[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1198036:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":275},false,[],"Nina Danino was born in Gibraltar and studied Foundation and Painting at St. Martin’s School of Art (1973-1977) and Environmental Media at the Royal College of Art (1979-1981) London, where she used slide\u002Ftape and 16mm film.  In the multi-media, two screen work, First Memory (1980-1981) she combined the subjective voice and narrative with formal and structural approaches to the moving and still image as a means of enabling a feminine perspective.\n\nShe made 16mm experimental films in the ambit of the London Filmmakers’ Co-op. Her films 1981-1987 combined elliptical and observational narrative to inscribe and defer the representation of the woman. Her films 1990-1997 mix religious iconography with psychoanalysis as a discourse and the use of performative voice and song. Stabat Mater (1990) is considered a seminal film of the British avant-garde. Her films “lead us on journeys through altered states, religious experiences and emotional landscapes,sometimes to the edge of the representable” (Helen De Witt). In her film soundtracks she has collaborated with singers including New York experimental vocalist Shelley Hirsch in “Now I am yours” (1993) with Tuvan vocalist Sainkho Namtchylak and English soprano Catherine Bott in the landscape feature film Temenos (1997).\n\nHer work also returns to the ephemeral aspects of place and the Mediterranean geography. Meteorologies (2013) is a small book and audio work about weather and the memory of a disappeared place.\n\nHer recent works 2010-2016 are Communion (2010), a silent film portrait, shot on 35mm, black and white photographed by Billy Williams BSC. Jennifer (2015) is a feature-length documentary of an enclosed Carmelite nun in Spain and Sorelle Povere di Santa Chiara (2015-16) is single-channel video, 6-channel sound installation and a silent 16mm film made in collaboration with the enclosed monastic community of Sorelle Povere in Italy.\n\nHer films have been broadcast and screened at cinemas, festivals and museums worldwide. Visionary Landscapes, is an illustrated volume on her work by Black Dog Publishing (2005). “..and the figtrees in the Alameda gardens” is an essay on place and her films published by Mousse Publishing (2013).  Her body of work is in the collection of the British Film Institute National Film Archive.\n\nNina Danino has taken part in many conferences and talks on experimental film.  She was a member of the editorial collective of the journal Undercut (1982-1998) and is Co-editor of the Undercut Reader (2002). Her current research is in women’s experimental narrative film and on the material practices and the context of women’s experimental narrative film at the London Filmmakers’ Co-op.\n\nNina Danino lives and works in London. She is Reader in Fine Art at Goldsmiths, University of London.","1955-01-01",null,1,"http:\u002F\u002Fwww.ninadanino.co.uk\u002F",1198036,"nm1085202","Directing","Nina Danino","Gibraltar",0.4761,"\u002FhLweVod9Nb4uaIdEOz87cogEANj.jpg",{"cast":19,"crew":84},[20,36,45,56,66,76],{"adult":4,"backdrop_path":8,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"character":32,"credit_id":33,"order":34,"media_type":35},[22],99,511757,"\"Now I Am Yours\"","en","A film on Saint Teresa that leads us through an unnervingly authentic extreme state of religious and sexual ecstasy. With the central image of the statue of Saint Teresa of Avila in Rome, together with glimpses of colour-saturated flower gardens, the Crucifixion and Baroque plasterwork, we listen to the gulping and frenetically clipped voice of the ‘saint’ pouring out her rapturous lament, attempting to express the unsayable. The film’s soundtrack combines a spoken voice by Nina Danino and performed vocals by New York experimental singer Shelley Hirsch.",0.7304,"\u002F2008U9ghRnUIZAAqJ29CizJYdPR.jpg","1993-11-04",5,2,"","5aa95559c3a36839dd030a9e",0,"movie",{"adult":4,"backdrop_path":8,"genre_ids":37,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":30,"vote_count":9,"character":32,"credit_id":44,"order":34,"media_type":35},[22],511756,"Close to Home","Gibraltar as a real place – and an imagined geography and history. 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The Venice film is shot on 16mm. Venice at dawn is empty and a protagonist sits at the empty San Marco Piazza, it glides in a detached manner from the grand sights and facades and interiors of Palazzos into the backstreets.  In guilded interiors and painted ceilings, as the winter afternoon light weakens in a soporific atmosphere,  she lays in dark interiors with frescoes of Antiquity. Like the Risen, at twilight she walks the alleyways and into the dark to meet the Devil at dawn. Featuring the actor Pietro Fanelli – the Devil makes a fleeting but impactful appearance, the protagonist offers herself to his gaze and touch.",1.061,"\u002Fkh8eSmTZWMN03hBdlKPQr1oavUC.jpg","2026-06-01","Herself","6aa85b2e2b948fbb5369fc3d",{"adult":4,"backdrop_path":8,"genre_ids":77,"id":78,"title":79,"original_language":25,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":73,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":74,"credit_id":83,"order":9,"media_type":35},[],1770646,"Venice “All winter comes into my being” WINTER SONGS","Venice is empty, the protagonist walks from the grand sights and interiors into the backstreets, a figure at twilight walking the alley ways and into the dark night to meet the Devil at dawn. The film follows a path via the remnants of Romanticism and Charles Baudelaire’s The Flowers of Evil in search of beauty, opulence exotic pleasure and lovers, by Venice. It follows the bohemian idea of escapism as a form of radical resistance and as an act of sensuality in the Director’s own cinematic female gaze.",1.0797,"\u002FmgFYTQjoU0FrazfIK0nswni0p7r.jpg","6aa85ba87ef8e7e6f7c17063",[85,97,110,113,122,125,130,133,142,145,148,151,160,170,175,180,183,188,191,200,209,212,215,218,223,226,229,238,241,244,254,263,266,269,272],{"adult":4,"backdrop_path":86,"genre_ids":87,"id":88,"title":89,"original_language":25,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":4,"video":4,"vote_average":94,"vote_count":30,"credit_id":95,"department":13,"job":96,"media_type":35},"\u002FeaSUvwjBDRx6e7boQseTxmUtRVg.jpg",[22],213491,"Temenos","Temenos means a sacred site or ritual precinct. Temenos, the film, explores the phenomenon of visionary experiences. In the film we see locations where the Virgin Mary is said to have appeared, including Lourdes, Fatima and Medjugorje in Bosnia & Herzegovina where the visions continue. Nina Danino films the landscapes that have witnessed these transcendental appearances, imbuing them with a sense of the sacred.",0.7648,"\u002FcyfAgBI5X6rYySo9c0DHiW8vLls.jpg","1998-08-10",5.2,"52fe4dc6c3a368484e1fcf1d","Director",{"adult":4,"backdrop_path":8,"genre_ids":98,"id":99,"title":100,"original_language":25,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":106,"credit_id":107,"department":108,"job":109,"media_type":35},[22],429363,"Frida Kahlo & Tina Modotti","An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.",0.9422,"\u002FpEcnbqoiOAFDREyfxkbZUK0NcQD.jpg","1983-01-01",6.2,4,"58492d4d92514119c201142a","Editing","Editor",{"adult":4,"backdrop_path":8,"genre_ids":111,"id":58,"title":59,"original_language":25,"original_title":59,"overview":60,"popularity":61,"poster_path":62,"release_date":63,"softcore":4,"video":4,"vote_average":64,"vote_count":9,"credit_id":112,"department":13,"job":96,"media_type":35},[],"59629ba9c3a368265d0d7f58",{"adult":4,"backdrop_path":8,"genre_ids":114,"id":115,"title":116,"original_language":25,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":121,"department":13,"job":96,"media_type":35},[],1109721,"The Silence Is Baroque","The rough voices of men (from Pier Paolo Pasolini’s Accatone ) open the film soundtrack, they banter in Italian about taking flowers to the cemetery. Filmed in Granada and Seville during Holy Week. The soundtrack mixes a cacophony of the music of the marching bands recorded live on location, the ambience of the crowds and the sung laments.  The centre piece is The Silence, a totemic hyper realist effigy from the 17th century which processes at midnight in total silence along the streets where the lighting has been turned off.  After it passes, we cross over into the light and noise of a new day – where people throng the streets, sit in cafes and enjoy life. Popular devotion is expressed in death intertwined with the applause for life in the energy of the Baroque.",0.5598,"\u002F3b0DO6rdFvxWGym5VxSmo2INYTn.jpg","1997-01-01","642f1cb80e597b009c21dbf8",{"adult":4,"backdrop_path":8,"genre_ids":123,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":30,"vote_count":9,"credit_id":124,"department":108,"job":109,"media_type":35},[22],"5aac7e6dc3a36846b700937c",{"adult":4,"backdrop_path":8,"genre_ids":126,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"credit_id":127,"department":128,"job":129,"media_type":35},[22],"5aac8a940e0a26782d009b54","Writing","Writer",{"adult":4,"backdrop_path":8,"genre_ids":131,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":30,"vote_count":9,"credit_id":132,"department":128,"job":129,"media_type":35},[22],"5aac8b28c3a36846c90094e2",{"adult":4,"backdrop_path":8,"genre_ids":134,"id":135,"title":136,"original_language":25,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":141,"department":13,"job":96,"media_type":35},[22],512267,"Jennifer","The film unfolds the life of an enclosed monastery over the course of one day. It invites the audience into a world of enclosure which is rarely seen from the inside. It is a portrait of both the interior of the building and of Jennifer, a Carmelite nun.",1.1591,"\u002F6L3Nw3priXjCxLwFJgnRLux65m.jpg","2015-11-01","5aac8c680e0a26782700963f",{"adult":4,"backdrop_path":8,"genre_ids":143,"id":135,"title":136,"original_language":25,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":144,"department":128,"job":129,"media_type":35},[22],"5aac8db5c3a36846e400a199",{"adult":4,"backdrop_path":8,"genre_ids":146,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":30,"vote_count":9,"credit_id":147,"department":13,"job":96,"media_type":35},[22],"5aa954cc9251415e480337dd",{"adult":4,"backdrop_path":8,"genre_ids":149,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"credit_id":150,"department":13,"job":96,"media_type":35},[22],"5aa955629251415e3c0347b7",{"adult":4,"backdrop_path":8,"genre_ids":152,"id":153,"title":154,"original_language":25,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":159,"department":13,"job":96,"media_type":35},[],536585,"Sorelle Povere di Santa Chiara","A 16mm portrait in response to the idea of simplicity and poverty which is the guiding principle of the Poor Clares and their ‘hidden’ life.  Filmed in the enclosed Monastero di Santa Chiara, San Marino. The nuns spend the morning in the ‘laboratorio’ sewing, mending, ironing, in the kitchen preparing the midday meal and in the garden, tending to the animals and cultivation.",0.5884,"\u002F7QgNDBkusAhdIrtGuSlKTm1BFlM.jpg","2016-04-19","5b4fca2a0e0a264124000d90",{"adult":4,"backdrop_path":161,"genre_ids":162,"id":163,"title":164,"original_language":25,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":169,"department":13,"job":96,"media_type":35},"\u002FyQgOZ0iyetTTgnXF2WjntqfhDW4.jpg",[22],1154565,"Solitude","Readings from the poets Byron, Keats, Brontë, Tennyson, Coleridge and songs from the dark repertoire of the singer Nico with portraits from the films of Philippe Garrel circa 1975 and Andy Warhol’s The Chelsea Girls and swirling electronic music from Ash Ra Tempel and new electric guitar sound track by James Creed and tracks to the songs by Graham Dowdall aka Gagarin and ex of The Faction with new images of the River Thames put together in an elegy on iconicity, vocality, finitude and solitude.",1.0247,"\u002Fkck5hO0jZkbD3YrJXmX1FBueQ5w.jpg","2023-01-24","64ba653d3009aa013968632f",{"adult":4,"backdrop_path":161,"genre_ids":171,"id":163,"title":164,"original_language":25,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":172,"department":173,"job":174,"media_type":35},[22],"64ba66953009aa01396863d6","Production","Producer",{"adult":4,"backdrop_path":161,"genre_ids":176,"id":163,"title":164,"original_language":25,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":177,"department":178,"job":179,"media_type":35},[22],"64ba681c11386c00ae0f9669","Crew","Cinematography",{"adult":4,"backdrop_path":161,"genre_ids":181,"id":163,"title":164,"original_language":25,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":182,"department":108,"job":109,"media_type":35},[22],"64ba682306f984011b0d8008",{"adult":4,"backdrop_path":161,"genre_ids":184,"id":163,"title":164,"original_language":25,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":185,"department":186,"job":187,"media_type":35},[22],"64ba68f906f98400ac522465","Sound","Music",{"adult":4,"backdrop_path":86,"genre_ids":189,"id":88,"title":89,"original_language":25,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":4,"video":4,"vote_average":94,"vote_count":30,"credit_id":190,"department":128,"job":129,"media_type":35},[22],"5bc35b02c3a3682d47050883",{"adult":4,"backdrop_path":8,"genre_ids":192,"id":193,"title":194,"original_language":25,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":198,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":199,"department":13,"job":96,"media_type":35},[],554845,"Apparitions","Black and white Super 8 footage is combined with HD images of black and white photographs held in close up reflection, as thoughts and responses to these images are spoken live to the camera. The images are indices of disappearance as are the audio fragments of cinema films (La Dolce Vita 1960 and The Gospel According to St. Matthew 1964) from the same time as the photographs were taken.",1.1079,"\u002FiX7ANuuwfwsE6h9Pjj1sepyTsx7.jpg","2013-05-29","5bc8ac489251410a0601a954",{"adult":4,"backdrop_path":8,"genre_ids":201,"id":202,"title":203,"original_language":25,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":208,"department":13,"job":96,"media_type":35},[],554848,"Communion","A communion portrait of a young girl filmed and lit in the classic  style of 50s Hollywood and European classic cinema.",0.8671,"\u002Fr3KyfdRffk3vQ7OqXyNM3I7ltYj.jpg","2010-01-01","5bc8afaa92514109f3019533",{"adult":4,"backdrop_path":8,"genre_ids":210,"id":48,"title":49,"original_language":25,"original_title":49,"overview":50,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":211,"department":13,"job":96,"media_type":35},[22,47],"5d6876b71f33190012376bd6",{"adult":4,"backdrop_path":8,"genre_ids":213,"id":48,"title":49,"original_language":25,"original_title":49,"overview":50,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":214,"department":173,"job":174,"media_type":35},[22,47],"5d8e6ef1109cd0002140d5a6",{"adult":4,"backdrop_path":8,"genre_ids":216,"id":58,"title":59,"original_language":25,"original_title":59,"overview":60,"popularity":61,"poster_path":62,"release_date":63,"softcore":4,"video":4,"vote_average":64,"vote_count":9,"credit_id":217,"department":108,"job":109,"media_type":35},[],"677c5b1d4f9001dca972557a",{"adult":4,"backdrop_path":8,"genre_ids":219,"id":58,"title":59,"original_language":25,"original_title":59,"overview":60,"popularity":61,"poster_path":62,"release_date":63,"softcore":4,"video":4,"vote_average":64,"vote_count":9,"credit_id":220,"department":221,"job":222,"media_type":35},[],"677c5b2882cce15a76752ea8","Camera","Director of Photography",{"adult":4,"backdrop_path":8,"genre_ids":224,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"credit_id":225,"department":221,"job":222,"media_type":35},[22],"677c6605cf4d59c84f726582",{"adult":4,"backdrop_path":8,"genre_ids":227,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"credit_id":228,"department":108,"job":109,"media_type":35},[22],"677c660fec51791dfe669c28",{"adult":4,"backdrop_path":8,"genre_ids":230,"id":231,"title":232,"original_language":25,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":237,"department":13,"job":96,"media_type":35},[22],1440707,"MARIA","MARIA is Nina Danino’s 5th feature length film and a sister film to the recent SOLITUDE (2022) with Nico (Velvet Underground) as icon, screen and poet. 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