[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F119294:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":1513},false,[6,7],"아바스 키아로스타미","Kiarostami","Abbas Kiarostami (Persian: عباس کیارستمی [ʔæbˌbɒːs kijɒːɾostæˈmi] ; June 22, 1940 – July 4, 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up, and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.\n\nKiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and emphasized the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues.\n\nKiarostami had a reputation for using child protagonists, for documentary-style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works.\n\nDescription above from the Wikipedia article Abbas Kiarostami, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1940-06-22","2016-07-04",2,null,119294,"nm0452102","Directing","Abbas Kiarostami","Tehran, Iran",1.4721,"\u002FrTlz5ciu41FxyVuXA82a3tSYVZ8.jpg",{"cast":21,"crew":536},[22,37,51,68,79,90,102,116,128,140,150,162,176,188,199,209,216,227,237,247,257,268,278,289,298,306,316,326,337,347,357,369,381,391,402,411,421,430,439,449,456,468,481,492,503,511,524],{"adult":4,"backdrop_path":12,"genre_ids":23,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":34,"credit_id":35,"order":33,"media_type":36},[24,25],99,10770,872499,"On the Road with Kiarostami","en","Abbas Kiarostami is the most acclaimed Iranian film director whose films have won prizes all around the world. In this film he gives a rare and frank interview about his work, and journeys out of Tehran to meet Babk Ahmadpoor the now grown up star of his famous trilogy which started with Where is the Friends House. On the journey Kiarostami picks up the camera himself, producing images of pure poetry.",1.1393,"\u002FpExQfoBfSpXY3grs5TwRkEwYI4X.jpg","2005-05-01",0,"Himself","613a47b1c68b690044a5f8b4","movie",{"adult":4,"backdrop_path":38,"genre_ids":39,"id":40,"title":41,"original_language":42,"original_title":43,"overview":44,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":48,"credit_id":49,"order":50,"media_type":36},"\u002Fc36tI4woZFlq78vcxpn9W6Sid8a.jpg",[24],879188,"Leech","fa","زالو","Leeches a film by bahman kiarostami",0.9629,"\u002F1v3n95rwpapAqD361J7A2cRddpC.jpg","2021-09-26","himself (voice)","6154b362af58cb00905a1229",1,{"adult":4,"backdrop_path":52,"genre_ids":53,"id":56,"title":57,"original_language":42,"original_title":58,"overview":59,"popularity":60,"poster_path":61,"release_date":62,"softcore":4,"video":4,"vote_average":63,"vote_count":64,"character":65,"credit_id":66,"order":67,"media_type":36},"\u002F3t1qZqP1e17wQshpPKSqII1OogM.jpg",[54,55],80,18,30017,"Close-Up","کلوزآپ ، نمای نزدیک","This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.",3.1871,"\u002Fm9HG2N9ZKCmNN9qOHJTNyy18wn3.jpg","1990-05-09",7.97,470,"Self","52fe43f49251416c91000289",17,{"adult":4,"backdrop_path":12,"genre_ids":69,"id":70,"title":71,"original_language":42,"original_title":72,"overview":73,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":77,"credit_id":78,"order":33,"media_type":36},[24],882336,"Kiarostami in Close up","در نزدیکی کیارستمی","A documentary that focuses on Abbas Kiarostami's cinematic philosophy talking to himself and other figures, and also seeks the opinion about his works both inside and outside his homeland.",2.0432,"\u002Fa1xiEAkqn3wI1W3JTJ9QSPD1xhn.jpg","2000-01-01","as Self","6160001cc3aa3f00678dca7e",{"adult":4,"backdrop_path":12,"genre_ids":80,"id":81,"title":82,"original_language":83,"original_title":84,"overview":82,"popularity":85,"poster_path":86,"release_date":87,"softcore":4,"video":4,"vote_average":88,"vote_count":50,"character":65,"credit_id":89,"order":33,"media_type":36},[24],918868,"10 Days with Kiarostami","it","10 jours avec Kiarostami",2.6,"\u002Ftz4A5xMjiM4x7yNrk9xG6mPygtJ.jpg","2005-06-03",3,"61c31d707eb5f2001b9b02a4",{"adult":4,"backdrop_path":12,"genre_ids":91,"id":92,"title":93,"original_language":42,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":88,"character":99,"credit_id":100,"order":101,"media_type":36},[24],43762,"Ahmad Shamlou: Master Poet of Liberty","A documentary about the most important modern Iranian poet and intellectual icon. Iranian poet Ahmad Shamlou talks about his poetry, the world of poetry, and his life. Filmed over a two year period from 1996 to 1998.",1.5113,"\u002F33CESikVvyxsLyUBKywPyi9oxJa.jpg","1999-01-01",7.7,"self","61c33705a93d25008b7e38f8",4,{"adult":4,"backdrop_path":103,"genre_ids":104,"id":105,"title":106,"original_language":42,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":112,"vote_count":113,"character":114,"credit_id":115,"order":67,"media_type":36},"\u002F4BIIX7qiKYYJSm4cWTB2dHfCwZE.jpg",[55],47104,"Through the Olive Trees","زیر درختان زیتون","When the actor in a scene for his film Life And Nothing More… has to quit, a film director casts another man for the part. However, complications arise since the man and the woman who was cast for the scene know each other.",6.0665,"\u002F6YTFB34QqK06OBm5GDOsnROsNUo.jpg","1994-12-02",7.4,221,"Self (uncredited)","621942fe8d2f8d0042a3a4ff",{"adult":4,"backdrop_path":117,"genre_ids":118,"id":119,"title":120,"original_language":42,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":126,"character":65,"credit_id":127,"order":33,"media_type":36},"\u002F5Gaz3b9ufYfz9Bn7ZlkTw4mgKCT.jpg",[24],121102,"10 on Ten","\"10 on Ten\" is a 2004 Iranian documentary film directed by Abbas Kiarostami. It was screened in the Un Certain Regard section at the 2004 Cannes Film Festival. Looking to his own art for inspiration, Abbas Kiarostami reflects on his techniques of filming and how he taped certain sequences in \"Ten\" in 2001.",0.9235,"\u002FzBrJBUo0XwmAq5BpfRjvfUbPVje.jpg","2004-05-26",6.3,10,"52fe4a5ac3a368484e14e7db",{"adult":4,"backdrop_path":129,"genre_ids":130,"id":131,"title":132,"original_language":28,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":4,"video":4,"vote_average":137,"vote_count":138,"character":65,"credit_id":139,"order":33,"media_type":36},"\u002FcFH3ISxrOFiSAZVJ3a3MKP83nf.jpg",[24],143219,"A Walk with Kiarostami","U.S.-based film professor Jamsheed Akrami talks to Iranian master Abbas Kiarostami in an inpromptu video interview, which offers a frank and funny view of Kiarostami rarely seen before.",1.3137,"\u002FyyKb8ajYeBmTS9iBJBoz6ZfJJ8d.jpg","2003-11-22",5.6,5,"52fe4b009251416c750f519d",{"adult":4,"backdrop_path":12,"genre_ids":141,"id":142,"title":143,"original_language":42,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":65,"credit_id":149,"order":33,"media_type":36},[24],959504,"In Praise of the Seventy Years Old","در ستایش هفتاد سالگی","This interview-based documentary is made on the occasion of the 70th birthday of Aydin Aghdashloo, Mohammad Ehsaei and Abbas Kiarostami, and deals with \"aging\" from the point of view of these three prominent friends and artists.",1.0171,"\u002FqWuQwtqsqA8yZHCI1VO7JmDNz26.jpg","2010-01-01","624db83072a2c900530679f8",{"adult":4,"backdrop_path":151,"genre_ids":152,"id":153,"title":154,"original_language":28,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":4,"video":4,"vote_average":159,"vote_count":160,"character":65,"credit_id":161,"order":101,"media_type":36},"\u002FdPO2T03Kon37GXxudIhwZOBVDmP.jpg",[25,24],257624,"Chaplin Today: The Kid","This documentary is featured on the two-disc Chaplin Collection DVD for \"The Kid\" (1921), released in 2004.",1.4033,"\u002F8LFNhJVkL2cFoI97o5AlUptxEo0.jpg","2003-03-02",6,11,"531293939251410fe6003792",{"adult":4,"backdrop_path":163,"genre_ids":164,"id":165,"title":166,"original_language":167,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":174,"character":65,"credit_id":175,"order":159,"media_type":36},"\u002FosHNPceLXB1Nsw4CpeSd0VFr8lX.jpg",[24],260066,"Kurosawa's Way","fr","Kurosawa, la voie","Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.",2.82,"\u002Fi3JGehaVvbGjm8dlZYDyn9CXcsC.jpg","2011-05-13",5.8,13,"538a37540e0a2605f5000581",{"adult":4,"backdrop_path":177,"genre_ids":178,"id":179,"title":180,"original_language":28,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":4,"video":4,"vote_average":185,"vote_count":186,"character":65,"credit_id":187,"order":33,"media_type":36},"\u002F4BwYPxrnnz3cijY6lYViCTFvklK.jpg",[24],117404,"ABC Africa","Abbas Kiarostami shoots a documentary about the AIDS crisis in Uganda.",1.1991,"\u002FmRtbkFt1bXNrlYMC3OJWYX4IYht.jpg","2001-10-24",4.8,25,"62d78e790a517c00670af84a",{"adult":4,"backdrop_path":12,"genre_ids":189,"id":190,"title":191,"original_language":192,"original_title":191,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":4,"video":4,"vote_average":101,"vote_count":50,"character":197,"credit_id":198,"order":33,"media_type":36},[],798357,"The Poetry of Cinema: Abbas Kiarostami in Conversation with Richard Peña","nl","Onstage interview with filmmaker Abbas Kiarostami and Richard Richard Peña",1.0733,"\u002FbOeXGstMSuo46WlA3iXw31L8WiH.jpg","2014-07-22","","657ebc618f26bc37be751ab9",{"adult":4,"backdrop_path":200,"genre_ids":201,"id":202,"title":203,"original_language":42,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":34,"credit_id":208,"order":33,"media_type":36},"\u002FeW1PEXnbnJYuPcllEmlsWF8ax2d.jpg",[24],306492,"Taste of Shirin","A short documentary about the making of Abbas Kiarostami's 'Shirin'.",0.774,"\u002F6fPnF1OuaYhukcZB64G7WIuZE22.jpg","2008-12-12","547677309251416136000aa8",{"adult":4,"backdrop_path":12,"genre_ids":210,"id":211,"title":212,"original_language":42,"original_title":212,"overview":197,"popularity":213,"poster_path":12,"release_date":214,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":65,"credit_id":215,"order":33,"media_type":36},[24],1039215,"Sohanak",0.7936,"1997-01-01","63559041385202007dd0fef4",{"adult":4,"backdrop_path":12,"genre_ids":217,"id":219,"title":220,"original_language":221,"original_title":220,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":4,"video":4,"vote_average":126,"vote_count":50,"character":16,"credit_id":226,"order":33,"media_type":36},[218],35,1255334,"TropiAbbas","pt","An Iranian filmmaker, a female taxi driver and a class a about cinema.",1.6238,"\u002FgeKA6R0fMQ55KUEI3XNWenLuSug.jpg","2005-01-01","65e8cff5cb5c8e01867e7ba4",{"adult":4,"backdrop_path":12,"genre_ids":228,"id":229,"title":230,"original_language":28,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":159,"vote_count":235,"character":65,"credit_id":236,"order":159,"media_type":36},[24],85924,"Guest","Filmmaker José Luis Guerin documents his experience during a year of traveling as a guest of film festivals to present his previous film. What emerges is a wonderfully humane and sincere portrayal of the people that he meets when he goes off the beaten track in some of the world's major cities.",2.1042,"\u002FzlJ6QIJ6HHY5OxdbFFzUfvDzDLr.jpg","2011-03-25",8,"65fe4a5f459ad60187f7a880",{"adult":4,"backdrop_path":12,"genre_ids":238,"id":239,"title":240,"original_language":28,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":138,"vote_count":11,"character":197,"credit_id":246,"order":50,"media_type":36},[24],377522,"Journey to the Land of the Traveler","سفری به دیار مسافر","Twenty years after The Traveler was made, Kiarostami's son filmed his father as he reunited with the film's child star, now in his 30s.",0.6689,"\u002Fhja56xJI6cwdgKDws6LaV2UOgPg.jpg","2004-03-18","569832369251412540000c5d",{"adult":4,"backdrop_path":12,"genre_ids":248,"id":249,"title":250,"original_language":42,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":214,"softcore":4,"video":4,"vote_average":255,"vote_count":50,"character":65,"credit_id":256,"order":33,"media_type":36},[24],730031,"Project","طرح","A thirty-nine minute sketch film for TASTE OF CHERRY that Abbas Kiarostani made with his son Bahman Kiarostami.",0.6831,"\u002F9PE0edHImx6NFLa4naUnqWfCyLe.jpg",7.5,"665b1edc5c7e19e23b2ffa07",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":260,"title":261,"original_language":28,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":266,"vote_count":138,"character":65,"credit_id":267,"order":33,"media_type":36},"\u002F4oiwqSKnbP8B8AO6UgE3FYU4Nn6.jpg",[24],405848,"Abbas Kiarostami: The Art of Living","Through an interview with Kiarostami in the Aran Islands and interviews with film critics and scholars at Cannes, the director examines Kiarostami's themes and methods. The director also profiles Kiarostami as a poet and a photographer.",1.0998,"\u002F5DRRcdDfLnkEZWfSydUO4v2XsRd.jpg","2003-01-01",7,"57830df29251417136004114",{"adult":4,"backdrop_path":12,"genre_ids":269,"id":270,"title":271,"original_language":42,"original_title":272,"overview":273,"popularity":274,"poster_path":275,"release_date":276,"softcore":4,"video":4,"vote_average":185,"vote_count":101,"character":65,"credit_id":277,"order":33,"media_type":36},[24],408525,"Abbas Kiarostami: A Report","عباس کیارستمی: یک گزارش","A look at the formation of the career of Iranian filmmaker Abbas Kiarostami.",1.6999,"\u002FesApey5JLMLzbwnTR6yhL5G9aUr.jpg","2013-01-01","579a5dbec3a3687e53000026",{"adult":4,"backdrop_path":279,"genre_ids":280,"id":281,"title":282,"original_language":42,"original_title":282,"overview":283,"popularity":284,"poster_path":285,"release_date":286,"softcore":4,"video":4,"vote_average":287,"vote_count":159,"character":34,"credit_id":288,"order":33,"media_type":36},"\u002Fnp2ODR1xTxqqrcEf5gcPo4kI2ff.jpg",[24],416446,"76 Minutes and 15 seconds with Abbas Kiarostami","Kiarostami as we have never really known him before, despite the transformative power of his many movies. Filmmaker and close friend Samadian avoids the talking heads of so many artistic memoirs to offer more candid clips of Kiarostami the man: lover of poetry, convivial with friends, engaging landscapes on and off screen, laughing with other artists. The artist and visionary emerges more clearly but so does a loving, wondrous man whom we will miss now as much as the auteur.",1.1401,"\u002FjO6h5pw08Sm4gD3U92Wq48PpTqS.jpg","2016-08-31",6.8,"57dd8b45c3a368142c0010d7",{"adult":4,"backdrop_path":290,"genre_ids":291,"id":292,"title":293,"original_language":83,"original_title":293,"overview":294,"popularity":295,"poster_path":296,"release_date":148,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":65,"credit_id":297,"order":33,"media_type":36},"\u002FaoPUZJ3hIAR5ej3uibmTVbW50Fq.jpg",[24],434524,"Let's See Copia Conforme","A behind-the-scenes documentary on the making of Abbas Kiarostami’s \"Certified Copy\" (2010).",1.3091,"\u002FpAxdQHI60G8qG0i5TAHVbwvSctd.jpg","5876a621c3a3682d2b001bdc",{"adult":4,"backdrop_path":12,"genre_ids":299,"id":300,"title":301,"original_language":302,"original_title":301,"overview":197,"popularity":303,"poster_path":304,"release_date":197,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":16,"credit_id":305,"order":33,"media_type":36},[24],1338543,"Taste Of Shirin : Making of Abbas Kiarostami's 'Shirin'","es",0.8887,"\u002Fqs4T446pBwyVICFpaI6ASbqYMdo.jpg","66ca545ece4615db701d4665",{"adult":4,"backdrop_path":12,"genre_ids":307,"id":308,"title":309,"original_language":167,"original_title":310,"overview":311,"popularity":312,"poster_path":313,"release_date":314,"softcore":4,"video":4,"vote_average":266,"vote_count":11,"character":65,"credit_id":315,"order":33,"media_type":36},[24],443327,"Abbas Kiarostami: Truths and Dreams","Abbas Kiarostami - Vérités et songes","A documentary about Iranian film director Abbas Kiarostami first aired on the French television series Cinema de Notre Temps.",1.3309,"\u002Fh6HfoAlD60TtBP68ACNoyQnOFYt.jpg","1994-11-28","58aeef99c3a36835560070db",{"adult":4,"backdrop_path":12,"genre_ids":317,"id":318,"title":319,"original_language":28,"original_title":319,"overview":320,"popularity":321,"poster_path":322,"release_date":323,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":324,"credit_id":325,"order":33,"media_type":36},[24],479285,"Making of 'Like Someone in Love'","Documentary with behind-the-scenes footage on the set of Abbas Kiarostomi's 2012 film \"Like Someone in Love\" with narration by the director.",1.3312,"\u002F8VqSHa7hEcpqdi2MXZaH2fB8kDk.jpg","2012-10-01","Narrator","59d2bc0f92514140af0009dd",{"adult":4,"backdrop_path":327,"genre_ids":328,"id":329,"title":330,"original_language":28,"original_title":330,"overview":331,"popularity":332,"poster_path":333,"release_date":334,"softcore":4,"video":4,"vote_average":335,"vote_count":186,"character":65,"credit_id":336,"order":159,"media_type":36},"\u002FpmmPUfLIGa80TFJd8bDSz9SDGzY.jpg",[24],219292,"What Is Cinema?","Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and others do that can't be expressed in words - but only in cinema.",1.6935,"\u002Fa7lscT93aGgvD6W5Po7dTVLdv19.jpg","2013-09-06",6.4,"5c51292c92514151a95c2051",{"adult":4,"backdrop_path":12,"genre_ids":338,"id":339,"title":340,"original_language":42,"original_title":341,"overview":342,"popularity":343,"poster_path":344,"release_date":345,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":65,"credit_id":346,"order":33,"media_type":36},[24],587592,"Print","پرینت","A short documentary from footage of the making of Kiarostami's 2017 film 24 FRAMES.",1.0909,"\u002FhhuontOJJU0cqyR4IV2IhbRHrkG.jpg","2019-01-08","5c870fdfc3a368331bd1503b",{"adult":4,"backdrop_path":348,"genre_ids":349,"id":350,"title":351,"original_language":42,"original_title":351,"overview":352,"popularity":353,"poster_path":354,"release_date":355,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":65,"credit_id":356,"order":33,"media_type":36},"\u002Fba5kzHO8wfB8JdItzNK1I8nDeh9.jpg",[],601603,"Behind the Scenes of 'Under the Olive Trees'","A documentary by Hamideh Sharif Rad about Abbas Kiarostami's \"Through the Olive Trees\" (1994).",1.0793,"\u002FqyL6RlI3b7mGaN3HyxAW2uozCn9.jpg","1994-12-31","5cd60c820e0a262e06cac937",{"adult":4,"backdrop_path":358,"genre_ids":359,"id":360,"title":361,"original_language":42,"original_title":362,"overview":363,"popularity":364,"poster_path":365,"release_date":366,"softcore":4,"video":4,"vote_average":159,"vote_count":367,"character":65,"credit_id":368,"order":33,"media_type":36},"\u002F9XuROG3VwQYuKdErzOipOviaVCn.jpg",[24],181091,"Roads of Kiarostami","جاده‌ها","Static shots of his photos alternate with footage of director Abbas Kiarostami's car winding through mountain roads, as the Iranian filmmaker muses in voice-over on the significance of the journey and on the path of his work and Persian literature as a whole.",0.8012,"\u002FbkJVNssRr6kKdQqvx3K8PJ5xFc0.jpg","2006-08-05",9,"5d1e60a3a13533000f0ad0bb",{"adult":4,"backdrop_path":370,"genre_ids":371,"id":372,"title":373,"original_language":42,"original_title":374,"overview":375,"popularity":376,"poster_path":377,"release_date":378,"softcore":4,"video":4,"vote_average":255,"vote_count":379,"character":114,"credit_id":380,"order":88,"media_type":36},"\u002Fu5C1idyRNKs4m0MS3fkgzOh0WRu.jpg",[24],145075,"Homework","مشق شب","Young male students at a local Iranian school are asked about their feelings on homework.",1.5784,"\u002F4fEGbifqB9rwN5LYiCjEMeIfLxZ.jpg","1989-01-01",45,"5e19b1d16f43ec001662be47",{"adult":4,"backdrop_path":382,"genre_ids":383,"id":384,"title":385,"original_language":302,"original_title":385,"overview":386,"popularity":387,"poster_path":388,"release_date":389,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":34,"credit_id":390,"order":33,"media_type":36},"\u002FmeeH3kf9boKynrBqJMSycPmwDSc.jpg",[55],668059,"Vida","Acclaimed Iranian film director Abbas Kiarostami, delivers a film workshop in Bogotá, the filmmakers conclude by proposing a short film in 10 days. Diego, one of the directors of the workshop, as scouting, meets a young shy librarian named Vida , who dreams of being an actress.",1.5143,"\u002FtXR9jdJnSZgS6ATT2dYT0nZ1RjO.jpg","2014-11-20","5e32134b98f1f10018ffef40",{"adult":4,"backdrop_path":392,"genre_ids":393,"id":394,"title":395,"original_language":42,"original_title":395,"overview":396,"popularity":397,"poster_path":398,"release_date":399,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":400,"credit_id":401,"order":33,"media_type":36},"\u002F7qpi5REPaaGzkLunFWWYgpQLhXq.jpg",[24],675913,"Abbas Kiarostami: Leçon de cinéma","Abbas Kiarostami about the making of \"The Wind Will Carry Us\"",0.971,"\u002FtCWS36RaNYZ1tJ9Dz6px6pTKvUf.jpg","2002-01-01","(himself)","5e51b131be7f35001572d48c",{"adult":4,"backdrop_path":12,"genre_ids":403,"id":404,"title":405,"original_language":28,"original_title":405,"overview":406,"popularity":407,"poster_path":408,"release_date":225,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":409,"credit_id":410,"order":33,"media_type":36},[24],422351,"Around Five","Abbas Kiarostami on his film Five Dedicated to Ozu.",1.2627,"\u002FmHIAlhtt96WUDBx2npRYV3rvGxP.jpg","himself","5ec986c48e2e0000212906ee",{"adult":4,"backdrop_path":12,"genre_ids":412,"id":413,"title":414,"original_language":302,"original_title":415,"overview":416,"popularity":417,"poster_path":418,"release_date":419,"softcore":4,"video":4,"vote_average":255,"vote_count":101,"character":409,"credit_id":420,"order":33,"media_type":36},[24],537417,"Víctor Erice – Abbas Kiarostami: Correspondences","Víctor Erice – Abbas Kiarostami: Correspondencias","Relationships and multiple influences between two great directors of modern cinema.",1.0719,"\u002FsSs9DltVSiEWjlqMd3Vl3qBjiib.jpg","2007-05-05","5ec98648140bad001d1dd187",{"adult":4,"backdrop_path":12,"genre_ids":422,"id":423,"title":424,"original_language":28,"original_title":424,"overview":425,"popularity":426,"poster_path":427,"release_date":428,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":409,"credit_id":429,"order":33,"media_type":36},[24],461033,"A Week With Kiarostami","Mohara Yuji's documentary A Week with Kiarostami, filmed on the set of The Wind Will Carry Us. A photographic diary, the film plunges us into the beating heart of a shoot whose story plays out to the rhythm of the relationships between actors and local people.  A team led by Yuji Mohara traveled to Iran to a portrait of the Iranian filmmaker Abbas Kiarostam. Mohara met Kiarostami in a village on the set of Kiarostami's The Wind Will Carry Us. A Week with Kiarostami is a cinematic diary of the set, and opened the door to the world of this poetic and mysterious director. Seven days which allow us to this corner of Iran to discover, and the way in which Kiarostami these dreams; seven chronicles we do pay up in the beating heart of a rotation whose story the rhythm of the relationships between the actors and villagers follows.",0.8839,"\u002FAT8Dmz8Ydcwf1fyS0Z93woLnFV.jpg","1999-11-01","5ec98675d7fbda001fbc8e08",{"adult":4,"backdrop_path":12,"genre_ids":431,"id":432,"title":433,"original_language":42,"original_title":434,"overview":435,"popularity":436,"poster_path":437,"release_date":225,"softcore":4,"video":4,"vote_average":138,"vote_count":50,"character":34,"credit_id":438,"order":50,"media_type":36},[24],865288,"A Good Time for Tragedy","وقت خوب مصائب","A documentary dealing with the life of Ahmadreza Ahmadi, an Iranian Poet.",1.2085,"\u002F3eb91SbyF660il5VwJ3LdjURzGN.jpg","612559f731644b005cf6d39d",{"adult":4,"backdrop_path":440,"genre_ids":441,"id":442,"title":443,"original_language":28,"original_title":443,"overview":444,"popularity":445,"poster_path":446,"release_date":447,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":197,"credit_id":448,"order":33,"media_type":36},"\u002F3tMebxNYe9vX9erQkH9DHXjYG6V.jpg",[],866048,"The Mirror of Possible Worlds: Kiarostami on Aran","“Nature, the inexhaustible resource of encounters worthy of speechless communication,” declares Abbas Kiarostami in Fergus Daly’s beautiful journey. How can cinema free itself of its anthropocentric and industrial determinations? Each of the films presented here offers a solution, be it iconographic or technical, whether it involves renewing a representation or producing one’s own film reels, dancing with one’s whole body with nature as one’s partner or imagining a sound as animals might perceive it.",0.8184,"\u002F2kKBmeIjiRfyFoQrPzgmAWkLtbe.jpg","2020-11-04","6127eb77c175b20043d6321f",{"adult":4,"backdrop_path":12,"genre_ids":450,"id":451,"title":452,"original_language":167,"original_title":452,"overview":197,"popularity":453,"poster_path":12,"release_date":454,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":197,"credit_id":455,"order":33,"media_type":36},[],1435144,"Abbas Kiarostami commente son film",0.9296,"2001-01-01","67b1f4fe8127362af76dc1ab",{"adult":4,"backdrop_path":12,"genre_ids":457,"id":458,"title":459,"original_language":42,"original_title":460,"overview":461,"popularity":462,"poster_path":463,"release_date":464,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":465,"credit_id":466,"order":467,"media_type":36},[24],1486411,"Bukhara Chronicles","وقایع‌نگاری بخارا","Ali Dehbashi, the editor-in-chief of Bukhara Magazine, is forced to vacate his rented office. While struggling with asthma and the pressure of publishing a special issue dedicated to Ferdowsi, he continues to honor artists and visit ailing cultural figures. Homeless and unwell, his devotion to Iran’s literary legacy keeps him going.",1.1657,"\u002FrbRh17tJPslddqPM9J8cTjslOrw.jpg","2025-06-07","voice","6830f938b457cf5dd10547aa",19,{"adult":4,"backdrop_path":469,"genre_ids":470,"id":471,"title":472,"original_language":42,"original_title":473,"overview":474,"popularity":475,"poster_path":476,"release_date":477,"softcore":4,"video":4,"vote_average":335,"vote_count":478,"character":479,"credit_id":480,"order":11,"media_type":36},"\u002F6mQDE47y6UIsb9b8W5dJONxtIA5.jpg",[24],143220,"Close-Up Long Shot","کلوزآپ نمای دور","Hossain Sabzian and some of his associates discuss his character, his life-long obsession with cinema and his attitude towards the film he starred in, \"Close-Up\" (1990).",1.4347,"\u002F3j2E0V46B1mTz9WfE1AYpFyZLuE.jpg","1996-11-15",14,"Self (archive footage)","6897a2c80022c5c7938ea787",{"adult":4,"backdrop_path":482,"genre_ids":483,"id":484,"title":485,"original_language":42,"original_title":486,"overview":487,"popularity":488,"poster_path":489,"release_date":490,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":197,"credit_id":491,"order":33,"media_type":36},"\u002FfkU3iH3Sgpo6m8cBB3xFjI2x1Ea.jpg",[],1725570,"You are not alone","شما تنها نیستید","You Are Not Alone weaves together fragments of Taste of Cherry, Project, and footage from Abbas Kiarostami’s gravesite, reflecting on memory, mourning, and the enduring mystery of his absence.",0.634,"\u002F3zdXatAWqfXF9zy5v80gwa6VH9F.jpg","2017-06-15","6a483e6cffc28e8cf6280b43",{"adult":4,"backdrop_path":493,"genre_ids":494,"id":495,"title":496,"original_language":42,"original_title":497,"overview":498,"popularity":499,"poster_path":500,"release_date":501,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":65,"credit_id":502,"order":33,"media_type":36},"\u002F4IWjXZQVmp26lTSJYGoMZkjZ4fb.jpg",[24],1759801,"On the Road with Abbas Kiarostami","در جاده با عباس کیارستمی","For 25 years, Samadian traveled with Kiarostami and recorded their journeys. He now turns that footage into a film in the spirit of Kiarostami's own films, arranging within it the secret keys to the beauty and mystery of his films. Ten stories, ten journeys unfold, using the ‘car’ and the ‘road’ as motifs. What does it mean to be on the road with Kiarostami?",1.124,"\u002Fbx6Yh4skrap5X6nFHjUzpR7lTHw.jpg","2026-10-10","6a9633d9af868ec6a7c8580f",{"adult":4,"backdrop_path":12,"genre_ids":504,"id":505,"title":506,"original_language":221,"original_title":506,"overview":197,"popularity":507,"poster_path":12,"release_date":508,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":509,"credit_id":510,"order":11,"media_type":36},[24],1761231,"Volte Sempre, Abbas!",0.7134,"2026-10-07","Self (archive footage) (uncredited)","6ac70fab0d690ffe9ef5ee91",{"adult":4,"backdrop_path":512,"genre_ids":513,"id":514,"title":515,"original_language":42,"original_title":516,"overview":517,"popularity":518,"poster_path":519,"release_date":520,"softcore":4,"video":4,"vote_average":521,"vote_count":522,"character":114,"credit_id":523,"order":266,"media_type":36},"\u002F44SNTCSZTdbF5bzgUy4IfPV3DUq.jpg",[55],30020,"Taste of Cherry","طعم گيلاس","A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.",4.4506,"\u002FvgPwjgbSdbYWrS1ty8TIZtmi6Tn.jpg","1997-10-10",7.707,743,"6acb0dfb5836f536fdd3498e",{"adult":4,"backdrop_path":12,"genre_ids":525,"id":528,"origin_country":529,"original_language":83,"original_name":531,"overview":197,"popularity":532,"poster_path":12,"first_air_date":265,"softcore":4,"name":531,"vote_average":33,"vote_count":33,"character":197,"credit_id":533,"episode_count":50,"first_credit_air_date":534,"media_type":535},[24,526,527],10767,10768,293024,[530],"IT","Parola (su una data)",2.1361,"683ff69e5dfae176b8fcb12b","2003-01-15","tv",[537,542,546,551,556,559,562,565,577,592,605,616,626,639,642,645,658,661,673,687,699,702,715,718,729,742,753,766,779,782,787,790,793,796,801,813,826,839,842,854,865,876,888,891,902,905,916,919,930,933,944,954,967,970,975,985,988,991,1000,1003,1006,1009,1012,1015,1018,1029,1032,1035,1046,1059,1062,1065,1074,1085,1088,1101,1104,1114,1124,1127,1130,1141,1151,1154,1157,1160,1163,1166,1169,1172,1175,1178,1181,1184,1195,1206,1215,1225,1228,1240,1243,1246,1249,1252,1255,1258,1261,1264,1267,1276,1287,1296,1299,1302,1305,1308,1312,1315,1318,1321,1324,1327,1330,1333,1336,1339,1342,1352,1362,1365,1376,1387,1390,1393,1396,1399,1402,1405,1415,1418,1421,1424,1427,1430,1442,1452,1462,1472,1475,1478,1481,1484,1487,1498,1501,1504,1507,1510],{"adult":4,"backdrop_path":52,"genre_ids":538,"id":56,"title":57,"original_language":42,"original_title":58,"overview":59,"popularity":60,"poster_path":61,"release_date":62,"softcore":4,"video":4,"vote_average":63,"vote_count":64,"credit_id":539,"department":540,"job":541,"media_type":36},[54,55],"52fe43f39251416c91000231","Writing","Writer",{"adult":4,"backdrop_path":52,"genre_ids":543,"id":56,"title":57,"original_language":42,"original_title":58,"overview":59,"popularity":60,"poster_path":61,"release_date":62,"softcore":4,"video":4,"vote_average":63,"vote_count":64,"credit_id":544,"department":15,"job":545,"media_type":36},[54,55],"52fe43f39251416c9100022b","Director",{"adult":4,"backdrop_path":512,"genre_ids":547,"id":514,"title":515,"original_language":42,"original_title":516,"overview":517,"popularity":518,"poster_path":519,"release_date":520,"softcore":4,"video":4,"vote_average":521,"vote_count":522,"credit_id":548,"department":549,"job":550,"media_type":36},[55],"52fe43f49251416c91000331","Production","Producer",{"adult":4,"backdrop_path":52,"genre_ids":552,"id":56,"title":57,"original_language":42,"original_title":58,"overview":59,"popularity":60,"poster_path":61,"release_date":62,"softcore":4,"video":4,"vote_average":63,"vote_count":64,"credit_id":553,"department":554,"job":555,"media_type":36},[54,55],"52fe43f49251416c91000253","Editing","Editor",{"adult":4,"backdrop_path":512,"genre_ids":557,"id":514,"title":515,"original_language":42,"original_title":516,"overview":517,"popularity":518,"poster_path":519,"release_date":520,"softcore":4,"video":4,"vote_average":521,"vote_count":522,"credit_id":558,"department":540,"job":541,"media_type":36},[55],"52fe43f49251416c9100032b",{"adult":4,"backdrop_path":512,"genre_ids":560,"id":514,"title":515,"original_language":42,"original_title":516,"overview":517,"popularity":518,"poster_path":519,"release_date":520,"softcore":4,"video":4,"vote_average":521,"vote_count":522,"credit_id":561,"department":554,"job":555,"media_type":36},[55],"52fe43f49251416c9100033d",{"adult":4,"backdrop_path":512,"genre_ids":563,"id":514,"title":515,"original_language":42,"original_title":516,"overview":517,"popularity":518,"poster_path":519,"release_date":520,"softcore":4,"video":4,"vote_average":521,"vote_count":522,"credit_id":564,"department":15,"job":545,"media_type":36},[55],"52fe43f49251416c91000321",{"adult":4,"backdrop_path":566,"genre_ids":567,"id":568,"title":569,"original_language":167,"original_title":570,"overview":571,"popularity":572,"poster_path":573,"release_date":574,"softcore":4,"video":4,"vote_average":335,"vote_count":575,"credit_id":576,"department":15,"job":545,"media_type":36},"\u002F20vIC3JXCFrsLwv0TpiBbK7IKh2.jpg",[218,55],36108,"To Each His Own Cinema","Chacun son cinema ou Ce petit coup au coeur quand la lumiere s'eteint et que le film commence","Commissioned to mark the 60th anniversary of the Cannes Film Festival, \"To Each His Own Cinema\" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.",2.5462,"\u002F1bTniamnmxv8TY3AUrxddrNy9rV.jpg","2007-10-31",163,"52fe45cd9251416c9103eddd",{"adult":4,"backdrop_path":578,"genre_ids":579,"id":580,"title":581,"original_language":42,"original_title":582,"overview":583,"popularity":584,"poster_path":585,"release_date":586,"softcore":4,"video":4,"vote_average":587,"vote_count":588,"credit_id":589,"department":590,"job":591,"media_type":36},"\u002FxqdpC8d3VriU1o1WiItv1FJh1op.jpg",[54,55],256786,"Qeysar","قیصر","A young man's drive to avenge for his sister and brother.",0.8172,"\u002FibV6C3Jplus4VSvZROllO0sGOXk.jpg","1969-12-31",6.804,23,"623b7aa3945c20005fb48205","Art","Title Designer",{"adult":4,"backdrop_path":593,"genre_ids":594,"id":595,"title":596,"original_language":42,"original_title":597,"overview":598,"popularity":599,"poster_path":600,"release_date":601,"softcore":4,"video":4,"vote_average":602,"vote_count":603,"credit_id":604,"department":15,"job":545,"media_type":36},"\u002Fb9UPNXGV7mEUmLejR8caJIJijow.jpg",[55],43423,"The Wind Will Carry Us","باد ما را خواهد برد","Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.",2.6493,"\u002FtzrqZungDYA3Djp61NWUm7DtxNI.jpg","1999-09-23",7.1,206,"52fe4646c3a36847f80f5f0d",{"adult":4,"backdrop_path":12,"genre_ids":606,"id":607,"title":608,"original_language":42,"original_title":609,"overview":610,"popularity":611,"poster_path":612,"release_date":613,"softcore":4,"video":4,"vote_average":614,"vote_count":266,"credit_id":615,"department":540,"job":541,"media_type":36},[55],43773,"Deserted Station","Istgah-Matrouk","On a pilgrimage to Mashad from Tehran, a couple's transportation breaks down, far from any major town. The husband, a photographer, seeks help at a nearby village and encounters a teacher who offers to help. Whilst the husband and teacher go off to find a spare part, the wife, who used to be a teacher, takes over the teaching lessons in the village. It is clear that the children live there, in this strange deserted place, without any men, save the teacher and an old signal guard. As the day draws on, the children help to bring a new hope and life into the wife's heart.",1.0742,"\u002FwaEwWyCZ96p24eObExtQ6LKCj2x.jpg","2002-02-01",6.1,"52fe465dc3a36847f80fb0f5",{"adult":4,"backdrop_path":12,"genre_ids":617,"id":618,"title":619,"original_language":42,"original_title":620,"overview":621,"popularity":622,"poster_path":12,"release_date":623,"softcore":4,"video":4,"vote_average":138,"vote_count":50,"credit_id":624,"department":540,"job":625,"media_type":36},[24],273836,"Is There a Place to Approach?","کجاست جای رسیدن؟","In this guided tour of a unique Persian carpet, a close-up of the delicate \"spine\" of a tree branches out into the discovery of a fantastical world.",0.6995,"2006-06-01","623e092f3f8ede008a44d21a","Screenplay",{"adult":4,"backdrop_path":12,"genre_ids":627,"id":630,"title":631,"original_language":42,"original_title":632,"overview":633,"popularity":634,"poster_path":635,"release_date":636,"softcore":4,"video":4,"vote_average":637,"vote_count":160,"credit_id":638,"department":554,"job":555,"media_type":36},[55,628,629],10751,53,46996,"The Key","کلید","Calamity by four-year old might be another title for this tense, humorous drama. In the story, a four year old boy (Mohammed Aladpoush) is left at home with his baby brother while his mother goes out shopping. She has told him to give the baby his bottle while she is away. However, the boy has a different idea about what he should do, and consumes most of the bottle himself. The hungry baby's cries arouse the neighbors to try and get into the apartment, but it is locked, and the four-year old can't (or, more likely, won't) let them in. Despite a number of near-disasters, the enterprising young boy manages things just well enough (with the occasional help of shouted advice from frantic neighbors) so that serious calamities are avoided.",1.4959,"\u002FubHblsMM7bd5qxMt8OpRiRfwb46.jpg","2000-01-20",5.955,"52fe471ac3a36847f8123815",{"adult":4,"backdrop_path":103,"genre_ids":640,"id":105,"title":106,"original_language":42,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":112,"vote_count":113,"credit_id":641,"department":540,"job":541,"media_type":36},[55],"52fe471ec3a36847f81247e3",{"adult":4,"backdrop_path":103,"genre_ids":643,"id":105,"title":106,"original_language":42,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":112,"vote_count":113,"credit_id":644,"department":15,"job":545,"media_type":36},[55],"52fe471ec3a36847f81247dd",{"adult":4,"backdrop_path":646,"genre_ids":647,"id":649,"title":650,"original_language":167,"original_title":651,"overview":652,"popularity":653,"poster_path":654,"release_date":655,"softcore":4,"video":4,"vote_average":656,"vote_count":64,"credit_id":657,"department":15,"job":545,"media_type":36},"\u002FslNzn4E0XA1WE0yh9I53oIzXQ4e.jpg",[55,648],10749,48303,"Certified Copy","Copie conforme","In Tuscany to promote his latest book, a middle-aged English writer meets a French woman who leads him to the village of Lucignano.",4.6543,"\u002FsoBvtCR33Gv1j6gXwXOIc3JTlNc.jpg","2010-05-19",7.03,"52fe475ec3a36847f8131f95",{"adult":4,"backdrop_path":646,"genre_ids":659,"id":649,"title":650,"original_language":167,"original_title":651,"overview":652,"popularity":653,"poster_path":654,"release_date":655,"softcore":4,"video":4,"vote_average":656,"vote_count":64,"credit_id":660,"department":540,"job":625,"media_type":36},[55,648],"52fe475ec3a36847f8131fc5",{"adult":4,"backdrop_path":662,"genre_ids":663,"id":664,"title":665,"original_language":167,"original_title":666,"overview":667,"popularity":668,"poster_path":669,"release_date":670,"softcore":4,"video":4,"vote_average":335,"vote_count":671,"credit_id":672,"department":15,"job":545,"media_type":36},"\u002FuonotYnbDrHXcMFA1AbembrrQ8N.jpg",[55,24],48336,"Lumière & Company","Lumière et Compagnie","40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.",3.1887,"\u002FbSQ394UJb2xjMfwucHiHxg8XR5f.jpg","1995-12-20",74,"52fe4760c3a36847f81324cf",{"adult":4,"backdrop_path":674,"genre_ids":675,"id":677,"title":678,"original_language":42,"original_title":679,"overview":680,"popularity":681,"poster_path":682,"release_date":683,"softcore":4,"video":4,"vote_average":684,"vote_count":685,"credit_id":686,"department":15,"job":545,"media_type":36},"\u002FylBiGZhgBsly0frseG2PvqoYM4o.jpg",[55,676],12,49964,"Where Is The Friend's House?","خانه‌ی دوست کجاست؟","An 8-year-old boy must return his friend's notebook he took by mistake, lest his friend be punished by expulsion from school.",3.5662,"\u002FlrrtMVv2X8PNO7UA0Ce0gTtfuC8.jpg","1987-07-01",7.916,460,"52fe47b2c3a36847f8143663",{"adult":4,"backdrop_path":688,"genre_ids":689,"id":690,"title":691,"original_language":42,"original_title":692,"overview":693,"popularity":694,"poster_path":695,"release_date":696,"softcore":4,"video":4,"vote_average":98,"vote_count":697,"credit_id":698,"department":15,"job":545,"media_type":36},"\u002F1UpTTMg5l7KQPRdveydtP2EBv8D.jpg",[55],83761,"Life, and Nothing More…","زندگی و دیگر هیچ","After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.",2.4303,"\u002F100CuZjqxtcbDvZ5qPsoi1VEU5n.jpg","1992-10-21",190,"52fe48bd9251416c91096c1f",{"adult":4,"backdrop_path":688,"genre_ids":700,"id":690,"title":691,"original_language":42,"original_title":692,"overview":693,"popularity":694,"poster_path":695,"release_date":696,"softcore":4,"video":4,"vote_average":98,"vote_count":697,"credit_id":701,"department":540,"job":541,"media_type":36},[55],"52fe48bd9251416c91096c25",{"adult":4,"backdrop_path":703,"genre_ids":704,"id":705,"title":706,"original_language":42,"original_title":707,"overview":708,"popularity":709,"poster_path":710,"release_date":711,"softcore":4,"video":4,"vote_average":712,"vote_count":713,"credit_id":714,"department":540,"job":541,"media_type":36},"\u002FmSSNG4KZzyFGgwpHqrhOMhHv4yb.jpg",[55],54001,"The Traveler","مسافر","Hassan Darabi, a troublesome, amoral 10-year-old boy in a small Iranian town wishes to see the Iran national football team play an important match in Tehran. In order to achieve that, he scams his friends and neighbors.",1.6463,"\u002Fl90dkEYuJIx7443zzmtVNsFlf0M.jpg","1974-11-06",7.2,51,"52fe4887c3a36847f816c10b",{"adult":4,"backdrop_path":703,"genre_ids":716,"id":705,"title":706,"original_language":42,"original_title":707,"overview":708,"popularity":709,"poster_path":710,"release_date":711,"softcore":4,"video":4,"vote_average":712,"vote_count":713,"credit_id":717,"department":15,"job":545,"media_type":36},[55],"52fe4887c3a36847f816c105",{"adult":4,"backdrop_path":719,"genre_ids":720,"id":721,"title":722,"original_language":83,"original_title":722,"overview":723,"popularity":724,"poster_path":725,"release_date":726,"softcore":4,"video":4,"vote_average":335,"vote_count":727,"credit_id":728,"department":15,"job":545,"media_type":36},"\u002FptPR6glb7BrwigoXuhIwqpjfhkJ.jpg",[218,55],57251,"Tickets","A train travels across Italy toward Rome. Onboard is a professor who daydreams a conversation with a love that never was; a family of Albanian refugees who switch trains and steal a ticket; three brash Scottish soccer fans en route to a match; and a complaining widow travelling to a memorial service for her late husband who's accompanied by a community-service volunteer who's assisting her. Interactions among these Europeans turn on class and nationalism, courtesy and decorum, and opportunities for kindness.",2.358,"\u002FkJENjmJmISO5AV2Ogu9wGy62Ldq.jpg","2005-03-25",47,"52fe492bc3a36847f818c949",{"adult":4,"backdrop_path":730,"genre_ids":731,"id":732,"title":733,"original_language":42,"original_title":734,"overview":735,"popularity":736,"poster_path":737,"release_date":738,"softcore":4,"video":4,"vote_average":739,"vote_count":740,"credit_id":741,"department":15,"job":545,"media_type":36},"\u002F7jbu3VgdAFan6lawDTY4RJBBxSO.jpg",[628,55],94513,"Two Solutions to One Problem","دو راه حل برای يک مسئله","During breaktime, Dara and Nader have a fierce argument about a torn exercise book that the former has given back to the latter. There are two possible outcomes, which the film shows one after the other. One is that Dara wants to get his own back, and the two boys start a violent fight; the other is that they work together to mend the exercise book with a little glue.",0.8826,"\u002F4LcjEVSRhoBblQGB49loHb8CLEe.jpg","1975-01-01",5.756,41,"52fe495c9251416c750c5947",{"adult":4,"backdrop_path":743,"genre_ids":744,"id":745,"title":746,"original_language":42,"original_title":747,"overview":748,"popularity":749,"poster_path":750,"release_date":751,"softcore":4,"video":4,"vote_average":614,"vote_count":235,"credit_id":752,"department":554,"job":555,"media_type":36},"\u002FeViW3K6GiTHVqAZyTZyzmwcpJVp.jpg",[24],342355,"Fellow Citizen","همشهری","On July 1983, lawmakers in Teheran decided to close off a section of the capital to regular traffic. Only drivers with special permits could cross the road blocks set up at various intersections leading to the restricted zone.",0.8745,"\u002FpIoL2tGlccz41bLXLrTG3sl428M.jpg","1983-07-01","62677385614c6d009ab226c9",{"adult":4,"backdrop_path":754,"genre_ids":755,"id":756,"title":757,"original_language":42,"original_title":758,"overview":759,"popularity":760,"poster_path":761,"release_date":762,"softcore":4,"video":4,"vote_average":763,"vote_count":764,"credit_id":765,"department":15,"job":545,"media_type":36},"\u002Ffq5eURcFJTuTTuXkPr1BL6ua3aT.jpg",[55],87308,"Shirin","شیرین","A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.",1.537,"\u002F4Ekc4MJOdAq9yh0mqi1IttHgIdK.jpg","2009-04-18",6.2,38,"52fe49bd9251416c910b73cd",{"adult":4,"backdrop_path":767,"genre_ids":768,"id":769,"title":770,"original_language":771,"original_title":770,"overview":772,"popularity":773,"poster_path":774,"release_date":775,"softcore":4,"video":4,"vote_average":776,"vote_count":777,"credit_id":778,"department":15,"job":545,"media_type":36},"\u002F9CIG8zW5iyxjSjNDF7hK74rsky8.jpg",[55],102001,"Like Someone in Love","ja","An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty four hours bears no relation to the circumstances of their encounter.",3.4056,"\u002Fj1gotCDkKFmMdcSagxBUGalVbtt.jpg","2012-09-15",6.895,281,"52fe49ffc3a36847f81b240d",{"adult":4,"backdrop_path":117,"genre_ids":780,"id":119,"title":120,"original_language":42,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":126,"credit_id":781,"department":15,"job":545,"media_type":36},[24],"52fe4a5ac3a368484e14e7ad",{"adult":4,"backdrop_path":117,"genre_ids":783,"id":119,"title":120,"original_language":42,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":126,"credit_id":784,"department":785,"job":786,"media_type":36},[24],"52fe4a5ac3a368484e14e7bf","Crew","Cinematography",{"adult":4,"backdrop_path":117,"genre_ids":788,"id":119,"title":120,"original_language":42,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":126,"credit_id":789,"department":549,"job":550,"media_type":36},[24],"52fe4a5ac3a368484e14e7b9",{"adult":4,"backdrop_path":117,"genre_ids":791,"id":119,"title":120,"original_language":42,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":126,"credit_id":792,"department":554,"job":555,"media_type":36},[24],"52fe4a5ac3a368484e14e7c5",{"adult":4,"backdrop_path":117,"genre_ids":794,"id":119,"title":120,"original_language":42,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":126,"credit_id":795,"department":540,"job":541,"media_type":36},[24],"52fe4a5ac3a368484e14e7b3",{"adult":4,"backdrop_path":117,"genre_ids":797,"id":119,"title":120,"original_language":42,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":126,"credit_id":798,"department":799,"job":800,"media_type":36},[24],"52fe4a5ac3a368484e14e7cb","Sound","Sound Director",{"adult":4,"backdrop_path":802,"genre_ids":803,"id":804,"title":805,"original_language":42,"original_title":805,"overview":806,"popularity":807,"poster_path":808,"release_date":809,"softcore":4,"video":4,"vote_average":810,"vote_count":811,"credit_id":812,"department":15,"job":545,"media_type":36},"\u002FxdBZoLvsrPprtj1IJOKaKxCNObz.jpg",[24],126004,"Five Dedicated to Ozu","Finding himself in a house in the north of Iran by the Caspian Sea, the director picked up his handheld DV camera and began filming the seemingly anodyne events happening on the 500 metres of beach in front of his house—a piece of wood toyed with by the waves, people walking by the sea, indistinct shapes on a wintry beach or noisy ducks.",1.3206,"\u002FcdXmKuvjz4YEwcQWYbkxnMIif8q.jpg","2003-12-10",5.9,20,"52fe4ad5c3a368484e1696c9",{"adult":4,"backdrop_path":814,"genre_ids":815,"id":816,"title":817,"original_language":42,"original_title":818,"overview":819,"popularity":820,"poster_path":821,"release_date":822,"softcore":4,"video":4,"vote_average":823,"vote_count":824,"credit_id":825,"department":15,"job":545,"media_type":36},"\u002FibRN42m6anWm8N9HQbkHWRUffAB.jpg",[55],154413,"Orderly or Disorderly?","به ترتیب یا بدون ترتیب؟","A sense of order is the necessary basis of any good social organisation. To illustrate this axiom, Kiarostami presents a series of paired scenes in this educational short film in which the same action is first shown in an organised way and then in an anarchic one. The film crew, however, finds it difficult to organise disorder.",0.915,"\u002F3gIFnEMR9NZU5U6lC3xnfFyFGT3.jpg","1981-01-01",5.7,21,"52fe4b609251416c910d863b",{"adult":4,"backdrop_path":827,"genre_ids":828,"id":829,"title":830,"original_language":42,"original_title":831,"overview":832,"popularity":833,"poster_path":834,"release_date":835,"softcore":4,"video":4,"vote_average":836,"vote_count":837,"credit_id":838,"department":15,"job":545,"media_type":36},"\u002FhG9CDjlstmCB6DooFYyNRjy8f8t.jpg",[55],128442,"The Bread and Alley","نان و کوچه‎‎","After returning from an errand to get bread, a young boy encounters a dog that frightens him making the journey to get home more difficult than he could’ve imagined.",1.064,"\u002FlurWAbXDF7SBU6ePVlOvxdHR5Mr.jpg","1970-01-01",6.5,44,"52fe4b1dc3a368484e1785bd",{"adult":4,"backdrop_path":177,"genre_ids":840,"id":179,"title":180,"original_language":28,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":4,"video":4,"vote_average":185,"vote_count":186,"credit_id":841,"department":15,"job":545,"media_type":36},[24],"52fe4bb4c3a36847f8210633",{"adult":4,"backdrop_path":843,"genre_ids":844,"id":845,"title":846,"original_language":42,"original_title":847,"overview":848,"popularity":849,"poster_path":850,"release_date":851,"softcore":4,"video":4,"vote_average":712,"vote_count":852,"credit_id":853,"department":15,"job":545,"media_type":36},"\u002FkIi88P92FMT5OeZzhkrcVA5R1xv.jpg",[55],134209,"A Wedding Suit","لباسی برای عروسی‎‎","A woman orders a suit from a tailor for her young son to wear to her sister's wedding. The tailor's apprentice, together with two other teenage boys who work in the same building, devise a plan to try on the suit at night to see what it feels like.",1.5374,"\u002Fdf6rBdLGFrFoijKiy6hgBvxybjC.jpg","1976-01-01",16,"52fe4bc7c3a368484e198e4f",{"adult":4,"backdrop_path":855,"genre_ids":856,"id":857,"title":858,"original_language":42,"original_title":859,"overview":860,"popularity":861,"poster_path":862,"release_date":863,"softcore":4,"video":4,"vote_average":159,"vote_count":186,"credit_id":864,"department":15,"job":545,"media_type":36},"\u002Fx39JKAMs1xPjEhUoOSQ2S2OKFTs.jpg",[55,628],129943,"Breaktime","زنگ تفریح‎‎","A boy on his way home from school kicks a ball out of a street where some children are playing. 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