24],162494,"Crisis: Behind a Presidential Commitment","During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause.  Preserved by the Academy Film Archive in partnership with The Film Foundation in 1999.",1.5825,"\u002FfkBQDLYzGM23Hz7pLDKoAqYwdpz.jpg","1963-10-21",6.9,23,"6a1dca38a15c8837dfcc6b6f",{"adult":4,"backdrop_path":11,"genre_ids":814,"id":816,"origin_country":817,"original_language":42,"original_name":820,"overview":821,"popularity":822,"poster_path":823,"first_air_date":824,"softcore":4,"name":820,"vote_average":223,"vote_count":164,"credit_id":825,"department":14,"episode_count":10,"first_credit_air_date":826,"job":257,"media_type":827},[815],10767,3768,[818,819],"US","IT","Omnibus","Omnibus is an American, commercially sponsored, educational television series.",22.88,"\u002Fg7edfag05o6ytr65askkEplQrcG.jpg","1952-11-09","562abb5f9251414006001723","1957-03-17","tv",{"adult":4,"backdrop_path":11,"genre_ids":829,"id":830,"origin_country":831,"original_language":42,"original_name":832,"overview":833,"popularity":834,"poster_path":835,"first_air_date":836,"softcore":4,"name":832,"vote_average":456,"vote_count":10,"credit_id":837,"department":288,"episode_count":60,"first_credit_air_date":838,"job":289,"media_type":827},[24],56329,[],"ABC Close-Up!","This long-running ABC News series of special reports\u002Fdocumentaries explores different aspects of life in the United States, featuring the most prominent ABC News correspondents of their times.",3.8026,"\u002FrxxFUula5Eqiux6yp3F7Dpm9Tlg.jpg","1960-09-27","5a692cd30e0a260d64008e78","1961-03-06",{"adult":4,"backdrop_path":11,"genre_ids":840,"id":830,"origin_country":841,"original_language":42,"original_name":832,"overview":833,"popularity":834,"poster_path":835,"first_air_date":836,"softcore":4,"name":832,"vote_average":456,"vote_count":10,"credit_id":842,"department":14,"episode_count":10,"first_credit_air_date":843,"job":257,"media_type":827},[24],[],"5a6929c00e0a260d670088f7","1960-12-07",{"adult":4,"backdrop_path":845,"genre_ids":846,"id":847,"origin_country":848,"original_language":42,"original_name":849,"overview":850,"popularity":851,"poster_path":852,"first_air_date":853,"softcore":4,"name":849,"vote_average":80,"vote_count":60,"credit_id":854,"department":14,"episode_count":60,"first_credit_air_date":855,"job":257,"media_type":827},"\u002F5YIEPKgdpjGqG3fBAsuBkVM1WJo.jpg",[24],49117,[818],"Middletown","Six-part documentary on the city of Muncie, Indiana - nicknamed \"Middletown\" after a study in the 1920s deemed it representative of middle America. The series finds that amid the great ...",1.8624,"\u002Fo8hKKta1xMVORc90HDHaNx9SXV2.jpg","1982-03-24","620f310a151c5c00435c6966","1982-04-07",{"profiles":857},[858],{"aspect_ratio":859,"height":860,"iso_3166_1":11,"iso_639_1":11,"file_path":18,"vote_average":32,"vote_count":32,"width":861},0.666,1805,1203]