[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1130888:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":7,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":474},false,[],"Jud Yalkut was a pioneering intermedia artist and filmmaker. His remarkable body of moving image work, which spanned fifty years, ranged from early performance renderings and poetic filmic experiments to a series of groundbreaking hybrid video-film collaborations with Nam June Paik. Transcending and transforming media as he explored and merged film, video, expanded cinema, electronic manipulations, performance and installation, Yalkut created and collaborated on seminal intermedia projects with numerous artists, filmmakers, musicians and performers in the avant-garde and experimental scenes.",null,"2013-07-23",2,1130888,"nm2136359","Directing","Jud Yalkut","New York City, New York",0.7266,"\u002F10iNajtnvaDpI7HiCmv704Fmq1S.jpg",{"cast":18,"crew":76},[19,36,48,63],{"adult":4,"backdrop_path":20,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"character":32,"credit_id":33,"order":34,"media_type":35},"\u002Fl6pEbeeAD2spisee51dP2SN7VZP.jpg",[22],99,105583,"Diaries, Notes, and Sketches","en","Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.",1.8159,"\u002F3iyvGft8nwGJFX62H5RawllN6Gp.jpg","1968-03-01",7.3,32,"Self","5e89926260b58d0013ec6885",58,"movie",{"adult":4,"backdrop_path":7,"genre_ids":37,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"character":45,"credit_id":46,"order":47,"media_type":35},[],742978,"The Stone Age","\"The question is, it is either going to be a stoned age or a new Stone Age\" - Louis Brigante",1.0387,"\u002FArOitAcs9TILfF9mV1XTAAPjgBC.jpg","1970-01-31",0,"","5f60165c706b9f00360547fe",27,{"adult":4,"backdrop_path":49,"genre_ids":50,"id":53,"title":54,"original_language":25,"original_title":54,"overview":55,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":59,"vote_count":60,"character":45,"credit_id":61,"order":62,"media_type":35},"\u002Fq7TfjpyadybgrrNlVCkdIO4ygNB.jpg",[51,52],10402,10770,300414,"Global Groove","Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from  copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently.  The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.",0.8144,"\u002F7VF9whqXS3tCpjVz7Y1RtiifhYA.jpg","1973-01-01",7.7,3,"698fcb0dccf1990cc324cd53",12,{"adult":4,"backdrop_path":64,"genre_ids":65,"id":66,"title":67,"original_language":25,"original_title":67,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":72,"vote_count":73,"character":32,"credit_id":74,"order":75,"media_type":35},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[22],295120,"Birth of a Nation","Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.",1.4647,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06",7,4,"6ab8002de4632ef9d522bc7a",70,[77,86,94,103,112,122,134,143,154,164,172,184,193,201,212,220,227,236,241,246,254,263,270,278,288,296,305,314,323,332,341,344,347,356,365,374,383,392,400,408,417,426,434,443,452,460,467],{"adult":4,"backdrop_path":7,"genre_ids":78,"id":79,"title":80,"original_language":25,"original_title":80,"overview":81,"popularity":82,"poster_path":7,"release_date":83,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":84,"department":12,"job":85,"media_type":35},[],945292,"Planes","PLANES is an exploration of the corollaries between psychic space and the physical escape of consciousness beyond the earth's biosphere.",1.1664,"1968-01-01","621fcee96b5fc2001b6f868a","Director",{"adult":4,"backdrop_path":7,"genre_ids":87,"id":88,"title":89,"original_language":25,"original_title":89,"overview":90,"popularity":91,"poster_path":7,"release_date":92,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":93,"department":12,"job":85,"media_type":35},[],945297,"GHOST REV","1965, black- and-white, 8 min., double-screen projection.",1.1814,"1963-01-01","621fd0c638e51000736d1664",{"adult":4,"backdrop_path":7,"genre_ids":95,"id":96,"title":97,"original_language":25,"original_title":97,"overview":98,"popularity":99,"poster_path":100,"release_date":101,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":102,"department":12,"job":85,"media_type":35},[],953094,"Some Manipulations","A four-screen within one frame film, shot in un-slit regular 8mm, in four sections of four performance \u002F happening \u002F destruction art events presented in 1967 at the Judson Gallery below Washington Square in New York City. SOME MANIPULATIONS captures the confrontational light pieces of Jean Toche, an avant garde musical performance by Nam June Paik and cellist Charlotte Moorman, an actionist painting event by Steve Rose, and a classic Dada lecture\u002Fperformance by Al Hansen. SOME MANIPULATIONS was premiered in December 1967 as one of the continuous loop elements in Jud Yalkut's DESTRUCT FILM environment, in which spectator\u002Fparticipants were obliged to walk, sit on, and dive into a floor covered with unrolled \"junk\" 16mm film in order to view the rotating slide and film projections. The film's inclusion represented an instance of ultimate feedback of events back into the space in which they had been presented.",1.101,"\u002F82hhwULKq9DiXq7sQhJr7LVleoA.jpg","1969-12-01","623b0a576bdec300477b001c",{"adult":4,"backdrop_path":7,"genre_ids":104,"id":105,"title":106,"original_language":25,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":111,"department":12,"job":85,"media_type":35},[],953101,"Opera Sextronique","Yalkut's film is the only record of Nam June Paik's legendary 1967 performance Opera Sextronique in New York, which was interrupted by the arrest of cellist Charlotte Moorman, who was performing topless. The incident led to Moorman's subsequent notoriety as the \"Topless Cellist.\" This restaging of the first two movements of Opera Sextronique, performed by Moorman and filmed by Yalkut in a studio, was shot immediately after the arrest incident to present at Moorman's trial. (The judge did not permit it to be shown in court.)",1.1861,"\u002F5ZpHnVLk1LUDTdToh1kTJj71q0P.jpg","1967-12-01","623b0fb6d1a893005cc56bb6",{"adult":4,"backdrop_path":7,"genre_ids":113,"id":114,"title":115,"original_language":25,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":120,"department":12,"job":121,"media_type":35},[],240372,"Suite 212","Suite 212 is Paik's \"personal New York sketchbook,\" an electronic collage that presents multiple perspectives of New York's media landscape as a fragmented tour of the city. Paik critiques the selling of New York by multinational corporations and the city's role as the master of the media and information industries; Collaborators Yalkut, Davis and Kubota contribute their own vibrant and punchy segments.",0.729,"\u002F4aavMY787WFLDUHxIk358zqojEH.jpg","1974-12-28","623f6ef81cfe3a00876861da","Co-Director",{"adult":4,"backdrop_path":123,"genre_ids":124,"id":125,"title":126,"original_language":25,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":131,"vote_count":132,"credit_id":133,"department":12,"job":85,"media_type":35},"\u002FdXKziiSaeITQ7ICU1J8SLt6TL7n.jpg",[22],150994,"Kusama's Self-Obliteration","A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut",0.987,"\u002FmEt7wXvt7IFCoe9LgQ5Vglgv1bp.jpg","1967-12-31",5.6,13,"52fe4af39251416c910cb02b",{"adult":4,"backdrop_path":7,"genre_ids":135,"id":136,"title":137,"original_language":25,"original_title":137,"overview":138,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":142,"department":12,"job":85,"media_type":35},[],283955,"Turn Turn Turn","A kinetic alchemy of light and the electronic works of Nicolas Schoffer, Julio Le Parc, USCO, and Nam June Paik. An exploration of the effect-versus-content thesis of Marshall McLuhan. \"TURN TURN TURN, a film of the eye-shattering, flashing, rotating light sculptures programmed by USCO to [...] the popular song, a rich electronic fugue on the word NOW: Let's take the OW out of NOW; let's turn the NO out of NOW.\" – Film Quarterly, 1966.",0.5902,"\u002FnXrV6YewwB2oOyxazfbnu1Nktbz.jpg","1966-05-08","53d4fde80e0a262847003caf",{"adult":4,"backdrop_path":144,"genre_ids":145,"id":146,"title":147,"original_language":25,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":152,"vote_count":9,"credit_id":153,"department":12,"job":85,"media_type":35},"\u002FrRu9dpCfWFyVOoWZH4CtBFqFkuM.jpg",[51],282120,"Beatles Electroniques","Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from the feature film A Hard Day's Night and the \"Rain\" promotional film are countered with Paik's early electronic processing.",1.1669,"\u002FcfmYMt62DpOVQdBKA6Lw8toH4ZP.jpg","1968-10-23",8,"53c5a55a0e0a267ffb00000a",{"adult":4,"backdrop_path":7,"genre_ids":155,"id":156,"title":157,"original_language":25,"original_title":157,"overview":158,"popularity":159,"poster_path":7,"release_date":160,"softcore":4,"video":4,"vote_average":161,"vote_count":162,"credit_id":163,"department":12,"job":85,"media_type":35},[22],282119,"Videotape Study No. 3","Part of a collection of restored early works by Nam June Paik and Jud Yalkut, this piece is historically significant as well as remarkably prescient. Video Tape Study No.3 is a direct media intervention, in which Paik distorts and manipulates footage from news conferences by U.S. President Lyndon Johnson and New York Mayor Lindsey.",1.3746,"1969-07-15",4.5,1,"53c5a3d10e0a26495e000383",{"adult":4,"backdrop_path":7,"genre_ids":165,"id":166,"title":167,"original_language":25,"original_title":167,"overview":168,"popularity":169,"poster_path":7,"release_date":170,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":171,"department":12,"job":85,"media_type":35},[51,22],282123,"Electronic Fables","Part of a restored collection of rare early works by Nam June Paik, Electronic Fables is an example of Paik's early improvisations and experiments with electronic image manipulation, prior to his invention of the Paik\u002FAbe Video Synthesizer. This piece also makes use of anecdotes by John Cage and other influential artists and cultural figures.",1.125,"1971-07-15","53c5a82a0e0a267fe500003d",{"adult":4,"backdrop_path":173,"genre_ids":174,"id":176,"title":177,"original_language":25,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":4,"video":4,"vote_average":182,"vote_count":9,"credit_id":183,"department":12,"job":85,"media_type":35},"\u002FbEjS7bD5t2k9jn94XOQSuuGCvXP.jpg",[175],878,282121,"Electronic Moon No. 2","Part of the \"Video-Film Concert\" collection released by EAI.  From 1966 - 1972.",0.8953,"\u002F199DTig3OMQsTefuNUIFGlkppO8.jpg","1972-07-15",6.5,"53c5a6dec3a368624b00002e",{"adult":4,"backdrop_path":7,"genre_ids":185,"id":186,"title":187,"original_language":25,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":181,"softcore":4,"video":4,"vote_average":191,"vote_count":162,"credit_id":192,"department":12,"job":85,"media_type":35},[],282125,"Waiting for Commercials","Waiting for Commercials is a hilarious compendium of Japanese TV commercials. \"Beckett wrote 'Waiting for Godot' twenty years ago, but instead of Godot, TV commercial after TV commercial arrived\". This early example of Paik's use of appropriated television imagery as pop cultural artifact was originally created for a performance piece of the same name, which featured Charlotte Moorman and her cello.",0.6464,"\u002F2k6UEKhSj9CHIDGWfmcwiHCjxRs.jpg",10,"53c5a942c3a368625b000130",{"adult":4,"backdrop_path":7,"genre_ids":194,"id":195,"title":196,"original_language":25,"original_title":196,"overview":197,"popularity":198,"poster_path":7,"release_date":181,"softcore":4,"video":4,"vote_average":199,"vote_count":162,"credit_id":200,"department":12,"job":85,"media_type":35},[22],282126,"Electronic Yoga","Part of the \"Video-Film Concert\" collection on EAI.  From 1966 - 1972.  Music by K. S. Narayanaswami.",1.261,6,"53c5ac0a0e0a267ffb000069",{"adult":4,"backdrop_path":7,"genre_ids":202,"id":203,"title":204,"original_language":25,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":4,"video":4,"vote_average":199,"vote_count":162,"credit_id":209,"department":210,"job":211,"media_type":35},[52,22,51],334731,"A Tribute to John Cage","A Tribute to John Cage is Paik's homage to avant-garde composer John Cage. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator. In this multifaceted portrait, Paik creates a pastiche of Cage's performances and anecdotes, interviews with friends and colleagues, and examples of Paik's participatory music and television works that parallel Cage's strategies and concerns. The methodology and philosophies that inform Cage's radical musical aesthetic — chance, randomness, the democratization of sounds — are evident as he performs such seminal pieces as 4'33\" (of complete silence) in Harvard Square, or throws the I Ching to determine performance sites. Among the collage of elements included in this work are segments from Paik's Zen for TV; Paik and Charlotte Moorman in early performances, including the TV Bra; and anecdotes from composer Alvin Lucier.",0.922,"\u002Flfuk5ZngwofUkOWFL5C1aQ4P2VM.jpg","1976-11-03","5523e172c3a36847c8002bc8","Camera","Camera Operator",{"adult":4,"backdrop_path":7,"genre_ids":213,"id":214,"title":215,"original_language":25,"original_title":215,"overview":216,"popularity":217,"poster_path":7,"release_date":218,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":219,"department":12,"job":85,"media_type":35},[22],910683,"Seminar","An unreleased diary film shot during the Fairleigh-Dickinson Artist Seminar simultaneous to the production of Back and Forth by Michael Snow.",1.681,"1969-01-01","61a82fed85c0a20044eda579",{"adult":4,"backdrop_path":7,"genre_ids":221,"id":222,"title":223,"original_language":25,"original_title":223,"overview":224,"popularity":225,"poster_path":7,"release_date":58,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":226,"department":12,"job":85,"media_type":35},[],1040631,"The Whirling Ecstasy","Video computer imagery inspired by Sufi poet Jala al-Din Rumi, Father of the Whirling Dervishes.",0.6651,"635a06f4b1f68d007d8f5aa0",{"adult":4,"backdrop_path":7,"genre_ids":228,"id":229,"title":230,"original_language":25,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":235,"department":12,"job":85,"media_type":35},[],1052688,"D.M.T.","Credits: Slides by Jackie Cassen. Choreography by Mary McKay and danced by her. Sound: Bach, The Beatles, and the voice of Ralph Metzner reading a \"Psychedelic Prayer\" by Timothy Leary.",0.6892,"\u002F5w6gJZApXeje4EzTf72wIHdz8PR.jpg","1966-01-01","637eb33c6e938a0084042701",{"adult":4,"backdrop_path":123,"genre_ids":237,"id":125,"title":126,"original_language":25,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":131,"vote_count":132,"credit_id":238,"department":239,"job":240,"media_type":35},[22],"57285f4192514124a3001583","Crew","Cinematography",{"adult":4,"backdrop_path":123,"genre_ids":242,"id":125,"title":126,"original_language":25,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":131,"vote_count":132,"credit_id":243,"department":244,"job":245,"media_type":35},[22],"57285f4ac3a3682dee002cdf","Editing","Editor",{"adult":4,"backdrop_path":7,"genre_ids":247,"id":248,"title":249,"original_language":25,"original_title":249,"overview":250,"popularity":251,"poster_path":252,"release_date":141,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":253,"department":12,"job":85,"media_type":35},[],397711,"Us Down by the Riverside","USCO light, Beatles sound. A visionary realization of the USCO Riverside Museum installation exhibition in New York, the show which introduced the word 'Be-In' to the English language. Acid visuals accompanied by a muddy recording of The Beatles playing Tomorrow Never Knows.",1.2123,"\u002FvCpxPPm9SOozomTlxDHqytHjhpA.jpg","5739671c9251417f1800034c",{"adult":4,"backdrop_path":7,"genre_ids":255,"id":256,"title":257,"original_language":25,"original_title":257,"overview":258,"popularity":259,"poster_path":260,"release_date":261,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":262,"department":12,"job":85,"media_type":35},[],1253040,"Astrolabe of God","A hybrid film-video work that combines moving image technologies, electronic manipulations, performance and installation.",0.6216,"\u002FpYHQlXsrF2QjifLFqZb7jAMmod7.jpg","1972-01-01","65e2e812498ef90187ed1e9a",{"adult":4,"backdrop_path":7,"genre_ids":264,"id":265,"title":266,"original_language":25,"original_title":266,"overview":267,"popularity":268,"poster_path":7,"release_date":58,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":269,"department":12,"job":85,"media_type":35},[22],437554,"John Cage Mushroom Hunting in Stony Point","\"Filmic impressions of composer John Cage, mushroom hunting on his home ground of Stony Point, New York; visiting his home for the last time; radiating love towards his friends; and buying fruits and vegetables at the farm market before returning to New York City.\" —Jud Yalkut",0.8406,"588b45d6c3a368191e017e8a",{"adult":4,"backdrop_path":7,"genre_ids":271,"id":272,"title":273,"original_language":25,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":234,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":277,"department":12,"job":85,"media_type":35},[],436781,"P+A-I(k)","1966, 16mm film on video, black-and-white and color; 10 minutes",0.8016,"\u002FonJWUTUPy1sw0DjJvIcSD7lN2em.jpg","58857abac3a3684d5a001993",{"adult":4,"backdrop_path":279,"genre_ids":280,"id":281,"title":282,"original_language":25,"original_title":282,"overview":283,"popularity":284,"poster_path":285,"release_date":286,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":287,"department":12,"job":85,"media_type":35},"\u002F9fKG3iMn8ClXtYHqvJwVInouGWk.jpg",[],436782,"Missa of Zen","In Missa of Zen, a TV screen, filmed from an extremely oblique angle, appears as a ghostly, flickering sliver at the side of a darkened frame. The images playing across its surface are rendered abstract by the perspective: we witness the transmission of information, but at a great distance. Isolated in silence and darkness, the television set slips into the realm of the unheimlich — an uncanny object, at once familiar and unfamiliar. Situating mediated America at the crossroads of missa — Latin for the Christian mass — and Zen Buddhism, Paik highlights the connections between mass culture and the transcendental.",0.7271,"\u002FfqCyle01KNUTbSRwBMD6pFVPsab.jpg","1967-01-01","58857b25c3a3684d600014c4",{"adult":4,"backdrop_path":7,"genre_ids":289,"id":290,"title":291,"original_language":25,"original_title":291,"overview":292,"popularity":293,"poster_path":294,"release_date":261,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":295,"department":12,"job":85,"media_type":35},[],436779,"Cinema Metaphysique No. 1-5","This early work belongs in the company of Paik and Yalkut's classic collaborative \"video-films,\" including Video Tape Study No. 3, Beatles Electronique, and Missa of Zen. To the accompaniment of the abrupt sonic interjections of Fluxus-affiliated composer Takehisa Kosugi, Yalkut's black and white film records brief, masked actions: an arm with clenching fist; a pair of faces, visible only about the eyes, which squint, gaze, and rest; Paik eating a slice of bread. Reminiscent of Beckett's theater, as well as the minimal movements of 1960s avant-garde dance, Cinéma Metaphysique is a study in gesture and stillness, noise and silence.",0.8845,"\u002F2sOEOpw1u4O7iM1PFFsyz21pdGn.jpg","5885789b925141322a0014cc",{"adult":4,"backdrop_path":7,"genre_ids":297,"id":298,"title":299,"original_language":25,"original_title":299,"overview":300,"popularity":301,"poster_path":302,"release_date":303,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":304,"department":12,"job":85,"media_type":35},[22,51],467723,"The Godz","Document of 1960's rock-and-roll cult band The Godz. Contains footage of a few mid-60's performances as well as candid footage of the band.",0.752,"\u002FbTlK7JwdiIoGhe4793zPcJi5E9O.jpg","1967-02-14","597565a8c3a3685dba01f291",{"adult":4,"backdrop_path":7,"genre_ids":306,"id":307,"title":308,"original_language":25,"original_title":308,"overview":309,"popularity":310,"poster_path":311,"release_date":312,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":313,"department":12,"job":85,"media_type":35},[],1293954,"7th Annual New York Avant Garde Festival","The 7th Avant Garde Festival was presented in 1969 on two islands, Wards and Mill Rock, in the East River. Here Yalkut's rare documentation records performances on Wards Island, beneath one of Buckminster Fuller's famous geodesic domes.",0.578,"\u002FwzDCw4dnVlixrFonjXqEBZ2of0Z.jpg","1969-12-31","664dd755389c9ee87b43c261",{"adult":4,"backdrop_path":7,"genre_ids":315,"id":316,"title":317,"original_language":25,"original_title":317,"overview":318,"popularity":319,"poster_path":320,"release_date":321,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":322,"department":12,"job":85,"media_type":35},[],1293952,"4th Annual New York Avant Garde Festival","Yalkut's rare historical document was recorded at the 4th Avant Garde Festival in 1966, which was held outdoors in Central Park. It featured over 65 events with artists, musicians and performers, including Allan Kaprow, Dick Higgins, Al Hansen, Christo, Shigeko Kubota, Joseph Beuys, and Alison Knowles, among many others.",0.5818,"\u002FkfVO2RLcNtSkZJnrXbZ5sdqMK4z.jpg","1972-12-31","664dd6c789b124c322b0e01e",{"adult":4,"backdrop_path":7,"genre_ids":324,"id":325,"title":326,"original_language":25,"original_title":326,"overview":327,"popularity":328,"poster_path":329,"release_date":330,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":331,"department":12,"job":85,"media_type":35},[22],554094,"Diffraction Film","\"This sensuous sea of color, motion, light that seems to surround us completely and we swim in it almost bodily and it is like going through the most fantastic dream.\" - Jonas Mekas",1.2776,"\u002Fgh7mwDe2zPz0G305evsXL16iWsp.jpg","1965-01-01","5bc4043ac3a3682d5304f8fc",{"adult":4,"backdrop_path":7,"genre_ids":333,"id":334,"title":335,"original_language":25,"original_title":335,"overview":336,"popularity":337,"poster_path":338,"release_date":339,"softcore":4,"video":4,"vote_average":199,"vote_count":162,"credit_id":340,"department":239,"job":240,"media_type":35},[22],571158,"Aquarian Rushes","\"Comprises film and videotape from the August (1969) epic freak-out in New York State (White Lake- \"Woodstock\") with all the groups you can name, and a cast of half a million. Unlike the Rolling Stones films shown on British television, this is full-color and the techniques are more imaginative and acid-based than the Stones film, good as that was.\" – Alex Gross, London \"International Times.\" Selected for the Montreal International Festival of Film in 16mm at the Museé des Beaux Arts; the Encounter With The American Cinema at Sorrento, Italy, 1970 (Selection of Martin Scorcese); and the Museum of Modern Art in Paris American Underground Film Weekend. Silent version premiered in 1969, accompanied by video and light show, in the extended opening program of Global Village in New York City.",0.9284,"\u002F45XmmDUay3lIzmWN7Swx6pI3dsx.jpg","1970-01-01","5c255998c3a368730ac1e9d1",{"adult":4,"backdrop_path":7,"genre_ids":342,"id":334,"title":335,"original_language":25,"original_title":335,"overview":336,"popularity":337,"poster_path":338,"release_date":339,"softcore":4,"video":4,"vote_average":199,"vote_count":162,"credit_id":343,"department":12,"job":85,"media_type":35},[22],"5c2559709251413eda14c387",{"adult":4,"backdrop_path":7,"genre_ids":345,"id":334,"title":335,"original_language":25,"original_title":335,"overview":336,"popularity":337,"poster_path":338,"release_date":339,"softcore":4,"video":4,"vote_average":199,"vote_count":162,"credit_id":346,"department":244,"job":245,"media_type":35},[22],"5c2559919251413ee814c3a5",{"adult":4,"backdrop_path":7,"genre_ids":348,"id":349,"title":350,"original_language":25,"original_title":350,"overview":351,"popularity":352,"poster_path":353,"release_date":354,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":355,"department":12,"job":85,"media_type":35},[],1341075,"China Cat Sunflower","As though one gradually becomes aware of the music of the universe, the Dead break into consciousness as their images merge with the oneness of light, becoming discrete momentarily, then dancing away to the cosmic rhythm that permeates reality. A film composed in the camera in the heat of intuition frame-by-frame, and then recomposed frame-by-frame in the optical printer.",0.6433,"\u002Fqtah3fuFSgnrpgekGWDcM6QSnOA.jpg","1973-05-16","66d1cc36e26b52a56a4556d4",{"adult":4,"backdrop_path":7,"genre_ids":357,"id":358,"title":359,"original_language":25,"original_title":359,"overview":360,"popularity":361,"poster_path":362,"release_date":363,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":364,"department":12,"job":85,"media_type":35},[],1341076,"Slop Print","The ritual of amorous adventure among the domestic peccaries of North America.",1.5495,"\u002FvDouGCMxzgxsI3JOeOfjK2vfva9.jpg","1973-07-11","66d1ccef294f933dd901b775",{"adult":4,"backdrop_path":7,"genre_ids":366,"id":367,"title":368,"original_language":25,"original_title":368,"overview":369,"popularity":370,"poster_path":371,"release_date":372,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":373,"department":12,"job":85,"media_type":35},[],646134,"Light Display: Color","Yalkut creates a poetic homage to Lazlo Moholy-Nagy's pioneering 1930 kinetic sculpture Light-Space Modulator, which was reconstructed at the Howard Wise Gallery, New York, in 1970. Yalkut's silent Light Display: Color combines processed analogue and digital imagery derived from the original 16mm film that he shot at the gallery. -eai",0.6605,"\u002FamaboW5J4wYmUyrzr4zHitmXpav.jpg","2002-01-01","5dc4dfaf7d2bc100113ebc66",{"adult":4,"backdrop_path":7,"genre_ids":375,"id":376,"title":377,"original_language":25,"original_title":377,"overview":378,"popularity":379,"poster_path":380,"release_date":381,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":382,"department":12,"job":85,"media_type":35},[],647002,"Self Portrait 2","Loops within loops, audio and video mutually affective and early computer-generated delay and window effects. -ETC",0.7038,"\u002Fg1fzIqw4H1IOw3Vp9XKv0P3uhiL.jpg","1982-01-01","5dc8ad3599259c001584d4af",{"adult":4,"backdrop_path":7,"genre_ids":384,"id":385,"title":386,"original_language":25,"original_title":386,"overview":387,"popularity":388,"poster_path":389,"release_date":390,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":391,"department":12,"job":85,"media_type":35},[],665341,"Exprmntl 1967","A film directed by Jud Yalkut",1.1187,"\u002F6K1AxhMjJ2CaIukieOy4U2CunCQ.jpg","1968-06-06","5e2541bc5ed8e9001761bb23",{"adult":4,"backdrop_path":7,"genre_ids":393,"id":394,"title":395,"original_language":25,"original_title":395,"overview":396,"popularity":397,"poster_path":398,"release_date":58,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":399,"department":12,"job":85,"media_type":35},[],710715,"26'1.1499\" For A String Player","This tape is Jud Yalkut's video realization of Charlotte Moorman and Nam June Paik's concert performance of John Cage's composition 26'1.1499\" For String Player. In this extraordinary performance, which is manipulated and synthesized by Yalkut, Paik and Moorman play Cage's score on a collection of \"instruments\" that include a pistol, a dish of mushrooms, balloons, a practice aerial bomb, and a telephone call to President Nixon.",0.9653,"\u002FnQUBehmWfivbpmsvpLeRSmKfFAn.jpg","5ed302c996386400226f0edc",{"adult":4,"backdrop_path":7,"genre_ids":401,"id":402,"title":403,"original_language":25,"original_title":403,"overview":404,"popularity":405,"poster_path":406,"release_date":261,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":407,"department":12,"job":85,"media_type":35},[],711587,"Television as a Creative Medium","In 1969, Howard Wise presented the landmark exhibition TV as a Creative Medium at his eponymous gallery on 57th Street in New York. The exhibition is recognized as the first in the United States devoted to video (or television) as an emergent art form. Jud Yalkut's silent 16mm film footage is a vibrant document of the seminal works in the exhibition, including Nam June Paik's Participation TV, Paul Ryan's Everyman's Mobius Strip, Thomas Tadlock's Archetron, Eric Siegel's Psychedelevision in Color, Charlotte Moorman's first performance of Paik's TV Bra For Living Sculpture, and Ira Schneider and Frank Gillette's installation Wipe Cycle.",0.8538,"\u002Fq0O1pVXLrKbV9seYcJtzYmj6Jon.jpg","5ed5df2d8ddc340021d8c04c",{"adult":4,"backdrop_path":7,"genre_ids":409,"id":410,"title":411,"original_language":25,"original_title":411,"overview":412,"popularity":413,"poster_path":414,"release_date":415,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":416,"department":12,"job":85,"media_type":35},[],755721,"Video Commune (Beatles from Beginning to End)","Video Commune is Jud Yalkut's free-form documentation of Nam June Paik's first interactive television \"performance\" at the public television station WGBH in Boston. Subtitled \"Beatles from Beginning to End,\" this was a live broadcast in which Paik created a freewheeling collage of recorded images, image-processing and Beatles music.",0.8195,"\u002F1oUpkoNeNgAbkychY25HGDSV8kq.jpg","1992-01-01","5f8f92cfc048a9003640e2b9",{"adult":4,"backdrop_path":7,"genre_ids":418,"id":419,"title":420,"original_language":25,"original_title":420,"overview":421,"popularity":422,"poster_path":423,"release_date":424,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":425,"department":12,"job":85,"media_type":35},[],755722,"TV Cello Premiere","TV Cello Premiere is a silent film documentation of Charlotte Moorman in her first performance on Paik's eponymous TV Cello at the Bonino Gallery in New York in 1971.",0.681,"\u002F9kTNyCIOO0oHkogSyaO0JO9tNlB.jpg","1971-01-01","5f8f9365d9f4a60037d57744",{"adult":4,"backdrop_path":7,"genre_ids":427,"id":428,"title":429,"original_language":25,"original_title":429,"overview":430,"popularity":431,"poster_path":432,"release_date":83,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":433,"department":12,"job":85,"media_type":35},[],755720,"Early Color TV Manipulations","Marked by a playful, irreverent sense of improvisation and experimentation, these experiments with image manipulation and synthesis form a link between Paik's performance and sculptural works of the 1950s and early 1960s and the celebrated video works and installations of his later years.",0.8791,"\u002FxbacrLm4LoprxzLX726Rhl4qiYg.jpg","5f8f922b17c4430038df7f89",{"adult":4,"backdrop_path":7,"genre_ids":435,"id":436,"title":437,"original_language":25,"original_title":437,"overview":438,"popularity":439,"poster_path":440,"release_date":441,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":442,"department":12,"job":85,"media_type":35},[],1396768,"Clarence","A poetic montage of the 'sculpture garden house' of 67 year old hermit-builder Clarence Schmidt of Woodstock, New York, appraised as 'a really great work of folk art' by curators Lawrence Alloway and Henry Geldzahler. The film includes some of the only footage taken of Clarence living within the seven-story mountain interior of his creation, which was tragically gutted by fire in the winter of 1967-68. A homage to Clarence and his more than forty years of devotion to the transmutation of cast-off objects into an environment or beauty and love.",1.0628,"\u002FqF9Q6zoW0nHHY4pgKI2GcrPOsl4.jpg","1968-12-03","674eb45f679ec1532882605b",{"adult":4,"backdrop_path":7,"genre_ids":444,"id":445,"title":446,"original_language":25,"original_title":446,"overview":447,"popularity":448,"poster_path":449,"release_date":450,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":451,"department":12,"job":85,"media_type":35},[22],1441424,"The Electronic Super Highway: Nam June Paik in the Nineties","A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super Highway', which premiered at The Museum of Art in Fort Lauderdale, Florida, with recent installations, historical background and interviews.",0.6233,"\u002FeT4WdC7RluEL3kQGeDMWa4RzNC7.jpg","1994-11-04","67c2575c886152404653b5ec",{"adult":4,"backdrop_path":7,"genre_ids":453,"id":454,"title":455,"original_language":25,"original_title":455,"overview":456,"popularity":457,"poster_path":458,"release_date":234,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":459,"department":12,"job":85,"media_type":35},[],1444787,"Le Parc","Abstract light poem tribute to Julio Le Parc, first winner at the 1966 Venice Biennial of a Painting Prize for Kinetic Art, filmed at the Howard Wise Gallery in New York. Premiered at the Gate Theater, New York.",1.0287,"\u002FynUx53YRkvYOCunjFWvrvrlsulx.jpg","67cb73b59ef0acdb8b5b8971",{"adult":4,"backdrop_path":7,"genre_ids":461,"id":462,"title":463,"original_language":25,"original_title":463,"overview":464,"popularity":465,"poster_path":7,"release_date":286,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":466,"department":12,"job":85,"media_type":35},[],1501959,"Naked Radio Happening","Unused material: Yalkut documented Kusama's Body Festivals throughout the so-called Summer of Love, including one staged in the studio of WBAI and broadcast live on Bob Fass's late night Radio Unnameable.",0.629,"68571b3f287d00b891a79332",{"adult":4,"backdrop_path":7,"genre_ids":468,"id":469,"title":470,"original_language":25,"original_title":470,"overview":471,"popularity":472,"poster_path":7,"release_date":261,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":473,"department":12,"job":85,"media_type":35},[],1503502,"Metamedia: A Film Journal of Intermedia and the Avant-Garde 1966-1970","Timothy Leary at the Village Theatre, Kusama at the Cooper Square Playhouse, Hermann Nitsch “Orgy-Mystery” at the Filmmakers’ Cinematheque; Living Theatre’s “Paradise Now” at BAM; 7th Annual New York Avant Garde Festival, Wards Island, “Television as a creative medium” Howard Wise Gallery and more. – Anthology Film Archives",0.5786,"685b61a432883f7ae294e227",{"profiles":475},[476],{"aspect_ratio":477,"height":478,"iso_3166_1":7,"iso_639_1":7,"file_path":16,"vote_average":44,"vote_count":44,"width":479},0.667,751,501]