[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1132633:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":9,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":1165},false,[6],"Antonio De Bernardi","Tonino De Bernardi (1937, Italy) made his first work at the end of the 1960s. His underground films were often projected in museums and art galleries. In his films, De Bernardi mixes life with his interest in literature, music and art. In 1987 he made his first official feature, Elettra, after Sophocles.","1937-05-24",null,2,1132633,"nm0207402","Directing","Tonino De Bernardi","Chivasso, Italy",0.8028,"\u002F6t3K7VZymqWMpJKifzN6xEFlPqK.jpg",{"cast":19,"crew":249},[20,35,47,55,68,78,89,97,106,114,127,135,147,161,170,180,191,200,209,217,224,233,239],{"adult":4,"backdrop_path":9,"genre_ids":21,"id":22,"title":23,"original_language":24,"original_title":25,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":31,"credit_id":32,"order":33,"media_type":34},[],764119,"Erinnerung An Die Zukunft","it","Erinnerung An Die Zukunft (Rushes)","Unfinished feature film by Piero Bargellini.",1.0299,"\u002FuKJM4W3PHfWduqrGX6UO1qb2c94.jpg","1970-11-03",0,"","6136dc69da9ef20090c25ad8",3,"movie",{"adult":4,"backdrop_path":9,"genre_ids":36,"id":38,"title":39,"original_language":24,"original_title":40,"overview":41,"popularity":42,"poster_path":43,"release_date":44,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":45,"credit_id":46,"order":30,"media_type":34},[37],99,856413,"Tonino De Bernardi: One Time, One Encounter","Tonino De Bernardi - Un tempo, un Incontro","\"Tonino De Bernardi - Un tempo, un incontro\" is a film about the duel between two friends who are very different from one another. Two different approaches, two characters, two views that only seem antithetical meet and then open up in front of a camera. Or, more precisely, in front of the cameras. On the one hand, the eye of Daniele Segre. On the other hand, Tonino's, which almost taints the film's aesthetics. The film's development conveys a sense of immediacy, which is a fundamental principle for both directors. Daniele films Tonino and Tonino films Daniele, and this takes place in a play of associations, and in the space of an encounter. The two directors have seized this opportunity to swap views and experiences.",0.7057,"\u002Fvrc5YIUXM5msZB4uov53ibXnjr5.jpg","2021-09-10","Self","613de106322b2b002968ea23",{"adult":4,"backdrop_path":9,"genre_ids":48,"id":49,"title":50,"original_language":24,"original_title":50,"overview":51,"popularity":52,"poster_path":9,"release_date":53,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":45,"credit_id":54,"order":30,"media_type":34},[37],1165782,"A proposito di sbavature","Tonino De Bernardi, author of self-produced films, many Super8 and videos, talks about cinema and Turin. Shot on U-matic.",1.1786,"1985-01-01","64dcb67e37109700c51d3e6c",{"adult":4,"backdrop_path":56,"genre_ids":57,"id":59,"title":60,"original_language":24,"original_title":60,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"character":31,"credit_id":67,"order":65,"media_type":34},"\u002FmZFPZEra5ITyvlnsHqigJP5Ywcp.jpg",[58],18,245701,"Cinque Giorni Di Tempesta","Giovanni, a young boy who left Sicily for Bolzano to perform his military service , arrives five days early and is forced to stay outside the barracks before the official day of the call-up.  Between surreal encounters and situations of all kinds, Giovanni is the protagonist of various events and movements from various cities and countries; however, once he returns to Bolzano, the boy decides not to show up for the call and flees to Australia where his cousin Vince lives and works.",0.8765,"\u002FyGLNMx5XZgA8av7FHEQKNAEZvoJ.jpg","1997-09-02",8,1,"52fe4f0ac3a36847f82b9177",{"adult":4,"backdrop_path":9,"genre_ids":69,"id":70,"title":71,"original_language":24,"original_title":71,"overview":72,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":31,"credit_id":76,"order":77,"media_type":34},[37],1211044,"Strade perdute - Filmmaker 23","For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi\u002FParenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi\u002FGagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona)  to give us their own \"lost road,\" that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works.  Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.",1.0149,"\u002FA8Jp9eGzx4Va37IZGPLtXFEsJVv.jpg","2023-11-20","6565e8963d745400ac1f903d",4,{"adult":4,"backdrop_path":9,"genre_ids":79,"id":80,"title":81,"original_language":24,"original_title":81,"overview":82,"popularity":83,"poster_path":84,"release_date":85,"softcore":4,"video":4,"vote_average":86,"vote_count":66,"character":87,"credit_id":88,"order":30,"media_type":34},[37],1048037,"Tonino e le galline","Italian film-maker Tonino De Bernardi meets in rural Liguria an old countrywoman, Agnese, and her chickens.",0.935,"\u002FfoQ1f9dcVgg1lmAoCaIrGGB1oFj.jpg","2010-12-01",5,"Himself","63711065ca4f67007ad9f6f0",{"adult":4,"backdrop_path":9,"genre_ids":90,"id":91,"title":92,"original_language":24,"original_title":92,"overview":93,"popularity":94,"poster_path":9,"release_date":95,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":31,"credit_id":96,"order":30,"media_type":34},[],1258743,"Bacino Casa del lupo o di Tonino Massimo e Piero","It exists only in a fragmented state.",0.9588,"1970-06-06","65f216f9d64ac201875ff2c7",{"adult":4,"backdrop_path":9,"genre_ids":98,"id":99,"title":100,"original_language":24,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":31,"credit_id":105,"order":77,"media_type":34},[],1059389,"Marco Melani: The Man with the Golden Eye","\"The Man With The Golden Eye\" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.",1.6945,"\u002FbnCihg9My4LjVWkNT8AkBczQvg.jpg","2021-12-09","63938e16ba480200888d8dcc",{"adult":4,"backdrop_path":9,"genre_ids":107,"id":108,"title":109,"original_language":24,"original_title":109,"overview":110,"popularity":111,"poster_path":9,"release_date":112,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":45,"credit_id":113,"order":30,"media_type":34},[37],1280436,"Où en êtes-vous, Tonino De Bernardi?","A film commissioned by the Centre Pompidou, where the director captures moments of his daily life and of his relatives.",1.1063,"2022-01-29","662b73a3b54002011d044552",{"adult":4,"backdrop_path":115,"genre_ids":116,"id":117,"title":118,"original_language":119,"original_title":118,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":124,"vote_count":66,"character":45,"credit_id":125,"order":126,"media_type":34},"\u002FfwskwN3Wzwv7QVyxlttJjU3cdae.jpg",[37],533541,"365 Day Project","en","This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.",1.4786,"\u002FA6zlbQdL5bNVRx13wRJrpmCNbRI.jpg","2007-12-31",10,"66c469289f5fbabcd8a58a7d",51,{"adult":4,"backdrop_path":9,"genre_ids":128,"id":129,"title":130,"original_language":24,"original_title":130,"overview":31,"popularity":131,"poster_path":9,"release_date":132,"softcore":4,"video":4,"vote_average":133,"vote_count":10,"character":87,"credit_id":134,"order":30,"media_type":34},[],502738,"Ultimo bagliore e nulla",0.7967,"2003-02-03",8.2,"5a759cde0e0a26642a0344cf",{"adult":4,"backdrop_path":9,"genre_ids":136,"id":137,"title":138,"original_language":139,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":4,"video":4,"vote_average":145,"vote_count":33,"character":31,"credit_id":146,"order":30,"media_type":34},[37],500086,"Galileo’s Thermometer","pt","O Termómetro de Galileu","A whole summer long, Portuguese filmmaker Teresa Villaverde stayed with Italian cult director Tonino De Bernardi, who was working on projects including a film version of Sophocles’ Electra starring only local villagers. She sits at the table with the family in their garden, on the back seat of the car on the way home in the evening or listens to the stories told by the woman De Bernardi buys cheese and eggs from.",0.8437,"\u002F6H9Hlbi9vmTeAbedvVRDNKspej7.jpg","2018-01-28",4.7,"5a9f2b8c0e0a2641e0007d0c",{"adult":4,"backdrop_path":148,"genre_ids":149,"id":150,"title":151,"original_language":152,"original_title":151,"overview":153,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":157,"vote_count":158,"character":159,"credit_id":160,"order":37,"media_type":34},"\u002F6fJgLOFJO5AAlieLZxfmTyZKOEy.jpg",[37],272074,"Cinématon","fr","Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.",1.3957,"\u002F5l2dmFdiaFbt8XUyzmZxBeqGMJA.jpg","1978-12-20",4.9,7,"N°1542","5d0b18fbc3a36862fa1de9f3",{"adult":4,"backdrop_path":9,"genre_ids":162,"id":163,"title":164,"original_language":24,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":31,"credit_id":169,"order":10,"media_type":34},[],362427,"Il mostro verde","Short made for double parallel projections, for which Allen Ginsberg said that it's his favorite underground European film, debut from the director, cheeky hommage to B-movies.",1.3106,"\u002FnIEyptznx1y2rXgSmS8aSMlRLrK.jpg","1967-05-21","5d8fdbba69d2800029b37630",{"adult":4,"backdrop_path":9,"genre_ids":171,"id":172,"title":173,"original_language":119,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":178,"vote_count":86,"character":31,"credit_id":179,"order":33,"media_type":34},[37],137000,"Age Is...","Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture, the beauty, the singularity of aging faces and silhouettes, a hypnotic poem in the Dwoskin meaning of the term which is long observations of very tiny details. A gesture, a pause, a look, a moment. Throughout his films intimacy has always played a leading role and this is also true for Age is..., all the faces being close friends, or close friends relatives and sometimes even Stephen himself.",2.4532,"\u002Fdvf6oQba1jK6bA5AohlVp0A7O6V.jpg","2012-08-15",7.6,"5f5043e5c5840d003979a6df",{"adult":4,"backdrop_path":9,"genre_ids":181,"id":182,"title":183,"original_language":24,"original_title":184,"overview":185,"popularity":186,"poster_path":187,"release_date":188,"softcore":4,"video":4,"vote_average":77,"vote_count":66,"character":31,"credit_id":189,"order":190,"media_type":34},[],753095,"Migration","Migrazioni","A series of migrants who at times narrate and impersonate shards of myths, among them the Great Goddess, the Virgin of Bach’s Magnificat, the Sulamite of Stockhausen’s Song of Solomon (“I am black but comely”), tales by Herodotus, Kafka, Villon (as set to music by Ezra Pound).\r Third part of the Flower of Eryngium cycle.",1.4055,"\u002F95D63FxcZFgm4CLaOSna5m4zHR1.jpg","1970-09-19","5f865b8969eb900039cb9690",6,{"adult":4,"backdrop_path":9,"genre_ids":192,"id":193,"title":194,"original_language":119,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":198,"softcore":4,"video":4,"vote_average":190,"vote_count":66,"character":31,"credit_id":199,"order":33,"media_type":34},[],753096,"Warming Up","Shot between Italy and New York City, Warming Up is the journal of a season of creativity. The film-maker and his characters improvise scenes and sequences, and wonder how to make up a story as they go along. The recurring theme is how to make the world (or read it as) an imaginative place...",1.2867,"\u002Fi8rBNcAtS4CImloT4zUeQSLhu7x.jpg","1973-04-20","5f8660cd8258fc0036a6e614",{"adult":4,"backdrop_path":9,"genre_ids":201,"id":202,"title":203,"original_language":24,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":31,"credit_id":208,"order":10,"media_type":34},[],753100,"Coda","A conclusion and recapitulation of the Eryngium cycle, Coda deals directly with the theme of self-portraiture. The first shot alludes to the end of Erichvon Stroheim's Foolish Wives, where the corpse of the hero-director is dispatched in a man-hole. Other dramatic self-portraits follow: Caravaggio's Goliath, Dante's Sestina (read by the film-maker), and Dürer's Self-portrait with Eryngium. The abandoned villa of Migrazione is revisited. But the finale is hopeful.",1.0555,"\u002Fdyb9yft6N4jmwMibjnCtRXTp5UN.jpg","1970-12-02","5f866a165a46900037f16c84",{"adult":4,"backdrop_path":9,"genre_ids":210,"id":211,"title":212,"original_language":24,"original_title":213,"overview":31,"popularity":214,"poster_path":9,"release_date":215,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":31,"credit_id":216,"order":33,"media_type":34},[58],430702,"Ophelia Afar","Ofelia lontana",0.5385,"2000-02-03","5fab877a278d8a003e0ab432",{"adult":4,"backdrop_path":9,"genre_ids":218,"id":219,"title":220,"original_language":24,"original_title":220,"overview":31,"popularity":221,"poster_path":9,"release_date":222,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":31,"credit_id":223,"order":66,"media_type":34},[],765495,"Il giardino erboso",0.6638,"1968-08-08","5fb4b61b73520500411d3628",{"adult":4,"backdrop_path":9,"genre_ids":225,"id":226,"title":227,"original_language":24,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":124,"vote_count":66,"character":31,"credit_id":232,"order":124,"media_type":34},[],502732,"Dei","The construction of the film is very simple. Most of the time we see faces in close-up. Three pairs of faces, usually, on three different levels of superimpositions. At first, the faces are very theatrical, made-up. It's not clear whether they are men or women. They move only slightly. They are, indeed, godlike. As the film progresses, very unnoticeably, these faces begin to gain more life and masculine and feminine qualities. At the end of the film, after three hours, the faces are very real, and very human, and sexes and ages are very clearly defined: men, women, children.",1.5098,"\u002F9sGxym2JHS0a7gwhJg7hRsJ5u1j.jpg","1968-09-19","5fb8ab86a24c5000412eec5e",{"adult":4,"backdrop_path":9,"genre_ids":234,"id":235,"title":236,"original_language":152,"original_title":236,"overview":31,"popularity":237,"poster_path":9,"release_date":31,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":31,"credit_id":238,"order":30,"media_type":34},[],818204,"Cinématon n°1542 : Tonino de Bernardi",0.8836,"60767c999638640041b9416b",{"adult":4,"backdrop_path":240,"genre_ids":241,"id":242,"title":243,"original_language":24,"original_title":243,"overview":31,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":124,"vote_count":10,"character":247,"credit_id":248,"order":124,"media_type":34},"\u002F8uGMO3M3s4gMezhacs440dIdbv8.jpg",[37],503043,"Filmstudio, mon amour",1.3309,"\u002FcsHWnUWwOfdxuQJ6mzq85Mb2PG6.jpg","2015-10-21","Sé stesso","690c9423b9c7e83815935209",[250,259,263,272,283,290,295,298,302,311,314,317,326,329,332,335,343,355,366,373,376,385,388,391,402,405,413,420,423,428,431,435,438,446,454,462,470,478,486,495,503,510,518,525,534,542,545,552,555,564,575,584,593,596,605,608,611,614,622,630,641,650,653,660,663,667,670,678,685,692,702,705,708,717,724,727,736,743,752,755,758,767,773,781,790,798,801,810,813,823,826,834,837,846,852,859,867,870,873,876,883,887,890,893,896,899,902,909,918,921,929,936,945,948,954,957,966,969,972,975,978,981,990,993,996,1001,1004,1007,1017,1020,1023,1026,1029,1032,1035,1038,1041,1044,1051,1060,1067,1074,1081,1089,1096,1099,1106,1113,1119,1127,1130,1133,1137,1140,1144,1147,1156,1159],{"adult":4,"backdrop_path":9,"genre_ids":251,"id":252,"title":253,"original_language":24,"original_title":253,"overview":31,"popularity":254,"poster_path":9,"release_date":255,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":256,"department":257,"job":258,"media_type":34},[],821691,"Modi di essere. Eroine ed eroi",0.8017,"1988-04-13","60818031f92532005a9cc606","Writing","Writer",{"adult":4,"backdrop_path":9,"genre_ids":260,"id":252,"title":253,"original_language":24,"original_title":253,"overview":31,"popularity":254,"poster_path":9,"release_date":255,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":261,"department":13,"job":262,"media_type":34},[],"60817d6e126ec30078555db0","Director",{"adult":4,"backdrop_path":9,"genre_ids":264,"id":265,"title":266,"original_language":24,"original_title":266,"overview":267,"popularity":268,"poster_path":269,"release_date":270,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":271,"department":13,"job":262,"media_type":34},[37],828677,"14Reels","14Reels is a collective film in Super 8, where 14 directors in 14 cities around the world have filmed and edited in camera one reel each on the theme of the city.",0.6611,"\u002FqZrgTPyeUgHVcI9yxCzsSHGpH8m.jpg","2016-03-12","609b42d067203d00292b3443",{"adult":4,"backdrop_path":9,"genre_ids":273,"id":274,"title":275,"original_language":24,"original_title":275,"overview":276,"popularity":277,"poster_path":278,"release_date":279,"softcore":4,"video":4,"vote_average":158,"vote_count":66,"credit_id":280,"department":281,"job":282,"media_type":34},[58],502737,"Serva e Padrona","Three young women at home, the eye of the camera doesn't leave them for a moment and shows them first in a narrow kitchen, then in a small bathroom in front of a mirror, then in a bare living room where they spend part of the evening. The three are the mistress of the house and her servants, and the film is based on Les Bonnes by Genet. The servants pretend to unite to varying degrees against their mistress, and she, in turn, pretends to be a mistress who doesn't give explicit orders but who makes herself admired anyway. Each one of them plays the part that is most congenial to her.",0.9143,"\u002FqiegSEjreWQeImCO1aRu2Qt8GMG.jpg","2003-10-03","60ae8bc3ecbde90040f55175","Camera","Director of Photography",{"adult":4,"backdrop_path":9,"genre_ids":284,"id":285,"title":286,"original_language":24,"original_title":286,"overview":31,"popularity":287,"poster_path":9,"release_date":288,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":289,"department":13,"job":262,"media_type":34},[],833696,"Terra",1.3085,"2002-11-01","60ae7d02bccf1e0077236dfe",{"adult":4,"backdrop_path":9,"genre_ids":291,"id":274,"title":275,"original_language":24,"original_title":275,"overview":276,"popularity":277,"poster_path":278,"release_date":279,"softcore":4,"video":4,"vote_average":158,"vote_count":66,"credit_id":292,"department":293,"job":294,"media_type":34},[58],"60ae8ae5c5c1ef0059e5320f","Production","Producer",{"adult":4,"backdrop_path":9,"genre_ids":296,"id":285,"title":286,"original_language":24,"original_title":286,"overview":31,"popularity":287,"poster_path":9,"release_date":288,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":297,"department":293,"job":294,"media_type":34},[],"60ae7db4dff66e0059c32534",{"adult":4,"backdrop_path":9,"genre_ids":299,"id":274,"title":275,"original_language":24,"original_title":275,"overview":276,"popularity":277,"poster_path":278,"release_date":279,"softcore":4,"video":4,"vote_average":158,"vote_count":66,"credit_id":300,"department":257,"job":301,"media_type":34},[58],"60ae8abb5684630057488ad0","Screenplay",{"adult":4,"backdrop_path":9,"genre_ids":303,"id":304,"title":305,"original_language":24,"original_title":306,"overview":307,"popularity":308,"poster_path":9,"release_date":309,"softcore":4,"video":4,"vote_average":124,"vote_count":66,"credit_id":310,"department":257,"job":258,"media_type":34},[58],502736,"The Way in the Woods","La strada nel bosco","This film tells three different love stories, or alleged love stories, or, nevertheless, stories of sentimental relationships set in the Lazio countryside, Rome, and Naples. 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