[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1184885:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":1178},false,[],"Marcel Hanoun was born in 1929 in Tunisia. A photographer and journalist, he has directed, since 1955, many significant works in the history of the creation of filmic forms. An essayist on cinema as well, Hanoun co-founded several critical reviews in the 60s and 70s. This engaged creator is cameraman and editor of most of his films. His body of work is at once subversive and ascetic, known throughout the world, and respected by many great artists.","1929-10-26","2012-09-22",2,"http:\u002F\u002Fwww.marcel-hanoun.com",1184885,"nm0360528","Directing","Marcel Hanoun","Tunis, Tunisia",0.5041,"\u002FgWEp5hDCnDub4sEddvU0JvgpJY4.jpg",{"cast":19,"crew":291},[20,38,48,59,74,88,97,107,115,123,133,144,152,164,177,190,199,207,215,223,231,240,248,256,264,271,280],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":31,"vote_average":32,"vote_count":33,"character":34,"credit_id":35,"order":36,"media_type":37},null,[23],99,406343,"Cinexpérimentaux #6: Marcel Hanoun, A Lesson in Cinema","en","Marcel Hanoun, one of the most innovative of filmmakers, gives us what he names \"a lesson in cinema.\" Frederique Devaux and Michel Amarger filmed this piece at his country house, composing an abundantly rich portrait. Film clips and sparks of theoretic bravura testify to the feverish creativity and the drunken agitation behind which lurks the ever-composed voice of the filmmaker.",0.9313,"\u002Fz4KzgBMrxiIYoXIBSp9CnGeT1Au.jpg","2003-12-10",true,5,1,"Self","633adc12cf48a1007a7e0062",0,"movie",{"adult":4,"backdrop_path":21,"genre_ids":39,"id":40,"title":41,"original_language":42,"original_title":41,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":43,"credit_id":47,"order":9,"media_type":37},[],648851,"L'Été madrilène","fr","",0.6903,"\u002FuUVE3shm61xc8Y8deaXkkbiEpLj.jpg","1979-04-05","65daf2e345765d0162d1659f",{"adult":4,"backdrop_path":49,"genre_ids":50,"id":52,"title":53,"original_language":42,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":43,"credit_id":58,"order":33,"media_type":37},"\u002FxjHKEt76hmjntCMmUvKhv5xXjO1.jpg",[51],18,431627,"Cello","A cello player is asked by her daughter why she suddenly interrupted her musical career… The voices and images of the two women intertwined with the author’s give way to thought, vision. Confessions of lives dedicated to creating.",1.5617,"\u002FbcXAfu8Wp1qPONC5GGfbBqhWdsB.jpg","2010-05-16","585f5879c3a3681a6f01861a",{"adult":4,"backdrop_path":21,"genre_ids":60,"id":63,"title":64,"original_language":42,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":70,"vote_count":71,"character":43,"credit_id":72,"order":73,"media_type":37},[51,61,62],35,53,94828,"Diary of a Suicide","Le journal d'un suicidé","On a Mediterranean cruise, a young man hired as a tour guide is intrigued by the beauty of a female interpreter hiding behind her sunglasses. He makes advances to her by venturing into a series of strange stories.",1.3371,"\u002FeJi9Mw6F45p4nqztvg11vm5Q0M6.jpg","1973-03-22",6.3,9,"594ad40d9251413111002ba6",16,{"adult":4,"backdrop_path":75,"genre_ids":76,"id":77,"title":78,"original_language":26,"original_title":78,"overview":79,"popularity":80,"poster_path":81,"release_date":82,"softcore":4,"video":4,"vote_average":83,"vote_count":84,"character":85,"credit_id":86,"order":87,"media_type":37},"\u002Fsz5KXTW3ebnQLHRgZ4z7N8DgGm2.jpg",[23],190060,"He Stands in a Desert Counting the Seconds of His Life","A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.",1.6658,"\u002FffTB0xCRFyxYme3LQUlwOKJpsEZ.jpg","1986-02-22",8.4,10,"Self (archive footage)","59d62cbdc3a36832060112f1",13,{"adult":4,"backdrop_path":21,"genre_ids":89,"id":90,"title":91,"original_language":42,"original_title":91,"overview":92,"popularity":93,"poster_path":21,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":33,"character":43,"credit_id":96,"order":36,"media_type":37},[23],417893,"Déconstruction","The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008\u002F9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...",1.1331,"2009-01-01",6,"5a4314b30e0a264fd2045909",{"adult":4,"backdrop_path":21,"genre_ids":98,"id":99,"title":100,"original_language":42,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":33,"character":43,"credit_id":106,"order":9,"media_type":37},[],494816,"She's a Very Nice Lady","Two New York women, Kristin and Doreen, live a black and white life, but in color of Gene Tierney, a star of 40’ Hollywood melodrama, while listening to the old songs of Marilyn Monroe. They go from one extreme to the other (from dream to reality, from day to night, from black and white to color), and so travel symbolically through this timelessness. Kristin disappears and Doreen is lost is the big city. Her meetings with Marcel, a filmmaker, then David, a sculptor, accomplish nothing, and she is destroyed by daylight. But her Memory of Gene Tierney triumphs over night and death, and Cinema can continue.",0.9911,"\u002F8QDuAgoT9esq4pWCTgyyi8aCk30.jpg","1982-04-16",8,"5a4354f1925141361f011614",{"adult":4,"backdrop_path":21,"genre_ids":108,"id":109,"title":110,"original_language":42,"original_title":110,"overview":43,"popularity":111,"poster_path":112,"release_date":113,"softcore":4,"video":4,"vote_average":95,"vote_count":33,"character":43,"credit_id":114,"order":33,"media_type":37},[],494915,"Fin de partie",0.7221,"\u002FpIqsFdaeoHiq6EXWNJeEMHNohq.jpg","2012-01-01","5a443e39c3a368586c058753",{"adult":4,"backdrop_path":21,"genre_ids":116,"id":117,"title":118,"original_language":42,"original_title":118,"overview":119,"popularity":120,"poster_path":21,"release_date":121,"softcore":4,"video":4,"vote_average":95,"vote_count":33,"character":43,"credit_id":122,"order":36,"media_type":37},[],431671,"Insaisissable Image","Film produced as part of the Festival Pocket Films Forum Images.",0.7509,"2007-01-01","5a446f1ec3a36858e005efa9",{"adult":4,"backdrop_path":21,"genre_ids":124,"id":126,"title":127,"original_language":42,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":43,"credit_id":132,"order":9,"media_type":37},[23,125],14,493833,"Amours décolorées","Amours décolorées is a cinematographic poem to the glory of Mariola San Martin, model, stylist, dancer and Spanish photographer.",1.6606,"\u002Fqs79XFKg2wafrPSo8lC3lIATF1j.jpg","1998-02-02","5a3abd7d925141547808dbf7",{"adult":4,"backdrop_path":21,"genre_ids":134,"id":135,"title":136,"original_language":42,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":32,"vote_count":141,"character":142,"credit_id":143,"order":36,"media_type":37},[],409961,"Marcel Hanoun, chemin faisant","Feature film.",1.0458,"\u002Figw3cChtjia24hoke9ME6H3PYuN.jpg","2010-01-01",3,"Himself","5a5c4ba59251413235005821",{"adult":4,"backdrop_path":21,"genre_ids":145,"id":146,"title":147,"original_language":42,"original_title":147,"overview":148,"popularity":149,"poster_path":21,"release_date":150,"softcore":4,"video":4,"vote_average":71,"vote_count":33,"character":142,"credit_id":151,"order":36,"media_type":37},[23],501267,"À la rencontre de Marcel Hanoun","Film about Marcel Hanoun at work while making his film Les amants de Sarajevo in 1993.",1.2782,"1994-05-01","5a6cbda7c3a368554700e7d3",{"adult":4,"backdrop_path":21,"genre_ids":153,"id":154,"title":155,"original_language":42,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":161,"vote_count":95,"character":142,"credit_id":162,"order":163,"media_type":37},[23],230868,"My Conversations on Film","Mes entretiens filmés","This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.",0.9818,"\u002Fg7aRipOHY2mL7dGAlFisMSlMMH0.jpg","2013-10-13",3.2,"5a5804740e0a2634fc000ac5",7,{"adult":4,"backdrop_path":165,"genre_ids":166,"id":167,"title":168,"original_language":42,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":163,"character":174,"credit_id":175,"order":176,"media_type":37},"\u002F6fJgLOFJO5AAlieLZxfmTyZKOEy.jpg",[23],272074,"Cinématon","Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.",2.0016,"\u002F5l2dmFdiaFbt8XUyzmZxBeqGMJA.jpg","1978-12-20",4.9,"N°60","5a5830cc9251410206002a45",23,{"adult":4,"backdrop_path":178,"genre_ids":179,"id":180,"title":181,"original_language":42,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":105,"character":43,"credit_id":188,"order":189,"media_type":37},"\u002F4DOvvXwHRdgt0PAosZZdcSMMgGt.jpg",[23],409925,"October in Madrid","Octobre à Madrid","Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)",1.006,"\u002FuowAEx1hTDyoyNr7JDgabew2oht.jpg","1965-01-16",6.2,"5a64e27a9251410b21026f14",4,{"adult":4,"backdrop_path":21,"genre_ids":191,"id":192,"title":193,"original_language":42,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":95,"vote_count":33,"character":142,"credit_id":198,"order":36,"media_type":37},[23],498508,"L’Age de Bronze","La Cinémathèque offered the filmmaker Marcel Hanoun to make a retrospective of his work, a new film, the one of his choice: a \"free\" film, which means free to the filmmaker of to see and hear what he wants, who he wants, and, ideally, to make it known and heard by everyone.",1.0859,"\u002FiurkoOBBTqry8m9xg8YRdytgMxa.jpg","2010-05-28","5a5bcfa99251413f71027a88",{"adult":4,"backdrop_path":21,"genre_ids":200,"id":201,"title":202,"original_language":42,"original_title":202,"overview":43,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":43,"credit_id":206,"order":9,"media_type":37},[23],568450,"Montagnes endormies",1.1929,"\u002FvzbOEpTdtJOuj2hFEfacnvrIsxn.jpg","2011-04-14","5c13ecbf0e0a26037c3bb41e",{"adult":4,"backdrop_path":21,"genre_ids":208,"id":209,"title":210,"original_language":42,"original_title":210,"overview":43,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":105,"vote_count":33,"character":43,"credit_id":214,"order":32,"media_type":37},[23],567880,"Le journal de Joseph M.",0.8535,"\u002FoDj8ofLaeozZvLiyXTPo046l14w.jpg","2000-02-15","5c0ffe8c0e0a2638b80e4dce",{"adult":4,"backdrop_path":21,"genre_ids":216,"id":217,"title":218,"original_language":42,"original_title":218,"overview":43,"popularity":219,"poster_path":220,"release_date":221,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":85,"credit_id":222,"order":32,"media_type":37},[23],583619,"2 ou 3 choses que je sais de Joseph Morder",0.9851,"\u002Fyb3qyb3rv7ztK5UjCQvD9JsABCL.jpg","2007-11-01","5c6d9b51c3a3684f97ec40a3",{"adult":4,"backdrop_path":21,"genre_ids":224,"id":225,"title":226,"original_language":42,"original_title":226,"overview":43,"popularity":227,"poster_path":228,"release_date":229,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":43,"credit_id":230,"order":32,"media_type":37},[23],585761,"Le Chemin de Resson : Joseph Morder rend visite à Marcel Hanoun",1.4565,"\u002FaL0i2pVYmyZ8lcR5Y62MJLm3bJR.jpg","2013-06-03","5c7b11630e0a2620ae100a6a",{"adult":4,"backdrop_path":21,"genre_ids":232,"id":233,"title":234,"original_language":42,"original_title":234,"overview":235,"popularity":236,"poster_path":237,"release_date":238,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":43,"credit_id":239,"order":36,"media_type":37},[23],585762,"In Memoriam Marcel Hanoun","On the occasion of the passing of Marcel Hanoun, Gérard Courant wanted to pay tribute to this companion whom he had known since 1975 by accompanying him with the song Avec le temps by Léo Ferré.",1.3942,"\u002Fj3eaG4WMSXxroh9YYZU4erCsM7C.jpg","2012-11-14","5c7b12ac925141664d48cc87",{"adult":4,"backdrop_path":21,"genre_ids":241,"id":242,"title":243,"original_language":42,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":205,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":43,"credit_id":247,"order":71,"media_type":37},[23],586303,"Nuits transparentes","Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).",0.8554,"\u002FkoI4fBLOFq3h32EcZMKlMUTgBxU.jpg","5c7e001e925141277a162efc",{"adult":4,"backdrop_path":21,"genre_ids":249,"id":250,"title":251,"original_language":26,"original_title":251,"overview":252,"popularity":253,"poster_path":21,"release_date":254,"softcore":4,"video":31,"vote_average":36,"vote_count":36,"character":43,"credit_id":255,"order":36,"media_type":37},[],618533,"Marcel Hanoun wedding","Marcel Hanoun wedding by Jonas Mekas",0.8615,"1971-10-08","5d3b174d60c51d00138e5d1c",{"adult":4,"backdrop_path":21,"genre_ids":257,"id":258,"title":259,"original_language":42,"original_title":259,"overview":260,"popularity":261,"poster_path":21,"release_date":262,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":174,"credit_id":263,"order":36,"media_type":37},[],756050,"Cinématon VII","Reel 7 of Gérard Courant's on-going Cinematon series.",1.4791,"1980-03-05","5f90a558d9f4a60036db2dca",{"adult":4,"backdrop_path":21,"genre_ids":265,"id":266,"title":267,"original_language":42,"original_title":267,"overview":43,"popularity":268,"poster_path":269,"release_date":262,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":43,"credit_id":270,"order":36,"media_type":37},[],818037,"Cinématon n°60 : Marcel Hanoun",0.9255,"\u002FzadfhiZPK0pPPIkYubNu914TUdE.jpg","6075d4312a09bc006e4a7404",{"adult":4,"backdrop_path":272,"genre_ids":273,"id":274,"title":275,"original_language":42,"original_title":275,"overview":43,"popularity":276,"poster_path":277,"release_date":278,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":43,"credit_id":279,"order":36,"media_type":37},"\u002FAgGfVkkYHNRZtSCSKDN3jrvMqBj.jpg",[23],1570748,"Face à la mèr(e)",0.861,"\u002FkucxGdUkScdUgeYsHn8FB1NWhWo.jpg","2012-12-22","69016b9e232ddd0aa41daf8f",{"adult":4,"backdrop_path":281,"genre_ids":282,"id":283,"title":284,"original_language":26,"original_title":284,"overview":285,"popularity":286,"poster_path":287,"release_date":288,"softcore":4,"video":4,"vote_average":163,"vote_count":189,"character":34,"credit_id":289,"order":290,"media_type":37},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[23],295120,"Birth of a Nation","Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.",1.6817,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06","6ab802f6ffc43eb806eab489",95,[292,303,308,321,334,346,358,370,382,394,397,408,419,428,437,446,449,461,464,467,477,480,490,501,504,507,516,519,527,530,540,543,552,555,565,568,578,581,590,593,601,604,607,610,619,622,631,634,643,651,659,662,670,677,685,688,696,699,709,712,721,729,736,744,751,758,765,772,781,790,797,806,812,818,825,831,838,846,849,856,864,873,876,879,888,891,894,905,910,913,916,919,924,927,930,933,936,939,942,945,948,951,954,957,960,971,974,977,980,983,986,989,992,995,998,1001,1004,1008,1011,1014,1017,1020,1023,1026,1029,1032,1035,1040,1043,1046,1049,1053,1057,1061,1064,1067,1070,1073,1076,1079,1082,1085,1088,1091,1094,1103,1106,1109,1112,1115,1118,1121,1124,1127,1130,1133,1136,1139,1142,1145,1152,1156,1159,1167,1170],{"adult":4,"backdrop_path":21,"genre_ids":293,"id":294,"title":295,"original_language":42,"original_title":295,"overview":296,"popularity":297,"poster_path":298,"release_date":299,"softcore":4,"video":4,"vote_average":105,"vote_count":33,"credit_id":300,"department":301,"job":302,"media_type":37},[],431617,"L'arbre qui gémit","A young man and an older woman are prepared for a funeral ceremony, theirs.",1.0657,"\u002F1X62VcbwfkafA86mRcLLHyZG9Kw.jpg","1981-10-24","6080dc29b04605006ffb7345","Writing","Writer",{"adult":4,"backdrop_path":21,"genre_ids":304,"id":294,"title":295,"original_language":42,"original_title":295,"overview":296,"popularity":297,"poster_path":298,"release_date":299,"softcore":4,"video":4,"vote_average":105,"vote_count":33,"credit_id":305,"department":306,"job":307,"media_type":37},[],"6080dc37d48cee00648df709","Editing","Editor",{"adult":4,"backdrop_path":309,"genre_ids":310,"id":311,"title":312,"original_language":42,"original_title":313,"overview":314,"popularity":315,"poster_path":316,"release_date":317,"softcore":4,"video":4,"vote_average":318,"vote_count":105,"credit_id":319,"department":13,"job":320,"media_type":37},"\u002FcfDX522q35v5U2Rp21S1e4KZbN1.jpg",[51],202689,"The Authentic Trial of Carl Emmanuel Jung","L’Authentique Procès de Carl-Emmanuel Jung","20 years later, the recreation of the trial of a  simple man that confesses himself as a war criminal,  Carl Emmanuel Jung.",1.5355,"\u002FwbQDkFPzTvUCRFTDqDDpxVAnrhn.jpg","1967-12-27",7.2,"52fe4ccec3a368484e1c79eb","Director",{"adult":4,"backdrop_path":322,"genre_ids":323,"id":324,"title":325,"original_language":42,"original_title":326,"overview":327,"popularity":328,"poster_path":329,"release_date":330,"softcore":4,"video":4,"vote_average":331,"vote_count":332,"credit_id":333,"department":13,"job":320,"media_type":37},"\u002FdtyhudaledjtLO2bCfmDQNvJk5m.jpg",[51],233183,"Spring","Le Printemps","One of four Hanoun films that take their titles from the seasons of the year, SPRING tells two parallel stories: a man, fleeing the forces of order, takes refuge in the forest, while a young girl living with her grandmother in a nearby village approaches the threshold of adolescence, and begins to discover both the world and herself. - 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Certain conditions were attached to the commission: the artists were each to present finished scripts without any contact with each other about them. Huarte chose Basterretxea's script, and Basterretxea directed the film, which was given the title 'Operación H' in postproduction.",1.6307,"\u002F5mK768JTXaONtEuk6FByZLIBCO4.jpg","1963-01-01","6557204bd051d9011db4a7e0","Crew","Cinematography",{"adult":4,"backdrop_path":383,"genre_ids":384,"id":385,"title":386,"original_language":42,"original_title":387,"overview":388,"popularity":389,"poster_path":390,"release_date":391,"softcore":4,"video":4,"vote_average":392,"vote_count":71,"credit_id":393,"department":13,"job":320,"media_type":37},"\u002FcJepTeIsLpzjMEFkgcV1Btjt8VO.jpg",[51],388854,"The Truth About the Imaginary Passion of an Unknown","La vérité sur l'imaginaire passion d'un inconnu","A very personal interpretation, to say the least, of the passion of the Christ According to St. John.",0.9753,"\u002FcEMowpYC9ZiuHhcnqbINiHjtduc.jpg","1974-05-20",5.3,"56ef8571c3a368226500d456",{"adult":4,"backdrop_path":359,"genre_ids":395,"id":361,"title":362,"original_language":42,"original_title":363,"overview":364,"popularity":365,"poster_path":366,"release_date":367,"softcore":4,"video":4,"vote_average":368,"vote_count":332,"credit_id":396,"department":301,"job":302,"media_type":37},[51],"575449739251411783000645",{"adult":4,"backdrop_path":398,"genre_ids":399,"id":400,"title":401,"original_language":42,"original_title":402,"overview":403,"popularity":404,"poster_path":405,"release_date":406,"softcore":4,"video":4,"vote_average":356,"vote_count":84,"credit_id":407,"department":13,"job":320,"media_type":37},"\u002FgTwBrJR5JfWLzYFzbc3wEBfCTr9.jpg",[51],403696,"Autumn","L'Automne","Julien, a movie director, is on the phase of editing his new film, \"Juliette sacrifiée\". Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about.",1.6889,"\u002FhmwUiJD7m0ILjMzAzhiIS3Epzra.jpg","1972-07-05","576ee5b5c3a368477e000417",{"adult":4,"backdrop_path":21,"genre_ids":409,"id":411,"title":412,"original_language":42,"original_title":413,"overview":414,"popularity":415,"poster_path":416,"release_date":417,"softcore":4,"video":4,"vote_average":187,"vote_count":32,"credit_id":418,"department":13,"job":320,"media_type":37},[410,51],10749,407916,"I Am Dying to Live","Je meurs de vivre","“I’m dying to live.” These words from Saint Teresa of Ávila are said by Mother Aloïse Osée when she is about to separate forever from Don Jerome.",1.1663,"\u002FtQeTWUM5rdJtQmalyJz0cDlpddu.jpg","1994-01-01","5794fd39c3a3683fcf004ac2",{"adult":4,"backdrop_path":21,"genre_ids":420,"id":421,"title":422,"original_language":42,"original_title":422,"overview":423,"popularity":424,"poster_path":425,"release_date":426,"softcore":4,"video":4,"vote_average":32,"vote_count":189,"credit_id":427,"department":13,"job":320,"media_type":37},[51],407917,"L'étonnement","Inspired by the Cantat-Trintignant drama.",1.7356,"\u002FbcA0tcgX6xZYnWn8LuB9q8QYbEQ.jpg","2004-01-01","5794fe77c3a3681f310030e8",{"adult":4,"backdrop_path":21,"genre_ids":429,"id":430,"title":431,"original_language":42,"original_title":431,"overview":432,"popularity":433,"poster_path":434,"release_date":94,"softcore":4,"video":4,"vote_average":435,"vote_count":189,"credit_id":436,"department":13,"job":320,"media_type":37},[],407918,"Libertad","The detention of Ingrid Betancourt reviewed and revisited by a fiction.",0.9063,"\u002FtyNeTtpU6ur71H655y44Z4LCy7m.jpg",5.5,"5794ff0392514142a40035c4",{"adult":4,"backdrop_path":21,"genre_ids":438,"id":439,"title":440,"original_language":42,"original_title":440,"overview":441,"popularity":442,"poster_path":443,"release_date":444,"softcore":4,"video":4,"vote_average":435,"vote_count":9,"credit_id":445,"department":13,"job":320,"media_type":37},[23],404485,"Le Christ dans la cité","Processions during a holy week in Valladolid.",0.7881,"\u002Fzdryny3IZiPvVJ3WIBLampnsHLY.jpg","1962-01-01","5776cab1c3a368731d000d72",{"adult":4,"backdrop_path":178,"genre_ids":447,"id":180,"title":181,"original_language":42,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":105,"credit_id":448,"department":13,"job":320,"media_type":37},[23],"57a6e5d7c3a3681002000408",{"adult":4,"backdrop_path":450,"genre_ids":451,"id":452,"title":453,"original_language":42,"original_title":454,"overview":455,"popularity":456,"poster_path":457,"release_date":458,"softcore":4,"video":4,"vote_average":459,"vote_count":95,"credit_id":460,"department":13,"job":320,"media_type":37},"\u002FdYPM2sOFqkL8IA0Q6r9vtxAA3jb.jpg",[51],409894,"The Eighth Day","Le huitième jour","Françoise, a thirty-year-old single typist lives only for her Sunday release. On this day, she attends a horse race under pretext of perfecting her taste for elegance and refinement. Georges, a neighbor widower, begins to court her.",0.9928,"\u002F9jkzVlfXBc8c0wYoT8L1AgBdqz5.jpg","1960-02-24",5.9,"57ac152cc3a368792900072f",{"adult":4,"backdrop_path":359,"genre_ids":462,"id":361,"title":362,"original_language":42,"original_title":363,"overview":364,"popularity":365,"poster_path":366,"release_date":367,"softcore":4,"video":4,"vote_average":368,"vote_count":332,"credit_id":463,"department":380,"job":381,"media_type":37},[51],"57af793b925141456e00046d",{"adult":4,"backdrop_path":359,"genre_ids":465,"id":361,"title":362,"original_language":42,"original_title":363,"overview":364,"popularity":365,"poster_path":366,"release_date":367,"softcore":4,"video":4,"vote_average":368,"vote_count":332,"credit_id":466,"department":306,"job":307,"media_type":37},[51],"57af7944c3a36821a50068d9",{"adult":4,"backdrop_path":21,"genre_ids":468,"id":469,"title":470,"original_language":42,"original_title":471,"overview":472,"popularity":473,"poster_path":474,"release_date":475,"softcore":4,"video":4,"vote_average":95,"vote_count":9,"credit_id":476,"department":13,"job":320,"media_type":37},[23],417891,"Men Who Have Lost Their Roots","Des hommes qui ont perdu racines","Hungarian refugees in Austrian camps after the failed revolution in Budapest.",0.8028,"\u002Fml05Mp77ii2b4AsfOMGkgkYM3l8.jpg","1956-01-01","57e767d5c3a368352500d65f",{"adult":4,"backdrop_path":21,"genre_ids":478,"id":90,"title":91,"original_language":42,"original_title":91,"overview":92,"popularity":93,"poster_path":21,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":33,"credit_id":479,"department":13,"job":320,"media_type":37},[23],"57e7688ac3a368222700d6e3",{"adult":4,"backdrop_path":21,"genre_ids":481,"id":482,"title":483,"original_language":42,"original_title":484,"overview":485,"popularity":486,"poster_path":487,"release_date":488,"softcore":4,"video":4,"vote_average":84,"vote_count":33,"credit_id":489,"department":13,"job":320,"media_type":37},[23],431615,"The Wind Blows Where It Wishes","Le vent souffle où il veut","The floral park of Moutiers in Varengeville (Normandy).",0.7883,"\u002Fdt18F99G8Us8n3Sl8HtRNGeF6Vt.jpg","1976-09-07","585f5056c3a3681a77017bf3",{"adult":4,"backdrop_path":491,"genre_ids":492,"id":493,"title":494,"original_language":42,"original_title":495,"overview":496,"popularity":497,"poster_path":498,"release_date":499,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":500,"department":13,"job":320,"media_type":37},"\u002FtUwRjIl5sLYSZBKAzIXIEqpFTip.jpg",[51],431616,"The Gaze","Le regard","A couple in a hotel room in Brussels. A painting by Brueghel. In this painting, a mystery.",1.2715,"\u002F7V5QHuTIE7VvEeHnWvTfjOySXEW.jpg","1977-04-20","585f511a92514115be017ec7",{"adult":4,"backdrop_path":491,"genre_ids":502,"id":493,"title":494,"original_language":42,"original_title":495,"overview":496,"popularity":497,"poster_path":498,"release_date":499,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":503,"department":301,"job":302,"media_type":37},[51],"585f5121c3a3681a6b01808b",{"adult":4,"backdrop_path":21,"genre_ids":505,"id":294,"title":295,"original_language":42,"original_title":295,"overview":296,"popularity":297,"poster_path":298,"release_date":299,"softcore":4,"video":4,"vote_average":105,"vote_count":33,"credit_id":506,"department":13,"job":320,"media_type":37},[],"585f520492514115d301850f",{"adult":4,"backdrop_path":21,"genre_ids":508,"id":509,"title":510,"original_language":42,"original_title":510,"overview":511,"popularity":512,"poster_path":513,"release_date":514,"softcore":4,"video":4,"vote_average":105,"vote_count":141,"credit_id":515,"department":13,"job":320,"media_type":37},[23],431618,"Un film (autoportrait)","The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.",0.8528,"\u002FjC6FFrVWvaHtyBUVVsmvKzZFijt.jpg","1984-05-23","585f52b8c3a3681a77017dcb",{"adult":4,"backdrop_path":21,"genre_ids":517,"id":509,"title":510,"original_language":42,"original_title":510,"overview":511,"popularity":512,"poster_path":513,"release_date":514,"softcore":4,"video":4,"vote_average":105,"vote_count":141,"credit_id":518,"department":301,"job":302,"media_type":37},[23],"585f52c092514115cf018589",{"adult":4,"backdrop_path":21,"genre_ids":520,"id":521,"title":522,"original_language":42,"original_title":522,"overview":523,"popularity":524,"poster_path":21,"release_date":525,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":526,"department":13,"job":320,"media_type":37},[23,51],431619,"Cela s'appelle l'amour","The theme of Romeo and Juliet is the starting point from which the film spins a web of several stories. A love story between a boy and a girl whose families are Algerian: they are young, beautiful and they are trying to build a family and a social life in France. They love each other, and yet conflicts, family pressure and contradicting desires alternately tear them apart and unite them. The story of Romeo and Juliet, minus death.",1.9635,"1989-10-25","585f536792514115d3018632",{"adult":4,"backdrop_path":21,"genre_ids":528,"id":521,"title":522,"original_language":42,"original_title":522,"overview":523,"popularity":524,"poster_path":21,"release_date":525,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":529,"department":301,"job":302,"media_type":37},[23,51],"585f536fc3a3681a6801af4c",{"adult":4,"backdrop_path":21,"genre_ids":531,"id":532,"title":533,"original_language":42,"original_title":534,"overview":535,"popularity":536,"poster_path":537,"release_date":538,"softcore":4,"video":4,"vote_average":105,"vote_count":141,"credit_id":539,"department":13,"job":320,"media_type":37},[51],431620,"The Lovers of Sarajevo","Les Amants de Sarajevo","Deeply moved by the Bosnian tragedy and, more specifically, by the nightmare that the inhabitants of Sarajevo have been living for two years, the filmmaker Marcel Hanoun, like other great creators (from Susan Sontag to Juan Goytisolo), wanted to give testimony. He has made a superb film-poem in homage to this young Bosnian couple (belonging to two enemy communities) that was killed by an anonymous sniper on Liberty Bridge, in the summer of 1993, as they were trying to flee from the besieged city. 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