[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F128046:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":691},false,[],"Born in 1978 in Buenos Aires Argentina. Alejo Moguillansky is a film director, screenwriter and editor, and a tenured professor at the Universidad del Cine. His films have been screened at festivals such as Locarno, Berlinale, Viennale and London, among others. He co-founded the production company El Pampero Cine.","1978-06-14",null,2,"http:\u002F\u002Felpamperocine.com.ar",128046,"nm1445939","Directing","Alejo Moguillansky","Buenos Aires, Argentina",0.5872,"\u002Fe3Rgu4bdkeK4KkbwmcMrRu8Jo3W.jpg",{"cast":19,"crew":187},[20,35,48,63,77,87,98,111,122,137,149,161,175],{"adult":4,"backdrop_path":8,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"character":14,"credit_id":32,"order":33,"media_type":34},[22],99,898749,"Diseño de Sonido para Cine en Argentina","es","Sound Design for Cinema in Argentina, by famous Sound Designers",0.8834,"\u002F7pYJkc4VBYdNGgOFkLFvsQ5qlwW.jpg","2014-11-13",10,1,"6192cb75498bc20042a0d8d2",8,"movie",{"adult":4,"backdrop_path":36,"genre_ids":37,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":9,"character":45,"credit_id":46,"order":47,"media_type":34},"\u002F1RD0rcFt8znfI84LZd4M3IFzCj7.jpg",[],1111493,"Un Andantino","María Villar, Cleo Moguillansky and Alejo Moguillansky tried to read live -perhaps sing- a voiceover narrative in sync with the projection of a deleted scene of The Little Match Girl, between fiction, essay, exhumation, failure, and the time that goes by and is unforgiving.",1.5418,"\u002FlwyaKbkS1qwy0vFewtwAJ6QvZSI.jpg","2023-04-22",4.5,"","6434494fec455200b581377c",3,{"adult":4,"backdrop_path":49,"genre_ids":50,"id":53,"title":54,"original_language":25,"original_title":55,"overview":56,"popularity":57,"poster_path":58,"release_date":59,"softcore":4,"video":4,"vote_average":60,"vote_count":61,"character":14,"credit_id":62,"order":9,"media_type":34},"\u002F354aVSz2gt0z2PlqrvcZLzy043m.jpg",[51,52],35,18,898278,"The Middle Ages","La Edad Media","A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.",1.8554,"\u002F2kc9WCGlklB6HxLyfNom8B2XzH8.jpg","2022-02-12",7.167,6,"61d284148c22c0001c2bb630",{"adult":4,"backdrop_path":64,"genre_ids":65,"id":66,"title":67,"original_language":25,"original_title":67,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":72,"vote_count":73,"character":74,"credit_id":75,"order":76,"media_type":34},"\u002Fj6EjVAUZ5Ki1dGqdvC6Odbq3X2.jpg",[52],128237,"Viola","Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's \"Twelfth Night.\"",0.8286,"\u002FqfpKBX1a5lgAd4HH4BZ5bVRVMlp.jpg","2012-09-09",6.1,17,"Cliente 3","625c50cc68ff70009a48b71c",11,{"adult":4,"backdrop_path":8,"genre_ids":78,"id":79,"title":80,"original_language":25,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":45,"credit_id":86,"order":31,"media_type":34},[],1201105,"Chascomús","At the end of the world, we follow the only two remaining creatures: One covered in grass and one covered in hair.",1.6521,"\u002F525ZlaZa8Qa4GYQLg8i15nthlfx.jpg","2022-08-05",0,"6547abac2866fa00feffc77a",{"adult":4,"backdrop_path":88,"genre_ids":89,"id":90,"title":91,"original_language":25,"original_title":91,"overview":92,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":44,"vote_count":47,"character":45,"credit_id":96,"order":97,"media_type":34},"\u002F9ztPoNFZwMmZ140RQvSUyjQVSQC.jpg",[51],959958,"Clementina","Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.",0.7268,"\u002FbVzHcrQviGPiJGow75yhZ2dDwki.jpg","2022-04-24","62ed44347d5504007e4aa3c2",5,{"adult":4,"backdrop_path":99,"genre_ids":100,"id":101,"title":102,"original_language":25,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":108,"vote_count":61,"character":45,"credit_id":109,"order":110,"media_type":34},"\u002F3HsfC8VDYb8oCetErQCaNebrOZ8.jpg",[51,52],288312,"The Gold Bug","El escarabajo de oro","Feminism, Victoria Benedictsson, Leandro N. Alem, the Radical Party in Argentina, suicide, stunts, Edgar Allan Poe, the complicated relationship between low-budget films with a political aim and the film industry, Robert Louis Stevenson, fiction, facts, greed, gold treasures left by the Jesuits in Argentina, the 19th Century vs. the contemporary and the search for truth and wisdom are the background for this portrait of a clash between a Swedish artist and an Argentine film director.",1.4859,"\u002FdjCH9s2NduebrJCZsofinXcZkwx.jpg","2014-08-15",5.5,"59ba86149251413aec011ebe",13,{"adult":4,"backdrop_path":112,"genre_ids":113,"id":114,"title":115,"original_language":25,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":61,"vote_count":31,"character":45,"credit_id":121,"order":85,"media_type":34},"\u002F4IolPCxcWRKsOIucPDLOKaZDyZ1.jpg",[52,51],597100,"For the Money","Por el dinero","A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.",0.8422,"\u002FkFFjhwHc2zIHmXENrZb2JSZs4TC.jpg","2019-05-21","5ccb0f7e9251410456256583",{"adult":4,"backdrop_path":123,"genre_ids":124,"id":125,"title":126,"original_language":25,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":132,"vote_count":133,"character":134,"credit_id":135,"order":136,"media_type":34},"\u002Fa2Equ3sr2n3uE3IUe5y7u1wswsf.jpg",[52],111188,"Extraordinary Stories","Historias extraordinarias","X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.",1.8481,"\u002Fmj0hS9Ekg09FsM4N5SeDSOc18sJ.jpg","2008-10-04",7.7,51,"Singer's Husband (deleted scenes)","5e9ec253e63571001df8d0aa",91,{"adult":4,"backdrop_path":138,"genre_ids":139,"id":140,"title":141,"original_language":25,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":4,"video":4,"vote_average":146,"vote_count":31,"character":147,"credit_id":148,"order":85,"media_type":34},"\u002Fw79OhiK56hcwvwheWfII82Q5Xbi.jpg",[22],773626,"La noche submarina","In 2000 Alejo Moguillansky, Diego H. 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This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.\u2029",1.2688,"\u002F1SWTcOgBhvX7v1A23ZHMWLx9qvN.jpg","2016-04-16","Himself","6041b32cd71fb4005ac1d884",{"adult":4,"backdrop_path":162,"genre_ids":163,"id":164,"title":165,"original_language":25,"original_title":165,"overview":166,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":170,"vote_count":171,"character":172,"credit_id":173,"order":174,"media_type":34},"\u002FmcwxQCcVRz8JejIytOkysRzRgmv.jpg",[22,51],1045813,"Clorindo Testa","Is this film about Clorindo Testa or not? Is it about the life of the director, about the life of his father, about the life of his country, or is it just one of those biographical films that proliferate at film festivals in which the narrator spends his time recounting family anecdotes and pulling old photos out of a box? This small, microscopic adventure, whose subtitle, stolen from the Savoyard Xavier de Maistre, could well be Voyage autour de mon père, navigates between these threats and others even worse.",0.7083,"\u002FuZdp9Fyt4188yptHi5rDxItGgrH.jpg","2022-11-17",6.5,4,"Él mismo","67906426d8100c6d79dfebc9",12,{"adult":4,"backdrop_path":176,"genre_ids":177,"id":178,"title":179,"original_language":25,"original_title":179,"overview":180,"popularity":181,"poster_path":182,"release_date":183,"softcore":4,"video":4,"vote_average":184,"vote_count":97,"character":45,"credit_id":185,"order":186,"media_type":34},"\u002F8ihR1MO97WDqJ5ulNsuQZcqZKle.jpg",[52],1517070,"Pin de Fartie","Pin de Fartie unfolds as a playful spin on theatrical adaptation and an experiment in character dynamics. The film charts three relationships defined by Samuel Beckett’s 1957 play Fin de Partie (Endgame): one between a blind man and his daughter; another concerning two actors rehearsing that same text; the third following a man who reads his blind mother Beckett’s play and discovers that it reflects their lives.",2.2761,"\u002Fkuss5iByu7DyB435aJBO4D2xaUs.jpg","2025-09-03",5.6,"6880b3e139f21967c5d99cc6",9,[188,201,205,216,221,224,234,246,249,257,268,271,274,285,298,310,313,316,319,322,325,330,339,350,359,369,372,375,380,384,394,397,407,419,422,431,434,437,440,443,452,455,458,462,472,475,478,481,496,508,511,514,517,526,529,540,549,552,555,564,567,578,588,602,612,622,625,628,631,634,645,654,657,660,668,678,681],{"adult":4,"backdrop_path":8,"genre_ids":189,"id":190,"title":191,"original_language":192,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"credit_id":198,"department":199,"job":200,"media_type":34},[22],809394,"Dear Antonioni","en","Querido Antonioni","Garbiñe Ortega, artistic director of Punto de Vista, devised the creation of a collective audiovisual project with the collaboration of the filmmaker Matías Piñeiro in which several filmmakers will make a filmed letter addressed to another filmmaker in the history of cinema that they did not know personally and that he was as far away as possible from his own cinema. Thus was born Las cartas que no fueron también son",1.0401,"\u002Fj16fMaQ40lpYzmQVlXXhXLL8Tl9.jpg","2021-03-01","6059f71570b44400544e5d88","Editing","Editor",{"adult":4,"backdrop_path":8,"genre_ids":202,"id":190,"title":191,"original_language":192,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"credit_id":203,"department":13,"job":204,"media_type":34},[22],"6059f6c4d371970076805791","Director",{"adult":4,"backdrop_path":206,"genre_ids":207,"id":209,"title":210,"original_language":25,"original_title":210,"overview":211,"popularity":212,"poster_path":213,"release_date":214,"softcore":4,"video":4,"vote_average":108,"vote_count":61,"credit_id":215,"department":13,"job":204,"media_type":34},"\u002FmRZdvpxk9P7hQyRvbFLZFcGMYxh.jpg",[52,208],9648,12679,"Castro","Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.",0.7405,"\u002F4mxtdFlEuT9ghsf7zRPS9x5NzPR.jpg","2009-03-01","52fe45129251416c7504ac71",{"adult":4,"backdrop_path":206,"genre_ids":217,"id":209,"title":210,"original_language":25,"original_title":210,"overview":211,"popularity":212,"poster_path":213,"release_date":214,"softcore":4,"video":4,"vote_average":108,"vote_count":61,"credit_id":218,"department":219,"job":220,"media_type":34},[52,208],"52fe45129251416c7504ac77","Writing","Writer",{"adult":4,"backdrop_path":64,"genre_ids":222,"id":66,"title":67,"original_language":25,"original_title":67,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":72,"vote_count":73,"credit_id":223,"department":199,"job":200,"media_type":34},[52],"52fe4b16c3a368484e176fe5",{"adult":4,"backdrop_path":8,"genre_ids":225,"id":226,"title":227,"original_language":25,"original_title":228,"overview":229,"popularity":230,"poster_path":231,"release_date":232,"softcore":4,"video":4,"vote_average":97,"vote_count":171,"credit_id":233,"department":199,"job":200,"media_type":34},[52],476650,"About Buenos Aires","A propósito de Buenos Aires","Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single \"story\": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each \"story\" had to be filled in by the audience.",0.9447,"\u002F9clPJss1NTR3zJsuKvBI3M1ybvR.jpg","2006-03-01","627eb4ebcaa50813cfa6f1a0",{"adult":4,"backdrop_path":235,"genre_ids":236,"id":237,"title":238,"original_language":25,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":4,"video":4,"vote_average":244,"vote_count":146,"credit_id":245,"department":13,"job":204,"media_type":34},"\u002F4taM8U6ixJtgHDxbCNlsLLf8Q4F.jpg",[],230858,"The Parrot and the Swan","El loro y el cisne","Loro, a sound recordist, meets Luciana, a dancer, and falls in love whit her.  When she quits their ballet production and leaves, Loro looks for her in San Francisco, Argentina.",0.9365,"\u002FcWJkFokXPKT9vggF3FFZ22F4IdT.jpg","2013-10-11",6.4,"52fe4de2c3a36847f8272a65",{"adult":4,"backdrop_path":235,"genre_ids":247,"id":237,"title":238,"original_language":25,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":4,"video":4,"vote_average":244,"vote_count":146,"credit_id":248,"department":219,"job":220,"media_type":34},[],"52fe4de2c3a36847f8272a6b",{"adult":4,"backdrop_path":8,"genre_ids":250,"id":251,"title":252,"original_language":25,"original_title":252,"overview":45,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":146,"vote_count":31,"credit_id":256,"department":13,"job":204,"media_type":34},[22],506054,"Aquilea: Nueve pequeños films sobre 'Invasión'",0.8117,"\u002F2UQPaeqcHbTKUQwY9Abw9NzR1bA.jpg","2008-02-18","62ac88695ad76b05157c945b",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":260,"title":261,"original_language":25,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":97,"vote_count":31,"credit_id":266,"department":13,"job":267,"media_type":34},"\u002F8Hj5YUqJsB3UugqJeLKbuFf4d5T.jpg",[51,52],595164,"El récord","Vicente has a hobby of breaking Guinness records. Years after making a record-length pancho, he organized an art and gastronomy residency to seek his second challenge: The largest empanada in the world.",1.7096,"\u002FeaPAUicOakKRFJThvuAWqg9pB2X.jpg","2019-04-09","65073cf3394a8700c5bde696","Script Supervisor",{"adult":4,"backdrop_path":99,"genre_ids":269,"id":101,"title":102,"original_language":25,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":108,"vote_count":61,"credit_id":270,"department":13,"job":204,"media_type":34},[51,52],"53f85554c3a3687358000f9a",{"adult":4,"backdrop_path":99,"genre_ids":272,"id":101,"title":102,"original_language":25,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":108,"vote_count":61,"credit_id":273,"department":219,"job":220,"media_type":34},[51,52],"53f8558dc3a3687358000fa1",{"adult":4,"backdrop_path":275,"genre_ids":276,"id":277,"title":278,"original_language":25,"original_title":279,"overview":280,"popularity":281,"poster_path":282,"release_date":283,"softcore":4,"video":4,"vote_average":44,"vote_count":61,"credit_id":284,"department":199,"job":200,"media_type":34},"\u002F28JdebVgu1W5krNeT5jFJAFtlCu.jpg",[52],295564,"Abduction and death","Secuestro y muerte","Argentina, the 70’s. One morning, several armed young men, dressed in military uniform, kidnap a Senior Army General and hide him in a modest cottage. There, without the hostage’s awareness of either the reason for his imprisonment or the people who planned it, the young kidnappers subject him to summary trial. In subsequent days, the military man will respond to an interrogation as severe as precise, that will lay bare the tense contradiction between two political and moral ideologies so incompatible that destruction surely awaits one of the opposite fields. 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Within its walls, there are resonances, portraits of illustrious or unknown people, books, souvenirs, furniture from different periods and styles. At the heart of this secret order is a woman who has been portrayed throughout her life by painters of the Belle Epoque, by neoclassical sculptors, by avant-garde photographers. To reconstruct the history of these women, each of the visitors will create a fable, in which the essential names of the 20th-century culture are intertwined. Among the visitor to Victoria Ocampo's mansion we can mention the architect  Le Corbusier, the composer Igor Stravinsky, the writers Graham Greene, Aldous Huxley, Waldo Frank, Albert Camus... 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But nothing seems to be too strange for Commissioner Sirota and her particular method which, this time, includes a clairvoyant, a legendary detective arriving from Santa Rosa and some picturesque “peritas” who choose to work at night, swinging to the rhythm of Ska. 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