[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1328334:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":10,"combined_credits":17,"images":207},false,[],"Humberto Ríos (1929–2014) was born in La Paz, Bolivia, on November 30, 1929. He was a Bolivian film director and documentarian who died in Buenos Aires, Argentina, on November 8, 2014. In the 1950s he traveled to France, initially intending to work in his original profession as a painter and set designer, but the creative energy of the nouvelle vague drew him into cinema, and he went on to study at IDHEC, where he crossed paths with figures like Costa-Gavras, Manuel Michel and Salvador Elizondo.\n\nWhile in Paris, he also became involved with a clandestine network of activists opposing the Algerian War, helping route funds to Switzerland for the cause — and was among the few members of that cell who avoided imprisonment.\n\nIn 1960 he relocated to Buenos Aires, with help from Argentine TV director María Herminia Avellaneda, and settled permanently in Argentina. There he worked as a cameraman for Argentinian filmmaker Raymundo Gleyzer and became one of the key figures of militant, socially engaged Latin American cinema.\n\nHis best-known works include: Eloy (1969), an Argentine-Chilean co-production based on Carlos Droguett's novel, which screened at the Berlin Film Festival; Al grito de este pueblo (1972), about the struggle of Bolivian miners; and Fernando Birri, el utópico andante (2012), a documentary about the life of filmmaker Fernando Birri.\n\nHe also taught in the Social Communication degree program at the School of Education Sciences of the National University of Entre Ríos (UNER), in Paraná.\n\nHe's often remembered, alongside Jorge Sanjinés, as one of the pioneers of avant-garde, socially committed Bolivian cinema and a founding figure of the New Latin American Cinema movement — work that grew increasingly militant against dictatorship and repression across the region.","1929-11-30","2014-11-08",2,null,1328334,"nm0753821","Directing","Humberto Ríos","La Paz, Bolivia",0.538,{"cast":18,"crew":40},[19,31],{"adult":4,"backdrop_path":10,"genre_ids":20,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":10,"release_date":27,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"character":25,"credit_id":29,"order":28,"media_type":30},[21],99,638633,"Ríos de la patria grande","es","",0.9505,"2016-01-01",0,"5da08fb5ae3668002b20fbd7","movie",{"adult":4,"backdrop_path":10,"genre_ids":32,"id":33,"title":34,"original_language":24,"original_title":34,"overview":35,"popularity":36,"poster_path":10,"release_date":37,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"character":25,"credit_id":38,"order":39,"media_type":30},[21],1445286,"Jorge Sanjinés y la Nación re(v)belada","This file addresses the work of the emblematic Bolivian filmmaker Jorge Sanjinés, investigating the creative aspects of this director who knew how to create his own language and aesthetics consistent with the Andean worldview. His work is an insight into that collectivist world that brings us closer in a sensitive way to the soul of Bolivian society. It is a call to attention to the whole of society regarding the cultural values ​​of the indigenous majorities. 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The film offers a critical warning about the rise of dictatorships across Latin America, situating Bolivia's social conflict within the broader wave of imperialism and military repression sweeping the region at the time.",0.8458,"\u002Fi9R95ouexPMN0AoWYhQnNYWdprl.jpg","1972-01-01",7,"6262f202c1ffbd10a347f309",{"adult":4,"backdrop_path":74,"genre_ids":75,"id":76,"title":77,"original_language":24,"original_title":78,"overview":79,"popularity":80,"poster_path":81,"release_date":82,"softcore":4,"video":4,"vote_average":83,"vote_count":71,"credit_id":84,"department":85,"job":86,"media_type":30},"\u002FbtUOeit0JazAFd7vne48kBsTtpg.jpg",[21],274808,"Mexico: The Frozen Revolution","México, la revolución congelada","A thorough analysis of the socio-politics of Mexico, within the historical context of the Mexican Revolution reality. Includes footage from the 1910s, interviews with farmers, politicians, intellectuals, middle class, union, etc, as well as scenes from the life of an Indian family in Chiapas, their religious rituals, their crops, trials and bilingual schools. The film ends with the slaughter in the Plaza de Tlatelolco in 1968, during the infamous Olympics.",1.1672,"\u002Feb5wsTJ7GkPkcEKeWPIGIiIw1Dx.jpg","1973-05-10",6.6,"5392741cc3a368641d000995","Crew","Cinematography",{"adult":4,"backdrop_path":10,"genre_ids":88,"id":91,"title":92,"original_language":24,"original_title":92,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":4,"video":4,"vote_average":97,"vote_count":9,"credit_id":98,"department":99,"job":100,"media_type":30},[21,89,90],18,10402,883741,"Rerum Novarum","Near Luján, the Rerum Novarum music band, composer of former workers of the Flandria cotton plant, continues playing nowadays, in spite of the shutdown of the factory. The old musicians struggle with passion in the need to maintain an identity, in a present where the social values seem to have to disappear. The old workers-musicians, receive \"Our Lady of Luján\" playing \"Oh, María\", remembering the early days of the town, of the factory, and of their own lives. They recall an idealistic past, where a Flandria worker used to receive a salary equal to that of a bank manager. They visit the closed factory -once source for employment for thousands of workers- with the knowledge that the country that they helped to build no longer exists. The old musicians gather to enjoy their friendship in the celebration of the 63rd anniversary of the band, while they fight against the ghosts of the economical crisis and social disintegration.",2.0158,"\u002F9hHVszQtzBSXdAduVKxzgN2BXTl.jpg","2001-11-22",8,"61643d7691745b002bb8326a","Production","Consulting Accountant",{"adult":4,"backdrop_path":102,"genre_ids":103,"id":104,"title":105,"original_language":24,"original_title":105,"overview":106,"popularity":107,"poster_path":10,"release_date":108,"softcore":4,"video":4,"vote_average":71,"vote_count":39,"credit_id":109,"department":85,"job":86,"media_type":30},"\u002Fh8acsfkeW954tAEJQzvlVHmUHyp.jpg",[21],1073497,"Historia, leyenda y mito de una utopía agrarista: Testimonios zapatistas","This film integrates a series of testimonies based on the memory and myth of the last surviving Zapatistas, those peasants who, led by Emiliano Zapata, during the decade from 1910 to 1920, in central Mexico, radicalized the Mexican Revolution by becoming warriors to reconquer their lands and their freedom.",1.1751,"1987-01-01","63c1972de16e5a0092b4345b",{"adult":4,"backdrop_path":10,"genre_ids":111,"id":112,"title":113,"original_language":24,"original_title":113,"overview":114,"popularity":115,"poster_path":116,"release_date":117,"softcore":4,"video":4,"vote_average":118,"vote_count":9,"credit_id":119,"department":13,"job":120,"media_type":30},[21],435584,"Argentina, mayo de 1969. Los caminos de la liberación","A collection of shorts, some documentary and some fictional, showing the political climate in Argentina during the military regime of the late 1960s.",0.9053,"\u002F3CqXAeQfbeC3Ex2f9sCDeRuvIyK.jpg","1969-01-17",9.5,"587e444ac3a3684a65027738","Director",{"adult":4,"backdrop_path":10,"genre_ids":122,"id":123,"title":124,"original_language":24,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":130,"vote_count":131,"credit_id":132,"department":133,"job":134,"media_type":30},[21],226215,"The Pottery Makers","Ceramiqueros de tras la sierra","Raymundo Gleyzer's documentary on o community of Pottery Makers in the west of Cordoba province in Argentina who create pieces to sell to the tourists.",0.9977,"\u002FaFEffaYJ5UUt9Ho3zuEH0vHIHie.jpg","1965-06-07",7.5,6,"65f22d4506f98400c942565f","Lighting","Gaffer",{"adult":4,"backdrop_path":10,"genre_ids":136,"id":123,"title":124,"original_language":24,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":130,"vote_count":131,"credit_id":137,"department":138,"job":139,"media_type":30},[21],"65f22d2e06f9840185452e57","Camera","Director of Photography",{"adult":4,"backdrop_path":10,"genre_ids":141,"id":142,"title":143,"original_language":24,"original_title":143,"overview":25,"popularity":144,"poster_path":10,"release_date":145,"softcore":4,"video":4,"vote_average":97,"vote_count":39,"credit_id":146,"department":13,"job":120,"media_type":30},[],1148204,"Del Viento y del Fuego",0.9334,"1983-01-24","64a51a0a8c44b900ebe8dc04",{"adult":4,"backdrop_path":148,"genre_ids":149,"id":150,"title":151,"original_language":24,"original_title":151,"overview":152,"popularity":153,"poster_path":154,"release_date":155,"softcore":4,"video":4,"vote_average":97,"vote_count":156,"credit_id":157,"department":13,"job":120,"media_type":30},"\u002FkLg4N6eUTJwuk3EsODekzeRMoU4.jpg",[89],545310,"Eloy","The film is about Eloy, a Chilean bandit and companion of Joaquín Murieta, who is wanted by the justice system on the border with Argentina. Although an escape seems impossible, in desperation he flees without a fixed destination.",1.6373,"\u002F6GK1l3ztLvwKCzgWlRh42r7p3lH.jpg","1969-02-13",3,"5b86d1980e0a26111e00f640",{"adult":4,"backdrop_path":10,"genre_ids":159,"id":56,"title":57,"original_language":24,"original_title":57,"overview":58,"popularity":59,"poster_path":60,"release_date":61,"softcore":4,"video":4,"vote_average":50,"vote_count":9,"credit_id":160,"department":99,"job":161,"media_type":30},[21],"5cf0a11c0e0a2670cec9c1fb","Producer",{"adult":4,"backdrop_path":10,"genre_ids":163,"id":56,"title":57,"original_language":24,"original_title":57,"overview":58,"popularity":59,"poster_path":60,"release_date":61,"softcore":4,"video":4,"vote_average":50,"vote_count":9,"credit_id":164,"department":13,"job":120,"media_type":30},[21],"5cf0a0b792514141f2b86207",{"adult":4,"backdrop_path":10,"genre_ids":166,"id":167,"title":168,"original_language":24,"original_title":168,"overview":169,"popularity":170,"poster_path":10,"release_date":171,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":172,"department":52,"job":53,"media_type":30},[21],604341,"Fernando Birri, el utópico andante","Documentary film about Argentinian filmmaker Fernando Birri. An interview: a journey through documentary filmmaking, his childhood, the dawning of New Latin American cinema...",1.2682,"2012-10-04","5ce748f8c3a3682aaf1ddc4f",{"adult":4,"backdrop_path":10,"genre_ids":174,"id":167,"title":168,"original_language":24,"original_title":168,"overview":169,"popularity":170,"poster_path":10,"release_date":171,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":175,"department":99,"job":161,"media_type":30},[21],"5ce749e29251417a3fb83474",{"adult":4,"backdrop_path":10,"genre_ids":177,"id":167,"title":168,"original_language":24,"original_title":168,"overview":169,"popularity":170,"poster_path":10,"release_date":171,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":178,"department":13,"job":120,"media_type":30},[21],"5ce748e29251417a3fb83353",{"adult":4,"backdrop_path":10,"genre_ids":180,"id":181,"title":182,"original_language":24,"original_title":182,"overview":183,"popularity":184,"poster_path":10,"release_date":185,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":186,"department":52,"job":53,"media_type":30},[21],604384,"Jorge Prelorán, el cine de un humanista","Jorge Prelorán was one of the most prolific documentary filmmakers from Argentina. This documentary presents an interview which focuses on his creative work, and on how his ideas about documentaries are key in the uniqueness of his topics and characters.",1.0907,"2007-01-01","5ce7bb300e0a265ac0d0daf2",{"adult":4,"backdrop_path":10,"genre_ids":188,"id":181,"title":182,"original_language":24,"original_title":182,"overview":183,"popularity":184,"poster_path":10,"release_date":185,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":189,"department":99,"job":190,"media_type":30},[21],"5ce7bb44c3a3683bd8242207","Researcher",{"adult":4,"backdrop_path":10,"genre_ids":192,"id":181,"title":182,"original_language":24,"original_title":182,"overview":183,"popularity":184,"poster_path":10,"release_date":185,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":193,"department":13,"job":120,"media_type":30},[21],"5ce7bb1492514159e9baba97",{"adult":4,"backdrop_path":10,"genre_ids":195,"id":65,"title":66,"original_language":24,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":39,"credit_id":196,"department":13,"job":120,"media_type":30},[21],"5d24fa79293835000ffb429f",{"adult":4,"backdrop_path":10,"genre_ids":198,"id":43,"title":44,"original_language":24,"original_title":45,"overview":46,"popularity":47,"poster_path":48,"release_date":49,"softcore":4,"video":4,"vote_average":50,"vote_count":39,"credit_id":199,"department":13,"job":120,"media_type":30},[21],"5d8e60eb221ba6000fb58965",{"adult":4,"backdrop_path":148,"genre_ids":201,"id":150,"title":151,"original_language":24,"original_title":151,"overview":152,"popularity":153,"poster_path":154,"release_date":155,"softcore":4,"video":4,"vote_average":97,"vote_count":156,"credit_id":202,"department":52,"job":203,"media_type":30},[89],"5e0f6afa9f37b00015571488","Screenplay",{"adult":4,"backdrop_path":10,"genre_ids":205,"id":65,"title":66,"original_language":24,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":39,"credit_id":206,"department":99,"job":161,"media_type":30},[21],"6a3632c488331692742713c8",{"profiles":208},[]]