[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1180746:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":92},false,[],"Giorgio Mangiamele studied Fine Arts in Catania, Italy; Film Production at the Polizia Scientifica, Rome, Italy; and journalism in the Faculty of Journalism, Pro-Deo University in Rome, Italy.\n\nHe emigrated to Australia in 1952, and became a Naturalised Australian citizen in 1957. Soon after arrival in Australia, he set up a photographic studio in Carlton, and started making films. In the late fifties he took over a cinema school in Russell Street, Melbourne, which had run into difficulties, and which later he shifted to his photographic\u002Ffilm studio in Carlton.\n\nBetween 1979 and 1982, he held a contract with the PNG Government, Prime Minister's Department, making five films and thereby basically establishing a PNG Film Unit. Over the next years, until his death, he worked on various unfulfilled scripts, mainly one finally known as Sogeri Road.","1926-08-13","2001-05-13",2,null,1180746,"nm0542211","Directing","Giorgio Mangiamele"," Catania, Sicily, Italy",0.3603,"\u002Fs21EftCUrGT1wkuG0UbyYjggSBS.jpg",{"cast":19,"crew":20},[],[21,37,49,54,63,71,79,82,87],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":34,"department":13,"job":35,"media_type":36},"\u002FpveVPaT5kvXUoUH1ocWyVlFiofc.jpg",[24],18,198807,"Clay","en","A killer on the run is found lying flat on his face in a wet clay bank. He is rescued by potters who shelter him within their community. There he falls in love with a woman. Unfortunately, another man who has been calling upon the woman gets jealous and turns the fugitive in to the cops. The woman gets revenge.",0.778,"\u002FpQ1TGy3RlM9wnhDiFJiZoGHuT8J.jpg","1965-06-08",5.8,5,"52fe4d899251416c91119903","Director","movie",{"adult":4,"backdrop_path":38,"genre_ids":39,"id":41,"title":42,"original_language":27,"original_title":42,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":9,"credit_id":48,"department":13,"job":35,"media_type":36},"\u002FbCGXKUAcFJXUoIrPWaB4apKqpWG.jpg",[40,24],53,280433,"Beyond Reason","Nuclear war breaks out and the staff and patients of a mental hospital take refuge in an underground bunker and accidentally get locked in. Disciple soon disintegrates and the patients, led by Richard, start to resist authority. Richard devises a scheme for a new social order where the sane will take no part. The doctors try to resist but are ultimately overcome.",0.8004,"\u002FelJxHol5N8PR8wHn2ZjK3R9rV4r.jpg","1970-05-20",7,"53b80d200e0a2676cb007717",{"adult":4,"backdrop_path":38,"genre_ids":50,"id":41,"title":42,"original_language":27,"original_title":42,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":9,"credit_id":51,"department":52,"job":53,"media_type":36},[40,24],"53b80d310e0a2676c40077a1","Writing","Writer",{"adult":4,"backdrop_path":10,"genre_ids":55,"id":56,"title":57,"original_language":27,"original_title":57,"overview":58,"popularity":59,"poster_path":10,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":62,"department":13,"job":35,"media_type":36},[],346248,"The Spag","Director Giorgio Mangiamele produced the first examples of multicultural cinema in this country. 'The Spag' was shot in the streets of Carlton and tells the story of a newspaper boy working to support his widowed mother; along the way his life is fraught with racism. The film is Neo-Realist in style and makes interesting use of incidental music and post-sync dubbed dialogue track; a dog's bark is even mimicked by an actor's voice.",0.9999,"1962-07-27",0,"558d5cff9251416c2a0048e8",{"adult":4,"backdrop_path":10,"genre_ids":64,"id":65,"title":66,"original_language":27,"original_title":66,"overview":67,"popularity":68,"poster_path":10,"release_date":69,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":70,"department":13,"job":35,"media_type":36},[],361212,"Il Contratto","The NFSA has restored Giorgio Mangiamele’s uncompleted (and therefore mute) first feature film 'Il Contratto' (The Contract). A remarkable film in the context of Australian cinema of its era, 'Il Contratto' was the only feature of the 1950s to unflinchingly show the isolation, alienation and loneliness of Italian migrants to Australia. Mangiamele based his script on the experiences of the fellow countrymen with whom he travelled to Australia in 1952. The film’s authentic portrayal of immigrant hardships was accentuated by his casting of people who had lived through the events they were portraying. While Mangiamele later focused on loners who were up against the system, the characters of 'Il Contratto' are sustained by their unity.",1.0047,"1953-12-23","560354019251411172000789",{"adult":4,"backdrop_path":10,"genre_ids":72,"id":73,"title":74,"original_language":27,"original_title":74,"overview":75,"popularity":76,"poster_path":10,"release_date":77,"softcore":4,"video":4,"vote_average":61,"vote_count":61,"credit_id":78,"department":13,"job":35,"media_type":36},[],381323,"Ninety Nine Per Cent","With 'Ninety Nine Per Cent' Giorgio Mangiamele harnessed satiric, surreal and slapstick comedy to tell his most socially probing story of the impact of urban as well as cultural isolation. Where his earlier films, including 'Il Contratto' and two versions of 'The Spag' had portrayed problems specific to being an Italian migrant in an often racist and uncaring Australia, 'Ninety Nine Per Cent' made the impact of isolation within a multiracial society more universal. The film is a visual advance on Mangiamele’s earlier films, aided by its being filmed on 35mm stock (all the earlier works had been shot on 16mm), bringing a new sharpness, depth of field and exposure range to images. 'Ninety Nine Per Cent' was to be Mangiamele’s only comedy and in many ways it is his most adventurous, accessible work.",0.5214,"1963-02-04","56b47aa2c3a36806f80040ff",{"adult":4,"backdrop_path":22,"genre_ids":80,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":81,"department":52,"job":53,"media_type":36},[24],"593a6cd7c3a36822d200a817",{"adult":4,"backdrop_path":38,"genre_ids":83,"id":41,"title":42,"original_language":27,"original_title":42,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":9,"credit_id":84,"department":85,"job":86,"media_type":36},[40,24],"69d89272a83a7000fa123570","Camera","Director of Photography",{"adult":4,"backdrop_path":38,"genre_ids":88,"id":41,"title":42,"original_language":27,"original_title":42,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":9,"credit_id":89,"department":90,"job":91,"media_type":36},[40,24],"69d892eb5a35f1c9ac19182d","Production","Producer",{"profiles":93},[94],{"aspect_ratio":95,"height":96,"iso_3166_1":10,"iso_639_1":10,"file_path":17,"vote_average":61,"vote_count":61,"width":97},0.667,450,300]