[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1206804:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":377},false,[],"Karlheinz Stockhausen was a German composer, acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is most known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.","1928-08-22","2007-12-05",2,"http:\u002F\u002Fwww.karlheinzstockhausen.org\u002F",1206804,"nm0830838","Sound","Karlheinz Stockhausen","Mödrath, Kerpen, Germany",0.6769,"\u002FpUCmDaVAzjSfkapFAFT7AwEMSqr.jpg",{"cast":19,"crew":216},[20,36,49,63,76,88,103,115,123,136,144,152,161,175,184,201],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":34,"order":9,"media_type":35},null,[23,24],99,10402,1081949,"The Seventh Door","hu","A documentary about the life and work of the Hungarian composer and conductor, Peter Eotvos.",0.9961,"\u002FsqasYloz8YV8RzsUDMuuVuUWB4v.jpg","1998-01-01",0,"Self","63dc542745765d00817cb53e","movie",{"adult":4,"backdrop_path":21,"genre_ids":37,"id":39,"title":40,"original_language":41,"original_title":42,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":47,"credit_id":48,"order":32,"media_type":35},[23,38,24],10770,1121998,"The Great Rehearsals: Momente","fr","Les grandes répétitions: Momente","Filmed during rehearsals for the premiere of Stockhausen's monumental work Momente. The revealing rehearsal sequences are interspersed with Stockhausen speaking of his youth, work process and the genesis and meaning of Momente.",1.5175,"\u002FpFduijoZrMhTStLSo2tLA5DCf0A.jpg","1966-05-25","Himself","6453ab17091e6200e4cd8a03",{"adult":4,"backdrop_path":50,"genre_ids":51,"id":52,"title":53,"original_language":54,"original_title":55,"overview":56,"popularity":57,"poster_path":58,"release_date":59,"softcore":4,"video":4,"vote_average":60,"vote_count":61,"character":47,"credit_id":62,"order":32,"media_type":35},"\u002Fgz9nx21J2du76fT5gJFmPtlDpdN.jpg",[23,24],74935,"Helicopter String Quartet","de","Helikopter Streichquartett","One morning, the late Karlheinz Stockhausen awoke from a dream that told him to take to the sky. Stockhausen envisioned four helicopters swirling in the clouds, with each of a quartet’s members tucked inside his own chopper, communicating through headsets, stringing away in sync to the rotor-blade motors. He immediately set forth to make that dream a reality. In 1995, Dutch film director Scheffer followed Stockhausen in the days leading up to the premiere performance of his Helicopter String Quartet in Amsterdam. The resulting film offers a rare glimpse of Stockhausen as he patiently dictates every agonizingly detailed measure to the Arditti Quartet.",1.5877,"\u002FsWTML4oZ7XWIyKpohNj9n02SAV5.jpg","1996-10-17",6,4,"52fe48e5c3a368484e110bc7",{"adult":4,"backdrop_path":64,"genre_ids":65,"id":66,"title":67,"original_language":68,"original_title":67,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":4,"video":4,"vote_average":73,"vote_count":74,"character":33,"credit_id":75,"order":32,"media_type":35},"\u002F2H49FifL1z4kynR1GlL6toPOIV8.jpg",[23,24],59138,"Modulations","en","Less a documentary than a primer on all electronic music. Featuring interviews with nearly every major player past and present, as well as a few energetic live clips, Modulations delves into one of electronica's forgotten facets: the human element. Lee travels the globe from the American Midwest to Europe to Japan to try to express the appeal of music often dismissed as soulless. Modulations shows that behind even the most foreign or alien electronic composition lies a real human being, and Lee lets many of these Frankenstein-like creators express and expound upon their personal philosophies and tech-heavy theories.  Lee understands that a cultural movement as massive and diverse as dance music can't be contained.",0.9591,"\u002F8GW6HXa8QQuhi2JiSXCzl7vj2s0.jpg","1998-09-18",7.2,18,"52fe4983c3a36847f819e135",{"adult":4,"backdrop_path":21,"genre_ids":77,"id":78,"title":79,"original_language":68,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":84,"vote_count":85,"character":33,"credit_id":86,"order":87,"media_type":35},[23,24],974260,"Frank Zappa: Peefeeyatko","For the past ten years Zappa in composing has turned away from Rock and Roll music - for which he first became famous - and has been working on new, contemporary, orchestral electronic music; in solitude and beyond any commercial conventions or commitments. It is the first time that Zappa has allowed a film crew to study him during compositional work, actually filming the first moments of a new compositional process. By contrast, in a staged interview Zappa gives comments on music. This film seeks to reveal the sensetivities of Zappa's personality and character also beyond narrative content.",1.1325,"\u002Fcktug7GeDkBKVL2pt6B66SX1vce.jpg","1991-01-01",8,1,"627aaa09eea34d0065706d9c",5,{"adult":4,"backdrop_path":89,"genre_ids":90,"id":92,"title":93,"original_language":54,"original_title":94,"overview":95,"popularity":96,"poster_path":97,"release_date":98,"softcore":4,"video":4,"vote_average":99,"vote_count":61,"character":100,"credit_id":101,"order":102,"media_type":35},"\u002FjSrrvuLdojuJDpoGOVygizvaOXV.jpg",[23,24,91,38],36,940885,"Electronic Vibrations: A Sound Changes the World","Electronic Vibrations – Ein Sound verändert die Welt","The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.",1.17,"\u002F8xgnK1SuOl5St9P8GVa2kGdLguN.jpg","2022-02-15",7,"Self - Composer (archive footage)","628529cd4975600067b4de27",12,{"adult":4,"backdrop_path":104,"genre_ids":105,"id":106,"title":107,"original_language":41,"original_title":107,"overview":108,"popularity":109,"poster_path":21,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":112,"character":113,"credit_id":114,"order":85,"media_type":35},"\u002Fwno0PzJdRrlzq862T4f7ayMYQrx.jpg",[23,24],317026,"Eldorado","Olivier Assayas’ Eldorado is a riveting documentary chronicling the efforts of Ballet Preljocaj to choreograph an otherworldly icon of 21st century music: Karlheinz Stockhausen’s ethereal Sonntags-Abschied.",1.4186,"2008-02-25",5.3,3,"","65aca6db158c8500ac1b9e29",{"adult":4,"backdrop_path":21,"genre_ids":116,"id":117,"title":118,"original_language":41,"original_title":118,"overview":113,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":99,"vote_count":85,"character":33,"credit_id":122,"order":102,"media_type":35},[23],1041253,"L'Infonie Inachevée",0.9973,"\u002FjbLl499pz4OjtF4mXkW48cekSm7.jpg","1974-03-29","635b6b22f12cf40082ef6e66",{"adult":4,"backdrop_path":124,"genre_ids":125,"id":127,"title":128,"original_language":68,"original_title":128,"overview":129,"popularity":130,"poster_path":131,"release_date":132,"softcore":4,"video":4,"vote_average":133,"vote_count":61,"character":33,"credit_id":134,"order":135,"media_type":35},"\u002FtZpvcNctxBIMTurICTWrSv1Dqso.jpg",[126,24,38,23],35,318657,"Good Morning, Mr. Orwell","In his book \"1984\", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).",1.6744,"\u002FiNhtbEfbqCkVZyQGFuyGHwRbvLS.jpg","1984-01-01",8.1,"578bac039251417b68008e79",15,{"adult":4,"backdrop_path":21,"genre_ids":137,"id":138,"title":139,"original_language":68,"original_title":139,"overview":140,"popularity":141,"poster_path":21,"release_date":142,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":113,"credit_id":143,"order":32,"media_type":35},[23,24],434453,"Stockhausen's Originale: Doubletakes","This fascinating film documents the U.S. premiere production of Originale, a Happening by German composer Karlheinz Stockhausen. Filmed at the \"2nd Annual Avant Garde Festival of New York,\" which was produced by Norman Seaman and Charlotte Moorman, the stage production was directed by Allan Kaprow. Performers include Nam June Paik, Moorman, Jackson Mac Low and Allen Ginsberg, among many others.",1.0301,"1964-01-01","58760cb492514179e2007300",{"adult":4,"backdrop_path":21,"genre_ids":145,"id":146,"title":147,"original_language":68,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":113,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":113,"credit_id":151,"order":32,"media_type":35},[],502473,"Lecture 1 - (Musical Forming)","Karlheinz Stockhausen (22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. Another critic calls him \"one of the great visionaries of 20th-century music\". He is known for his ground-breaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.  February 13th 1972 at the Institute of Contemporary Arts, London.  Excerpts from KONTRA-PUNKTE, GRUPPEN, GESANG DER JÜNGLINGE, ZEITMAßZE,\r ZYKLUS, KREUZSPIEL, MANTRA, CARRÉ",0.8536,"\u002FztDvsCeCgjTetfMHB31y4DvCG1v.jpg","5a741ba2c3a36859cc01b912",{"adult":4,"backdrop_path":21,"genre_ids":153,"id":154,"title":155,"original_language":54,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":113,"credit_id":160,"order":32,"media_type":35},[23,24],518287,"Mikrophonie I","Studio recording of Mikrophonie I with the Stockhausen-Ensemble. Short introduction by Stockhausen in French and German.",1.812,"\u002FeFykRZV3YXRzJcYzTNr37gqpn9a.jpg","1966-01-01","5ad346f30e0a266c3102800b",{"adult":4,"backdrop_path":162,"genre_ids":163,"id":165,"title":166,"original_language":68,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":172,"character":173,"credit_id":174,"order":9,"media_type":35},"\u002Fd8yQ2OFQn8z6BXjto3uNULVqOaD.jpg",[164],16,178522,"In Absentia","A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? \"Sweetheart, come.\"",0.6397,"\u002FuDHXwFNiojhO5CRN5EfkP5N9i43.jpg","2000-10-21",6.464,28,"Male voice","610d5f25931ea10046b2f969",{"adult":4,"backdrop_path":21,"genre_ids":176,"id":177,"title":178,"original_language":68,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":183,"order":9,"media_type":35},[23,24],590681,"Cornelius Cardew: 1936-1981","Assesses the contribution made by British avant-garde composer, Cornelius Cardew, to contemporary music. Includes interviews with Stockhausen and other composers, and extracts from Cardew's own works.",1.3311,"\u002FgCOv7ETr80679T7snCYeLF4yvpP.jpg","1986-01-01","689458962531881a38a32ab7",{"adult":4,"backdrop_path":185,"genre_ids":186,"id":188,"origin_country":189,"original_language":68,"original_name":191,"overview":192,"popularity":193,"poster_path":194,"first_air_date":195,"softcore":4,"name":191,"vote_average":196,"vote_count":197,"character":33,"credit_id":198,"episode_count":85,"first_credit_air_date":199,"media_type":200},"\u002FxJXG9XbRBKUfbPNehaW7Vnu2w5g.jpg",[187,23],10763,9505,[190],"GB","The Culture Show","A weekly BBC Two magazine programme focusing on the best of the week's arts and culture news, covering books, art, film, architecture and more.",12.1579,"\u002FhK9eOWb64rHforMWHaYFVd64ubg.jpg","2004-11-11",6.7,9,"65e60d33006b010186a38f0b","2005-10-27","tv",{"adult":4,"backdrop_path":202,"genre_ids":203,"id":205,"origin_country":206,"original_language":41,"original_name":208,"overview":209,"popularity":210,"poster_path":211,"first_air_date":212,"softcore":4,"name":208,"vote_average":213,"vote_count":61,"character":33,"credit_id":214,"episode_count":85,"first_credit_air_date":215,"media_type":200},"\u002Fwkmh7WClhfU7DQdti6lEFH0qLT3.jpg",[204],10767,30243,[207],"FR","Apostrophes","Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called \"Antenne 2\" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.",55.2019,"\u002F8sAKVFRZDoZa51a60BO24Pf6jnb.jpg","1975-01-10",8.5,"63b80fcc93bd69007a9c75c5","1979-11-30",[217,222,232,243,247,256,260,263,268,271,280,283,292,295,298,301,314,317,320,331,342,351,355,364],{"adult":4,"backdrop_path":50,"genre_ids":218,"id":52,"title":53,"original_language":54,"original_title":55,"overview":56,"popularity":57,"poster_path":58,"release_date":59,"softcore":4,"video":4,"vote_average":60,"vote_count":61,"credit_id":219,"department":220,"job":221,"media_type":35},[23,24],"52fe48e5c3a368484e110bc3","Writing","Musical",{"adult":4,"backdrop_path":21,"genre_ids":223,"id":224,"title":225,"original_language":68,"original_title":225,"overview":226,"popularity":227,"poster_path":21,"release_date":228,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":229,"department":230,"job":231,"media_type":35},[],1171505,"Michaels Reise um die Erde","The second act of Stockhausen's dramatic music work \"Donnerstag Aus Licht\" (Thursday from Light), which was the first composed entry of his 7-part, 29-hour opera cycle \"Licht\" (Light).",1.1022,"2009-08-10","64eea267e0ca7f010de2e514","Crew","Compositor",{"adult":4,"backdrop_path":233,"genre_ids":234,"id":235,"title":236,"original_language":54,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":241,"department":220,"job":242,"media_type":35},"\u002FaEiYHZzFwhPiYQSO4gs62K7V54k.jpg",[24],1167678,"Donnerstag aus Licht","Donnerstag was the first completed work of the gigantic seven-opera cycle Licht by German composer Karlheinz Stockhausen. Composed over a span of 25 years and lasting nearly 30 hours in total, the cycle offers up a wide-ranging, experimental take on theology, time, and the nature of the universe. In Donnerstag, the protagonist Michael comes to life in three different guises, played by a singer, a dancer, and a trumpeter as he passes from an impoverished childhood to an artistically successful adulthood and, finally, to the celestial realm as an archangel.",0.7242,"\u002Fx83rEC0P6MBGVgSWl8ewdHpf2MW.jpg","2021-01-01","64f2964acaa508014c8c6cf1","Writer",{"adult":4,"backdrop_path":233,"genre_ids":244,"id":235,"title":236,"original_language":54,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":245,"department":13,"job":246,"media_type":35},[24],"64f2964697a4e600fea970f5","Music",{"adult":4,"backdrop_path":21,"genre_ids":248,"id":249,"title":250,"original_language":54,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":255,"department":230,"job":231,"media_type":35},[],1173299,"Samstag aus Licht","Samstag aus Licht (Saturday from Light) is an opera by Karlheinz Stockhausen in a greeting and four scenes, and was the second of seven to be composed for the opera cycle Licht: die sieben Tage der Woche (Light: The Seven Days of the Week). It was written between 1981 and 1983, to a libretto written by the composer and incorporating a text by Saint Francis of Assisi.",0.8522,"\u002Fo1hofXTakMrB95SDXYEwGQ5s86D.jpg","2019-06-28","64f3feb29e4586013af8e7d5",{"adult":4,"backdrop_path":21,"genre_ids":257,"id":249,"title":250,"original_language":54,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":258,"department":13,"job":259,"media_type":35},[],"64f5fb3febb99d011e0b6af2","Original Music Composer",{"adult":4,"backdrop_path":21,"genre_ids":261,"id":249,"title":250,"original_language":54,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":262,"department":220,"job":242,"media_type":35},[],"64f5fb078e20c501049a1918",{"adult":4,"backdrop_path":162,"genre_ids":264,"id":165,"title":166,"original_language":68,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":172,"credit_id":265,"department":266,"job":267,"media_type":35},[164],"610d5f50ee43e8005e46b389","Production","Producer",{"adult":4,"backdrop_path":162,"genre_ids":269,"id":165,"title":166,"original_language":68,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":172,"credit_id":270,"department":13,"job":246,"media_type":35},[164],"610d5ee87719d7004579eb18",{"adult":4,"backdrop_path":21,"genre_ids":272,"id":273,"title":274,"original_language":68,"original_title":274,"overview":275,"popularity":276,"poster_path":277,"release_date":278,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":279,"department":230,"job":231,"media_type":35},[],1209125,"Dienstag aus Licht","Dienstag aus Licht (Tuesday from Light) is an opera by Karlheinz Stockhausen in a greeting and two acts, with a farewell, and was the fourth of seven to be completed for the opera cycle Licht: Die sieben Tage der Woche (Light: The Seven Days of the Week). It was begun in 1977 and completed from 1988 to 1991, to a libretto by the composer.  The main theme of Dienstag is the struggle between the protagonist Michael and his antagonist Lucifer (with the feminine character Eve appearing in a more tangential role, trying to broker a peace between them or mourning the carnage). The first Act portrays this competition in the form of a \"time game\", in which the two combatants employ humorous tactics and feints in orders to stop\u002Fstart time's march. This initial \"fight by proxy\" leads to the more direct 2nd (and final) Act, which portrays all-out war using mobile sound-warriors in an apocalyptic 3D sound environment.",0.6621,"\u002Fb0PiHU6sP0b4Svz0TMXn5C4QNIl.jpg","2021-10-24","655fd95a2b113d00ada2e428",{"adult":4,"backdrop_path":21,"genre_ids":281,"id":273,"title":274,"original_language":68,"original_title":274,"overview":275,"popularity":276,"poster_path":277,"release_date":278,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":282,"department":220,"job":242,"media_type":35},[],"655fd968efe37c013b2c3607",{"adult":4,"backdrop_path":21,"genre_ids":284,"id":285,"title":286,"original_language":68,"original_title":286,"overview":287,"popularity":288,"poster_path":289,"release_date":290,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":291,"department":220,"job":242,"media_type":35},[],1209131,"Freitag aus Licht","Freitag aus Licht (Friday from Light), the main body of which is also titled Freitag-Versuchung (Friday Temptation), is the fifth to be composed of the seven operas that comprise Licht (Light), by Karlheinz Stockhausen. It was the last of the operas to receive a staged production with the composer's involvement.  Freitag is the Day of Temptation, where the Licht antagonist Lucifer (here represented by the character \"Ludon\") attempts to lure the female protagonist Eve into bonding with his son, \"Caino\", and joining his revolution against Heaven (and the hero Michael).",0.7637,"\u002FIscOJejpdmbbgXsI9G2qEDoKJq.jpg","2022-11-15","655fdadda6c104011bdc6aa8",{"adult":4,"backdrop_path":21,"genre_ids":293,"id":285,"title":286,"original_language":68,"original_title":286,"overview":287,"popularity":288,"poster_path":289,"release_date":290,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":294,"department":230,"job":231,"media_type":35},[],"655fdacf2b113d012d01d6a3",{"adult":4,"backdrop_path":104,"genre_ids":296,"id":106,"title":107,"original_language":41,"original_title":107,"overview":108,"popularity":109,"poster_path":21,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":112,"credit_id":297,"department":13,"job":246,"media_type":35},[23,24],"65aca6eabd588b00ad94a77f",{"adult":4,"backdrop_path":21,"genre_ids":299,"id":138,"title":139,"original_language":68,"original_title":139,"overview":140,"popularity":141,"poster_path":21,"release_date":142,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"credit_id":300,"department":13,"job":246,"media_type":35},[23,24],"58760d20c3a3682b060060a1",{"adult":4,"backdrop_path":302,"genre_ids":303,"id":304,"title":305,"original_language":68,"original_title":305,"overview":306,"popularity":307,"poster_path":308,"release_date":309,"softcore":4,"video":4,"vote_average":310,"vote_count":311,"credit_id":312,"department":230,"job":313,"media_type":35},"\u002FuA5GfPzRU1vRVY7pDfqXQmjRTPI.jpg",[102,74],36040,"Walkabout","Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. 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In this twenty-nine hour musical work—focusing on the characters of Eve, Michael, and Lucifer—each opera corresponds to a day of the week, in turn associated with a planet. Sonntag, Day of the Sun, is the most dense and impressive score in the cycle. Premiered after the composer's death, the piece focuses on the mystical union of Eve and Michael, while exploring the concepts of space-time and the ‘spatialisation’ of sound. The brilliant staging of Le Balcon and Maxime Pascal, who also conducts the musicians of the Orchestre de Chambre de Paris, plunges us into an immersive experience where we can discover the captivating world of Karlheinz Stockhausen.",0.7124,"\u002F66FPy4Nhmjt0J2ULSlfSUV38bin.jpg","2023-11-16","69a4741c98d670e5d14186ef",{"adult":4,"backdrop_path":365,"genre_ids":366,"id":368,"origin_country":369,"original_language":371,"original_name":372,"overview":113,"popularity":373,"poster_path":374,"first_air_date":375,"softcore":4,"name":372,"vote_average":32,"vote_count":32,"credit_id":376,"department":13,"episode_count":112,"first_credit_air_date":375,"job":246,"media_type":200},"\u002FbxdIvFTDcXkqe8QUTnXnjAn9OTS.jpg",[23,367],10768,226524,[370],"NO","nb","Rapport fra \"Nr. 24\"",1.2737,"\u002F26zKXpTI5qaQBfTljC5PGhtMNbV.jpg","1994-04-08","6461d8506e0d72011eaae7f6",{"profiles":378},[379],{"aspect_ratio":380,"height":381,"iso_3166_1":21,"iso_639_1":21,"file_path":17,"vote_average":32,"vote_count":32,"width":382},0.667,3000,2000]