[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1211415:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":294},false,[],"","1958-05-04",null,2,1211415,"nm0758242","Directing","Ghassan Salhab","Dakar, Senegal",0.5387,"\u002FAMjWu692MmLvNJQVbpvv3AlwCf.jpg",{"cast":18,"crew":47},[19,35],{"adult":4,"backdrop_path":8,"genre_ids":20,"id":23,"title":24,"original_language":25,"original_title":26,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":9,"character":6,"credit_id":32,"order":33,"media_type":34},[21,22],10752,99,727612,"Posthumous","fr","(Posthume)","Following on from the 2006 Israeli aggression on Lebanon, the filmmaker tries to film the destruction of Beirut. We witness a city deserted by life, and ghostly characters who, featured in his earlier films, talk about living through such a war.",0.5757,"\u002F33QgZYujqx8mgvaqQDBJcwezz9S.jpg","2007-01-01",6,"5f1d53bc0e597b0035390e73",0,"movie",{"adult":4,"backdrop_path":8,"genre_ids":36,"id":37,"title":38,"original_language":39,"original_title":40,"overview":41,"popularity":42,"poster_path":43,"release_date":44,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":6,"credit_id":45,"order":46,"media_type":34},[22],1496484,"Cinema of War in Lebanon","en","سينما الحرب في لبنان","In 1975, the Lebanese wars started when Maroun Bagdadi ended his first feature film \"Beirutya Beirut\". Did the war give an identity to Lebanese cinema? Productions of documentaries, action movies, actor films, co-productions, and emigration. Since 1975, the war has remained a major subject for feature fiIms shot in Lebanon. This is a history of stories about war and cinema.",0.697,"\u002F6oDF0wKtqVAjDZD1ZNmfYuB1hS.jpg","2003-06-21","6849d0eebbfe31cc90293a1c",9,[48,58,74,77,89,98,102,114,125,134,145,156,159,169,172,175,185,195,204,214,224,232,241,244,249,252,261,269,281,284],{"adult":4,"backdrop_path":8,"genre_ids":49,"id":50,"title":51,"original_language":25,"original_title":51,"overview":52,"popularity":53,"poster_path":54,"release_date":55,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":56,"department":12,"job":57,"media_type":34},[22],847050,"Brève rencontre avec Jean-Luc Godard ou le cinéma comme métaphore","An interview with Jean-Luc Godard around the time of his film Notre Musique.",1.2832,"\u002FcX8jiihmuZScnpYOsEFH1kYCfuI.jpg","2005-01-01","60df3e27fbe36f005ee62417","Director",{"adult":4,"backdrop_path":59,"genre_ids":60,"id":62,"title":63,"original_language":64,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":31,"vote_count":70,"credit_id":71,"department":72,"job":73,"media_type":34},"\u002FgvBzB3nCgDHnBQ71o58nM8dJ6fQ.jpg",[61],18,846776,"The River","ar","Al Naher","It's autumn. A man and a woman are about to leave a restaurant situated in the heart of the Lebanese mountains. They are suprised by fighter planes screaming past at low altitude. In the distance, war seems to be breaking out once more. Losing sight of the woman, the man starts looking for her. He finds her on the other side of the mountain. Together they sink deeper into nature, which becomes increasingly spectral, just like the slender thread that ties them to each other.",2.4266,"\u002F9GVpdD75jxOEN2ocWUPDAuZi8sY.jpg","2021-08-05",1,"60de6731fbe36f005ee4c38d","Writing","Screenplay",{"adult":4,"backdrop_path":59,"genre_ids":75,"id":62,"title":63,"original_language":64,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":31,"vote_count":70,"credit_id":76,"department":12,"job":57,"media_type":34},[61],"60de66dad95420007ea5c750",{"adult":4,"backdrop_path":8,"genre_ids":78,"id":79,"title":80,"original_language":64,"original_title":81,"overview":82,"popularity":83,"poster_path":84,"release_date":85,"softcore":4,"video":4,"vote_average":86,"vote_count":87,"credit_id":88,"department":12,"job":57,"media_type":34},[61],226006,"The Mountain","La montagne","Night falls over Beirut. Fadi, a forty year old, packs his luggage and sets out to the airport with his friend driving him. He is supposed to leave for a month, but instead of going up the plane, he heads to the arrivals section and rents a car. He takes the highway heading North then continues on a mountainous route. Far from anyone, on a deserted highway, a deviation forces him to quit the main road. A distinct sound coming from far is heard; the sound of a car honk. Fadi gets closer and closer to the sound and sees a wrecked car crashed in a tree alongside the road. A couple lay still inside.",0.9233,"\u002FpHaLctYdhCnaipe0VnU6BOhujqL.jpg","2010-10-28",5.7,3,"52fe4e729251416c75156a33",{"adult":4,"backdrop_path":8,"genre_ids":90,"id":91,"title":92,"original_language":25,"original_title":93,"overview":94,"popularity":95,"poster_path":8,"release_date":96,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":97,"department":12,"job":57,"media_type":34},[61],254158,"The Last Man","Le dernier homme","Each morning Beirut awakens to a new murder seemingly committed by a serial killer, with victims found emptied of their blood. At the same time a doctor, Khalil, begins to experience strange symptoms that destabilise him and transform his life. A connection slowly emerges that seems to link Khalil to these victims. Salhab’s body of films have come to narrate the state of Lebanon – and Beirut in particular – during and after the civil war, and this film is no exception.",0.885,"2006-09-19","52fe4ea89251416c9113925f",{"adult":4,"backdrop_path":8,"genre_ids":99,"id":91,"title":92,"original_language":25,"original_title":93,"overview":94,"popularity":95,"poster_path":8,"release_date":96,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":100,"department":72,"job":101,"media_type":34},[61],"52fe4ea89251416c91139265","Writer",{"adult":4,"backdrop_path":8,"genre_ids":103,"id":104,"title":105,"original_language":64,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":112,"credit_id":113,"department":12,"job":57,"media_type":34},[61],287510,"The Valley","الوادى","After surviving a car crash in the middle of Lebanon's isolated Beqaa Valley, an amnesiac man finds himself held hostage on a local farm that doubles as an illegal drug-production facility.",1.4063,"\u002FiA8zS1q0qZSPwtNZ9ZsKeiT5rk0.jpg","2014-09-04",6.3,5,"53f2d86e0e0a2675b2007c36",{"adult":4,"backdrop_path":115,"genre_ids":116,"id":117,"title":118,"original_language":64,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":124,"department":12,"job":57,"media_type":34},"\u002Fwahiq45tDGymULAIQl59qKUfHma.jpg",[61],327874,"Phantom Beirut","أشباح بيروت","Late in the 1980s it seems like the Lebanese conflict will never end. Khalil returns to Beirut after many years. Ten years earlier, during a battle, he took advantage of the confusion and pretended he was dead.",0.6292,"\u002Ft3Als0ITZfWeVRTc9tfYb5mKzF1.jpg","1998-01-02","54f1e3a39251416b31001cf0",{"adult":4,"backdrop_path":8,"genre_ids":126,"id":127,"title":128,"original_language":39,"original_title":128,"overview":129,"popularity":130,"poster_path":131,"release_date":132,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":133,"department":12,"job":57,"media_type":34},[],1217524,"Mon corps vivant, mon corps mort","What will you do, God, when I die? (R.M. Rilke)",0.5814,"\u002Fqm1VvQh1fvLhG2rIBvNfMyrEIzC.jpg","2003-01-01","6579fe7535a61e00e35ffbde",{"adult":4,"backdrop_path":135,"genre_ids":136,"id":137,"title":138,"original_language":64,"original_title":139,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":144,"department":72,"job":101,"media_type":34},"\u002Frjgqz8oxNj7A9wdsIlB7NsP3sC.jpg",[61],1100280,"Riverbed","Riverbed (El estanque de la doncella)","\"Riverbed\" tells the story of Salma and her returning daughter Thuraya, and their attempt to preserve, maintain and reconstruct their lives with and against each other. Salma survived many years by protecting her independence, she reached her peace through letting go of any attachments. But the past does not let go of Salma and brings back Thuraya, defeated, divorced, and pregnant.",1.1319,"\u002Fauou8nXN1GNHRmTdZkx8cvva2nI.jpg","2024-04-26","641126c6c390c500f60019c9",{"adult":4,"backdrop_path":146,"genre_ids":147,"id":149,"title":150,"original_language":25,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":4,"video":4,"vote_average":111,"vote_count":87,"credit_id":155,"department":72,"job":101,"media_type":34},"\u002FmgjFpDBFznJYJuiEfKsd22XouXq.jpg",[148,61],35,462725,"Terra incognita","In Beirut, the destinies of several thirtysomethings (an architect, a tour guide, a mystic, a radio operator, and an exile returned home) collide.",0.6711,"\u002Fc0zCnvwr4HvDEXn1xsHjz1nbLf6.jpg","2003-02-12","5949b39992514145af000e58",{"adult":4,"backdrop_path":146,"genre_ids":157,"id":149,"title":150,"original_language":25,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":4,"video":4,"vote_average":111,"vote_count":87,"credit_id":158,"department":12,"job":57,"media_type":34},[148,61],"5949b38a92514145af000e48",{"adult":4,"backdrop_path":8,"genre_ids":160,"id":161,"title":162,"original_language":25,"original_title":163,"overview":164,"popularity":165,"poster_path":166,"release_date":167,"softcore":4,"video":4,"vote_average":87,"vote_count":70,"credit_id":168,"department":12,"job":57,"media_type":34},[22],463094,"Chinese Ink","Heber Sini","In Chinese Ink, composed from a series of shots taken with an iPhone, Salhab expands questions of location and the act of filmmaking itself. Some images were captured in the moment ‘without quite knowing why’, and others were filmed at an earlier time ‘with no apparent motive’ or as a result of specific circumstances. Salhab jotted down notes all along, excerpts from books he read or reread, sounds he recorded and preserved. He approached this film essay as a work in progress with no preconceived structure; instead, he let the work gradually reveal itself. All at once, in terms of ‘place’ and his relationship to ‘here’, with all its entanglements, it became clear to him that he needed to invoke the ‘elsewhere’, to start with the first place, his childhood in Senegal, and ‘retrace’ certain steps: his connection to armed struggles, the Palestinian cause, the present moment.",0.7557,"\u002FhYqQAmEjt8mE5Dx9urXhUST9bJG.jpg","2016-07-15","594d21d39251413155026587",{"adult":4,"backdrop_path":8,"genre_ids":170,"id":104,"title":105,"original_language":64,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":112,"credit_id":171,"department":72,"job":101,"media_type":34},[61],"5a4b63760e0a262dce0243af",{"adult":4,"backdrop_path":115,"genre_ids":173,"id":117,"title":118,"original_language":64,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":174,"department":72,"job":101,"media_type":34},[61],"5a4b69ce9251415c98024102",{"adult":4,"backdrop_path":8,"genre_ids":176,"id":177,"title":178,"original_language":64,"original_title":179,"overview":180,"popularity":181,"poster_path":182,"release_date":183,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":184,"department":12,"job":57,"media_type":34},[22],1301223,"Night is Day","أل نهار هو أل ليل","Lebanon, 2019-2023: a chronicle of the uprising, its fading and its end. From collective hope to intimate pain, can cinema resist the irreversible?",0.5613,"\u002Fj7VVvyhA19IrnBSjG5VrbEbNM13.jpg","2024-06-29","66627bd14b8b1b90bcd5ca44",{"adult":4,"backdrop_path":8,"genre_ids":186,"id":187,"title":188,"original_language":25,"original_title":189,"overview":190,"popularity":191,"poster_path":192,"release_date":193,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":194,"department":12,"job":57,"media_type":34},[22],577033,"An Open Rose","Une rose ouverte \u002F Warda","Rosa Luxemburg’s letters from prison form the backbone of Ghassan Salhab’s essayistic collage. Luxemburgs’s lyrical descriptions of nature bear witness to a joie de vivre undimmed by the political situation of the time and are not seen, but rather heard – in both German and Arabic. In connection with images of a wintry Berlin, a polyphony of different overlapping visual and acoustic layers is produced.",0.4871,"\u002Fnst8M9iFPJwUewUROqZpMY1wLW7.jpg","2019-02-10","5c4704930e0a263ccdc9299b",{"adult":4,"backdrop_path":8,"genre_ids":196,"id":197,"title":198,"original_language":39,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":203,"department":12,"job":57,"media_type":34},[22],582622,"1958","In 1958, in Senegal, land of emigration, Zahia Salhab gave birth to her first child Ghassan. During the same period, Lebanon, their homeland, is driven into a significant local conflict, a preamble to the next civil war.",0.4636,"\u002FpL3bktSBIXrwAC9sXWh3duHtEXD.jpg","2009-02-16","5c688f41c3a36847bbde2611",{"adult":4,"backdrop_path":8,"genre_ids":205,"id":206,"title":207,"original_language":25,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":213,"department":12,"job":57,"media_type":34},[],659242,"30th anniversaire of FIDMarseille","30ème anniversaire du FIDMarseille","For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.",1.671,"\u002F67NPbiHkreuyYiAandfnp6ViX5f.jpg","2019-06-11","5e09878ad35dea001620213d",{"adult":4,"backdrop_path":215,"genre_ids":216,"id":217,"title":218,"original_language":39,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":223,"department":12,"job":57,"media_type":34},"\u002F5eXHIRl4BtzS4QigJW4WLY7eMzU.jpg",[],725123,"Baalbek","A journalist and a photographer drift on their way between Beirut and Baalbeck. Their journey is repeated three times in three different ways to evoke current issues and confusion in Lebanon’s present state.",0.9078,"\u002FzHvJcUl09LTHUV9t3aiJBWFHrub.jpg","2001-11-01","5f12e096b87aec0034204687",{"adult":4,"backdrop_path":8,"genre_ids":225,"id":226,"title":227,"original_language":39,"original_title":227,"overview":228,"popularity":229,"poster_path":8,"release_date":230,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":231,"department":12,"job":57,"media_type":34},[],728139,"Lost Narcissus","A Paleolithic man discovers a mysterious black liquid gurgling from inside his cave. At first contact, he finds himself immersed in a transcendent journey of exploration.",0.597,"2004-01-01","5f2013dbc50ad20034b2707d",{"adult":4,"backdrop_path":8,"genre_ids":233,"id":234,"title":235,"original_language":39,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":240,"department":12,"job":57,"media_type":34},[],728465,"No One’s Rose","If I travel the world from East to West, would it be the same world that I travelled from West to East?",0.4875,"\u002FoUjIIEZh2GuT74VWZKQygauzwKP.jpg","2000-01-01","5f21691556b9f70039131579",{"adult":4,"backdrop_path":8,"genre_ids":242,"id":23,"title":24,"original_language":25,"original_title":26,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":9,"credit_id":243,"department":12,"job":57,"media_type":34},[21,22],"5f1d53f30bb0760035f496ad",{"adult":4,"backdrop_path":8,"genre_ids":245,"id":23,"title":24,"original_language":25,"original_title":26,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":9,"credit_id":246,"department":247,"job":248,"media_type":34},[21,22],"66edddabb348bea4eb3adbe9","Production","Producer",{"adult":4,"backdrop_path":8,"genre_ids":250,"id":23,"title":24,"original_language":25,"original_title":26,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":9,"credit_id":251,"department":72,"job":101,"media_type":34},[21,22],"66edde3e7300a5ba213adc3e",{"adult":4,"backdrop_path":253,"genre_ids":254,"id":255,"title":256,"original_language":64,"original_title":256,"overview":257,"popularity":258,"poster_path":8,"release_date":259,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":260,"department":12,"job":57,"media_type":34},"\u002FbAaBHS5ZNNXGFwpU6GvlHyBmlk3.jpg",[22],1465196,"Le jour est la nuit","Beyrouth, spring 2020. Is the uprising in Lebanon merely on hold?",0.5704,"2021-04-23","67feecf5d8b85eb782d9471b",{"adult":4,"backdrop_path":262,"genre_ids":263,"id":264,"title":265,"original_language":64,"original_title":265,"overview":266,"popularity":267,"poster_path":8,"release_date":259,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":268,"department":12,"job":57,"media_type":34},"\u002Fe5gXLfvZdMZZwsA2lfvOf08CVyJ.jpg",[22],1465200,"Maintenant","Yes, you have to scream louder.",0.813,"67feef1fef5ae687cbd98697",{"adult":4,"backdrop_path":270,"genre_ids":271,"id":272,"title":273,"original_language":64,"original_title":274,"overview":275,"popularity":276,"poster_path":277,"release_date":278,"softcore":4,"video":4,"vote_average":279,"vote_count":70,"credit_id":280,"department":12,"job":57,"media_type":34},"\u002FAp1qEz6StadN0vh2McBxIVsOPJ2.jpg",[22],1493175,"No Title","لا عنوان","\"Disaster ruins everything while leaving everything as it is,\" wrote Maurice Blanchot. \"Everything.\" From the southern districts of Beirut to southern Lebanon, a car winds its way through the devastated country. No title for such desolation.",0.8958,"\u002FrqTTFPjOKtvGBEk8AgD6AkklKpi.jpg","2025-07-10",7,"6841ae60f0064156c2ad93a1",{"adult":4,"backdrop_path":8,"genre_ids":282,"id":79,"title":80,"original_language":64,"original_title":81,"overview":82,"popularity":83,"poster_path":84,"release_date":85,"softcore":4,"video":4,"vote_average":86,"vote_count":87,"credit_id":283,"department":72,"job":101,"media_type":34},[61],"69e8ca7b8db0222c5023f6ac",{"adult":4,"backdrop_path":8,"genre_ids":285,"id":286,"title":287,"original_language":64,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":293,"department":12,"job":57,"media_type":34},[],1800792,"Noli me tangere","لا تلمسني","If the sun drowns in a sea of mist \u002F And a wave of darkness covers the world \u002F And sight vanishes from every eye and gaze \u002F And the path is lost among lines and circles \u002F You who wander, who searches, and who understand \u002F Have no guide but the eyes of words. The Egyptian poet Ahmed Fouad Negm wrote these lines in the early 1970s. Today, they are sung by a woman who stands with her back to the horizon. Noli me tangere is a journey in which personal history is inevitably disrupted by the course of history in Lebanon. It begins at the moment when the very idea of tomorrow suddenly loses all meaning.",0.7098,"\u002FoE1xMKaTWwPmQDf01VT3xKQabEx.jpg","2026-10-17","6ad62515047b6806898f794d",{"profiles":295},[296],{"aspect_ratio":297,"height":298,"iso_3166_1":8,"iso_639_1":8,"file_path":16,"vote_average":33,"vote_count":33,"width":299},0.667,450,300]