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Juarez's dream is to destroy the fishing village to expand his resort, but Gustavo is the biggest opponent and leads the residents against it. 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Based on the Cuban radio serial El Derecho de Nacer (1940), written by Félix B. Caignet, it was adapted by Aziz Bajur, with collaboration from Jayme Camargo and Alcione Carvalho. Directed by Roberto Talma and José Paulo Vallone, the telenovela stars Guilhermina Guinle, João Vitti, Dhu Moraes, Jorge Pontual, Ana Cecília Costa, Luiz Guilherme, Elaine Cristina, and Esther Góes.\n\nSet in Havana at the beginning of the 20th century, the story follows Maria Helena, a young woman who becomes pregnant after being abandoned by her fiancé. Afraid of her powerful father's reaction, she gives birth in secret and entrusts her son to the maid Dolores. Raised away from his family, Alberto grows up to become a doctor, unaware of his true origins. Years later, the revelation of his past brings conflicts, forgiveness, and the chance for reconciliation.",9.6145,"\u002FyCWJaFv3YYCXYAvchfkwQtsf98a.jpg","2001-05-21","Augusta Monteiro","68fc611383d7793e183bf286",116,"2001-04-30",{"adult":4,"backdrop_path":10,"genre_ids":345,"id":346,"origin_country":347,"original_language":25,"original_name":348,"overview":6,"popularity":349,"poster_path":10,"first_air_date":350,"softcore":4,"name":348,"vote_average":72,"vote_count":9,"character":351,"credit_id":352,"episode_count":353,"first_credit_air_date":350,"media_type":156},[146,50],308827,[149],"O Tempo Não Apaga",9.1924,"1972-03-07","Eliza","6948983a53a825795c15539c",180,{"adult":4,"backdrop_path":10,"genre_ids":355,"id":356,"origin_country":357,"original_language":25,"original_name":358,"overview":6,"popularity":359,"poster_path":10,"first_air_date":360,"softcore":4,"name":358,"vote_average":72,"vote_count":9,"character":361,"credit_id":362,"episode_count":363,"first_credit_air_date":360,"media_type":156},[146,50,266],309717,[149],"Venha Ver o Sol na Estrada",3.5497,"1973-04-02","Belinda","6957436c7c1c87496ec38e61",74,{"adult":4,"backdrop_path":10,"genre_ids":365,"id":366,"origin_country":367,"original_language":25,"original_name":368,"overview":369,"popularity":370,"poster_path":10,"first_air_date":371,"softcore":4,"name":372,"vote_average":72,"vote_count":60,"character":373,"credit_id":374,"episode_count":375,"first_credit_air_date":371,"media_type":156},[146,50],313775,[149],"Os Deuses Estão Mortos","In 1889, a conflict arose between the decadent and ruined rural aristocracy following the liberation of slaves and a new class of wealthy individuals, comprised of entrepreneurs emerging from the republican industrial class, interested in free labor.\n\nIn the city of Ouro Negro, in the interior of São Paulo state, the conservative, aristocratic, and monarchist Almeida Santos family, which traditionally dominated the region, began to lose ground to the Lobo Ferraz family, representing the nascent progressive and republican bourgeoisie.",17.0841,"1971-03-08","Dead Gods","Emília","698ea2d6d9c0b9736d8f4ffe",242,{"adult":4,"backdrop_path":10,"genre_ids":377,"id":378,"origin_country":379,"original_language":25,"original_name":380,"overview":6,"popularity":381,"poster_path":382,"first_air_date":383,"softcore":4,"name":380,"vote_average":29,"vote_count":9,"character":384,"credit_id":385,"episode_count":278,"first_credit_air_date":383,"media_type":156},[146,50],230903,[149],"Dez Vidas",22.1673,"\u002F27gBlTjQuiXQvcFA0CH1Bt7ZtM6.jpg","1969-08-04","Deolinda","69a087e931312557eceff234",[],{"profiles":388},[389,394],{"aspect_ratio":390,"height":391,"iso_3166_1":10,"iso_639_1":10,"file_path":17,"vote_average":392,"vote_count":9,"width":393},0.667,600,3.334,400,{"aspect_ratio":395,"height":396,"iso_3166_1":10,"iso_639_1":10,"file_path":397,"vote_average":398,"vote_count":9,"width":391},0.668,898,"\u002F7SdzuVdkI2MMUxqgW2xcCXDXPIG.jpg",0.166]