[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1296875:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":695},false,[6],"Luiz Rosemberg","A Brazilian filmmaker, visual artist and essayist who worked extensively in film and video, Luiz Rosemberg Filho (1943 - 2019) is best kown for his features \"O Jardim das Espumas\" (1971), \"A$$untina das Amérikas\" (1976), \"Crônica de um Industrial\" (1978) and \"Guerra do Paraguay\" (2017).\n\nRosemberg began his work with the arts as a painter during his teenage years, having his first contact with cinema during the early 1960s. His first film, \"Balada da Página 3\", is now lost. After releasing \"O Jardim das Espumas\" in the early 1970s, he moved to Paris, where he stayed until 1974 and became a close friend to fellow Brazilian director Glauber Rocha.  By the late 1980s, Rosemberg was already transitioning his medium from film to video, with his works assuming an even more experimental, essayist nature. In the 2000s, he embraced the digital medium.\n\nHe was commonly paired with the Brazilian Cinema Marginal movement, even though he rejected this framing for his work. His films \"O Jardim das Espumas\" and \"Crônica de um Industrial\" were censored by his country's then ruling military dictatorship. After \"O Santo e a Vedete\" (1982), he did'nt release a feature until \"Dois Casamentos\" (2014). Through all of this period (and after it), though, he continued to make short films and produced a number of collages, many of which have film as a subject.\n\nAt December 2017, then aged 74, Rosemberg began publishing a series of Facebook posts containing his memories and thoughts on film, his friends, travels, politics, women, censorship, war, love, sex and the passing of time. He published those texts until February 2019, with a total of 404 posts that were later compiled into selected writings by his longtime colaborator, DoP Renaud Leenhardt.\n\nShortly after releasing \"Os Príncipes\" (2018), Rosemberg was hospitalized and submited to a surgery that would remove an hernia. He passed away in 2019, having finished the editing process of \"Bobo da Corte\" (2019), his last film, just before his death.","1943-08-24","2019-05-19",2,null,1296875,"nm0741872","Directing","Luiz Rosemberg Filho","Rio de Janeiro, Rio de Janeiro, Brazil",0.4322,"\u002F5Fu9G9OJviiSw9RUDmwBbC489pl.jpg",{"cast":20,"crew":114},[21,37,51,63,72,87,93,104],{"adult":4,"backdrop_path":11,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":27,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"character":34,"credit_id":35,"order":23,"media_type":36},[23],18,258518,"A Lost Woman","pt","Perdida","The story of a poor woman living in the backwoods of Brazil and working as a maid. One day she is unfairly fired from the house where she was working and goes to the big city, facing a cruel and hostile world, working in factories, bars and bordellos.",0.5642,"\u002FwzCyOWWXDkVtA3L6kXzWh3bvcCp.jpg","1976-03-19",4.4,7,"Voyeur do bar do posto","64752ca9924ce600bfd3dd02","movie",{"adult":4,"backdrop_path":11,"genre_ids":38,"id":40,"title":41,"original_language":26,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":46,"vote_count":47,"character":48,"credit_id":49,"order":50,"media_type":36},[39],99,846415,"O Espectador que o Cinema Esqueceu","Documentary about Waldemar Iglésias, a man living in Sorocaba, Brazil, who has been to the movies on a daily basis for 58 years. 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As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.",0.7921,"\u002F6X2rNuXg1LTaodsgkwZLe7FJZE.jpg","1976-08-20",6.8,6,"Assessor","5ecca349021cee002089bdd1",9,{"adult":4,"backdrop_path":11,"genre_ids":88,"id":89,"title":90,"original_language":26,"original_title":90,"overview":48,"popularity":91,"poster_path":11,"release_date":48,"softcore":4,"video":4,"vote_average":69,"vote_count":69,"character":48,"credit_id":92,"order":47,"media_type":36},[],830603,"Fragmentos de um Discurso Amoroso",1.0286,"60a25e60b0ba7e0058408012",{"adult":4,"backdrop_path":11,"genre_ids":94,"id":95,"title":96,"original_language":26,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":50,"vote_count":101,"character":102,"credit_id":103,"order":69,"media_type":36},[39],463129,"Rosemberg - Cinema, Colagem e Afetos","The life and work of director Luiz Rosemberg Filho.",0.8578,"\u002FsajdUalvxVmNa84yIQpejfztyZr.jpg","2017-06-23",3,"Selfie","672974b514d4a3997203423d",{"adult":4,"backdrop_path":11,"genre_ids":105,"id":106,"title":107,"original_language":26,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":69,"vote_count":69,"character":48,"credit_id":112,"order":113,"media_type":36},[23],626234,"Notícias do Fim do Mundo","Following Alexander Taylor, a teacher in the slums of Kibuna, this is a reflection about the modern times, mixing social criticism and cinematic experimentation to reflect about the overconsumption of images, fake news and social media.",0.9907,"\u002Fb3ftaVe1oDxOGcwiFVb8puLpcEu.jpg","2019-08-30","6a5560b1df8e1052249c66e3",33,[115,125,138,141,153,164,168,180,185,188,193,203,211,223,231,236,244,254,262,265,268,271,274,284,294,297,305,308,317,327,330,334,345,349,352,355,363,366,375,378,381,389,397,405,413,421,429,437,445,453,461,469,477,484,492,499,508,515,523,530,538,546,556,564,571,578,586,594,601,609,617,624,631,638,646,654,661,670,678,685],{"adult":4,"backdrop_path":11,"genre_ids":116,"id":117,"title":118,"original_language":26,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":4,"video":4,"vote_average":50,"vote_count":47,"credit_id":123,"department":14,"job":124,"media_type":36},[],257149,"Linguagem","Questions about film language.",0.9464,"\u002FzZDikNab4GoCOJTLU8mewHerTDs.jpg","2014-02-01","530e50749251411421002974","Director",{"adult":4,"backdrop_path":11,"genre_ids":126,"id":128,"title":129,"original_language":26,"original_title":130,"overview":131,"popularity":132,"poster_path":11,"release_date":133,"softcore":4,"video":4,"vote_average":134,"vote_count":47,"credit_id":135,"department":136,"job":137,"media_type":36},[127],35,327805,"The Saint and the Star","O Santo e a Vedete","Successful businessman, Paulo Chupadinha send his wife to a convent every year to really enjoy Brazil’s carnival. 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Images that want to awake, to question determinant moments, state of a system's languages, the morality of deaths, the immobility, the silence, among other subjects. Shot at the height of the Brazilian military dictatorship, it is an affront to the most diverse types of repression in that period.",0.8545,"\u002FrcGDcywifKOZQw1of7hA2hEan4u.jpg","1972-01-01",6.3,"547e34f9c3a3685b00006dfa",{"adult":4,"backdrop_path":11,"genre_ids":154,"id":155,"title":156,"original_language":26,"original_title":157,"overview":158,"popularity":159,"poster_path":11,"release_date":160,"softcore":4,"video":4,"vote_average":161,"vote_count":162,"credit_id":163,"department":14,"job":124,"media_type":36},[23],326556,"Chronicle of an Industrial","Crônica de um Industrial","After a life of richness, a conservative industrialist blames himself for abandoning his youth's left values. In existential misery, he keeps looking for a possible personal redemption after a foreign company buys his business. 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Then she finally meets her old millionaire lover. They spend their time to talk about everyday life and make love. Based on the novels of Fernando Henrique Cardoso and Wilhelm Reich.",1.4357,"\u002FxYJeYds5ExjXVwF8nlE5M8XneA5.jpg","1976-01-01",4.9,"54e87631c3a36836ea001c2b",{"adult":4,"backdrop_path":169,"genre_ids":181,"id":171,"title":172,"original_language":26,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":178,"vote_count":33,"credit_id":182,"department":183,"job":184,"media_type":36},[127],"54e8766bc3a36836d6001825","Crew","Cinematography",{"adult":4,"backdrop_path":11,"genre_ids":186,"id":128,"title":129,"original_language":26,"original_title":130,"overview":131,"popularity":132,"poster_path":11,"release_date":133,"softcore":4,"video":4,"vote_average":134,"vote_count":47,"credit_id":187,"department":14,"job":124,"media_type":36},[127],"54f19a6e9251416b3800150c",{"adult":4,"backdrop_path":11,"genre_ids":189,"id":128,"title":129,"original_language":26,"original_title":130,"overview":131,"popularity":132,"poster_path":11,"release_date":133,"softcore":4,"video":4,"vote_average":134,"vote_count":47,"credit_id":190,"department":191,"job":192,"media_type":36},[127],"54f19dd0c3a368323e0014e5","Production","Co-Producer",{"adult":4,"backdrop_path":11,"genre_ids":194,"id":195,"title":196,"original_language":26,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":4,"video":4,"vote_average":201,"vote_count":83,"credit_id":202,"department":14,"job":124,"media_type":36},[23],344109,"Dois Casamentos","Two brides wait in a church room while their marriages don't begin. But they are not anxious, as expected: they do act like ghosts in existential horror. As they wait to be called to the start of their respective ceremonies, they reflect on their relationships and lives.",1.2572,"\u002FqrCR7qaKPX5SXKMV25zIBjXQgjW.jpg","2014-06-10",4.8,"557857aec3a3684370001de6",{"adult":4,"backdrop_path":11,"genre_ids":204,"id":205,"title":206,"original_language":26,"original_title":206,"overview":207,"popularity":208,"poster_path":11,"release_date":209,"softcore":4,"video":4,"vote_average":83,"vote_count":162,"credit_id":210,"department":14,"job":124,"media_type":36},[23],400792,"América do Sexo","Film in four segments: \"Colagem\", \"Balanço\", \"Bandeira Zero\" and \"Sexta-Feira da Paixão, Sábado de Aleluia\", having in common a strongly allegorical and gross protest tone in the approach of its subjects.",0.7543,"1969-01-01","5753581a9251411db0000a10",{"adult":4,"backdrop_path":212,"genre_ids":213,"id":216,"title":217,"original_language":26,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":4,"video":4,"vote_average":33,"vote_count":101,"credit_id":222,"department":14,"job":124,"media_type":36},"\u002FpPtakSoiRJTIAm212HDwoTFD58z.jpg",[23,214,215],36,10752,411490,"Guerra do Paraguay","A soldier coming home after the Paraguay War meets a theater group. 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documentary about the life and work of poet and visual artist Moacy Cirne.",1.679,"\u002FbcqTGE7sJ3dfIxUCSuFDsnWqCdV.jpg","1993-01-01","5cec0a52c3a3685e8723bc42",{"adult":4,"backdrop_path":11,"genre_ids":285,"id":286,"title":287,"original_language":278,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":33,"vote_count":47,"credit_id":293,"department":14,"job":124,"media_type":36},[39],605077,"The Mermaids","As Sereias","A video essay by Luiz Rosemberg Filho on the standardization of beauty through mass 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