[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F12386:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":10,"birthday":11,"deathday":12,"gender":13,"homepage":14,"id":15,"imdb_id":16,"known_for_department":17,"name":18,"place_of_birth":19,"popularity":20,"profile_path":21,"combined_credits":22,"images":1022},false,[6,7,8,9],"Нелсон Перейра дус Сантус","Нельсон Перейра дос Сантос","Нельсон Перейра дус Сантус","Нельсон Перейра душ Сантуш","Nelson Pereira dos Santos ComRB • OMC (São Paulo, October 22, 1928 — Rio de Janeiro, April 21, 2018) was a Brazilian film director, producer and screenwriter. Having been one of the founders of the Cinema Novo movement, his production spans a period of 60 years in the history of Brazil.\n\nConsidered one of the most important filmmakers in the country, he was strongly influenced by the works of the 1930s generation of Brazilian literary modernism, having adapted works by Graciliano Ramos and Jorge Amado for cinema. His film Vidas Secas, based on Graciliano's novel, is one of the most awarded Brazilian films of all time, being recognized as a masterpiece. In 2006, he was elected Immortal by the Brazilian Academy of Letters, a position he held until his death in 2018.","1928-10-22","2018-04-12",2,null,12386,"nm0673051","Directing","Nelson Pereira dos Santos","São Paulo, Brazil",0.7179,"\u002FaSmM21qsqWz8YNrmKBtkq80ST7h.jpg",{"cast":23,"crew":432},[24,41,52,65,75,89,99,112,126,141,151,163,174,184,195,204,212,224,231,239,248,257,269,283,291,303,314,322,331,340,350,360,372,381,393,402,412,424],{"adult":4,"backdrop_path":25,"genre_ids":26,"id":28,"title":29,"original_language":30,"original_title":31,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":37,"credit_id":38,"order":39,"media_type":40},"\u002F60rM4NjbXevCZ8wjqSV8zEyCbr4.jpg",[27],99,808624,"The Good Cinema","pt","O Bom Cinema","An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.",1.1364,"\u002FrKKZwBgmEO10efhYg4za3vzRRwo.jpg","2021-03-18",0,"Self","61630f4f33ec260091a1fcf1",8,"movie",{"adult":4,"backdrop_path":14,"genre_ids":42,"id":43,"title":44,"original_language":30,"original_title":44,"overview":45,"popularity":46,"poster_path":47,"release_date":48,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":49,"credit_id":50,"order":51,"media_type":40},[27],830130,"O Brasil de Darcy Ribeiro","Documentary on the view, testimonies and times of Darcy Ribeiro, since military dictatorship.",1.0135,"\u002FkcNOFxR2HsC8XDOrFCEyg9otlPh.jpg","2014-04-02","","6179a8a69ee0ef00612c2762",5,{"adult":4,"backdrop_path":53,"genre_ids":54,"id":57,"title":58,"original_language":30,"original_title":58,"overview":59,"popularity":60,"poster_path":61,"release_date":62,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":37,"credit_id":63,"order":64,"media_type":40},"\u002Fcr9TwoY0r24NfEq846TC6OYqSEq.jpg",[55,56,27],18,36,738751,"Sambando nas Brasas, Morô?","The adventures of Pedro, a musician who is trying his luck in Rio de Janeiro, in the 1950's. He leaves his hometown Belo Horizonte to share a lodging with his brother Carlos in Rio. During one of his gigs, he meets Arlete, a singer in a vocal group and fall in love.",1.1985,"\u002F134SuaCWod5TybXroDAucAhBnlp.jpg","2007-09-04","645a470b156cc7015e77b522",15,{"adult":4,"backdrop_path":14,"genre_ids":66,"id":67,"title":68,"original_language":30,"original_title":69,"overview":70,"popularity":71,"poster_path":72,"release_date":73,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":49,"credit_id":74,"order":51,"media_type":40},[27],946178,"Brazil in Cannes","Brasil em Cannes","The importance of the Cannes Film Festival in world terms and what it represented for Brazil in 1971. For Brazilian cinema, Cannes 71 represented the transition from film to industrialized production. It is the meeting of producers, technicians, critics , celebrities in general, offering opportunities for greater knowledge and renewal of values",0.838,"\u002FmnPVZLpn66zweLqprQXYRq8kD6L.jpg","1971-12-24","6223cf3bbfeb8b001b824329",{"adult":4,"backdrop_path":76,"genre_ids":77,"id":78,"title":79,"original_language":30,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"character":37,"credit_id":87,"order":88,"media_type":40},"\u002FqfwJs2OKd92ZsObT3fyw0uMP3qV.jpg",[27],317994,"Glauber Rocha - The Movie, Brazil's Labyrinth","Glauber o Filme, Labirinto do Brasil","Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.",1.6706,"\u002F5LkFgRPoXJmdgeXuRIWAya6C0bO.jpg","2003-09-17",6.3,9,"54b66fca9251412e670019ea",23,{"adult":4,"backdrop_path":14,"genre_ids":90,"id":92,"title":93,"original_language":30,"original_title":93,"overview":49,"popularity":94,"poster_path":95,"release_date":96,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":37,"credit_id":97,"order":98,"media_type":40},[91,27],10770,324346,"Que Viva Glauber!",0.8026,"\u002FtddSlHDgbUyqy9EDUo2q9Yw9mdo.jpg","1991-01-01","54d6c2d9c3a368439a00376b",7,{"adult":4,"backdrop_path":100,"genre_ids":101,"id":102,"title":103,"original_language":30,"original_title":104,"overview":105,"popularity":106,"poster_path":107,"release_date":108,"softcore":4,"video":4,"vote_average":109,"vote_count":110,"character":37,"credit_id":111,"order":13,"media_type":40},"\u002FjSAQvkdjK1q0iqE9hR9jndEf5xE.jpg",[27],321143,"Improvised and Purposeful: Cinema Novo","Improvisiert und zielbewusst: Cinema Novo","Originally produced for German TV, Improvised and Purposeful is a firsthand look at the \"Cinema Novo\" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.",1.3944,"\u002FeDxiyihAG7yv5sSzXCNe18HaNBN.jpg","1967-04-16",7.5,10,"54ee5cab9251417968004b25",{"adult":4,"backdrop_path":14,"genre_ids":113,"id":114,"title":115,"original_language":30,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":121,"vote_count":122,"character":123,"credit_id":124,"order":125,"media_type":40},[27],304060,"How to Die in Cinema","Como se Morre no Cinema","Memories of a parrot who participated in the filming of the classic Vidas Secas, in 1962, where it was featured along the puppy Baleia.",0.9659,"\u002FraXb2bmR7nQJwT6A7VFTFy9Fj4c.jpg","2002-03-07",6.2,6,"Himself","552b5c0b9251410876005084",1,{"adult":4,"backdrop_path":127,"genre_ids":128,"id":131,"title":132,"original_language":30,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":138,"vote_count":51,"character":139,"credit_id":140,"order":36,"media_type":40},"\u002Fn2dYnjpNM5IxT73Au8NxZC2v8ee.jpg",[129,130,55],37,10749,249425,"Red Mandacaru","Mandacaru Vermelho","Despite being promised to another man, a young orphaned woman falls in love with man working at the farm she lives in , and together they escape. According tradition in Northeast Brazil, her aunt goes after them, in order to kill them for revenge.",1.0935,"\u002FhRyo6HpGbVbNDEgL4px91UWV3zL.jpg","1961-11-27",6.7,"Augusto","5560af779251417e4f005f44",{"adult":4,"backdrop_path":14,"genre_ids":142,"id":143,"title":144,"original_language":30,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":37,"credit_id":149,"order":150,"media_type":40},[27],341430,"Tudo Por Amor ao Cinema","A documentary on Cosme Alves Netto (1937-1996), former head of the Cinematheque of the Museum of Modern Arts at Rio de Janeiro.",1.1862,"\u002FiuQGTlPO0yUF7O2OxwpU38cI1l2.jpg","2015-06-30","5560a1b8c3a3683d1300499f",3,{"adult":4,"backdrop_path":152,"genre_ids":153,"id":154,"title":155,"original_language":30,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":109,"vote_count":39,"character":37,"credit_id":161,"order":162,"media_type":40},"\u002F9PI2pisSVmG1eweWoMeXDajJNyf.jpg",[27],260994,"At the Edge of the Earth","Onde a Terra Acaba","On 17 May 1931, the young director Mário Peixoto released his masterpiece \"Limite\" in a premiere in Capitólio Theater in Rio de Janeiro to astonished audiences bewildered by the impressive and poetic images. Considered by many viewers the best Brazilian movie ever made, this feature has never been released commercially. However, in a great paradox, Mário Peixoto has never made any other movie. The director Sérgio Machado pays a great tribute to the life and work Mário Peixoto a.k.a. Maçarico by his close friends with this documentary, using his diary; footages of \"Limite\", the never concluded \"Onde a Terra Acaba\" (1933) and the short \"O Homem do Morcego\" (1980); and interesting testimonies of Olga Breno, Ruy Solberg, Nelson Pereira dos Santos and Walter Salles among others.",1.2889,"\u002Fmi6aPu0zTyu9BcP4lbalUmbMdFN.jpg","2002-07-07","55afe9879251411e1800c4ce",4,{"adult":4,"backdrop_path":164,"genre_ids":165,"id":166,"title":167,"original_language":30,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":172,"credit_id":173,"order":88,"media_type":40},"\u002F8OCVat0CQ6ZHIaTliaPbOe2DuDX.jpg",[27],591023,"Memórias do Grupo Opinião","Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.",1.4684,"\u002Fa9BDFRhBNkgz3FYGEVrDaFx6PZG.jpg","2019-05-15","Self (archive footage)","660d9dc3e039f10162e5ed69",{"adult":4,"backdrop_path":175,"genre_ids":176,"id":177,"title":178,"original_language":30,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":39,"vote_count":13,"character":37,"credit_id":183,"order":55,"media_type":40},"\u002Fu7J6efT1bVWlFFnXlrhzEa838om.jpg",[27],773565,"Já que Ninguém me Tira Para Dançar","Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.",1.7715,"\u002Fk2Rg1kS0igA2RmHGxIp764ArsfX.jpg","2021-10-28","6621e633e4b5760164bc50c8",{"adult":4,"backdrop_path":185,"genre_ids":186,"id":187,"title":188,"original_language":30,"original_title":189,"overview":190,"popularity":191,"poster_path":192,"release_date":193,"softcore":4,"video":4,"vote_average":98,"vote_count":125,"character":172,"credit_id":194,"order":36,"media_type":40},"\u002FeJll6rsaSTcoXpltTPSsnVruvKh.jpg",[27],1122956,"Nelson Pereira dos Santos – A Life of Cinema","Nelson Pereira dos Santos – Vida de Cinema","For six decades, the cinema of Nelson Pereira dos Santos has projected Brazil into the eyes of the world. Precursor of Cinema Novo, Nelson was, more than a director, he was an ideologue, a thinker of his country.",1.5003,"\u002F7Quur3Dw5iPMhN4BrP7UtUtgyT4.jpg","2023-05-17","664b8ab8f60ffeeef292d996",{"adult":4,"backdrop_path":14,"genre_ids":196,"id":197,"title":198,"original_language":30,"original_title":198,"overview":49,"popularity":199,"poster_path":200,"release_date":201,"softcore":4,"video":4,"vote_average":39,"vote_count":125,"character":37,"credit_id":202,"order":203,"media_type":40},[27],361906,"Cordilheiras no Mar: A Fúria do Fogo Bárbaro",0.9384,"\u002FeftwD8GMIJKsrsf8mnf2hh2odeU.jpg","2015-10-05","56f0b1cfc3a368717700184a",11,{"adult":4,"backdrop_path":14,"genre_ids":205,"id":206,"title":207,"original_language":30,"original_title":207,"overview":49,"popularity":208,"poster_path":209,"release_date":210,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":172,"credit_id":211,"order":162,"media_type":40},[27],381517,"Glauber Rocha em Defesa do Cinema Brasileiro",0.862,"\u002FtlNHKm3aMgawP50d1xtvnUGemop.jpg","2011-08-22","56fbd3c0c3a36808c200297c",{"adult":4,"backdrop_path":213,"genre_ids":214,"id":215,"title":216,"original_language":30,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":138,"vote_count":221,"character":222,"credit_id":223,"order":36,"media_type":40},"\u002F3fFn9Uc3H0wnhg4nt99pevH94vE.jpg",[27,56],398488,"Cinema Novo","A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.",0.7693,"\u002FtKPqAg486tpjt0FlPoDRDzo85Tn.jpg","2016-05-16",25,"Self - Filmmaker (archive footage)","573fc04792514177fa000147",{"adult":4,"backdrop_path":14,"genre_ids":225,"id":226,"title":227,"original_language":30,"original_title":227,"overview":49,"popularity":228,"poster_path":14,"release_date":229,"softcore":4,"video":4,"vote_average":39,"vote_count":125,"character":49,"credit_id":230,"order":125,"media_type":40},[27],405836,"Sinais de Cinza, A Peleja de Olney Contra o Dragão da Maldade",1.0353,"2013-01-22","5782ed2c92514173a4000647",{"adult":4,"backdrop_path":14,"genre_ids":232,"id":233,"title":234,"original_language":30,"original_title":234,"overview":49,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":37,"credit_id":238,"order":13,"media_type":40},[27],411756,"Alex Viany - Um Documentário em Vídeo",1.0197,"\u002F55UhTa5r7tzCYapJK7zVFDzdcZX.jpg","1989-01-02","57b4bf90c3a3684b76001774",{"adult":4,"backdrop_path":14,"genre_ids":240,"id":241,"title":242,"original_language":30,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":39,"vote_count":125,"character":37,"credit_id":247,"order":86,"media_type":40},[27],422968,"Dib","Documentary that addresses, through the testimony of directors and actors, the work of Dib Lutfi, considered one of the greatest photographers of Brazilian cinema.",0.8245,"\u002F9FnG8gwWzjmTx96I7rpNc67O293.jpg","1997-01-02","58117f6ac3a3687b1800efb8",{"adult":4,"backdrop_path":14,"genre_ids":249,"id":250,"title":251,"original_language":30,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":49,"credit_id":256,"order":125,"media_type":40},[27],426425,"Nelson Filma","The work of Nelson Pereira dos Santos guides the documentary, which traces the path taken by Cinema Novo and addresses the issues raised by the filmmaker during the filming of Brazilian Cinema classics.",0.6714,"\u002FglQ74qSw66uEp5LNP5qtRdmCYWE.jpg","1971-01-01","582dc787c3a368773900858f",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":260,"title":261,"original_language":30,"original_title":262,"overview":263,"popularity":264,"poster_path":265,"release_date":266,"softcore":4,"video":4,"vote_average":267,"vote_count":203,"character":49,"credit_id":268,"order":98,"media_type":40},"\u002F2dT6bQSTPBG4iXhGgQhbdoeQdwD.jpg",[55],244607,"Garden of War","Jardim de Guerra","Edson is having an affair with actress Maria do Rosário, who dreams of being a movie director. So he tries to get some easy money for her film, but is arrested and meets a police torturer instead.",0.815,"\u002FxGs7pf1sBR5JUigOKst1ldQqht8.jpg","1969-05-13",7.1,"5cda2ec60e0a26407dcf2fd4",{"adult":4,"backdrop_path":270,"genre_ids":271,"id":272,"title":273,"original_language":30,"original_title":274,"overview":275,"popularity":276,"poster_path":277,"release_date":278,"softcore":4,"video":4,"vote_average":279,"vote_count":280,"character":37,"credit_id":281,"order":282,"media_type":40},"\u002FcXe0JTQPYxh9Ok9Y2d4KxU2FgG4.jpg",[27],134754,"Critic","Crítico","Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.",1.6575,"\u002Fz1oavqX1H6TVjsz9nr8J9aAlL2F.jpg","2008-01-22",7.9,19,"5ccc1a1d925141048126d3a9",32,{"adult":4,"backdrop_path":14,"genre_ids":284,"id":285,"title":286,"original_language":30,"original_title":286,"overview":287,"popularity":288,"poster_path":14,"release_date":289,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":49,"credit_id":290,"order":51,"media_type":40},[27],317950,"Português - A Língua do Brasil","16 members from the Brazilian Academy of Letters share their views on the current situation of the portuguese language.",1.0918,"2007-01-02","5d748613c6006d001047f6c2",{"adult":4,"backdrop_path":14,"genre_ids":292,"id":295,"title":296,"original_language":30,"original_title":296,"overview":297,"popularity":298,"poster_path":299,"release_date":300,"softcore":4,"video":4,"vote_average":301,"vote_count":51,"character":49,"credit_id":302,"order":129,"media_type":40},[293,130,294],35,10752,240839,"For All - O Trampolim da Vitória","1943, World War II. The northeastern coast of Brazil is an strategic region for the Allies. Giancarlo, an Italian immigrant married to a Brazilian woman, lives nearby the Parnamirin Field, the largest military base built by the USA outside of their territory. In this new base, Brazilian recruits who speak English suddenly find themselves reaching privileged positions.",1.3847,"\u002F4Tq4FIfHyF6BjkU2gOFa4ojnVqz.jpg","1998-05-15",5.6,"5db7b96b3faba00019395c41",{"adult":4,"backdrop_path":304,"genre_ids":305,"id":306,"title":307,"original_language":30,"original_title":308,"overview":309,"popularity":310,"poster_path":311,"release_date":312,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":37,"credit_id":313,"order":13,"media_type":40},"\u002Fnqwd9sorBcBwYgWbcdRQ0WFSxmh.jpg",[27,56],720813,"Brazilian Cinema in the 20th Century","O Cinema Brasileiro no Século XX","Two years of research and visits to collections, cinematheques and museums; almost seventy interviews that generated 30 hours of recorded material; more than two hundred scanned photos and more than one hundred films watched. In total, more than a thousand hours of work were needed to prepare Brazilian Cinema in the 20th Century. The work is a fascinating journey through all the cinematic cycles that Brazil lived, from the pioneering Belle Époque, through the great studios like Atlântica and Cinédia, Cinema Novo, the urban comedies of the 70's, until the resumption in the late 90's. The documentary is unique, it gives the floor to who really wrote and lived this story intensely.",1.724,"\u002Faw2K6oEjlxwTlOqkN49wSCL2ehO.jpg","2017-03-31","5efd22b4a284eb0038991989",{"adult":4,"backdrop_path":14,"genre_ids":315,"id":316,"title":317,"original_language":30,"original_title":317,"overview":49,"popularity":318,"poster_path":319,"release_date":320,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":49,"credit_id":321,"order":150,"media_type":40},[27],729174,"Que Filme 'Tu Vai' Fazer?",1.1728,"\u002FtaSzhg1u0ekMitCTivyZ12AW7qK.jpg","1991-07-11","5f249f6c1b70ae0034a04346",{"adult":4,"backdrop_path":14,"genre_ids":323,"id":324,"title":325,"original_language":326,"original_title":325,"overview":327,"popularity":328,"poster_path":14,"release_date":329,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":49,"credit_id":330,"order":36,"media_type":40},[27],774771,"A música que meu pai gostava","en","Nelson Pereira dos Santos talks about The Highway of Life (1980)",0.8756,"2018-07-09","5fd2e7c22811a10041b42daf",{"adult":4,"backdrop_path":14,"genre_ids":332,"id":333,"title":334,"original_language":30,"original_title":334,"overview":335,"popularity":336,"poster_path":337,"release_date":338,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":37,"credit_id":339,"order":150,"media_type":40},[27],836251,"Referências","During a showing of rare Afro-Brazilian Cinema films at the Cinematheque of the Museum of Modern Art of Rio de Janeiro, actor\u002Ffilmmaker Zózimo Bulbul gathered some of the most notorious Brazilian black directors to talk about their works, their lives and their perspectives on the future.",0.9348,"\u002F9txXCWX6umcYbIK5U4wmtvvgCZn.jpg","2006-01-01","60b7c22a907f26006f52d0ee",{"adult":4,"backdrop_path":341,"genre_ids":342,"id":343,"title":344,"original_language":30,"original_title":344,"overview":345,"popularity":346,"poster_path":347,"release_date":348,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":172,"credit_id":349,"order":36,"media_type":40},"\u002FzljTlisQZUDQwCDtZclURMclpAC.jpg",[27],1145363,"Nelson Filma o Rio","The city of Rio de Janeiro in the films of Nelson Pereira dos Santos contextualized by critic Rodrigo Fonseca.",1.0354,"\u002FtLkcdGmQoRJZcG5IiGpTTE0OmIE.jpg","2021-01-01","6741e69aaab722bfa7c8eb5a",{"adult":4,"backdrop_path":14,"genre_ids":351,"id":352,"title":353,"original_language":30,"original_title":353,"overview":354,"popularity":355,"poster_path":356,"release_date":357,"softcore":4,"video":4,"vote_average":86,"vote_count":125,"character":49,"credit_id":358,"order":359,"media_type":40},[27,55],538031,"A Paz é Dourada","The film chronicles both the life and work of Brazilian author and engineer Euclides da Cunha and a failed attempt at directing his biopic in the 1980s and 1990s. Footage from the unfinished film is included alongside archive and documentary material.",0.9791,"\u002Fk5KlkReKTOepk2yI8IfQAx8MIvr.jpg","2008-08-14","67d74b7eebc30a0b48014106",12,{"adult":4,"backdrop_path":361,"genre_ids":362,"id":363,"title":364,"original_language":30,"original_title":365,"overview":366,"popularity":367,"poster_path":368,"release_date":369,"softcore":4,"video":4,"vote_average":51,"vote_count":125,"character":172,"credit_id":370,"order":371,"media_type":40},"\u002FyLtOmCjQXoVnKPoAFvlJaZfvnN1.jpg",[27],752617,"Candango: Memoirs from a Festival","Candango: Memórias do Festival","In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.",1.6847,"\u002Fo7idnPdCSeZTvg3rgqoXYnLTNbK.jpg","2020-10-22","67f9746dea80d8517599c1a7",28,{"adult":4,"backdrop_path":373,"genre_ids":374,"id":375,"title":376,"original_language":30,"original_title":376,"overview":49,"popularity":377,"poster_path":378,"release_date":379,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":49,"credit_id":380,"order":150,"media_type":40},"\u002Fq0t53qtbcGTWPSJPOzlbHHw9dre.jpg",[27],1541021,"Amuleto",1.1404,"\u002F5i96JMsoo3yLBKfvKUoqzMjJG4m.jpg","2025-10-02","68b8d017ed29630cdd068ad8",{"adult":4,"backdrop_path":382,"genre_ids":383,"id":384,"title":385,"original_language":30,"original_title":386,"overview":387,"popularity":388,"poster_path":389,"release_date":390,"softcore":4,"video":4,"vote_average":391,"vote_count":110,"character":37,"credit_id":392,"order":39,"media_type":40},"\u002FaUWBsyb44AiA3xCcqs1fpdc7GqY.jpg",[27],148183,"Oscar Niemeyer: Life is a Breath of Air","Oscar Niemeyer: A Vida é Um Sopro","A documentary made to coincide with Niemeyer's 100th birthday. The renowned architect talks about his long life, his inspirations, and his aspirations towards a just Brazil, and the ways he tried to help that along in his spectacular and beautiful buildings.",1.2276,"\u002F7prXF30ollJkVaTzdHKhU5rezC4.jpg","2007-01-14",6.9,"68c2e63a538501451b4e75ed",{"adult":4,"backdrop_path":14,"genre_ids":394,"id":395,"title":396,"original_language":30,"original_title":396,"overview":397,"popularity":398,"poster_path":399,"release_date":400,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":37,"credit_id":401,"order":98,"media_type":40},[27],296398,"Jards Macalé - Um Morcego na Porta Principal","This film shines a light at the story of Jards Macalé, polemic artist and controversial character of Brazilian culture over the last four decades. Author of songs such as \"Vapor Barato\" and \"Movimento dos Barcos\", a partner in crime of poet Waly Salomão, guitar player and songwriter for Gal Costa and Caetano Veloso, actor and author of soundtracks in Nelson Pereira dos Santos' films, a personal friend of visual artists Lygia Clarke and Hélio Oiticica, but, first and foremost, someone who dreams of seeing the word \"love\" in the Brazilian flag.",1.5504,"\u002FCZeuNtTw8qnmkBaoBOt75Hdcdp.jpg","2008-01-01","69357e8f70e7745cfb05d3b9",{"adult":4,"backdrop_path":14,"genre_ids":403,"id":404,"title":405,"original_language":30,"original_title":405,"overview":49,"popularity":406,"poster_path":407,"release_date":408,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":409,"credit_id":410,"order":411,"media_type":40},[55,27],1599888,"Uma Vida Dividida",1.1585,"\u002Fct7IwKk5gh9ElUXyVkrBoHeLVzZ.jpg","1999-01-01","Ele mesmo","6942e410e6e0f02a14d73b0b",14,{"adult":4,"backdrop_path":14,"genre_ids":413,"id":414,"title":415,"original_language":416,"original_title":417,"overview":418,"popularity":419,"poster_path":420,"release_date":421,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":422,"credit_id":423,"order":150,"media_type":40},[27],1356925,"Claves, 1: How Tasty Was My Little Frenchman","es","Claves para el Nuevo Cine Latinoamericano, 1: Como Era Gostoso o Meu Francês","Documentary in four parts on Latin American cinema. First episode: the influences of Cahiers du cinéma, the New Wave, Italian neorealism. In Brazil, Cinema Novo draws inspiration from these models while drawing on the historical and cultural singularity of the country. The documentary was awarded the Prix Makhila d’or at the Festival de Biarritz, France.",1.4425,"\u002Fe6Hdv1gwD6jvrPJaikmA5ZQR269.jpg","1984-01-01","himself","698cad25726940c4397495c1",{"adult":4,"backdrop_path":14,"genre_ids":425,"id":426,"title":427,"original_language":416,"original_title":428,"overview":429,"popularity":430,"poster_path":420,"release_date":421,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":422,"credit_id":431,"order":51,"media_type":40},[27],1356927,"Claves, 2: We will return younger","Claves para el Nuevo Cine Latinoamericano, 2: Volveramos más jóvenes","Documentary in four parts on Latin American cinema. Second episode, evoking the border between fiction and documentary. With his film Tire dié (1960), the Argentinian Fernando Birri proposed this manifesto: to create a realistic and critical national cinema, closer to society without falling into populism.",1.5311,"698de13cf250e4031778dc3a",[433,447,452,466,474,487,501,504,517,529,539,552,564,576,579,584,597,608,619,622,625,634,645,657,660,670,673,676,679,690,700,708,711,714,726,735,746,749,760,770,773,784,787,799,808,820,824,827,835,845,853,856,859,863,866,876,879,889,892,901,904,916,927,932,945,948,951,954,957,960,967,970,973,980,992,1000,1003,1012],{"adult":4,"backdrop_path":434,"genre_ids":435,"id":436,"title":437,"original_language":30,"original_title":438,"overview":439,"popularity":440,"poster_path":441,"release_date":442,"softcore":4,"video":4,"vote_average":443,"vote_count":444,"credit_id":445,"department":17,"job":446,"media_type":40},"\u002F3KBuZG9keFgKAbIRnMMn4MoOzo7.jpg",[55,129],836,"Barren Lives","Vidas Secas","A destitute family tries to escape the drought in the backlands of northeastern Brazil. Fabiano (Átila Iório), Sinhá Vitória (Maria Ribeiro), their two children and their dog Baleia wander aimlessly and almost hopelessly through the remote interior, surviving the forces of nature and the cruelty of men. An adaptation of the work by Graciliano Ramos.",1.6727,"\u002FbBb4GiCZul2W6hhV8sbbnBnlhuE.jpg","1963-08-22",7.4,100,"52fe427ec3a36847f8023153","Director",{"adult":4,"backdrop_path":434,"genre_ids":448,"id":436,"title":437,"original_language":30,"original_title":438,"overview":439,"popularity":440,"poster_path":441,"release_date":442,"softcore":4,"video":4,"vote_average":443,"vote_count":444,"credit_id":449,"department":450,"job":451,"media_type":40},[55,129],"52fe427ec3a36847f802319f","Writing","Screenplay",{"adult":4,"backdrop_path":453,"genre_ids":454,"id":455,"title":456,"original_language":30,"original_title":457,"overview":458,"popularity":459,"poster_path":460,"release_date":461,"softcore":4,"video":4,"vote_average":462,"vote_count":88,"credit_id":463,"department":464,"job":465,"media_type":40},"\u002FwJSStxYBrefPRqneXw4EOUKV2Es.jpg",[55,56],135624,"Memories of Prison","Memórias do Cárcere","In the 1930s, novelist and politician Graciliano Ramos is accused of being a communist sympathizer. He is then arrested and sent to the Ilha Grande prison, where he experiences the disturbing treatment reserved for common prisoners.",1.7151,"\u002FVXhIqTk4rBLqAq3BmopxKkz1ef.jpg","1984-06-18",6.8,"62137a2344a424006c6b36bf","Production","Producer",{"adult":4,"backdrop_path":14,"genre_ids":467,"id":468,"title":469,"original_language":30,"original_title":469,"overview":49,"popularity":470,"poster_path":471,"release_date":472,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":473,"department":17,"job":446,"media_type":40},[27],813336,"Jornalismo e Independência",0.7157,"\u002Fwpx4oNPZDjCNo6VBkuEgcCt2BnI.jpg","1972-04-06","6067822c1e9225002b5ee9ea",{"adult":4,"backdrop_path":475,"genre_ids":476,"id":478,"title":479,"original_language":30,"original_title":480,"overview":481,"popularity":482,"poster_path":483,"release_date":484,"softcore":4,"video":4,"vote_average":485,"vote_count":203,"credit_id":486,"department":17,"job":446,"media_type":40},"\u002F7VweWfeVJ8qV4k6HrJfni58HURS.jpg",[411,477,55,371],80,86234,"The Amulet of Ogum","O Amuleto de Ogum","An ubiquitous folk singer narrates the tale of a young boy, who apparently becomes immune to gunfire after his mother arranges for him to have an amulet bearing Ogum's blessings. As time goes by, he becomes a valuable member of a mobster's hit-team, but ends up joining a group of people who resist his original employers.",0.9646,"\u002FnBHqWehLd6knn95t1eXxrVAs4u9.jpg","1974-05-21",6.4,"52fe49799251416c910ae795",{"adult":4,"backdrop_path":488,"genre_ids":489,"id":490,"title":491,"original_language":30,"original_title":492,"overview":493,"popularity":494,"poster_path":495,"release_date":496,"softcore":4,"video":4,"vote_average":497,"vote_count":498,"credit_id":499,"department":450,"job":500,"media_type":40},"\u002FiUJAST64A5eiD3nTSY2dhKTIXQD.jpg",[293,359,56],105347,"How Tasty Was My Little Frenchman","Como Era Gostoso o Meu Francês","In 1594 Brazil, a frenchman becomes a prisoner of the Tupinambás. While waiting to be executed, the foreigner learns the habits of the indigenous people and joins a woman who tries to help him escape.",2.0184,"\u002Fyls9gNguacmJa0UWnBD59u8pC4E.jpg","1971-06-01",6.1,45,"52fe4a4ac3a36847f81c5bf1","Writer",{"adult":4,"backdrop_path":488,"genre_ids":502,"id":490,"title":491,"original_language":30,"original_title":492,"overview":493,"popularity":494,"poster_path":495,"release_date":496,"softcore":4,"video":4,"vote_average":497,"vote_count":498,"credit_id":503,"department":17,"job":446,"media_type":40},[293,359,56],"52fe4a4ac3a36847f81c5beb",{"adult":4,"backdrop_path":505,"genre_ids":506,"id":508,"title":509,"original_language":30,"original_title":510,"overview":511,"popularity":512,"poster_path":513,"release_date":514,"softcore":4,"video":4,"vote_average":515,"vote_count":39,"credit_id":516,"department":17,"job":446,"media_type":40},"\u002F7x0e1mzgk4YRFwTFJNvjfYQeHeR.jpg",[55,507],878,150167,"Who Is Beta?","Quem é Beta?","The critical success in France of How Tasty Was My Little Frenchman made possible dos Santos’ delirious science-fiction vision of free love in a post-apocalyptic wilderness besieged by flesh hungry zombies contaminated by an unnamed nuclear attack. Who is Beta? follows two statuesque survivors drawn irresistibly together only to be entranced by the arrival and sudden disappearance of a third, the bewitching raven haired Beta. With its cartoon-like depiction of extreme violence and desire, Who is Beta? offers a heady Pop-infused companion to Hunger for Love. Yet beneath its giddy play of surfaces, dos Santos' underappreciated film gradually reveals a darkly ambiguous metaphoric dimension. -Harvard Film Archive",1.2743,"\u002FuOGMQyoxRTQHxPHrQkuAeGuMsbW.jpg","1972-04-11",5.4,"52fe4ada9251416c910c7f57",{"adult":4,"backdrop_path":518,"genre_ids":519,"id":521,"title":522,"original_language":30,"original_title":523,"overview":524,"popularity":525,"poster_path":526,"release_date":527,"softcore":4,"video":4,"vote_average":98,"vote_count":98,"credit_id":528,"department":17,"job":446,"media_type":40},"\u002F1SNA2LymJJXIDV0ZAgyVig6CGDX.jpg",[27,520],10402,112409,"The Music According to Tom Jobim","A Música Segundo Tom Jobim","Half a century ago, Brazilian composer and musician Antonio Carlos \"Tom\" Jobim (1927-1994) introduced bossa nova to a worldwide audience with \"The Girl from Ipanema.\" This relaxed, cool, sensuous music blended jazz and samba. After recording an album of songs by his friend Jobim, Frank Sinatra is reported to have said, \"I haven't sung so quietly since I had laryngitis.\" Naturally, \"The Girl from Ipanema\" and Frank Sinatra are featured in this musical collage of countless seamlessly edited excerpts of concert footage that cover decades of events all over the world: from Rio de Janeiro to Lisbon, Paris, Copenhagen, Jerusalem, Tokyo, Montreal, New York and back to Rio.",1.7389,"\u002F8k5CIDgKcZwfde0Xo28d8wyeGje.jpg","2012-05-20","52fe4b17c3a36847f81f1c1d",{"adult":4,"backdrop_path":14,"genre_ids":530,"id":531,"title":532,"original_language":30,"original_title":533,"overview":534,"popularity":535,"poster_path":536,"release_date":537,"softcore":4,"video":4,"vote_average":121,"vote_count":122,"credit_id":538,"department":17,"job":446,"media_type":40},[411,55],150653,"The Third Bank of the River","A Terceira Margem do Rio","After an extended period directing original screenplays, dos Santos returned to the creative engagement with literature that was the wellspring of his early masterpieces, offering a combinatory adaptation of five stories by the renowned Brazilian novelist João Guimarães Rosa. Openly embracing a mode of magical realism, dos Santos' celebrated film tells the story of a farming family defined by the absence of its father who abruptly abandoned his wife and children, sailing away down the river, including his son who continues to communicate with his father, speaking daily to him from the river bank. While offering an evocative vision of rural Brazil as a timeless land of mystery and solemnity, The Third Bank of the River is also bitingly satiric in the remarkable depiction of religious belief when the family moves to the city and its youngest member, a mesmerizing little girl, is revealed to be a kind of saint, capable of miraculous acts.  -Harvard Film Archive",1.0245,"\u002Fg8grxJCZtxvlgD0hm6AwfUinNDG.jpg","1994-02-20","52fe4ae89251416c910c9aad",{"adult":4,"backdrop_path":540,"genre_ids":541,"id":542,"title":543,"original_language":30,"original_title":544,"overview":545,"popularity":546,"poster_path":547,"release_date":548,"softcore":4,"video":4,"vote_average":549,"vote_count":550,"credit_id":551,"department":17,"job":446,"media_type":40},"\u002FchzvzxHOFhs0tBkbDfoE6exchBP.jpg",[55],146075,"Rio, 100 Degrees F°","Rio, 40 Graus","On a scorching summer day in Rio de Janeiro, five impoverished black boys venture out of their favela to peddle peanuts throughout the bustling city. As they navigate the various districts of Rio, they bear witness to a series of unfortunate events and encounters, unfolding a vivid tapestry of urban life in Rio de Janeiro during that period. These true misadventures shed light on the gritty reality of the city, unveiling its vibrant urban tapestry.",1.0253,"\u002F98c3zOWtMNV6CI4eP9NZXdt85RA.jpg","1955-08-24",7.2,43,"52fe4b739251416c7510323f",{"adult":4,"backdrop_path":553,"genre_ids":554,"id":555,"title":556,"original_language":30,"original_title":557,"overview":558,"popularity":559,"poster_path":560,"release_date":561,"softcore":4,"video":4,"vote_average":562,"vote_count":203,"credit_id":563,"department":17,"job":446,"media_type":40},"\u002F2AYRc6u6zT4iEDW1fYJjjt0KqTH.jpg",[55],147872,"Hunger for Love","Fome de Amor","An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and its protests, Hunger for Love uses a rigorously abstract soundtrack and narrative structure to evoke the acute paranoia of the period building up to the December 1968 military coup that tipped Brazil perilously close to a conservative dictatorship. With its harsh critique of the decadent tendencies of the Sixties counterculture, Hunger for Love offers a key expression of the self-consciously “ideological” phase of Cinema Novo. -Harvard Film Archive",0.8078,"\u002F3hUB8DmVijVUIXng6HwzHB4DzIM.jpg","1968-10-15",5.1,"52fe4bb79251416c7510bcdd",{"adult":4,"backdrop_path":565,"genre_ids":566,"id":567,"title":568,"original_language":30,"original_title":569,"overview":570,"popularity":571,"poster_path":572,"release_date":573,"softcore":4,"video":4,"vote_average":85,"vote_count":574,"credit_id":575,"department":17,"job":446,"media_type":40},"\u002FzAYgAnOk93jsPPjuHanLpV0sOpd.jpg",[293],147874,"The Alienist","Azyllo Muito Louco","Father Simão Bacamarte arrives in the small town of Serafim to investigate a certain phenomenon of madness.",0.9577,"\u002FebtCIyezFFoNJow33JTWyCCEord.jpg","1970-09-21",13,"52fe4bb79251416c7510bce7",{"adult":4,"backdrop_path":475,"genre_ids":577,"id":478,"title":479,"original_language":30,"original_title":480,"overview":481,"popularity":482,"poster_path":483,"release_date":484,"softcore":4,"video":4,"vote_average":485,"vote_count":203,"credit_id":578,"department":464,"job":465,"media_type":40},[411,477,55,371],"60e32298880551005d41dc23",{"adult":4,"backdrop_path":475,"genre_ids":580,"id":478,"title":479,"original_language":30,"original_title":480,"overview":481,"popularity":482,"poster_path":483,"release_date":484,"softcore":4,"video":4,"vote_average":485,"vote_count":203,"credit_id":581,"department":582,"job":583,"media_type":40},[411,477,55,371],"60e3229125882300472598e0","Crew","Cinematography",{"adult":4,"backdrop_path":585,"genre_ids":586,"id":587,"title":588,"original_language":30,"original_title":589,"overview":590,"popularity":591,"poster_path":592,"release_date":593,"softcore":4,"video":4,"vote_average":594,"vote_count":595,"credit_id":596,"department":17,"job":446,"media_type":40},"\u002F9d05S1MGjfwF42lOa4OIud9WRFz.jpg",[55,520],146904,"Rio, Northern Zone","Rio, Zona Norte","A talented songwriter of sambas is forced to face the social injustices of the city around him.",1.1325,"\u002FuAcU7ZNutXWSdJiFIsrLFgRNlvu.jpg","1957-08-26",8.2,34,"52fe4b959251416c75107a19",{"adult":4,"backdrop_path":598,"genre_ids":599,"id":600,"title":601,"original_language":30,"original_title":602,"overview":603,"popularity":604,"poster_path":605,"release_date":606,"softcore":4,"video":4,"vote_average":462,"vote_count":51,"credit_id":607,"department":17,"job":446,"media_type":40},"\u002FpBbqxjJQJTmFYXxgPkfJRHmnqHs.jpg",[55],146905,"Golden Mouth","Boca de Ouro","After a powerful outlaw dies, a reporter interviews his lover and gets three different stories about the legendary man.",1.4464,"\u002Fxtxu0UuJZ4aGzsrP9rg0kv5ejdh.jpg","1963-05-03","52fe4b959251416c75107a33",{"adult":4,"backdrop_path":609,"genre_ids":610,"id":611,"title":612,"original_language":30,"original_title":612,"overview":613,"popularity":614,"poster_path":615,"release_date":616,"softcore":4,"video":4,"vote_average":617,"vote_count":39,"credit_id":618,"department":17,"job":446,"media_type":40},"\u002FqimWO7Qc1JeIDyY2rPJHYvCjyKS.jpg",[293,130],147314,"El Justicero","A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond\u002FJean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. 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The family do what they can in order to honour the great event, selling personal belongings and buying enough supplies for a decent party.",0.9143,"\u002FxPlRuKQZ9FEDgqHDhVvkNcO5WDJ.jpg","1958-12-03","52fe4cf79251416c911061a9",{"adult":4,"backdrop_path":646,"genre_ids":647,"id":648,"title":649,"original_language":30,"original_title":650,"overview":651,"popularity":652,"poster_path":653,"release_date":654,"softcore":4,"video":4,"vote_average":655,"vote_count":110,"credit_id":656,"department":17,"job":446,"media_type":40},"\u002FuY1aZVbv1tUIJkDWSwYctXi5kSw.jpg",[55],201764,"Tent of Miracles","Tenda dos Milagres","When a prominent U.S. Nobel Laureate arrives in Salvador, Bahia, the city with the largest black population in Brazil, he stirs emotions by championing a long-forgotten local writer named Pedro Archanjo, who believed that humanity would be improved only through miscegenation.",0.8969,"\u002FsanbU3WYyJYRMSoOTJmcd86rLqZ.jpg","1977-07-30",5.2,"52fe4cb2c3a368484e1c2eb3",{"adult":4,"backdrop_path":646,"genre_ids":658,"id":648,"title":649,"original_language":30,"original_title":650,"overview":651,"popularity":652,"poster_path":653,"release_date":654,"softcore":4,"video":4,"vote_average":655,"vote_count":110,"credit_id":659,"department":450,"job":500,"media_type":40},[55],"52fe4cb2c3a368484e1c2eb9",{"adult":4,"backdrop_path":661,"genre_ids":662,"id":663,"title":664,"original_language":30,"original_title":664,"overview":665,"popularity":666,"poster_path":667,"release_date":668,"softcore":4,"video":4,"vote_average":51,"vote_count":150,"credit_id":669,"department":17,"job":446,"media_type":40},"\u002FhDLAXzFBwkVi47jV7cc36BF6nb0.jpg",[27],172266,"A Luz do Tom","Documentary about the life of Tom Jobim, from the perspective of three women of his life: his sister, Helena Jobim, his first wife, Thereza, and his second wife, Ana.",0.9657,"\u002FvvvPtardO6Yl4oOGANe0ZoUuzTj.jpg","2013-02-08","52fe4d1dc3a36847f824f481",{"adult":4,"backdrop_path":127,"genre_ids":671,"id":131,"title":132,"original_language":30,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":138,"vote_count":51,"credit_id":672,"department":450,"job":500,"media_type":40},[129,130,55],"52fe4f43c3a36847f82c9471",{"adult":4,"backdrop_path":127,"genre_ids":674,"id":131,"title":132,"original_language":30,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":138,"vote_count":51,"credit_id":675,"department":464,"job":465,"media_type":40},[129,130,55],"52fe4f43c3a36847f82c947d",{"adult":4,"backdrop_path":127,"genre_ids":677,"id":131,"title":132,"original_language":30,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":138,"vote_count":51,"credit_id":678,"department":17,"job":446,"media_type":40},[129,130,55],"52fe4f43c3a36847f82c946b",{"adult":4,"backdrop_path":680,"genre_ids":681,"id":682,"title":683,"original_language":30,"original_title":683,"overview":684,"popularity":685,"poster_path":686,"release_date":687,"softcore":4,"video":4,"vote_average":688,"vote_count":110,"credit_id":689,"department":450,"job":500,"media_type":40},"\u002F4Aqw0xbpNBXdju9WVAhnQ200wWE.jpg",[55],249538,"Brasília 18%","A star medical examiner is called to Brasília, the administrative capital of Brazil, to confirm the identity of a beautiful, young congressional aide's dead body. 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In a jam session, in the late composer's house in Inhaúma, a neighborhood of Rio de Janeiro, a group of friends get together to play his music while a \"feijoada\" (typical Brazilian food with black beans)is being cooked in the kitchen. The samba-players, first-rate samba stars themselves, remember Ketti's great hits in a homage to the man who was best known as \"a voz do morro\" (\"the hill's voice\" - but hill as a metaphor for a place where poor people build their shacks in slums, in opposition to city, where middle-class people live in Rio). Among the guests, names of the traditional \"samba-school\" Portela and ex-partners. Also, the presence of a black hat on an empty chair, represents the composer himself, who died in 1999, after a life of many accomplishments in music, and appearance in three of Dos Santos's films: \"Rio, 40 Graus\", \"Rio Zona Norte\" and \"Boca de Ouro\".",1.2318,"2001-08-20","52fe4f46c3a36847f82ca0b9",{"adult":4,"backdrop_path":680,"genre_ids":709,"id":682,"title":683,"original_language":30,"original_title":683,"overview":684,"popularity":685,"poster_path":686,"release_date":687,"softcore":4,"video":4,"vote_average":688,"vote_count":110,"credit_id":710,"department":17,"job":446,"media_type":40},[55],"52fe4f46c3a36847f82c9fd5",{"adult":4,"backdrop_path":691,"genre_ids":712,"id":693,"title":694,"original_language":30,"original_title":694,"overview":695,"popularity":696,"poster_path":697,"release_date":698,"softcore":4,"video":4,"vote_average":497,"vote_count":98,"credit_id":713,"department":17,"job":446,"media_type":40},[55,130],"52fe4f46c3a36847f82ca099",{"adult":4,"backdrop_path":715,"genre_ids":716,"id":717,"title":718,"original_language":30,"original_title":719,"overview":720,"popularity":721,"poster_path":722,"release_date":723,"softcore":4,"video":4,"vote_average":724,"vote_count":150,"credit_id":725,"department":17,"job":446,"media_type":40},"\u002FH5sOiBxLsEujOPardc0UxmlUKg.jpg",[55,520],249547,"The Highway of Life","Estrada da Vida","The rise of real life country singers Milionário e José Rico from their humble beginnings until musical success.",0.8254,"\u002F5bPKiFXclcCu2I1LddqeT7Sh6QU.jpg","1980-11-02",7.7,"52fe4f46c3a36847f82ca0c5",{"adult":4,"backdrop_path":14,"genre_ids":727,"id":728,"title":729,"original_language":30,"original_title":729,"overview":730,"popularity":731,"poster_path":732,"release_date":733,"softcore":4,"video":4,"vote_average":109,"vote_count":162,"credit_id":734,"department":17,"job":446,"media_type":40},[27],272404,"Raízes do Brasil","Documentary in two parts about Brazilian writer, journalist and sociologist Sérgio Buarque de Holanda. The first part describes how the author used to pass his days with family and friends, while the second offers a historical panorama of the times, including his reaction to Nazism and the years of Vargas’ dictatorship, and the arrival of the modernist movement in Brazil.",0.9853,"\u002FqMDdu2xkh4K9OuiJbXQ2GclVnhb.jpg","2004-03-19","5385ba9dc3a3681ada000fb3",{"adult":4,"backdrop_path":736,"genre_ids":737,"id":738,"title":739,"original_language":30,"original_title":740,"overview":741,"popularity":742,"poster_path":743,"release_date":744,"softcore":4,"video":4,"vote_average":485,"vote_count":98,"credit_id":745,"department":464,"job":465,"media_type":40},"\u002FagKcsbYB0wjvw6UPSVbYwyC2Yng.jpg",[27],230723,"A Public Opinion","A Opinião Pública","Documentary about middle-class people in Rio de Janeiro, in the 1960s, when Brazil was going through a hard period in its history, with the military coup and the following dictatorship. 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