[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1277098:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":9,"birthday":10,"deathday":11,"gender":12,"homepage":11,"id":13,"imdb_id":14,"known_for_department":15,"name":8,"place_of_birth":16,"popularity":17,"profile_path":11,"combined_credits":18,"images":439},false,[6,7,8],"Serge Abramovici","Saguenail Abramovici","Saguenail","Saguenail - Serge Abramovici (born May 7, 1955) After graduated with a degree in Modern Languages and Literature, he came to Portugal in 1975 to see the Revolution from the inside. Here he met Regina Guimarães, who would become his companion and accomplice, both in art and in life. He returned to Paris where he worked as a primary school teacher until he settled in Porto for good in 1980. With Regina Guimarães, he founded the production company Hélastre (which, however, would only come into legal existence in 1996). Here he began his cinematographic work in 1980. In 1984, he was part of the team that launched the film magazine 'A Grande Ilusão' (published by the Cineclube do Norte), where he developed a critical activity.","1955-05-07",null,2,1277098,"nm0756253","Directing","Paris, France",0.4501,{"cast":19,"crew":73},[20,38,54,64],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":27,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"character":34,"credit_id":35,"order":36,"media_type":37},"\u002FkKxxTOISruhRoWtoSsVqAGLZp1r.jpg",[23],18,125318,"River of Gold","pt","O Rio do Ouro","Carolina, an aging local grande dame who works at a crossing point on the titular river, marries another late-in-life character, the dredging-boat operator Antonio. Not long after their union, she becomes intensely jealous of Antonio's fondness for their winsome goddaughter, Joana, and insinuates herself into a relationship brewing between Joana and a mystical gypsy gold salesman. Soon, tempers are flaring, mystical secrets are being revealed and death is hovering over the central characters.",1.6597,"\u002F2S1tPvlZf6HnOACemXO9nyRFsm8.jpg","1999-02-19",7.1,8,"Photographer","52fe4ac2c3a368484e165707",6,"movie",{"adult":4,"backdrop_path":11,"genre_ids":39,"id":41,"title":42,"original_language":43,"original_title":44,"overview":45,"popularity":46,"poster_path":47,"release_date":48,"softcore":4,"video":4,"vote_average":49,"vote_count":50,"character":51,"credit_id":52,"order":53,"media_type":37},[40],99,324083,"Life Lesson","fr","Leçon de vie","To attain knowledge, man and woman had to be willing to give up their innocence,\" says Boris Lehman. Life Lesson is a poetic and philosophic reflection on the theme of paradise lost. Some fifty persons illustrate the planet's convulsions and the world's vacillations. Trying to communicate, to commune with the invisible, they cry out, sing out, give out messages, each in their own way, in their own state of solitude. These are like multiple echoes that resemble waves in the water or stars in the sky. \" Behind these images and sounds that have been stifled by today's society, Lehman hunts for noises, cries, songs, messages that go astray. He says that if we look at the invisible we may hear the words. He invites us to look beyond the appearances of social life and to vibrate in tune with life's polyphony that is all around us.\"",1.0078,"\u002Fj5PdMj0PccymmqFip3GQf9GIA7l.jpg","1995-04-11",7,4,"","5efa25a9be7f350034a0be97",35,{"adult":4,"backdrop_path":11,"genre_ids":55,"id":56,"title":57,"original_language":43,"original_title":57,"overview":58,"popularity":59,"poster_path":11,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"character":51,"credit_id":62,"order":63,"media_type":37},[],1644624,"La Panne des Sens - Cahier d'un retour à la Martinique","Shot in Martinique, with the evocation of several texts, namely by Aimé Césaire.",0.7275,"2014-01-01",0,"69a45a09eb1822823d187c7c",1,{"adult":4,"backdrop_path":11,"genre_ids":65,"id":66,"title":67,"original_language":26,"original_title":67,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"character":51,"credit_id":72,"order":12,"media_type":37},[],1737045,"Massa Mãe","Maria and Matías feel life is slipping through their fingers, and turn to birds, real and imagined, in a search for meaning and connection.",2.1535,"\u002Fto9C5L79QT1xD9AbJgIPBg3o7yY.jpg","2026-07-20","6a6337e42720bdee61f8b846",[74,86,95,100,105,111,120,127,133,141,147,150,153,160,169,179,187,195,198,207,216,224,232,242,250,256,259,269,277,286,289,292,302,305,312,315,322,325,333,336,339,346,353,356,360,370,373,383,386,393,400,409,418,423,426,429,432],{"adult":4,"backdrop_path":11,"genre_ids":75,"id":76,"title":77,"original_language":26,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":63,"credit_id":83,"department":84,"job":85,"media_type":37},[40],636273,"Amour en latin","In an enclosed space of a café for an entire night, a set of characters try to verbalize their thirst for love and their fear that love will overwhelm them.",0.5707,"\u002FvmA6saDLMfqeeu9nbbl5LvEEooV.jpg","1989-02-20",10,"6076cbe02a09bc006e4bd1a5","Writing","Screenplay",{"adult":4,"backdrop_path":11,"genre_ids":87,"id":88,"title":89,"original_language":26,"original_title":89,"overview":90,"popularity":91,"poster_path":11,"release_date":92,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":93,"department":15,"job":94,"media_type":37},[],818472,"Cineclube","Discussing cinema during a pandemic – a revisit to an online film club, after thirty post-viewing discussion sessions that took place during the first lockdown.",2.1383,"2021-01-14","60776d0b7776f00029845d99","Director",{"adult":4,"backdrop_path":11,"genre_ids":96,"id":88,"title":89,"original_language":26,"original_title":89,"overview":90,"popularity":91,"poster_path":11,"release_date":92,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":97,"department":98,"job":99,"media_type":37},[],"60776c5a13a38800290e8075","Lighting","Lighting Design",{"adult":4,"backdrop_path":11,"genre_ids":101,"id":88,"title":89,"original_language":26,"original_title":89,"overview":90,"popularity":91,"poster_path":11,"release_date":92,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":102,"department":103,"job":104,"media_type":37},[],"60776ae74d0e8d005a368aa2","Editing","Editor",{"adult":4,"backdrop_path":11,"genre_ids":106,"id":107,"title":108,"original_language":26,"original_title":108,"overview":51,"popularity":109,"poster_path":11,"release_date":51,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":110,"department":15,"job":94,"media_type":37},[],915165,"DISTINTAMENTE (arte e manha)",0.6844,"61b6766658efd3006391a47a",{"adult":4,"backdrop_path":11,"genre_ids":112,"id":113,"title":114,"original_language":43,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":33,"vote_count":63,"credit_id":119,"department":15,"job":94,"media_type":37},[],437332,"Mourir un peu","America is a legend, an idea. To rediscover the traces of such an idea within the reality of a city requires a transformation of this very city into ideas and legends, to the point that life and death, the real and the imaginary, past and future, that which can be communicated, and that which cannot,high and low are open to a contradictory understanding. 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Between the moment I was given my first (and modest) camera and the summer of 2016, there are grandchildren learning to swim and shoals of shipwrecked people in the Mediterranean…” – R.G.",0.5408,"63e027c5373ac200b560d31e",{"adult":4,"backdrop_path":11,"genre_ids":161,"id":162,"title":163,"original_language":26,"original_title":163,"overview":164,"popularity":165,"poster_path":166,"release_date":167,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":168,"department":15,"job":94,"media_type":37},[],1258489,"Antónia","Antónia didn't play with dolls, nor did she learn to read and write at the age when children go to school and don't usually sell their labor power. She experienced the harsh social inequalities of Salazarism. Used to toiling from sun up to sun down, work is still her \"sport\" today. She regrets that those who miss the dictatorship are not forced to experience in the flesh what fascism was like... She tells us all this while her hands prepare the dough for the Easter cakes, scented with aniseed, with the zeal of a master.",0.6119,"\u002FdeJl02JzMBKYraPRhwAWq2QXoDS.jpg","2007-01-01","65f1a0fc99259c01865e609c",{"adult":4,"backdrop_path":11,"genre_ids":170,"id":171,"title":172,"original_language":173,"original_title":172,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":178,"department":15,"job":94,"media_type":37},[],444962,"Decrescente","en","We're at war. Every day, bombs explode. Everywhere. The terrorist attack is unstoppable. The enemy is invisible. And yet as weapons they are alike. There are common interests. And the common denominator is financial. The alliance game is constantly traded and modified on the world chessboard. The shares do not follow the course of the shares on the Stock Exchange. There are victims but the damages are all collateral. It is necessary to reconstruct a geography as a History is rewritten. And I think every window is a mirror, every image a reflection.  Eight symbolic characters that represent metaphorically some of the forces that dominate the contemporary world: USA, Russia, Europe, Third World; Major sectors: Armament, Energy Resources, Finance, Bureaucracy; Ideological Oppositions: Traditionalist Past, Youth Revolted, Cynical Opportunism, Conformist Disenchantment - playing a game of verbal chess for a moment may decide the near future.",0.5919,"\u002Ftu7AlLIhnCI2BUdv3AvvmwihJG8.jpg","2016-01-01","58ba4376c3a368668f012be7",{"adult":4,"backdrop_path":11,"genre_ids":180,"id":181,"title":182,"original_language":26,"original_title":182,"overview":183,"popularity":184,"poster_path":11,"release_date":185,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":186,"department":15,"job":94,"media_type":37},[],1298735,"Trabalhos de Canto","It introduces a women's singing group from Alentejo, their testimonies about the periods of the dictatorship and the April revolution, and their experiences working in the fields before and during the agrarian reform. With the presence of the authors and the Viana do Alentejo Women's Choral Group.",0.4383,"2022-01-01","665b62e28c78c4f6a1593579",{"adult":4,"backdrop_path":11,"genre_ids":188,"id":189,"title":190,"original_language":26,"original_title":190,"overview":191,"popularity":192,"poster_path":11,"release_date":193,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":194,"department":103,"job":104,"media_type":37},[23],508070,"Acentuado Arrefecimento Nocturno","The original family is expelled from Eden and forced to face the hardships of existence. However, each of its members sees the world differently. Tensions, jealousy, and feelings of guilt lead Adam, Eve, and Cain to gang up against Abel, forcing him to make the first sacrifice.",0.7726,"2013-01-01","5a95fc21c3a3685a33000cf1",{"adult":4,"backdrop_path":11,"genre_ids":196,"id":189,"title":190,"original_language":26,"original_title":190,"overview":191,"popularity":192,"poster_path":11,"release_date":193,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":197,"department":15,"job":94,"media_type":37},[23],"5a95fc7a9251417b09000bbd",{"adult":4,"backdrop_path":11,"genre_ids":199,"id":200,"title":201,"original_language":43,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":206,"department":15,"job":94,"media_type":37},[],1300662,"Revolver ou Cheveux Blancs","A film by Saguenail",0.6751,"\u002FvF0PRYeHJbsSxCXVTrCW0FB6mIG.jpg","1973-01-01","6660f410752ed5b0ea7d97c1",{"adult":4,"backdrop_path":11,"genre_ids":208,"id":209,"title":210,"original_language":26,"original_title":210,"overview":211,"popularity":212,"poster_path":213,"release_date":214,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":215,"department":15,"job":94,"media_type":37},[40],269979,"Dentro","Porto 2001 project, made in the prison of Paços de Ferreira. Nuno Cardoso, the play director, develops this work with the prisoners during the time period of one year.  Documentation of the process: conversations with the prisoners in the context of the process of artistic creation and the theater project. Interviews and testimonials with various people who cross their experiences, their view of life and their life behind bars, with the development of the play.",1.1653,"\u002Fs1sM9w4EkkkivByvWxjPmg7aOgp.jpg","2001-01-01","5bee5480c3a36818bb011042",{"adult":4,"backdrop_path":11,"genre_ids":217,"id":218,"title":219,"original_language":43,"original_title":219,"overview":220,"popularity":221,"poster_path":11,"release_date":222,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":223,"department":15,"job":94,"media_type":37},[],562178,"Autrefois","AUTREFOIS illustrates, disillustrates and counter-illustrates a monologue by Charles Crosby - narrated by Gilles Mayoux with a jazz background of Bertrand Bishop and Claude Santelli - in which all modes of existence are identified with the harms of progress.",0.5025,"1969-01-01","5bee55fdc3a368189f010083",{"adult":4,"backdrop_path":11,"genre_ids":225,"id":226,"title":227,"original_language":26,"original_title":227,"overview":228,"popularity":229,"poster_path":11,"release_date":230,"softcore":4,"video":4,"vote_average":33,"vote_count":63,"credit_id":231,"department":15,"job":94,"media_type":37},[23],270917,"Mudas Mudanças","A paralyzed man travels across the city of Porto, finding characters and scenes from popular tales along the way.",0.5672,"1980-09-09","5bee5497c3a368189f00ff0b",{"adult":4,"backdrop_path":11,"genre_ids":233,"id":234,"title":235,"original_language":26,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":240,"department":84,"job":241,"media_type":37},[40],607743,"A Menina Dos Olhos","A documentary view of the practices of popular culture in the most jubilant of the local pagan festivities.",0.6212,"\u002FvVMONBaUQZd5Sj4PVRyZ895decA.jpg","2012-01-01","5cfd46cb0e0a267617d64281","Writer",{"adult":4,"backdrop_path":11,"genre_ids":243,"id":244,"title":245,"original_language":26,"original_title":245,"overview":246,"popularity":247,"poster_path":11,"release_date":248,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":249,"department":15,"job":94,"media_type":37},[],607744,"A Bagagem","On leaving university, what do students do with their acquired baggage? Is it for them to find a job that meets their expectations? And how do they see the university once the study cycle they have completed there?",0.4887,"2006-01-01","5cfd474ec3a36804ae1dfc89",{"adult":4,"backdrop_path":11,"genre_ids":251,"id":252,"title":253,"original_language":26,"original_title":253,"overview":51,"popularity":17,"poster_path":11,"release_date":254,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":255,"department":15,"job":94,"media_type":37},[],608300,"Europa Parte Nenhuma","1997-01-01","5d00871a92514162bcbb7ff5",{"adult":4,"backdrop_path":11,"genre_ids":257,"id":76,"title":77,"original_language":26,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":63,"credit_id":258,"department":15,"job":94,"media_type":37},[40],"5d959e2fea4263001a94990f",{"adult":4,"backdrop_path":11,"genre_ids":260,"id":261,"title":262,"original_language":26,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":268,"department":15,"job":94,"media_type":37},[40],636642,"History with no capital letter","L’histoire sans majuscule","Portrait of a time and a country through the plotless story of an unassuming couple, questioning seeming antagonisms that conceal mysterious kinships, and highlighting an intrinsic contradiction of cinema: while fabricating images, film language creates objects that are deeply different from the original models",0.8895,"\u002FtTLRzAaPfRNxcOp8IQQhDaMfoQL.jpg","2019-10-20","5d9789e6a0be280011f587f3",{"adult":4,"backdrop_path":11,"genre_ids":270,"id":271,"title":272,"original_language":26,"original_title":272,"overview":273,"popularity":274,"poster_path":11,"release_date":275,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":276,"department":15,"job":94,"media_type":37},[40],634166,"Terra de Cegos","What characterizes the spaces, differentiating the fields of the cities, the suburbs of the centers is, in large part, the speed of their modification. The circulation experience will have allowed us to compare the looks of foreign artists with the looks of local children, to measure resistance and change capacities.",0.5015,"2005-01-01","5d8b9621d9f4a6000e51bf07",{"adult":4,"backdrop_path":11,"genre_ids":278,"id":279,"title":280,"original_language":26,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":285,"department":84,"job":241,"media_type":37},[23],634167,"A Imitação","An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?",0.9167,"\u002FnHJt56Vdbqqsl8O6bzPo0nRfetP.jpg","2003-01-01","5d8b968eabf8e20021781fbf",{"adult":4,"backdrop_path":11,"genre_ids":287,"id":279,"title":280,"original_language":26,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":288,"department":15,"job":94,"media_type":37},[23],"5d8b96876c1e04000faea7c2",{"adult":4,"backdrop_path":11,"genre_ids":290,"id":279,"title":280,"original_language":26,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":291,"department":103,"job":104,"media_type":37},[23],"5dc427596f8d950013c055e0",{"adult":4,"backdrop_path":11,"genre_ids":293,"id":295,"title":296,"original_language":26,"original_title":296,"overview":297,"popularity":298,"poster_path":299,"release_date":300,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":301,"department":15,"job":94,"media_type":37},[294],14,647247,"Má Sina","In an empty theatre, a woman is watching an American film - \"Ma's Sin\" - which tells the weird revenge story of a middle-aged wife, driven mad by jealousy and a deep feer of dying. 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