[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1340606:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":7,"gender":8,"homepage":7,"id":9,"imdb_id":10,"known_for_department":11,"name":12,"place_of_birth":7,"popularity":13,"profile_path":7,"combined_credits":14,"images":132},false,[],"",null,0,1340606,"nm0028991","Sound","Louis Andriessen",0.4945,{"cast":15,"crew":52},[16,32,41],{"adult":4,"backdrop_path":7,"genre_ids":17,"id":20,"title":21,"original_language":22,"original_title":21,"overview":23,"popularity":24,"poster_path":25,"release_date":26,"softcore":4,"video":4,"vote_average":27,"vote_count":28,"character":29,"credit_id":30,"order":28,"media_type":31},[18,19],99,10402,281505,"Implied Harmonies","en","Hartley's conscientious assistant in Berlin receives weekly letters from her boss and sends him the books he needs as he struggles in Amsterdam to create the staging for Dutch composer Louis Andriessen's opera, \"La commedia.\"",1.5796,"\u002F2SoVNRNC9VMwkXEbHZythl0JbLz.jpg","2010-04-22",6,2,"Self","53c03dbe0e0a261576007613","movie",{"adult":4,"backdrop_path":7,"genre_ids":33,"id":34,"title":35,"original_language":22,"original_title":35,"overview":36,"popularity":37,"poster_path":38,"release_date":39,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"character":6,"credit_id":40,"order":8,"media_type":31},[18,19],577844,"In the Ocean","A brief overview and focus on composers Philip Glass, Julia Wolfe, John Cage, Steve Reich, Elliott Carter and their contemporaries.",0.673,"\u002FgQS91mKGx2TpgUimts60OZBk070.jpg","2001-01-01","5e628a788e2ba60012df406f",{"adult":4,"backdrop_path":7,"genre_ids":42,"id":43,"title":44,"original_language":22,"original_title":44,"overview":45,"popularity":46,"poster_path":47,"release_date":48,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"character":49,"credit_id":50,"order":51,"media_type":31},[18,19],341414,"AFIJN (Misha Mengelberg)","This feature-length documentary chronicles the life and playful methods of Dutch pianist and composer Misha Mengelberg, a significant figure in post-WWII European Jazz and free improvisation.  Archival footage, rehearsal \u002F performance sequences and interviews with both Mengelberg (the \"godfather of Dutch improvised music\") and key collaborators provide a clear insight in Mengelberg's original way of thinking and way of working.",0.7862,"\u002FvimUfhgM8iXNLwj0mlwAn61HEzF.jpg","2006-01-01","Himself","5fa62def34e15200427661b2",5,[53,67,78,89,100,109,112,124],{"adult":4,"backdrop_path":7,"genre_ids":54,"id":58,"title":59,"original_language":22,"original_title":59,"overview":60,"popularity":61,"poster_path":62,"release_date":63,"softcore":4,"video":4,"vote_average":51,"vote_count":64,"credit_id":65,"department":11,"job":66,"media_type":31},[55,56,19,57],10770,18,37,546245,"The Death of a Composer: Rosa, a Horse Drama","\"Rosa\", with a libretto by Peter Greenaway and score by Louis Andriessen, is the first in a projected series of 10 operas, each dealing with the death of a famous composer - some real, others fictional. \"Rosa\" falls into the latter category; it tells the story of Juan Manuel de Rosa, a Brazilian who went to study music in America but spent most of his time in the cinema instead, becoming particularly entranced by Westerns. Now 32 years old and residing in an abandoned Uruguayan slaughterhouse, Rosa has become one of Hollywood's foremost composers, specialising in Westerns. He also has a beautiful 19-year-old fiancee, Esmeralda, but he pays her little heed, instead lavishing his attentions on a black mare named Bola. One day, a group of men attired as cowboys arrive at the abattoir and kill both Rosa and Bola; an investigation is conducted, with particular suspicion!",2.0527,"\u002FwPpLNJya74Oo4OZyPZjE2y8eaOU.jpg","1999-09-04",4,"6261dcd114956516538f7d72","Original Music Composer",{"adult":4,"backdrop_path":68,"genre_ids":69,"id":70,"title":71,"original_language":22,"original_title":71,"overview":72,"popularity":73,"poster_path":7,"release_date":74,"softcore":4,"video":4,"vote_average":75,"vote_count":27,"credit_id":76,"department":11,"job":77,"media_type":31},"\u002Fy2mAssRPrbFTwNYT90WQGF5nfBn.jpg",[19],304660,"M Is for Man, Music and Mozart","Dutch composer Louis Andriessen collaborates with director Peter Greenaway on a commissioned short film to commemorate the 200th anniversary of the death of Mozart. Gods create Man, Music and Mozart.",1.7453,"1991-11-03",5.2,"546d2d9d9251412baf000140","Music",{"adult":4,"backdrop_path":7,"genre_ids":79,"id":80,"title":81,"original_language":22,"original_title":81,"overview":82,"popularity":83,"poster_path":84,"release_date":85,"softcore":4,"video":4,"vote_average":86,"vote_count":87,"credit_id":88,"department":11,"job":77,"media_type":31},[],162523,"The New Math(s)","This film is the visual component of the multi-media collaboration between the composer Louis Andriessen and Hal Hartley.",0.9344,"\u002FjMtDPJZmuGMGwYw313qkGwhMfHw.jpg","2001-03-12",5.7,3,"56437d45c3a36870e80025ee",{"adult":4,"backdrop_path":7,"genre_ids":90,"id":91,"title":92,"original_language":93,"original_title":94,"overview":95,"popularity":96,"poster_path":7,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":28,"credit_id":99,"department":11,"job":66,"media_type":31},[18,19],450725,"Time","nl","De tijd","The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.",1.2682,"1984-07-27",7,"58e52758c3a36872f602eebc",{"adult":4,"backdrop_path":7,"genre_ids":101,"id":102,"title":103,"original_language":22,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":108,"department":11,"job":77,"media_type":31},[19],1129161,"La Commedia","Louis Andriessen's opera, based on Dante's Divine Comedy, plays out as a combination of a stage production and filmed elements, which sees Dante as a journalist, Beatrice as a Diplomat and Lucifer as a factory owner.",1.5981,"\u002F2oQlRRd9aOw4fT8r9864lBcf2Kb.jpg","2014-06-10","64c530d341aac40fb3e4e4c8",{"adult":4,"backdrop_path":7,"genre_ids":110,"id":20,"title":21,"original_language":22,"original_title":21,"overview":23,"popularity":24,"poster_path":25,"release_date":26,"softcore":4,"video":4,"vote_average":27,"vote_count":28,"credit_id":111,"department":11,"job":66,"media_type":31},[18,19],"67e1e764a63bcc4997dc602c",{"adult":4,"backdrop_path":113,"genre_ids":114,"id":115,"title":116,"original_language":93,"original_title":117,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":122,"vote_count":64,"credit_id":123,"department":11,"job":66,"media_type":31},"\u002FmanMgdL7mvYxRbS3sVcqDAFPmly.jpg",[56],457097,"Waves","Golven","With the book The Waves by Virginia Woolf as point of departure, the film follows six characters trying to recapture the feeling of harmony they knew as children. They meet each other in a restaurant at a farewell dinner for Percival, who is leaving for India. When he dies through an accident in India, the group falls apart.",1.6549,"\u002FA9vKaHf7JmqsPHvwze3mANLDAa6.jpg","1982-01-28",5.8,"6a8ec0d0857bbe6f72c858c9",{"adult":4,"backdrop_path":7,"genre_ids":125,"id":126,"title":127,"original_language":93,"original_title":127,"overview":128,"popularity":129,"poster_path":7,"release_date":130,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":131,"department":11,"job":77,"media_type":31},[],1796851,"De plaats van de vreemdeling","This controversial documentary describes Van den Berg's quest for the Jewish identity. First, he organizes a dinner party where some Jewish Dutchmen enter into a discussion; next, he pays a visit to Israel. After a couple of days there he starts asking himself questions, not so much about Israel's right to exist but about the principles the state is based on. In his own words: \"One of the essential aspects of the film is the questioning of the notion of Judaism. Being a Jew is something existentialist, but if you try to define it you fail.(...) There is no fitting definition, yet there is something like a Jew. I don't think that if you call yourself - as a state - democratic you should adopt that as a standard for your whole social system. That's what is happening in Israel.\" The quintessence of the film is that Van den Berg has made an unambiguous attempt to make clear that a Jew is not by definition a Zionist.",1.0212,"1979-03-02","6acf48020c1432ec098f3069",{"profiles":133},[]]