[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1145419:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":635},false,[],"Ute Aurand was born in 1957 in Frankfurt\u002FMain, and grew up in Berlin. She is a teacher and curator, and a devoted 16mm filmmaker since 1980. She studied filmmaking at the Deutsche Film und Fernsehakademie Berlin (dffb) during the years 1979-1985. Since 1985 she began to produce her own films. In 1987 she founded \"Ute Aurand Filmproduktion\".\n\nDuring 1990-95, she presented the series \"Filmarbeiterinnen-Abend\" at the Arsenal cinema, Berlin, featuring films made by women, mostly experimental. In 1995-96, organised \"Sie zum Beispiel\" (Her, for Example) at the Arsenal and Babylon cinemas, in which 12 women filmmakers \u002Fartists selected and presented a personal selection of films by other women filmmakers. In 1997, she co-founded the group FilmSamstag (Film Saturday) together with Renate Sami and Theo Thiesmeier, later joined by Bärbel Freund, Karl Heil, Milena Gierke and Johannes Beringer, to present a monthly film programme in Kino Filmkunsthaus Babylon Mitte until 2007. Since 1981 curated film programs e.g. \"Lichtgedichte\u002FLight Poems\", \"Hyacinths\" and \"Poetinnen mit der Kamera\u002FWomen Poets with the Camera\" and monographic programs of films by Marie Menken, Margaret Tait and Utako Koguchi.\n\nIn 1991 she worked on the research project and book „Frauen machen Geschichte – 25 Jahre Studentinnen an der dffb“ (Women make History-25 Years of Women Students at the dffb), together with Maria Lang.","1957-01-01",null,1,"http:\u002F\u002Fwww.uteaurand.de\u002F",1145419,"nm2181133","Directing","Ute Aurand","Frankfurt, Germany",0.4864,"\u002F5R1DsvP1zbaIGqI68FltbjSOUCG.jpg",{"cast":19,"crew":62},[20,36,46,53],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":9,"character":32,"credit_id":33,"order":34,"media_type":35},"\u002FcgcrUOf1TZjqFSYc07P21dQqmHw.jpg",[23],99,1005896,"The Sparrow Dream","xx","Beavers revisits locations in Berlin first filmed in Diminished Frame (1970), alongside sites in Massachusetts, to reflect on how lived places shape vision and memory. Moving between past and present, the film becomes a meditation on perception, time, and the persistence of personal landscapes.",0.7132,"\u002F6TAggyxqjeEFEwYwtA3a8qaVelQ.jpg","2022-09-10",7,"","631a19ab0021340098fce665",0,"movie",{"adult":4,"backdrop_path":8,"genre_ids":37,"id":38,"title":39,"original_language":40,"original_title":39,"overview":32,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":44,"credit_id":45,"order":9,"media_type":35},[],679236,"Cape Cod","es",0.459,"\u002F6ZFTSyzzMRgSdK3UfETi4NPKnjW.jpg","2018-07-13","herself","5f808a303429ff0036d5da59",{"adult":4,"backdrop_path":8,"genre_ids":47,"id":48,"title":49,"original_language":26,"original_title":49,"overview":32,"popularity":50,"poster_path":8,"release_date":51,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":32,"credit_id":52,"order":34,"media_type":35},[],773185,"Noch einmal",2.0959,"1988-01-01","5fccf48ccadb6b003f1b8ec3",{"adult":4,"backdrop_path":8,"genre_ids":54,"id":55,"title":56,"original_language":57,"original_title":56,"overview":58,"popularity":59,"poster_path":8,"release_date":60,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":32,"credit_id":61,"order":9,"media_type":35},[],1584833,"Unding Undine","de","A cinematic interpretation of an ancient myth and the visual metaphor of the feminine sea.",1.2549,"1982-04-23","692011eb39ba0930b05d606f",[63,73,83,95,104,115,124,132,141,150,158,165,174,184,193,202,211,220,229,234,244,247,257,260,268,279,289,299,308,318,327,335,345,353,363,371,374,383,395,404,414,423,433,441,450,458,468,476,486,499,504,509,512,515,519,528,536,546,555,558,567,570,578,585,592,600,603,610,622,628],{"adult":4,"backdrop_path":8,"genre_ids":64,"id":65,"title":66,"original_language":26,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":71,"department":13,"job":72,"media_type":35},[23],824285,"Filmmuseum Aufbau 2000","Filmed every day during the final four weeks of the Berlin Film Museum’s construction.",0.8351,"\u002Fa6dcif6Qwo9pw2i2oka5VWJIOHv.jpg","2001-01-01","608b8e7e07e28100592f8fa5","Director",{"adult":4,"backdrop_path":8,"genre_ids":74,"id":75,"title":76,"original_language":26,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":82,"department":13,"job":72,"media_type":35},[],826893,"Here, it is Very Nice at the Moment","Hier ist es zur Zeit sehr schön","\"Here it is very nice at the Moment\" is a triptych. In the first part, \"Maria und die Welt\", Ute Aurand films Maria Lang in 1995, who moves to the countryside to take care of her mother. The second part, \"Familiengruft - ein Liebesgedicht an meine Mutter\" was produced by Maria Lang in 1981. It tells about what we most often keep quiet - prohibitions, barriers but also love. Twenty-two years later, Ute Aurand films Maria's daily care of her mother, now ninety-six years old: edited in 2006 by the two filmmakers, \"Der Schmetterling im Winter\", composes the last element of the triptych.",1.1903,"\u002F85fzBJfnC5nD5WaNLceIj1QLRut.jpg","2006-01-01","60953b511b722c003cf92be5",{"adult":4,"backdrop_path":84,"genre_ids":85,"id":86,"title":87,"original_language":88,"original_title":87,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":94,"department":13,"job":72,"media_type":35},"\u002FiiANpeBJf0omHZZCJzMsxzKEOIg.jpg",[],1169835,"To Brasil","en","A filmic encounter with Brazil, which Aurand visited for the first time in September 2022 for screenings of her films and Margaret Tait’s in São Paulo and Rio de Janeiro. Aurand’s 16mm films are portraits of people and place, often prompted by the discovery and experience of travel. As George Clark has written, the journey is a cornerstone of Aurand’s filmmaking: \"“Her work builds out from fragments, detours, refrains and returns; her camera picks up discarded gestures and suspends them in time. Films are always moving, always fleeting, Aurand’s work reminds us. These qualities are as fundamental to lived experience as they are to the cinema. Throughout Ute Aurand’s work we encounter a world animated by her mobile and dynamic camera, following, chasing, leading and dissecting space.\"",2.0776,"\u002Fx8GsOWV0pBMkZKZE8KY7J0Gd8aY.jpg","2023-09-11",6,"64e9bd77c613ce014dfc66b4",{"adult":4,"backdrop_path":8,"genre_ids":96,"id":97,"title":98,"original_language":88,"original_title":98,"overview":99,"popularity":100,"poster_path":101,"release_date":102,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":103,"department":13,"job":72,"media_type":35},[],1170115,"Neubrandenburg","One day in Neubrandenburg, filmed in a small city 130km north of Berlin in September 1995.",2.0062,"\u002FwqqwXMeY6fHZT1Mhgr4Sirafp0k.jpg","1995-01-01","64ea7c0a458199010098f861",{"adult":4,"backdrop_path":105,"genre_ids":106,"id":107,"title":108,"original_language":57,"original_title":109,"overview":110,"popularity":111,"poster_path":112,"release_date":113,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":114,"department":13,"job":72,"media_type":35},"\u002F2K9bRZxmzBu7kDJePTdIM9GB6VJ.jpg",[23],163846,"Young Pines","Junge Kiefern","Young Pines grew out of three trips to Japan between May 2009 and November 2010. Invited to Japan for a series of film screenings, I began filming in Yokohama, Tokyo, and Kanazawa. Even in the big cities, I experienced how strongly the Japanese feel connected to nature and how they tend to see no contradiction between culture and nature. I found this stimulating and in harmony with some of my own impulses. I wanted to return and film more in other seasons. In Spring 2010 I visited Kamakura, Kyoto, and Nara, in November I went Northeast and filmed in Matsushima, Tono, Miyako in Atsumi, Yamadera, and Nikko. All of my film images have been filmed before the disaster of the Tsunami and Fukushima, but the final editing was done in the following months.",0.6602,"\u002FnR8ZG9pLsrzU1U0bK3INOIhEVqm.jpg","2011-09-09","52fe4c6fc3a36847f822dd4f",{"adult":4,"backdrop_path":8,"genre_ids":116,"id":117,"title":118,"original_language":88,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":123,"department":13,"job":72,"media_type":35},[],981996,"Dreaming In The Dark","For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform relationships between the body and the camera to propose works that will engage with both perception and embodiment. Could cinema be an art of embodiment? By what rituals and actions could vision become tactile?",0.9331,"\u002F6bQwDv952lOoZUrklQ1Lfv05rmA.jpg","2018-01-04","62950bea76eecf75b0abdfec",{"adult":4,"backdrop_path":8,"genre_ids":125,"id":126,"title":127,"original_language":88,"original_title":127,"overview":128,"popularity":129,"poster_path":8,"release_date":130,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":131,"department":13,"job":72,"media_type":35},[23],861740,"Maria","Maria Lang is my very close filmmaker friend who lives in the southern german countryside.  We see her gardening and visiting an exhibition of female impressionist painters.",2.1294,"2011-05-25","6119d7b82dc44e002c40b5f4",{"adult":4,"backdrop_path":8,"genre_ids":133,"id":134,"title":135,"original_language":88,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":140,"department":13,"job":72,"media_type":35},[],873570,"Renate","A short portrait of the filmmaker Renate Sami.",2.0891,"\u002FzTdVqOoepvpw7cKunKrTcPgwBzU.jpg","2021-09-12","613e43079979d20023c6559d",{"adult":4,"backdrop_path":8,"genre_ids":142,"id":143,"title":144,"original_language":88,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":149,"department":13,"job":72,"media_type":35},[],1201975,"Zuoz","Filmed in Switzerland and released as part of a triptych with A Walk, Zuoz features the filmmaker Robert Beavers skating on ice. Beavers represents another “new beginning” in Aurand’s practice. She recalls seeing his work in the late ‘90s and “enter[ing] a space beyond the images where one is entirely within oneself and simultaneously in the world … where one is simply present and receives the full gift of the film.”",0.4631,"\u002FialA2K48KUtNcNdNAwODpoA1f3V.jpg","2008-06-01","654a7553391b9c013ba2edc9",{"adult":4,"backdrop_path":8,"genre_ids":151,"id":152,"title":153,"original_language":88,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":148,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":157,"department":13,"job":72,"media_type":35},[],1201973,"A Walk","Throughout her work, Aurand frequently makes her camera and her images felt as an active, moving body—spinning, rushing, departing, returning, expanding, contracting, hanging upside down. In A Walk, her film goes walking. The camera occupies a snowy Swiss setting, as Aurand creates a material, tonal landscape that is both nebulous, serene, and wonderfully energetic.",2.3546,"\u002F68zghTZRt0PhPtrd2B38L74yNX4.jpg","654a73ab532acb00e14a37f7",{"adult":4,"backdrop_path":8,"genre_ids":159,"id":160,"title":161,"original_language":88,"original_title":161,"overview":162,"popularity":163,"poster_path":8,"release_date":102,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":164,"department":13,"job":72,"media_type":35},[],334739,"Maria und die Welt","A film about my friend Maria Lang. The light falls on a few details, chance selections, out of which a place is composed, the place where Maria lives with her mother. A landscape, a village, a kitchen, 25 her room.",1.1865,"5523e8859251415c7c00928f",{"adult":4,"backdrop_path":8,"genre_ids":166,"id":167,"title":168,"original_language":88,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":173,"department":13,"job":72,"media_type":35},[],334740,"Jón in Akureyri","Jón in Akureyri is the second part of Detel + Jón. I filmed Jón Sigrurgeiersson walking through the streets of his childhood, meeting his filmmaker brother and telling childhood stories.",1.4984,"\u002F2AEwnyBr9wVrAmoNRMrdbbTlPD6.jpg","1993-01-01","5523ea41c3a3683453006662",{"adult":4,"backdrop_path":175,"genre_ids":176,"id":177,"title":178,"original_language":88,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":183,"department":13,"job":72,"media_type":35},"\u002FmMUwFTVyxhHotXvYvS1dabh8UvZ.jpg",[],363175,"Sakura, Sakura","2 minute film about two Japanese ladies.",1.1395,"\u002FbhpElGI0N7jLTHFbXSII6KkA9qh.jpg","2014-10-09","5617aca3c3a3680fae0027f0",{"adult":4,"backdrop_path":8,"genre_ids":185,"id":186,"title":187,"original_language":57,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":192,"department":13,"job":72,"media_type":35},[],1035384,"Tulipan","Short film featuring images of flowers.",2.0683,"\u002F7mqLaV6qvFLo3P8yhSTDDW1VNEK.jpg","2002-10-07","63496decb0460500791af5d1",{"adult":4,"backdrop_path":8,"genre_ids":194,"id":195,"title":196,"original_language":88,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":201,"department":13,"job":72,"media_type":35},[],415783,"Four Diamonds","Two memories from a longer visit to New England in Autumn 2012: a  group of elderly ladies playing bridge followed by the stormy ocean at Cape Cod in Winter while listening to Etienne Grenier's music practice.",1.8046,"\u002FfGBOpHwjmo8jKNe6PAbToMMm372.jpg","2016-11-14","57d82c7ac3a368441d000144",{"adult":4,"backdrop_path":8,"genre_ids":203,"id":204,"title":205,"original_language":88,"original_title":206,"overview":207,"popularity":208,"poster_path":8,"release_date":209,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":210,"department":13,"job":72,"media_type":35},[],422004,"At Home","Zu Hause","ZU HAUSE (At Home) ist the final sequence in TERZEN, playing with the filmmakers shadow and the Bolex camera while filming in her kitchen.",2.2594,"1998-01-01","58089c7ec3a3687332006745",{"adult":4,"backdrop_path":8,"genre_ids":212,"id":213,"title":214,"original_language":26,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":219,"department":13,"job":72,"media_type":35},[],422022,"Halbmond für Margaret","\"Glimpses of my life. Friends, snow, two tulips, skaters on the frozen lake of my childhood, balloons in the morning sun, my godchild Paulina running up and down the hill, Ulrike’s 50th birthday on the Baltic Sea, my desk in November 2003.\" - Ute Aurand",0.8423,"\u002Fid24SWPtVOsg8eywdXDIPh8myUm.jpg","2004-01-01","5808be549251415dfb00d262",{"adult":4,"backdrop_path":8,"genre_ids":221,"id":222,"title":223,"original_language":57,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":228,"department":13,"job":72,"media_type":35},[],426281,"Okiana","An imaginary journey on a ship. We turned the building of the Film Academy into a ship. Claire and Solange from a Jean Genet piece, a polish woman with her Madonna, screaming sailors are a few of the passengers on this artifical journey.",1.7838,"\u002FmNJvv4yOTfJj46BhLo9xf3cGsqZ.jpg","1983-03-04","582c3560c3a36872c6006391",{"adult":4,"backdrop_path":8,"genre_ids":230,"id":222,"title":223,"original_language":57,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":231,"department":232,"job":233,"media_type":35},[],"582c357492514111af0064ee","Writing","Writer",{"adult":4,"backdrop_path":8,"genre_ids":235,"id":236,"title":237,"original_language":57,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":243,"department":13,"job":72,"media_type":35},[],428316,"Detour","Umweg","Experimental film about a train ride. The carriage window becomes a screen, the landscape a mood, the mood a landscape.",1.9344,"\u002Fi2zuFCMCvIlOQzsND56l7Uw1yMh.jpg","1983-04-19","583e154cc3a3686680000603",{"adult":4,"backdrop_path":8,"genre_ids":245,"id":236,"title":237,"original_language":57,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":246,"department":232,"job":233,"media_type":35},[],"583e15549251411527000633",{"adult":4,"backdrop_path":8,"genre_ids":248,"id":249,"title":250,"original_language":57,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":256,"department":232,"job":233,"media_type":35},[],428320,"Silently Engrossed in Conversation","Schweigend ins Gespräch vertieft","A small cinematic poem from subjective street scenes, mirrored faces, and the city passing by, as well as naked female bodies underwater, creating an essay made from observed images.",0.9508,"\u002FtOuF9JLoIqtpRpJ6vH2IKH4FUCC.jpg","2019-11-25","583e17bec3a3686680000871",{"adult":4,"backdrop_path":8,"genre_ids":258,"id":249,"title":250,"original_language":57,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":259,"department":13,"job":72,"media_type":35},[],"583e17b3925141153500088f",{"adult":4,"backdrop_path":8,"genre_ids":261,"id":262,"title":263,"original_language":88,"original_title":263,"overview":264,"popularity":265,"poster_path":8,"release_date":266,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":267,"department":13,"job":72,"media_type":35},[],427496,"Franz","\"Franz von Lucke is my godchild, and I have filmed him since he was very young. Franz is now 26 years old.\" U.A.",1.8706,"2011-01-01","5836d6ef92514131a100e725",{"adult":4,"backdrop_path":269,"genre_ids":270,"id":271,"title":272,"original_language":57,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":278,"department":232,"job":233,"media_type":35},"\u002FqeT0yMat5AV9qveKjnxDoe7TpOG.jpg",[],487692,"Hanging Upside Down in the Branches","Kopfüber im Geäst","Ute Aurand’s Hanging upside down in the Branches is a gentle, generous and unsparing portrait of the filmmaker’s parents, whose passing is marked by remembrance and the loving recording of them - Andréa Picard",0.8719,"\u002FuU2vYsnltQxhawMTzpRoeNxepTN.jpg","2009-11-17","642f32d51b5ae50127845452",{"adult":4,"backdrop_path":280,"genre_ids":281,"id":282,"title":283,"original_language":57,"original_title":283,"overview":284,"popularity":285,"poster_path":286,"release_date":287,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":288,"department":13,"job":72,"media_type":35},"\u002F1U9APoBKGbvE8gDuRJJOEJf8gD5.jpg",[],474179,"Das fliegende Bild","The two 11year old friends, Franz and Pablo, run with angel-wings, stand under giant leaves and improvise on their trompet and piano.",0.8514,"\u002Ff6rFgGgz9Lan7g9jjTNWgMesZCY.jpg","1994-01-01","59aeac0bc3a3682c9c051c57",{"adult":4,"backdrop_path":8,"genre_ids":290,"id":291,"title":292,"original_language":293,"original_title":292,"overview":294,"popularity":295,"poster_path":296,"release_date":297,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":298,"department":13,"job":72,"media_type":35},[23],474171,"India","hi","\"India\" developed out of my three journeys to Pune in 2001, 2002 and 2004. I arrived in a forgein country, and felt surprisingly familiar in the foreign. There in the streets, walking among the people, surrounded by their movements, their gestures, by the colors, the light, the beauty. Small things awakened my attention, sometimes only a short glimpse, a hand movement, the color of a sari, a temple hidden in a courtyard. It was like a long hot bath that I took there in Pune's streets - something unique and very beautiful.",1.2063,"\u002FnIy4Nt2eLQkuqmzHQHXjGkJp0nu.jpg","2005-01-01","59aea2bbc3a3682bf004dd32",{"adult":4,"backdrop_path":8,"genre_ids":300,"id":301,"title":302,"original_language":57,"original_title":302,"overview":303,"popularity":304,"poster_path":305,"release_date":306,"softcore":4,"video":4,"vote_average":9,"vote_count":9,"credit_id":307,"department":13,"job":72,"media_type":35},[],474205,"Paul Celan Liest","Paul Celan reads Paul Celan. The words which we hear are seen on the screen - the optical sound negative became the visible image.",0.8394,"\u002FeacJH0gTOxXtRu33bxIoUShCNq6.jpg","1985-01-01","59aee712c3a3682cc8058380",{"adult":4,"backdrop_path":8,"genre_ids":309,"id":310,"title":311,"original_language":57,"original_title":312,"overview":313,"popularity":314,"poster_path":315,"release_date":316,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":317,"department":13,"job":72,"media_type":35},[],474435,"Toying with Strings 2","Fadenspiele 2","“Fadenspiele 2“ (Toying with String 2) is an animation made with the painter, my sister, Detel Aurand. We filmed inside the studio and outdoors in the forest and fields. From various elements like paper, wood, plastic and fabric come images that continuously change their form. We see one image evolving out of the other, becoming something new.",1.7467,"\u002FvxfQciGfjHD7d5lrU6ouYA5J6q5.jpg","2003-01-01","59b12aefc3a3681fcc02ddcb",{"adult":4,"backdrop_path":8,"genre_ids":319,"id":320,"title":321,"original_language":57,"original_title":322,"overview":32,"popularity":323,"poster_path":324,"release_date":325,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":326,"department":13,"job":72,"media_type":35},[],474436,"Toying With Strings 3","Fadenspiele 3",1.7831,"\u002F5D6OvmMATB1xQ9q4A54iiiLZXl1.jpg","2013-01-01","59b12b4bc3a3682c2207f65e",{"adult":4,"backdrop_path":8,"genre_ids":328,"id":329,"title":330,"original_language":40,"original_title":330,"overview":331,"popularity":332,"poster_path":333,"release_date":172,"softcore":4,"video":4,"vote_average":31,"vote_count":9,"credit_id":334,"department":13,"job":72,"media_type":35},[],474427,"Detel + Jón","A film structured around Detel Aurand and Jon Sigurgeiersson.",2.1275,"\u002FpGiLDzspp2OKjusaHJvrBC5JSxm.jpg","59b128bc9251417e4002f8a0",{"adult":4,"backdrop_path":8,"genre_ids":336,"id":337,"title":338,"original_language":57,"original_title":339,"overview":340,"popularity":341,"poster_path":342,"release_date":287,"softcore":4,"video":4,"vote_average":343,"vote_count":9,"credit_id":344,"department":13,"job":72,"media_type":35},[23],474428,"Bärbel and Charly","Bärbel und Charly","A portrait of the filmmakers Bärbel Freund and Karl Heil like a song in its changing verses, the locations were chosen according to mood and season: in spring, in snow, in Venice, in the flat, alone and together.",1.5271,"\u002F77N4NHxt4Mb68GRuk90S9uTgsGz.jpg",8,"59b1295fc3a3682cc8084cf3",{"adult":4,"backdrop_path":8,"genre_ids":346,"id":347,"title":348,"original_language":88,"original_title":348,"overview":32,"popularity":349,"poster_path":350,"release_date":351,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":352,"department":13,"job":72,"media_type":35},[],460293,"To Be Here",0.9941,"\u002FiWgbj8j16DAi6iFEa3dQJNXXr7T.jpg","2013-10-03","59b12a0fc3a368244302b717",{"adult":4,"backdrop_path":8,"genre_ids":354,"id":355,"title":356,"original_language":57,"original_title":357,"overview":358,"popularity":359,"poster_path":360,"release_date":361,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":362,"department":13,"job":72,"media_type":35},[],474434,"Toying with Strings","Fadenspiele","\"Toying with string\" is painting transformed into film. Color, threads, stones, various natural elements give birth to images constantly changing in form. This metamorphosis is made visible – we see one thing arising from another and giving birth to something new.\r “Toying with string is by two sisters, one is a painter, the other a filmmaker. A new quality develops from the knowledge each one brings. The film is lively and leaves a free and happy feeling”",1.0095,"\u002F9tz6puPHL9fl0kECcuY7mT8at2e.jpg","1999-01-01","59b12aa19251417e4002faf5",{"adult":4,"backdrop_path":8,"genre_ids":364,"id":365,"title":366,"original_language":57,"original_title":366,"overview":367,"popularity":368,"poster_path":369,"release_date":306,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":370,"department":13,"job":72,"media_type":35},[],474426,"Die Sonne sank, ich folge ihr","A stylized costume play filmed on the Externsteine, the Reichstag in Berlin and in a noctural rose garden.",1.2117,"\u002Fx05RdHznVJ2TMB2dhGeiiVlWcxO.jpg","59b12857c3a3682cc8084bd7",{"adult":4,"backdrop_path":269,"genre_ids":372,"id":271,"title":272,"original_language":57,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":373,"department":13,"job":72,"media_type":35},[],"5a0f74f7c3a368627d01fad1",{"adult":4,"backdrop_path":8,"genre_ids":375,"id":376,"title":377,"original_language":57,"original_title":378,"overview":379,"popularity":380,"poster_path":381,"release_date":81,"softcore":4,"video":4,"vote_average":31,"vote_count":9,"credit_id":382,"department":13,"job":72,"media_type":35},[],502537,"Butterfly in Winter","Der Schmetterling im Winter","Ute Aurand films Maria Lang in her daily activity as she cares for her mother. The presence of the filmmaker is visible in the camera movements and in the editing rhythm. Admiration and discretion are sensed. We enter into the intimacy of mother and daughter through the eyes of a friend. The silent images create an occasion for attentive observation and balanced awareness.",0.9394,"\u002FmQyKzx3kkZO7svLK23uQbBWSSej.jpg","5a7482aec3a3685a0c021507",{"adult":4,"backdrop_path":8,"genre_ids":384,"id":385,"title":386,"original_language":57,"original_title":387,"overview":388,"popularity":389,"poster_path":390,"release_date":391,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":392,"department":393,"job":394,"media_type":35},[23],679233,"Building Under Ground","In die Erde gebaut","The film follows the construction of the new expansion of Zurich's Museum Rietberg, from the groundbreaking in May 2004 through to the opening in February 2007.",1.0684,"\u002Fxz39HkAE0UgeSDttDEB9gZnuzfD.jpg","2008-06-05","665e6a15bf65976902605a65","Camera","Director of Photography",{"adult":4,"backdrop_path":8,"genre_ids":396,"id":397,"title":398,"original_language":26,"original_title":398,"overview":399,"popularity":400,"poster_path":401,"release_date":402,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":403,"department":13,"job":72,"media_type":35},[],515471,"Lisa","A new short film portrait that, as often in Ute Aurands work, was filmed over several years and in different places, in this case Germany and Japan. \"Filming portraits allows me to emphasize private gestures and moments, and thus to transcend the narrative or documenting.\" (UA)",1.6517,"\u002FvFvhhLei370LaRICYafqbNU09vX.jpg","2018-03-31","5ac11cc60e0a260c4d009aad",{"adult":4,"backdrop_path":8,"genre_ids":405,"id":406,"title":407,"original_language":88,"original_title":408,"overview":409,"popularity":410,"poster_path":411,"release_date":412,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":413,"department":13,"job":72,"media_type":35},[],1138724,"Arsenal Film Archive","Arsenal Filmarchiv","Shot on 16mm, Ute Aurand documents the archive of Kino Arsenal - Institut für Film und Videokunst before its contents underwent a thorough 'repotting' operation",2.3048,"\u002FeGtbXvu9TdxpemUqCdZfL8PbFdA.jpg","2022-12-20","6484fd98e375c00139c03b46",{"adult":4,"backdrop_path":8,"genre_ids":415,"id":416,"title":417,"original_language":57,"original_title":418,"overview":419,"popularity":420,"poster_path":421,"release_date":102,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":422,"department":13,"job":72,"media_type":35},[],530299,"At the Sea","Am Meer","A walk, a moment at the beach... And the Japanese filmmaker Utako Koguchi behind the heard piano.",1.6148,"\u002F8bqltSbE6feZmrfTiJpI7gxclfA.jpg","5b241307c3a3681da2000b32",{"adult":4,"backdrop_path":8,"genre_ids":424,"id":425,"title":426,"original_language":57,"original_title":427,"overview":428,"popularity":429,"poster_path":8,"release_date":430,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":431,"department":432,"job":432,"media_type":35},[23],1319595,"Flight through the Night","Flug durch die Nacht","Flug durch die Nacht, shot during Ilona Baltrusch's studies at the Deutsche Film- und Fernsehakademie Berlin - DFFB, explores the relationship between language and image. The film follows the two protagonists, Gretel Kemeny and Martin Peter, through 1980s nocturnal Berlin.",1.5557,"1980-09-24","669e540ad0654326b18b95f0","Sound",{"adult":4,"backdrop_path":8,"genre_ids":434,"id":435,"title":436,"original_language":88,"original_title":436,"overview":437,"popularity":438,"poster_path":439,"release_date":266,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":440,"department":13,"job":72,"media_type":35},[],556836,"Paulina","Paulina Buda is my godchild, and I have filmed her since she was very young. Filming portraits allows me to emphasize private gestures and moments beyond narration and documentation.",1.3643,"\u002FzPA6IUSqxuyBTwhZ2S1KnFwi4VB.jpg","5bd33a1292514103960021f7",{"adult":4,"backdrop_path":8,"genre_ids":442,"id":443,"title":444,"original_language":57,"original_title":445,"overview":446,"popularity":447,"poster_path":448,"release_date":51,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":449,"department":13,"job":72,"media_type":35},[],557870,"Oh! The Four Seasons","Oh! die vier Jahreszeiten","Aurand and Pfeiffer filmed each other at four famous sites in Europe: walking in a summer dress through the snow in front of the Reichstag in Berlin, spinning a young boy again and again through the air in Red Square in Moscow, climbing on a hot day into the waterfall at the Place de la Concorde in Paris, and, as two angels in London, walking through the night of the City. The film begins with a text about improvisation by Jonas Mekas read by himself.",0.9504,"\u002FknTc4AnodTTjYN82ibriq3cmtyc.jpg","5bd8ada50e0a262c9101195e",{"adult":4,"backdrop_path":8,"genre_ids":451,"id":452,"title":453,"original_language":88,"original_title":453,"overview":454,"popularity":455,"poster_path":456,"release_date":266,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":457,"department":13,"job":72,"media_type":35},[],580480,"Paulina, Franz & Maria","Paulina Buda is my godchild, and I have filmed her since she was very young. Paulina is now 15 years old. Franz von Lucke is my godchild, and I have filmed him since he was very young. Franz is now 26 years old. Maria Lang is my very close filmmaker friend who lives in the southern german countryside.  We see her gardening and visiting an exhibition of female impressionist painters.",0.8519,"\u002F7WeXw01R5qtyGurd256wFFGrqz1.jpg","5c5b2f0f925141337cb8a2b3",{"adult":4,"backdrop_path":459,"genre_ids":460,"id":461,"title":462,"original_language":88,"original_title":462,"overview":463,"popularity":464,"poster_path":465,"release_date":466,"softcore":4,"video":4,"vote_average":31,"vote_count":9,"credit_id":467,"department":13,"job":72,"media_type":35},"\u002Fl9GAvwoX1689BvtuBaZGnNek1bU.jpg",[],580477,"A Walk \u002F Im Park \u002F ZUOZ","A triptych of three short silent films. A Walk through the winter of Engadin and Bergell, scenes in the park of the Rietberg Museum in Zurich with its collection of Asian, African and Indian art, and an ice-skater on a sunny day in Zuoz, a village in the Engadin.",0.8393,"\u002FqQXeCoKSWI3CXmbWiix2Hha01iG.jpg","2008-01-01","5c5b2a4b0e0a261de1644313",{"adult":4,"backdrop_path":8,"genre_ids":469,"id":470,"title":471,"original_language":88,"original_title":471,"overview":472,"popularity":473,"poster_path":474,"release_date":102,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":475,"department":13,"job":72,"media_type":35},[],580478,"Kleine Blumen, kleine Blätter","I asked 10 friends, filmmakers and non-filmmakers, to make a film about the Seasons - a child, an 80year old, a painter, two artists and filmmaker friends, I also made one.",0.892,"\u002Fwc6wthk8XbYUAj45fvO75CmDcvt.jpg","5c5b2b1c925141338cb8aabb",{"adult":4,"backdrop_path":8,"genre_ids":477,"id":478,"title":479,"original_language":57,"original_title":480,"overview":481,"popularity":482,"poster_path":483,"release_date":484,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":485,"department":13,"job":72,"media_type":35},[],580526,"Philipp's 60th Birthday","Philipps 60. Geburtstag","My friend of many years, Philipp v. Lucke, celebrated his 60th birthday by inviting his family and friends to join him in a forest near Görlitz. This was also in memory of his father's childhood and the family's connection to the place. It was a very hot July day.",0.9601,"\u002F2MKeeCyCDT1dAZSVc0WI22Zb6b2.jpg","2014-01-01","5c5b8146c3a3683cd188bb26",{"adult":4,"backdrop_path":487,"genre_ids":488,"id":489,"title":490,"original_language":57,"original_title":491,"overview":492,"popularity":493,"poster_path":494,"release_date":495,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":496,"department":497,"job":498,"media_type":35},"\u002FuR1Pxna28lhhQ5uYpWCDTfESbIK.jpg",[23],578731,"Rushing Green with Horses","Rasendes Grün mit Pferden","A collection of fleeting observations that document the passage of time through intimate encounters with friends and family captured between 1999 to 2018.",1.446,"\u002FiKZ5w6b4jCj85ZwpH6qfkD4auL.jpg","2021-09-09","5c4fed1e9251410e245feb4b","Crew","Cinematography",{"adult":4,"backdrop_path":487,"genre_ids":500,"id":489,"title":490,"original_language":57,"original_title":491,"overview":492,"popularity":493,"poster_path":494,"release_date":495,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":501,"department":502,"job":503,"media_type":35},[23],"5c4fed260e0a2601d6c78a26","Editing","Editor",{"adult":4,"backdrop_path":487,"genre_ids":505,"id":489,"title":490,"original_language":57,"original_title":491,"overview":492,"popularity":493,"poster_path":494,"release_date":495,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":506,"department":507,"job":508,"media_type":35},[23],"5c4fed170e0a26494dd80a06","Production","Producer",{"adult":4,"backdrop_path":487,"genre_ids":510,"id":489,"title":490,"original_language":57,"original_title":491,"overview":492,"popularity":493,"poster_path":494,"release_date":495,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":511,"department":13,"job":72,"media_type":35},[23],"5c4fed09c3a368576a94c04c",{"adult":4,"backdrop_path":487,"genre_ids":513,"id":489,"title":490,"original_language":57,"original_title":491,"overview":492,"popularity":493,"poster_path":494,"release_date":495,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":514,"department":432,"job":432,"media_type":35},[23],"5c4fed2b0e0a2601d6c78a2a",{"adult":4,"backdrop_path":487,"genre_ids":516,"id":489,"title":490,"original_language":57,"original_title":491,"overview":492,"popularity":493,"poster_path":494,"release_date":495,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":517,"department":432,"job":518,"media_type":35},[23],"5c4fed31c3a3687564826742","Sound Designer",{"adult":4,"backdrop_path":8,"genre_ids":520,"id":521,"title":522,"original_language":26,"original_title":522,"overview":523,"popularity":524,"poster_path":525,"release_date":526,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":527,"department":13,"job":72,"media_type":35},[],579375,"Susan+Lisbeth","Portrait of Canadian artist Susan Turcot in 1993 and 2011.",2.5515,"\u002FjxYkKptKEIg4g4udmIu1QPcuxmr.jpg","2012-01-01","5c53802e0e0a265e19d0077d",{"adult":4,"backdrop_path":8,"genre_ids":529,"id":530,"title":531,"original_language":57,"original_title":531,"overview":532,"popularity":533,"poster_path":534,"release_date":209,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":535,"department":13,"job":72,"media_type":35},[23],601090,"Terzen","“In the day after seeing Terzen, there was a surprising sense of the film that developed for me. The rhythms were still present and helped to unify a multitude of impressions. This lead me to reconsider the general tone of the film because, as I reached beyond its quick pace and rhythmic lightness and beyond the everyday content, I realized that its Heiterkeit grows out of a serenity or courage in facing mortality. This is the surprising sense of the film, its inner music. (…) Early in the film I recall a chair held in the strong afternoon sunlight. Even though you show it from many angles, it has a potent stillness. This strikes me as a good example of how you embody an active sense of seeing in your filming, and you reflect back to us the paradox that it is in movement that we create stillness. The eye, constantly moving yet creating stillness.\" — Robert Beavers",1.8373,"\u002FtfSCoz6BAmB41pnxHvhJEkxLd1f.jpg","5cd2fd970e0a262fb30c585d",{"adult":4,"backdrop_path":8,"genre_ids":537,"id":538,"title":539,"original_language":88,"original_title":540,"overview":541,"popularity":542,"poster_path":543,"release_date":544,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":545,"department":13,"job":72,"media_type":35},[],622499,"In the Garden","Im Garten","For a year at monthly intervals, Ute Aurand and Bärbel Freund filmed In the Garden, a lovely portrait of a Potsdam-Bornim garden designed in 1910 by gardener and philosopher Karl Foerster. An extraordinary variety of flora, natural lighting effects, textures and colors unfold in this gentle, expertly edited film, which forms a bridge between the natural world and the individual soul.",1.9674,"\u002FpzgCmNuC2sIL7nk9QMvZKDSnbKd.jpg","2002-01-01","5d510c12b686b965f597a8b3",{"adult":4,"backdrop_path":8,"genre_ids":547,"id":548,"title":549,"original_language":57,"original_title":550,"overview":551,"popularity":552,"poster_path":8,"release_date":553,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":554,"department":13,"job":72,"media_type":35},[],670305,"The Princess And The Pea","Die Prinzessin auf der Erbse","We hear the actor Alexander Moissi reading the fairy tale by Hans Christian Anderson (recorded in 1927), while seeing the face of a young woman standing outdoors against a distant hilly summer landscape.",1.0296,"1991-01-01","5e3cf6489603310017e8e60a",{"adult":4,"backdrop_path":8,"genre_ids":556,"id":385,"title":386,"original_language":57,"original_title":387,"overview":388,"popularity":389,"poster_path":390,"release_date":391,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":557,"department":13,"job":72,"media_type":35},[23],"5e5b33a09b86160013f8b5dc",{"adult":4,"backdrop_path":8,"genre_ids":559,"id":560,"title":561,"original_language":26,"original_title":561,"overview":562,"popularity":563,"poster_path":564,"release_date":565,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":566,"department":13,"job":72,"media_type":35},[23],741880,"Glimpses from a Visit to Orkney in Summer 1995","In Aurand’s signature diaristic form, roses in bloom, farm animals, Orkney landscapes, and scenes of the late filmmaker Margaret Tait having tea are rendered through expressive Bolex movements as well as the director’s active camera, and punctuated by abstract swaths of saturated and shifting colors. The film is an homage to Tait, whom Aurand visited in Orkney.",0.5383,"\u002FyS39v2Z9gYtCL6gvluFOoCwMS0b.jpg","2020-09-25","5f5c653bec0c580038a9bb5a",{"adult":4,"backdrop_path":8,"genre_ids":568,"id":48,"title":49,"original_language":26,"original_title":49,"overview":32,"popularity":50,"poster_path":8,"release_date":51,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":569,"department":13,"job":72,"media_type":35},[],"5fccf3de43999b003c1a3258",{"adult":4,"backdrop_path":8,"genre_ids":571,"id":572,"title":573,"original_language":26,"original_title":573,"overview":574,"popularity":575,"poster_path":576,"release_date":466,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"credit_id":577,"department":13,"job":72,"media_type":35},[],1455419,"Im Park","Scenes in the park of the Rietberg Museum in Zurich with its collection of Asian, African and Indian art.",2.5151,"\u002Fj887kJvywcteS4EsZpLJ3w6joe6.jpg","67e66d02f8cba94bbcba5076",{"adult":4,"backdrop_path":8,"genre_ids":579,"id":580,"title":581,"original_language":88,"original_title":581,"overview":582,"popularity":583,"poster_path":8,"release_date":266,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":584,"department":13,"job":72,"media_type":35},[],1470988,"Lisbeth","The portraits allow the filmmaker to emphasize gestures and private moments beyond narration and documentation. In his work system, he collects images for years before making the decision to compose a portrait, like Franz or Paulina. There are exceptional cases like Lisbeth, filmed on two occasions and little edited in which we see the artist Lisbeth Burri in her garden on the outskirts of Zurich. 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