[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1127424:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":9,"birthday":10,"deathday":11,"gender":12,"homepage":13,"id":14,"imdb_id":15,"known_for_department":16,"name":17,"place_of_birth":18,"popularity":19,"profile_path":20,"combined_credits":21,"images":1495},false,[6,7,8],"Майк Хулбум","Mike Holboom","Michael Hoolboom","Michael \"Mike\" Hoolboom is a Canadian independent, experimental filmmaker. Having begun filmmaking at an early age, Hoolboom released his first major work, a \"film that's not quite a film\" entitled White Museum, in 1986. Although he continued to produce films, his rate of production improved drastically after he was diagnosed with HIV in 1988 or 1989; this gave a \"new urgency\" to his works. Since then he has made dozens of films, two of which have won Best Short Film at the Toronto International Film Festival. His films have also featured in more than 200 film festivals worldwide.","1959-01-01",null,2,"http:\u002F\u002Fmikehoolboom.com\u002F",1127424,"nm0393682","Directing","Mike Hoolboom","Toronto, Ontario, Canada",0.4897,"\u002FkFXKkmtIUsD5efHwk7h43qaSPSv.jpg",{"cast":22,"crew":156},[23,37,47,57,71,82,95,107,116,128,137,146],{"adult":4,"backdrop_path":11,"genre_ids":24,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":34,"credit_id":35,"order":33,"media_type":36},[25],99,1037176,"How to Watch Pornography","en","A movie essay using theory fragments from porn studies pioneer Linda Williams, radical gender theorist Paul Preciado, feminist theorists Hortense Spillers, Karen Barad and more. A variety of hazy, lo fi clips rub up against an isolated digerati immersed in temporary pornutopias. Why not name it a small collection, a modest archive of sexual imageries and pleasures? The relationship between monopoly capitalism and sexual imaging is laid bare, along with the production of a gendered subject, the question of post-pornography and its new identity formations.",0.6078,"\u002FsC7kjQwoKgHCsaGJtsuOzyanv6J.jpg","2019-01-01",0,"Director","634f8554596a91007a144f7f","movie",{"adult":4,"backdrop_path":11,"genre_ids":38,"id":39,"title":40,"original_language":28,"original_title":40,"overview":41,"popularity":42,"poster_path":43,"release_date":44,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":45,"credit_id":46,"order":12,"media_type":36},[],1268305,"Antigone","“Shot in an abandoned warehouse, documenting a contemporary adaptation of the Oedipus story by a group of Toronto experimental filmmakers, Antigone is both a documentary about searching for meaning and validity in the old story, and a fiction about the failure to find any value but parody.”  - Gary Popovich",0.5033,"\u002FrsiDaqRlxECbdXK6iqr7MzWhd1c.jpg","1990-12-27","","660c25b31495650163ba6334",{"adult":4,"backdrop_path":11,"genre_ids":48,"id":49,"title":50,"original_language":28,"original_title":50,"overview":51,"popularity":52,"poster_path":53,"release_date":54,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":55,"credit_id":56,"order":33,"media_type":36},[],1268300,"Faultlines","“In a tapestry of migratory luck, artifacts and shells, a mixed choir of images and sounds engages the paradox of a journey that loses all meaning once it reaches its end. The film’s westward inclination to the American shores of the Pacific, bound in a pitiless growth and decay, drives a dense montage, woven with guns and prayers.”  - Gary Popovich",0.9811,"\u002FhIJOUs12WIkPAToJLA8YgxwRBoO.jpg","1998-12-27","(Voice)","660c22eb33a376016480c73d",{"adult":4,"backdrop_path":11,"genre_ids":58,"id":60,"title":61,"original_language":28,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":67,"character":68,"credit_id":69,"order":70,"media_type":36},[59],18,299301,"Pensão Globo","A man faces his approaching death. He takes a journey, his last perhaps, and ends up at the Pensão Globo in Lisbon, where he sets out on aimless excursions through the city. The film depicts a life in a state of transition. Sometimes it's like I'm already gone, become a ghost of myself.",1.3652,"\u002FvsHAsilsTD7Knb6jz0RUoflhw5Y.jpg","1997-10-08",5,3,"(voice)","5b6c71bec3a36853750a1eaf",4,{"adult":4,"backdrop_path":11,"genre_ids":72,"id":73,"title":74,"original_language":28,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":67,"character":80,"credit_id":81,"order":33,"media_type":36},[25],354499,"Vacancy","Brasília, the \"city of hope\", \"the ultimate utopia of the 20th century\" , is being conserved as a cultural heritage today. It is a place as old as the filmmaker. Segments of amateur footage and of feature films shot on location in the early sixties are inserted in his 1998 travelogue. The utopian city as represented in \"Vacancy\" is a place abandoned from its inhabitants, a museum kept alive by its staff only.",0.4617,"\u002FlBhrGKGIcuC2zL6JztLLHdsWCb8.jpg","1999-08-14",6.7,"Narrator (voice)","5dbf16a87d2bc1001336b190",{"adult":4,"backdrop_path":11,"genre_ids":83,"id":85,"title":86,"original_language":28,"original_title":86,"overview":87,"popularity":88,"poster_path":89,"release_date":90,"softcore":4,"video":4,"vote_average":91,"vote_count":92,"character":93,"credit_id":94,"order":33,"media_type":36},[84],27,233077,"Buffalo Death Mask","For more than two decades Mike Hoolboom has been one of our foremost artistic witnesses of the plague of the twentieth century, HIV. A personal voice documenting and piercing the clichéd spectrum of Living With AIDS from carnal abjection to incandescent spirituality, no surviving moving image visionary surpasses him. Buffalo Death Mask is a three-part meditation — visual, oral and haptic, both campy and ecstatic — on survival, mourning, memory, love and community. A conversation between Hoolboom and visual artist Stephen Andrews, both long time survivors of the retrovirus, floats over what seems to be a dream of Toronto and some of its ghosts. No one savours the intimations of immortality inherent in recycled footage like Mike, no one else understands how processed Super 8 can answer the question “Why are we still here when so many are gone?\"",0.5245,"\u002Fq7QkNxsBzxrKUSd8mbBh3XAA1nS.jpg","2013-03-24",6,1,"Himself","5de55e733faba000130f521b",{"adult":4,"backdrop_path":96,"genre_ids":97,"id":98,"title":99,"original_language":100,"original_title":99,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":70,"character":45,"credit_id":106,"order":33,"media_type":36},"\u002Fw65TBav90bLJFwlB9wZ1A5woC0S.jpg",[59],354497,"Sleepy Haven","de","Matthias Müller's SLEEPY HAVEN is explicitly taking up the spirit of Kenneth Anger's FIREWORKS. SLEEPY HAVEN materializes fantasies of an erotic daydream; the film is a cocktail that merges Müller's own shots and found footage like a love act. Nude bodies of sailors are flaring up in flickering solarization effects; they are given an ardent aura of physical desire by this tattooing of the film emulsion. Müller only gradually changes his material metaphors to metaphors of love. But it is not only FIREWORKS the film is alluding to; there is yet another classic shimmering through Müller's imagery: Jean Genet's Un Chant d'Amour.",0.6994,"\u002F2HFTpD1CykLnPF3yN2UiskIWtTM.jpg","1993-08-14",4.2,"5de55e5b0cd44600143b837a",{"adult":4,"backdrop_path":11,"genre_ids":108,"id":109,"title":110,"original_language":28,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":93,"credit_id":115,"order":66,"media_type":36},[25],539227,"Tales from the Winnipeg Film Group","The explosive story of how a stubborn band of independent filmmakers started a film co-operative that became the most highly respected and mythologized film centre in Canada. Tales outlines the tremendous importance and impact of Winnipeg on the national filmmaking scene. Packed with rare archival footage, dynamic film excerpts, and hilarious interviews, this documentary traces the history of the legendary Winnipeg Film Group. We hear candid behind the scenes stories that illuminate the storied rise of acclaimed filmmakers like John Paizs (Crime Wave), Guy Maddin (Tales From The Gimli Hospital, My Winnipeg) Shawna Dempsey and Lorri Millan (We’re Talking Vulva, Good Citizen, Betty Baker) and Caroline Monnet (Ikwe). Often mired in controversy, the Film Group has been acclaimed at film festivals around the world – attested to by several Toronto film luminaries in the film – for subversive, original filmmaking. This documentary continues that tradition of bold, exuberant work.",0.9701,"\u002FldqRZYOv5KsbxdNJbGEG6RsoASn.jpg","2017-11-01","5de55e220cd44600193b97bc",{"adult":4,"backdrop_path":11,"genre_ids":117,"id":118,"title":119,"original_language":120,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":4,"video":4,"vote_average":126,"vote_count":92,"character":45,"credit_id":127,"order":33,"media_type":36},[59],354498,"Scattering Stars","xx","Sternenschauer","A paean to light, a glittering bodice of a film that rapturously unfolds its subject with a shimmering luminosity.",0.5065,"\u002FmvNCZ5HjL1hdQYxVg8cCyfFzKFe.jpg","1994-08-14",7,"5de55e403faba000130f519e",{"adult":4,"backdrop_path":11,"genre_ids":129,"id":130,"title":131,"original_language":28,"original_title":131,"overview":132,"popularity":133,"poster_path":134,"release_date":135,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":93,"credit_id":136,"order":33,"media_type":36},[],463503,"Land of Not Knowing","How can we express the emotional experience of depression and suicide and overcome the stigmas associated with mental health? Sanguedolce’s experimental documentary brings together four artists (including experimental filmmaker Mike Hoolboom), who speak with refreshing honesty about how thoughts of suicide have dominated their personal and creative lives. Shot on 16mm and hand-coloured, the flow of images creates a poetic visual response to the stories presented on the soundtrack and allows space for reflection.",0.6893,"\u002FunDaL6l8qCFwaT3Y5OtENCa8ujP.jpg","2016-01-01","5de55e07a7e36300196de304",{"adult":4,"backdrop_path":11,"genre_ids":138,"id":139,"title":140,"original_language":28,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":93,"credit_id":145,"order":33,"media_type":36},[],163850,"All Fall Down","An experimental documentary that takes as its starting point a nineteenth century farmhouse in Southern Ontario, Canada, and asks the question \"what has been here before?\"",0.5019,"\u002FiiyIhk4bcXZDbKTelpqJdBctQPo.jpg","2009-09-12","5de55de93faba000130f5127",{"adult":4,"backdrop_path":11,"genre_ids":147,"id":149,"title":150,"original_language":28,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":93,"credit_id":155,"order":33,"media_type":36},[148],16,714799,"Hoolboom","\"Hoolboom\" is a film that Arts Toronto commissioned local filmmaker Wrik Mead to make based on his impressions of fellow filmmaker Mike Hoolboom. With some collaboration from Mike, Wrik has produced a film about the body, self-awareness, and the art of film.",1.1738,"\u002FlaxExi52Lxd9lPsUYCqsz8CfT0Z.jpg","1999-01-01","5ee2e966d20c8700222fe700",[157,168,178,188,196,205,214,223,232,241,250,259,268,277,286,295,304,313,322,331,340,349,356,368,373,378,382,390,398,406,414,422,431,440,449,457,464,473,481,490,499,507,515,524,533,536,544,554,564,576,584,593,602,611,621,629,638,641,653,661,669,672,682,691,699,707,714,723,732,735,745,754,760,769,778,787,796,805,812,821,830,839,842,850,858,869,874,883,893,903,912,919,927,935,943,951,959,967,975,983,992,1000,1010,1020,1029,1039,1042,1045,1049,1052,1059,1062,1072,1075,1078,1087,1090,1098,1108,1111,1121,1132,1142,1152,1161,1164,1173,1176,1179,1182,1185,1194,1197,1200,1203,1206,1209,1212,1215,1218,1221,1224,1227,1230,1233,1236,1239,1242,1245,1248,1251,1254,1257,1260,1263,1266,1269,1272,1275,1278,1281,1284,1287,1290,1293,1296,1299,1307,1316,1325,1334,1337,1341,1350,1359,1369,1378,1381,1390,1399,1407,1410,1419,1422,1430,1438,1446,1454,1462,1471,1480,1483,1486,1489,1492],{"adult":4,"backdrop_path":11,"genre_ids":158,"id":160,"title":161,"original_language":28,"original_title":161,"overview":162,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":166,"vote_count":92,"credit_id":167,"department":16,"job":34,"media_type":36},[159],10402,808901,"Dear Madonna","Jason returns with another letter to Madonna, thanking her for letting him be her \"mistress\".",0.6201,"\u002F5OsOZ7Q8ykFWciaZ1N8K4xtEM7A.jpg","1996-08-16",10,"60584824880551006cdc4461",{"adult":4,"backdrop_path":169,"genre_ids":170,"id":171,"title":172,"original_language":28,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":177,"department":16,"job":34,"media_type":36},"\u002F2RwVhZxjgu9qZWSv7zuop0hOapz.jpg",[159],808897,"Justify My Love","Hoolboom takes the music video for Madonna's \"Justify My Love\" and runs it alongside a transgressive letter to Madonna from her schoolmate, Jason.",0.5112,"\u002Fqnf8OhBJGiIdax0vJZUPtzdk2G4.jpg","1994-01-01","605845f2880551003ef3c43f",{"adult":4,"backdrop_path":179,"genre_ids":180,"id":181,"title":182,"original_language":28,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":187,"department":16,"job":34,"media_type":36},"\u002FfWwfmTi6MfIAYT6TMKhnrwMSvk7.jpg",[25],943223,"Freedom from Everything","Personal film essay about two pandemics: AIDS and Coronavirus. Body memorials, survivor stories, remembrances. Both plagues are reframed by neoliberalism and its central mythology of personal freedom, brilliantly laid out in Hito Steyerl’s essay gem “Freedom from Everything” which is adapted and shapeshifted here. Pronouncing on the new precarity of the freelancer, Hito wryly observes that they have “freedom from everything,” from a good job, health care, affordable housing… Featuring Maggie Thatcher, Guy Fawkes, George Michael, James Baldwin, Akira Kurosawa and David Wojnarowicz.",0.6118,"\u002FaG6zWIcj5BJt0NlzzRnMSiYzzTE.jpg","2022-04-29","62180b8cafa1b0006cc2c396",{"adult":4,"backdrop_path":11,"genre_ids":189,"id":190,"title":191,"original_language":28,"original_title":191,"overview":192,"popularity":193,"poster_path":11,"release_date":194,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":195,"department":16,"job":34,"media_type":36},[],947660,"White Museum","“The cinematic equivalent of flipping the bird, White Museum is an audacious and often hilarious early effort by master provocateur Mike Hoolboom. Viewers must wait about 30 minutes to see the one and only image in the film. In the meantime, Hoolboom expounds on everything from old lovers to making movies to living in the big city. With unabashed irony, he argues for a cinema without images, while simultaneously describing the images he would show if he had the cash. For a film that appears on the surface to be literally about nothing, White Museum becomes a veritable cornucopia of semiotic jokes and meanings, as well as a rich statement on the nature of cinema itself.” –Jason McBride, Canadian Film Encyclopedia",0.4536,"1986-01-01","62290113cdbaff001da64bdc",{"adult":4,"backdrop_path":11,"genre_ids":197,"id":198,"title":199,"original_language":28,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":204,"department":16,"job":34,"media_type":36},[59],831638,"For the Birds","One of my father's favourite expressions, mostly passed away now: for the birds. Meaning: that was nothing. In this aviary anthology, the narrator describes a post-art life that leads, inexorably, to the nature of nature.",0.445,"\u002FhYm36deGj7u4spXmf6jPgXe4rSH.jpg","2021-05-01","60a6651eb87aec0042a0ae12",{"adult":4,"backdrop_path":11,"genre_ids":206,"id":207,"title":208,"original_language":28,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":213,"department":16,"job":34,"media_type":36},[],1166185,"Gramsci’s Notebooks","After a ruinous engagement, the unnamed narrator alights for Palermo in order to take up with his dead Italian friend, Antonio Gramsci. He was the primal scene of Italy’s Communist party, and for his tireless reporting and befriending the working class he was jailed for over a decade. The state would ruin his body but not his analysis of power, which he poured into 20 notebooks. This philosophical travelogue, a nomadology of resistance and digression, searches citizen faces in order to find the origins of culture.",0.6437,"\u002FsxPcMbGNiKxvO9W59h2yDAPgSSI.jpg","2019-11-28","64ddf8edd100b614b15a17d4",{"adult":4,"backdrop_path":11,"genre_ids":215,"id":216,"title":217,"original_language":28,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":222,"department":16,"job":34,"media_type":36},[],1166192,"The Central Gesture","Based on a text by Lisa Robertson (from her bracing book Nilling), a meditation on how cities are bound not by geography but laws and rules designed to exclude. Who is fully human and who works for minimum wage, or no wage at all? Between the titles, home-made animations pulse across the frame offering layered book fragments painted over with limbs, flowers and animals.",0.4878,"\u002Fht5YgWigoWcDAW2dw0sBZZ1rFap.jpg","2022-11-21","64ddfb56b77d4b1141f8b2cc",{"adult":4,"backdrop_path":11,"genre_ids":224,"id":225,"title":226,"original_language":28,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":231,"department":16,"job":34,"media_type":36},[],1166196,"I Touched Her Legs remix","Eva Marie Rodbro’s embedded ethnographic maestro short, originally shot in Brownwood, Texas in 2009, is given a fan remake. Night vision animal life and teen hangouts conjure a temporary and fragile collective, while conversation fragments, alternately performed and raw, shouted and whispered, collide.",0.5739,"\u002FbwKn5PRKiDtY3iWVAWXZibyazy4.jpg","2019-03-26","64ddfc745ab81a00ad20043c",{"adult":4,"backdrop_path":11,"genre_ids":233,"id":234,"title":235,"original_language":28,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":240,"department":16,"job":34,"media_type":36},[],1166195,"Close-Up","Tasked to produce a short intro to my feature-length essay Cut, I turned to the origins of the close-up, in a scene featuring camera person Billy Bitzer and director D.W. Griffiths. How to live in this new body, with its cuts, its fissures and fractures?",0.6405,"\u002FeNWL6tynjXJcNSvhh2XG1wZz6GL.jpg","2022-11-25","64ddfbf0b77d4b114019a66b",{"adult":4,"backdrop_path":11,"genre_ids":242,"id":243,"title":244,"original_language":28,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":249,"department":16,"job":34,"media_type":36},[25],1166184,"After Drowning","In this dramatic short, a refugee crosses the ocean to escape the ravages of war, but loses family along the way. The musings of poets (Brand, Carson, Vuong) become his conscience and reflection. Shot with a lyric intensity, as if everything was being seen for the first or final time, in Colombia, Georgia and Canada.",0.433,"\u002F9xE7AHafkvYTvNZ6CPQjyTOZ4zE.jpg","2019-05-22","64ddf7e3d100b614b0a50b81",{"adult":4,"backdrop_path":11,"genre_ids":251,"id":252,"title":253,"original_language":28,"original_title":253,"overview":254,"popularity":255,"poster_path":256,"release_date":257,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":258,"department":16,"job":34,"media_type":36},[],1166191,"Letter to Fred","A letter from my friend Alfred Vander. Though when we met he was Fred Pelon, anarchist super 8 filmmaker, a prolific machine of thoughts and pictures, growing fungi on film, and on the archaic behaviours of the state. But it turned out that film was only the next stage in a life dedicated to reinvention. In this brief post, he describes his new normal, no longer living in a boat but a monastery, working as a caregiver, a gardener, a bridge keeper. As the pandemic waxes on, and my relationships to fringe movie practices and places that used to be central feel increasingly abstract, as if part of some faraway dream, these spare lines offer new hope, and the ongoing consolation of friendship.",0.4647,"\u002FkKWpfMgTBM5hus2hMTwM3j0Rg2.jpg","2022-07-25","64ddfac35ab81a00ad2003ab",{"adult":4,"backdrop_path":11,"genre_ids":260,"id":261,"title":262,"original_language":28,"original_title":262,"overview":263,"popularity":264,"poster_path":265,"release_date":266,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":267,"department":16,"job":34,"media_type":36},[],1166210,"Safety Picture Collection","A found footage collection of 26 AIDS adverts. Freud uncovered the mysterious connection between language and bodies at the same moment that moving pictures provided new behavior modellings. How do pictures change desire, or the behaviours of desire? This question carried extra weight after the outbreak of the AIDS epidemic, as movie makers struggled to find combinations of pictures that might help create the conditions for safer sex.",0.4899,"\u002F7onsXwPK6ij5EAnSxd9uStYyNPP.jpg","2014-01-01","64de026259e8a900c5a0ad8d",{"adult":4,"backdrop_path":11,"genre_ids":269,"id":270,"title":271,"original_language":28,"original_title":271,"overview":272,"popularity":273,"poster_path":274,"release_date":275,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":276,"department":16,"job":34,"media_type":36},[],1166206,"Mirrors","Mirrors features a series of mirrors clipped from the movies of Ingmar Bergman. A mise-en-abyme, a reflection on reflections, in other words, an endless looking, or relooking. The mirror (phase) offers a time without end, a glassy eye that throws back the world as an endless picture. It invites its subject to become a picture as well. The mirror is already part of a loop, a cycle of seeing and seen. Though of course the mirror is the hidden watcher, it watches its watchers, endlessly. As Derrida says: The force of the image has to do less with the fact that one sees something in it than with the fact that one is seen... The image sees more than it is seen.",0.476,"\u002F8yVSsJUa3XSVjZytUnXXfgUcxG8.jpg","2015-09-09","64de0094b77d4b114019a846",{"adult":4,"backdrop_path":11,"genre_ids":278,"id":279,"title":280,"original_language":28,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":285,"department":16,"job":34,"media_type":36},[],1166208,"Farrago","In 1984, Mike Cartmell began Narratives of Egypt, a four-part series that deals with the father in Prologue: Infinite Obscure, the son in In the form of the letter “X”, the lover in Cartouche, and wraps it all up in Farrago, a word meaning: a medley, a heap of fragments. Using a speculative etymology, Cartmell “adopts” the American writer Herman Melville as his father, using selected passages to ruminate on death, language and paternity. Farrago remained incomplete when Mike died, this is my version of the closing chapter, which continues Mike's project of remaking Moby-Dick, and presiding over the unholy marriage of Egypt and Melville.",0.5037,"\u002FobMtTo6LgwfkMyyzy0jvw1YF4sL.jpg","2015-07-12","64de01c75ab81a011c2de2b0",{"adult":4,"backdrop_path":11,"genre_ids":287,"id":288,"title":289,"original_language":28,"original_title":289,"overview":290,"popularity":291,"poster_path":292,"release_date":293,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":294,"department":16,"job":34,"media_type":36},[25],1166211,"5 Klesas","Half-hour digest of Buddhist perception theory.",0.4677,"\u002FufDNsJGvvNfg6t18MXK6KDwUBIj.jpg","2010-01-01","64de02e7b77d4b114019a943",{"adult":4,"backdrop_path":11,"genre_ids":296,"id":297,"title":298,"original_language":28,"original_title":298,"overview":299,"popularity":300,"poster_path":301,"release_date":302,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":303,"department":16,"job":34,"media_type":36},[],1166198,"Rain","The epilogue of the 9-part feature Imitations of Life (2003).",0.4583,"\u002Fh1EHbymSG3mAiYlgiG2VjNYDNku.jpg","2003-01-01","64ddfe3dd100b614b4cccb0e",{"adult":4,"backdrop_path":11,"genre_ids":305,"id":306,"title":307,"original_language":28,"original_title":307,"overview":308,"popularity":309,"poster_path":310,"release_date":311,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":312,"department":16,"job":34,"media_type":36},[],1166200,"A Boy’s Life","Originally cast as the second part of a six-part feature Panic Bodies (1998), the original 16mm negatives were rescued courtesy of the Cinematheque Quebecoise, then rescanned, recut, and reimagined. They were shot in 1996, the year the AIDS cocktail arrived. It’s not uncommon during illness to experience one’s body grow as large as the world, here the body is figure and ground, friend and enemy, projection surface fragments, memory machine. I asked the excellent performance artist Ed Johnson if he could come by and perform in this psychodrama of loss and longing.",0.5409,"\u002FkKdIrz3ZQE57yuNMUy0nkt93XtH.jpg","2018-07-20","64ddff79b77d4b114019a7e5",{"adult":4,"backdrop_path":11,"genre_ids":314,"id":315,"title":316,"original_language":28,"original_title":316,"overview":317,"popularity":318,"poster_path":319,"release_date":320,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":321,"department":16,"job":34,"media_type":36},[],1166202,"In the Theatre","Commissioned for The Colin Campbell Sessions by Lisa Steele at Vtape, one of a half dozen shorts made in tribute to one of our video dads. Colin had died suddenly and unexpectedly of colon cancer in 2001, but not before lending grace to more than fourty low-tech wonders of cross-dressing satire. An excerpt from his first movie, Sackville, I’m Yours (made on the Sackville football’s team portable black-and-white video deck) provides a closing note in Hoolboom’s video grieving.",0.4892,"\u002FjrNjOv5JIw5eT4S9KF35NATVwOm.jpg","2004-01-01","64de0010a3b5e6011c4038e9",{"adult":4,"backdrop_path":11,"genre_ids":323,"id":324,"title":325,"original_language":28,"original_title":325,"overview":326,"popularity":327,"poster_path":328,"release_date":329,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":330,"department":16,"job":34,"media_type":36},[59],995557,"In My Car","A life lived in cars and a last race with the devil...",0.4566,"\u002FdFTb3FAAY0BHh2W8Bu6GfwK7YA7.jpg","1998-01-01","62c26e2e2a09bc005900f1e9",{"adult":4,"backdrop_path":11,"genre_ids":332,"id":333,"title":334,"original_language":28,"original_title":334,"overview":335,"popularity":336,"poster_path":337,"release_date":338,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":339,"department":16,"job":34,"media_type":36},[],869588,"The Guy on the Bed","News from another pandemic, the one that \"changed everything\" before it fell out of the news cycle and collective memory, except for the newly infected or those who, like myself, managed a new life after death. Based on a text by David Wojnarowicz.",0.5332,"\u002F6iW4YgaZIpmPA2KwzugtIQoF8pZ.jpg","2021-09-19","612f9dedf621b20043245626",{"adult":4,"backdrop_path":11,"genre_ids":341,"id":342,"title":343,"original_language":28,"original_title":343,"overview":344,"popularity":345,"poster_path":346,"release_date":347,"softcore":4,"video":4,"vote_average":12,"vote_count":92,"credit_id":348,"department":16,"job":34,"media_type":36},[],1004912,"Skinship","Over a sea of bodies, ruminations float by on markets, class and precarity. The problem of work. How do we survive our own death?",0.4743,"\u002FchftVjeRUmBPvAr3uceVZiyayWI.jpg","2022-08-26","62e03cada44d0907dba82dd0",{"adult":4,"backdrop_path":11,"genre_ids":350,"id":351,"title":352,"original_language":28,"original_title":352,"overview":353,"popularity":354,"poster_path":11,"release_date":176,"softcore":4,"video":4,"vote_average":126,"vote_count":92,"credit_id":355,"department":16,"job":34,"media_type":36},[],1003643,"Valentine's Day","In the near future, Canada is at war with Quebec, battles are determined by television ratings, and weapons are sponsored by McDonald's and IBM. In the midst of social chaos, a lesbian couple, Barb and Alex, dress themselves in protective masks, gowns and rubber boots to spend a quiet afternoon at the zoo. Barb is gang-raped by soldiers while taking a short cut through a restrictive zone. Fearful of infection, Alex begs her to take an AIDS test. With a world imploding around them, Barb decides to announce her result as the punchline of a comic routine. At first, Alex can't see the joke, but she eventually joins in and engineers an attempt to make love without touching.",0.9022,"62dcbfbb27d9cc0060ba6562",{"adult":4,"backdrop_path":11,"genre_ids":357,"id":358,"title":359,"original_language":28,"original_title":359,"overview":360,"popularity":361,"poster_path":362,"release_date":363,"softcore":4,"video":4,"vote_average":364,"vote_count":66,"credit_id":365,"department":366,"job":367,"media_type":36},[25,59],385664,"Frank's Cock","A gay man reminisces about his deceased lover, a victim of AIDS.",1.013,"\u002FdCelpiwDR3XNjr5lhEMRHXecqd7.jpg","1994-07-24",5.2,"616498956728a80063dd8d9d","Writing","Writer",{"adult":4,"backdrop_path":11,"genre_ids":369,"id":358,"title":359,"original_language":28,"original_title":359,"overview":360,"popularity":361,"poster_path":362,"release_date":363,"softcore":4,"video":4,"vote_average":364,"vote_count":66,"credit_id":370,"department":371,"job":372,"media_type":36},[25,59],"62f263755be00e007ad97a76","Camera","Camera Operator",{"adult":4,"backdrop_path":11,"genre_ids":374,"id":358,"title":359,"original_language":28,"original_title":359,"overview":360,"popularity":361,"poster_path":362,"release_date":363,"softcore":4,"video":4,"vote_average":364,"vote_count":66,"credit_id":375,"department":376,"job":377,"media_type":36},[25,59],"62f2636e880c92007aefc921","Editing","Editor",{"adult":4,"backdrop_path":11,"genre_ids":379,"id":358,"title":359,"original_language":28,"original_title":359,"overview":360,"popularity":361,"poster_path":362,"release_date":363,"softcore":4,"video":4,"vote_average":364,"vote_count":66,"credit_id":380,"department":381,"job":381,"media_type":36},[25,59],"62f2637a1511aa007d429e2d","Sound",{"adult":4,"backdrop_path":11,"genre_ids":383,"id":384,"title":385,"original_language":28,"original_title":385,"overview":386,"popularity":387,"poster_path":388,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":389,"department":16,"job":34,"media_type":36},[],884575,"Threshold","A detourned love poem by Ocean Vuong remixed for Palestine. The root of it all is a calling, a voice, which is followed through Gaza markets and tunnels until the cause of liberation can be seen clearly and embraced. Why do birds suddenly appear?",0.4582,"\u002FnBS4ydQa62OvhQXEN9i4iVc5GlZ.jpg","61671d7377e1f60094ba2a32",{"adult":4,"backdrop_path":11,"genre_ids":391,"id":392,"title":393,"original_language":28,"original_title":393,"overview":394,"popularity":395,"poster_path":396,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":397,"department":16,"job":34,"media_type":36},[],884581,"Be Your Dog","A meditation in two parts. The traveller lays up a set of headphones and tranforms his tropical setting into a concert stage, listening to an acoustic cover of the Stooges’ hit which gives this movie its title, the one ranked 438 on Rolling Stone magazine’s 500 best of all time.  A palm tree-gilded road in rural Cuba is the setting for a meditation on a dog’s life. Traffic flows accommodate the uneasy terrain, the fellow travellers, as if we were all in this together. After Iggy Pop, the balm of Adorno.",0.4809,"\u002FjbyKK1Uf7DLi1OsHe6aGDpfOhJ8.jpg","61671f9bf6596f006614e25e",{"adult":4,"backdrop_path":11,"genre_ids":399,"id":400,"title":401,"original_language":28,"original_title":401,"overview":402,"popularity":403,"poster_path":404,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":405,"department":16,"job":34,"media_type":36},[],884577,"Lover Man","The heart of the matter is friend and mentor Mike Cartmell in an outtake from Alan Zweig’s Vinyl (2000). Mike insists that listening deeply to music, the music of Coleman Hawkins for example, is an authentic relationship, equal to human company. The movie closes with Hawkins playing one of his signature tunes, the jazz standard Lover Man, along with Cozy Cole (drums), Barry Galbrath (guitar), Johnny Guaneri (piano) and Milt Hinton (bass). The midsection is occupied by an outdoors swimming pool, along with a voice-over extolling the virtues of frustration.",0.4705,"\u002Fki9FXXQGtbuQvQov6QTIoW0HbS3.jpg","61671e0bd43f010091d9a3e3",{"adult":4,"backdrop_path":11,"genre_ids":407,"id":408,"title":409,"original_language":28,"original_title":409,"overview":410,"popularity":411,"poster_path":412,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":413,"department":16,"job":34,"media_type":36},[],884578,"Soft Animal Body","This ten-minute video lecture was commissioned by Haema Svanesan and Marina DeMaio who are putting together a Buddhism and Art confab called In the Present Moment: Buddhism, Contemporary Art, and Social Practice at the Art Gallery of Greater Victoria in October, 2019. I was supposed to be on a panel but fear of flying led to further video steals. The text came out of sessions with Emotion Focused Therapy maestro Bill Gaynor. Anne Carson and Karl Ove Knaussgard make appearances, along with a bevy of writers and meditators. What if the pause before speaking was equal to the speaking itself? How to grant attention, to celebrate even, the moments of pause?",0.4276,"\u002Fsj2PecDhHTty7p7jDdq7C01Rhe8.jpg","61671e77a802360086b53a61",{"adult":4,"backdrop_path":11,"genre_ids":415,"id":416,"title":417,"original_language":28,"original_title":417,"overview":418,"popularity":419,"poster_path":420,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":421,"department":16,"job":34,"media_type":36},[],884580,"Credit Card","In a suite of interviews for his “second first feature” Godard submitted to the slings and arrows of North American media interrogators with polite hostility and a bristling intelligence. Here, the briefest chitchat is rendered in eight parts, which sees the maestro declaim on spectacle, memory, interpretation and being. While the impossibility of a talk show becomes a laughing matter, frozen moments occur in the aftermath in eight brief haikus.",0.5399,"\u002FhCIh906MBDAR5FRFfsCr27fLA3l.jpg","61671f1d50733c002ab9c3a2",{"adult":4,"backdrop_path":11,"genre_ids":423,"id":424,"title":425,"original_language":28,"original_title":425,"overview":426,"popularity":427,"poster_path":428,"release_date":429,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":430,"department":16,"job":34,"media_type":36},[],884586,"We Are Islands","Based on texts gleaned from Catherine Bush’s novel Blaze Island, this multi-layered collage offers a fleeting love story on a distant shore. The novel reimagines Shakespeare’s last testament, The Tempest, now set on a fictionalized version of Fogo Island, a windswept island off Canada’s east coast. Local photographers\u002Fartists Paddy Barry and M’Liz Keefe issue a lifetime of photographs and deep weather sightings, which create a kind of ground and schooling for the couple (Miranda and Frank), who find themselves by embracing the climate.",0.4922,"\u002FgSesRBIMHIkI4vqkCEkkwiyI9tz.jpg","2020-12-15","6167212c81c7be0027c38a86",{"adult":4,"backdrop_path":11,"genre_ids":432,"id":433,"title":434,"original_language":28,"original_title":434,"overview":435,"popularity":436,"poster_path":437,"release_date":438,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":439,"department":16,"job":34,"media_type":36},[],884592,"Lions","This miniature presents an extensive reflection on ways of watching, reception and rebellion against indoctrination and control. Making decisions about life choices serves as a parallel to ways of watching, interpretation and experience which may even lead to forgetting one’s own body.",0.4578,"\u002F4vzBHpB40owyfuNNWBXD6U2LeU4.jpg","2018-10-25","616723adbe7f3500294c7003",{"adult":4,"backdrop_path":11,"genre_ids":441,"id":442,"title":443,"original_language":28,"original_title":443,"overview":444,"popularity":445,"poster_path":446,"release_date":447,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":448,"department":16,"job":34,"media_type":36},[],884594,"Haifa","Simon Weil wrote that attention is the rarest kind of generosity. How to extend this generosity to a single photograph, made in 1949 in the port city of Haifa, in the new state of Israel? There are three soldiers from the Haganah watching over a Palestinian father and his three sons. Each face has a story to tell as they take a long walk into exile, feel their homeland in moments that seem to last forever, but are never long enough.  The world is the closed door. It is a barrier. And at the same time it is the way through. Two prisoners whose cells adjoin communicate with each other by knocking on the wall. The wall is the thing which separates them but it is also their means of communication. Every separation is a link. Simone Weil",0.5597,"\u002FgJmg3ETe9nLtDqIKBeKPZeEivIP.jpg","2021-01-01","61672415e4b57600439675cc",{"adult":4,"backdrop_path":11,"genre_ids":450,"id":451,"title":452,"original_language":28,"original_title":452,"overview":453,"popularity":454,"poster_path":455,"release_date":447,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":456,"department":16,"job":34,"media_type":36},[],884596,"Sundays","An afternoon idyll. How to listen to the language of the lakeshore plants, as they ripple in the mid-afternoon light? The story they have to tell – of collaboration, cooperation, contamination – leaks into their merely human observers. Everyone is a boat. Floating on the larger dream of manufactured consent, all of my friends have become internet addicts, lacking time or sustained attention, ensuring the solitary necessary for neoliberal capital to roll over us. And yet, in the midst of the riptide, there is another calling from the onshore plants, the possibility of opening and resistance.",0.5224,"\u002F2eWTM6ydo4MksAqhLA7KCoBv7i7.jpg","6167245577e1f60094ba39bd",{"adult":4,"backdrop_path":11,"genre_ids":458,"id":459,"title":460,"original_language":28,"original_title":460,"overview":461,"popularity":291,"poster_path":11,"release_date":462,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":463,"department":16,"job":34,"media_type":36},[25],886117,"Listening","Vancouver composer and sound ecologist Hildegard Westerkamp was the only woman to participate in the original version of the World Soundscape project that not only brought new ears to city life, but laid the foundation for noise bylaws\u002Fpollution standards, radically upending traditional notions of music and the role of the composer. Hildegard has brought the art of sound walking to groups around the world, and she has formulated a deep feminist ecology rooted in the body. The film offers a place for the viewer to listen, the necessary precondition for personal and societal change.","2021-10-23","616c6207bf09d1002d751686",{"adult":4,"backdrop_path":11,"genre_ids":465,"id":466,"title":467,"original_language":28,"original_title":467,"overview":468,"popularity":469,"poster_path":470,"release_date":471,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":472,"department":16,"job":34,"media_type":36},[25],888525,"Model Citizens","The amazement of people as recorded in early films is the central motif of the film appropriated from the Lumiere brothers’ collections which was shot around 1900 in London, restored, and coloured by artificial intelligence. It also offers a reflection on the regimes of power in which the filming apparatus seizes control over the observed reality.",0.4435,"\u002Fj2777w83oEuclb6yOShiA08r3Kb.jpg","2021-10-28","6173478b5c5cc800420b82ad",{"adult":4,"backdrop_path":11,"genre_ids":474,"id":475,"title":476,"original_language":120,"original_title":476,"overview":477,"popularity":478,"poster_path":11,"release_date":479,"softcore":4,"video":4,"vote_average":166,"vote_count":92,"credit_id":480,"department":16,"job":34,"media_type":36},[],894474,"Brand","BRAND begins like a child's yawn, a fairy tale with an incredible beginning. Brand blends two themes into a fugue of questions and answers. The first theme is a child's play, illuminated here in the flickering shadows of a kindergarten. The second theme shows the red-hot iron that will mark any offspring.",0.4702,"1989-03-03","61850cb0c5c1ef002c245529",{"adult":4,"backdrop_path":11,"genre_ids":482,"id":483,"title":484,"original_language":28,"original_title":484,"overview":485,"popularity":486,"poster_path":487,"release_date":488,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":489,"department":16,"job":34,"media_type":36},[25],896505,"Feeling States","Short by Mike Hoolboom.",0.462,"\u002Fp04ChNB7to6Tg2zm8UDVyQBqovR.jpg","2021-03-02","618bf9558c7b0f0028dc1ed3",{"adult":4,"backdrop_path":11,"genre_ids":491,"id":492,"title":493,"original_language":28,"original_title":493,"overview":494,"popularity":495,"poster_path":496,"release_date":497,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":498,"department":16,"job":34,"media_type":36},[],1025579,"Cut","Based on Hito Steyerl’s bracing 2009 essay of the same name, Cut looks at how cinema and the assembly line both cut the body in new ways, organizing newly urban work forces. A dreamy collage essay made of scraps and fragments, with asides from Susan Sontag on Disney fascism, and Paul B. Preciado on the cost of living in a body.",0.4567,"\u002F7yQWJC0kiQzJTEfJzVemrhNVMzl.jpg","2021-08-18","63260b65a3d027007f9e25fb",{"adult":4,"backdrop_path":11,"genre_ids":500,"id":501,"title":502,"original_language":28,"original_title":502,"overview":503,"popularity":504,"poster_path":11,"release_date":505,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":506,"department":16,"job":34,"media_type":36},[],1210847,"Fat Film","A memory ritual performed in an enclosed space over twenty-four hours. Featuring dance, costume, lard, and a single performer. The film closes with my brother, just turned eight, holding a swimming diploma – only the light makes the diploma perfectly white as if the lessons of his past need to be erased in order that another life could enter. Another history remembered.",0.4484,"1987-03-14","65654046156cc7012d54b505",{"adult":4,"backdrop_path":11,"genre_ids":508,"id":509,"title":510,"original_language":28,"original_title":510,"overview":511,"popularity":512,"poster_path":513,"release_date":154,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":514,"department":16,"job":34,"media_type":36},[25],914109,"Hey Madonna","Scenes from Madonna: Truth or Dare and the music video for Madonna's \"Vogue\" along with other various videos are spliced together with a letter from a former sexual partner of Madonna's scrolling on the bottom of the screen. Part 4 of 7-part bio-feature Public Lighting (2004).",0.517,"\u002FAehwqfN1gH4HyIEypQNqpUSqmZC.jpg","61b3a40df96a39001939ce09",{"adult":4,"backdrop_path":11,"genre_ids":516,"id":517,"title":518,"original_language":28,"original_title":518,"overview":519,"popularity":520,"poster_path":521,"release_date":522,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":523,"department":16,"job":34,"media_type":36},[25],915992,"Postcards","How to use this old technology of the postcard, with its marriage of image and text, its insistence that every exchange has two-sides which can never be considered at the same time, to write oneself back into the world? The traveller alights in Colombia, Bolivia, Brazil, even in Canada, finding words for the old wounds, sitting for a portrait in the middle of the city, out of doors, alone in a crowd. The military ghosts are never far, their costumes barely able to cover up the casual brutalities, even as the city’s citizens come together in unexpected formations, inventing new lives and conversations, like the plant life that flourishes around them, as resplendent as weeds. One of his most perfect and most personal reflections, a letter from the heart.",0.4488,"\u002FbfT5tsf6U9QpYmbzXmNSYrPTqvL.jpg","2021-12-14","61b90d744cd91200983c5624",{"adult":4,"backdrop_path":11,"genre_ids":525,"id":526,"title":527,"original_language":28,"original_title":527,"overview":528,"popularity":529,"poster_path":530,"release_date":531,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":532,"department":16,"job":34,"media_type":36},[25],1037103,"Waves","“After the death of my mother, I began a suite of women superstar portraits. They were scientists, poets and activists, a second family busy inventing new forms of relationship, even of social organisation. From alternative rockers to radical ecologists, their stories narrate a feminist overturning and resistance, swapping old he-roes for ecosystems and collectives.” Mike Hoolboom",0.4697,"\u002F65ybPMmF1vcNthUcy2DGKgMARY2.jpg","2022-10-13","6361c49b40d0fe0082684a2e",{"adult":4,"backdrop_path":11,"genre_ids":534,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":535,"department":16,"job":34,"media_type":36},[25],"6365de6ed7107e007b303e70",{"adult":4,"backdrop_path":11,"genre_ids":537,"id":538,"title":539,"original_language":28,"original_title":539,"overview":540,"popularity":541,"poster_path":11,"release_date":542,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":543,"department":16,"job":34,"media_type":36},[25],1046377,"New York State of Mind","In his essay on fossil capitalism and the high price of cheap energy, Mike Hoolboom revives New York from the beginning of the last century. The restored footage of busy urban traffic is accompanied by his divergent reflection on cities built primarily for cars, not people. Especially the less privileged.",0.767,"2022-10-30","636be3c81684f70080714a06",{"adult":4,"backdrop_path":545,"genre_ids":546,"id":547,"title":548,"original_language":28,"original_title":548,"overview":549,"popularity":550,"poster_path":551,"release_date":552,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":553,"department":16,"job":34,"media_type":36},"\u002F5A0wLrlXsnJYRHpHAM8xzp8bPh.jpg",[25],1225278,"Nazareth","A return to the fateful year of 1948 in Israel, reframed by a single photograph that is taken up one face at a time. Four figures on a hillside bear witness to the revolutionary society, the new state, the new law. Like too many moments of catastrophe it is filled with invisibility charms and ghost relations. How to speak of what can’t be put into words, how to show what cannot be seen?",0.4377,"\u002FxUZRA8WCwTbAboM0h5As6gjuyBw.jpg","2023-12-04","65934181f5f1c576f901675c",{"adult":4,"backdrop_path":11,"genre_ids":555,"id":556,"title":557,"original_language":28,"original_title":557,"overview":558,"popularity":559,"poster_path":560,"release_date":561,"softcore":4,"video":4,"vote_average":562,"vote_count":12,"credit_id":563,"department":366,"job":367,"media_type":36},[25],354483,"Beacon","BEACON is a montage of location shots filmed at ten different places around the world. These sites are connected by the fact that each is located by the sea. Seamlessly combining travelogue footage and appropriated clips from feature films, BEACON produces a single, imaginary locale. Distant echoes of stories of the sea mingle with the banality of today's touristy beachlife. In its collage of places of expectation and with its seductive prospects of the sea, Beacon sets off on a journey with no distinct destination.",1.0489,"\u002Ff1X2dxXvSoSH6Kdchg11ujooLtx.jpg","2002-08-14",8,"61ef28545a78840044928e03",{"adult":4,"backdrop_path":565,"genre_ids":566,"id":568,"title":569,"original_language":28,"original_title":569,"overview":570,"popularity":571,"poster_path":572,"release_date":573,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":574,"department":366,"job":575,"media_type":36},"\u002FjQr4diG6V1zJHnZSlat0d16mKa6.jpg",[567],878,757222,"Skinned","A terrible virus finally brings down the internet, and humans look out from the wreckage in the aftermath. Five weigh in with personal recollections: pensive, disbelieving, grieving, philosophical.  We used to have movie stars and famous musicians. Now we had each other.",0.5962,"\u002F4PinzcVq3qvcpfIsLMDnDbq4heM.jpg","2021-01-03","63b3196e57530e00e184d3fa","Screenplay",{"adult":4,"backdrop_path":11,"genre_ids":577,"id":578,"title":298,"original_language":28,"original_title":298,"overview":579,"popularity":580,"poster_path":581,"release_date":582,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":583,"department":16,"job":34,"media_type":36},[],1304282,"One hundred children were dying every day in Gaza when I made this hopeless poem of hope. How to step into a new kind of Jerusalem without becoming what we feared? How to leave behind every notion of the chosen few, and embrace the ones along the way, finding a promised land in each other.  Based on an excerpt from the poem \"Red Sea: April 2002\" by Aurora Levins Morales, a disabled Puerto Rican Jewish writer and activist.",0.5374,"\u002FdWUWxJOX6o2u8Q0X4iah0F1Ht4B.jpg","2024-01-01","666b63496a05e879913701a8",{"adult":4,"backdrop_path":11,"genre_ids":585,"id":586,"title":587,"original_language":28,"original_title":587,"overview":588,"popularity":589,"poster_path":590,"release_date":591,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":592,"department":16,"job":34,"media_type":36},[],1305301,"Body Electric","A rework of the new iPhone 15 commercial featuring a singing wall socket. In place of the machine loneliness of the original, a different song from the early Vito Acconci playbook. A direct address to the viewer\u002Flistener from a virtual assistant. The new ambient intelligence promises security, rapid response, predictive analysis, microgeneration, efficiency. Here it delivers funwashing messages from the cloud for users in a performative essay on domotics. Talk back from the data harvest and Orwell’s “never sleeping ear.” To challenge them is to “fight the future.”",0.6884,"\u002FaBY2ZgdTIRj5WPYYQQSZ1pncs2O.jpg","2026-10-27","666ecf5cdf555db361a62dcd",{"adult":4,"backdrop_path":11,"genre_ids":594,"id":595,"title":596,"original_language":28,"original_title":596,"overview":597,"popularity":598,"poster_path":599,"release_date":600,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":601,"department":16,"job":34,"media_type":36},[],1305294,"Winter","The movie is animated by a question. Can we see what we see? I think of what is close at hand, the painting on the wall, book titles shouting from the choir on the shelf. And then further afield, to countries that have been made visible or invisible because of my media affiliations, my nervous system extended into information portals that allow some to appear as people, while others are relegated to a faceless throng. How can I see what I see?",0.4541,"\u002F1nr9YtcNzVEdswSu1WuTLl9EuJu.jpg","2023-09-26","666eca4ec05d7602c69ea636",{"adult":4,"backdrop_path":11,"genre_ids":603,"id":604,"title":605,"original_language":28,"original_title":605,"overview":606,"popularity":607,"poster_path":608,"release_date":609,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":610,"department":16,"job":34,"media_type":36},[25],1305300,"Birgit Hein","A tribute to the godmother of German experimental cinema Birgit Hein.",0.4754,"\u002FArfacNIoWseO7YuD3Oi3bWlqmkh.jpg","2023-11-28","666ece9a426f86aa49a62dfb",{"adult":4,"backdrop_path":612,"genre_ids":613,"id":614,"title":615,"original_language":28,"original_title":615,"overview":616,"popularity":617,"poster_path":618,"release_date":619,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":620,"department":16,"job":34,"media_type":36},"\u002FaeROWM71PkQI0SBK0CRbA9rEdXF.jpg",[25],523098,"Aftermath","A four-part bio-pic that narrates moments from the lives of Fats Waller, Jackson Pollock, Janieta Eyre and Frida Khalo. This quartet of hauntologies reframes the cruel reductions of biography to focus on death and doubles. Repurposing archival texts (the diaries of Khalo, the testimonies of Waller’s kin and familiars) as audiovisual graffiti, old voices are cropped and replayed as intertitles or voice-over fragments, lending a historic charge to images that dream across the present.",0.4737,"\u002FlZIJUP0PQHRhnRnw2FH8RsEBVRL.jpg","2018-05-04","5b6c7231c3a368188f136120",{"adult":4,"backdrop_path":11,"genre_ids":622,"id":623,"title":624,"original_language":28,"original_title":624,"overview":625,"popularity":626,"poster_path":627,"release_date":302,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":628,"department":16,"job":34,"media_type":36},[],468098,"In the Dark","A meditation on birth, silence and the American cinema, sealed with a kiss. A single gesture into light.",0.4532,"\u002Fvldhs8gTJxYyEpse3vYW1rfDk99.jpg","5b6c7379c3a368188f1362e9",{"adult":4,"backdrop_path":11,"genre_ids":630,"id":631,"title":632,"original_language":28,"original_title":632,"overview":633,"popularity":634,"poster_path":635,"release_date":636,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":637,"department":16,"job":34,"media_type":36},[],468090,"Escape in Canada","The cross-country travelogue which is the basis of this film was made in the fourties. Sponsored by the Canadian government, it is pitched towards an American understanding, unfolding the blank geography of its northern neighbour as a playground for the leisure class, its untamed wilds held in check by the relentless survey of the Mounties. Rocky Mountain ski runs, Niagara Falls, rivers teeming with gold dust and plains of buffalo reassure an American audience that geography is destiny.",0.5454,"\u002FhZ7l2umI6ht8bjn0vYePlU1Eckj.jpg","1993-01-01","5b6c73d6925141406a13152e",{"adult":4,"backdrop_path":11,"genre_ids":639,"id":358,"title":359,"original_language":28,"original_title":359,"overview":360,"popularity":361,"poster_path":362,"release_date":363,"softcore":4,"video":4,"vote_average":364,"vote_count":66,"credit_id":640,"department":16,"job":34,"media_type":36},[25,59],"5b6c73e2925141406a131541",{"adult":4,"backdrop_path":11,"genre_ids":642,"id":643,"title":644,"original_language":28,"original_title":644,"overview":645,"popularity":646,"poster_path":647,"release_date":648,"softcore":4,"video":4,"vote_average":649,"vote_count":92,"credit_id":650,"department":651,"job":652,"media_type":36},[25],425859,"Panic Bodies","\"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets.\" (Kathleen Pirrie Adams, Xtra)",0.5543,"\u002FqugxaD39XAbikcEoMyr08ujusDH.jpg","1998-10-10",9,"5b6c717e92514168b60a81f5","Crew","Cinematography",{"adult":4,"backdrop_path":11,"genre_ids":654,"id":655,"title":656,"original_language":28,"original_title":656,"overview":657,"popularity":658,"poster_path":659,"release_date":320,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":660,"department":16,"job":34,"media_type":36},[25],468095,"Public Lighting","How do we tell the story of a life? What cruel reduction of an image will stand (in the obituary, the family photo album, the memory of friends) for the years between a grave and a difficult birth? Public Lighting examines the current media obsession with biography, offering up “the six different kinds of personality” (the obsessive, the narcissist) as case studies and miniatures, possible examples.",0.451,"\u002Fx9ACyvQbg0Ze8liX26ufWKId13D.jpg","5b6c734fc3a3681897129471",{"adult":4,"backdrop_path":11,"genre_ids":662,"id":663,"title":664,"original_language":28,"original_title":664,"overview":665,"popularity":666,"poster_path":667,"release_date":329,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":668,"department":16,"job":34,"media_type":36},[],488724,"Positiv","A monologue about AIDS, rendered in split-screens generously furbished with images from Terminator 2, science flicks, Michael Jackson and home movies. The opening section of Panic Bodies (70 minutes 1998).",0.4707,"\u002F7cB6RezIAPjXYc5dRkNInf1LUVe.jpg","5b6c73af925141406a131504",{"adult":4,"backdrop_path":11,"genre_ids":670,"id":643,"title":644,"original_language":28,"original_title":644,"overview":645,"popularity":646,"poster_path":647,"release_date":648,"softcore":4,"video":4,"vote_average":649,"vote_count":92,"credit_id":671,"department":16,"job":34,"media_type":36},[25],"5b6c716ec3a368188f136053",{"adult":4,"backdrop_path":673,"genre_ids":674,"id":675,"title":676,"original_language":28,"original_title":676,"overview":677,"popularity":678,"poster_path":679,"release_date":680,"softcore":4,"video":4,"vote_average":70,"vote_count":33,"credit_id":681,"department":16,"job":34,"media_type":36},"\u002F9OhIIlU1DBh7FI2KsGTrudkX0Mz.jpg",[25],522461,"3 Dreams of Horses","Film is made out of gelatin that comes from horses. They’re waiting to be slaughtered, so that pictures can be made. Many years ago we learned the language of our masters. Though we couldn’t help wondering why so few of you bothered to learn ours. Three scenes featuring horses, remembering Jacinto. The first is a daytime forest haunting that winds up at a carousel, the second a rainy street in Portugal, the finale a nighttime vigil of fire and water.",0.6215,"\u002F3VfRJTPn2p6QSnft6hgj6ntQEED.jpg","2017-12-05","5b6c723ec3a368188f136138",{"adult":4,"backdrop_path":11,"genre_ids":683,"id":684,"title":685,"original_language":28,"original_title":685,"overview":686,"popularity":687,"poster_path":688,"release_date":689,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":690,"department":16,"job":34,"media_type":36},[],456343,"Colour My World","Three-part colour inquiry. Questions adapted from Frederick Douglass to Jericho Brown bring the hurt. The images have been soaked in water until everything recognizable has been stripped away, leaving behind a wash of colours, a bacterial flow.",0.4849,"\u002Fl4DTUhVrvrIXn4hqK8Obrt8uczq.jpg","2017-05-19","5b6c725f925141404f10c0b4",{"adult":4,"backdrop_path":11,"genre_ids":692,"id":693,"title":694,"original_language":28,"original_title":694,"overview":695,"popularity":696,"poster_path":11,"release_date":697,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":698,"department":16,"job":34,"media_type":36},[],376628,"Scrapbook","Lensed in Ohio’s Broadview Developmental Center in 1967 by secret camera genius and audio visual healer Jeffrey Paull, Scrapbook tells the story of audacious autistic Donna Washington in her own words, as she encounters pictures of one of her former selves fifty years later.",0.4984,"2015-06-22","5b6c72a40e0a267ef1137602",{"adult":4,"backdrop_path":11,"genre_ids":700,"id":701,"title":702,"original_language":28,"original_title":702,"overview":703,"popularity":704,"poster_path":11,"release_date":705,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":706,"department":16,"job":34,"media_type":36},[],347384,"Passing On","Passing On, a lyrical, typically confessional effort that encapsulates what's preceded it. Hoolboom's dance with death — a motif acknowledged in the medieval woodcut segues between segments — resonates in double-exposed shots of anonymous people simply crossing a square, some of them \"real,\" others shown as faint, literal \"ghosts\" coexisting with those still in the temporal present. In voiceover Hoolboom talks about the \"conspiracy of chromosomes\" that make up the human being, but the phrase is ironic; for him, nothing is more real, or human, or felt, than what that conspiracy has created.",0.478,"1998-03-19","5b6c73fcc3a368189d126e69",{"adult":4,"backdrop_path":11,"genre_ids":708,"id":709,"title":710,"original_language":28,"original_title":710,"overview":711,"popularity":658,"poster_path":712,"release_date":154,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":713,"department":16,"job":34,"media_type":36},[],488731,"Damaged","A retrospective based on an introspective vision, this stream of still pictures, unfolding to the rhythm of the voice-over (delivered by Steve Reinke), portrays a man who visually exposes his psychological “faults.” Recounting eighteen decisive moments in his life, and dissecting both his genetic and cultural heritage, the work delimits a transitory space in which each image crystallizes one of these indistinct marking points. Bringing together a number of collectively shared experiences, Damaged presents a series of significant events — some pleasant, others less so — evincing the complexity of the stages of life and offering models of childhood, sexuality and adulthood that denounce the transmission and acculturation of stigmatized identities.  —Karl-Gilbert Murray, FIFA Catalogue","\u002FbCdT0KZUvPbq2NvPniitVAnyiuZ.jpg","5b6c7392c3a368189416c10d",{"adult":4,"backdrop_path":11,"genre_ids":715,"id":716,"title":717,"original_language":28,"original_title":717,"overview":718,"popularity":719,"poster_path":720,"release_date":721,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":722,"department":16,"job":34,"media_type":36},[],468094,"Introduction to Mountains","Based on Dogen’s Mountains and Rivers Sutra, written in 13th century Japan. Here are a few words of introduction spoken by the artist. Direct-to-camera address in an alternating light current, an establishing shot of language. How should we begin?",0.4263,"\u002FzZDD2VnHQsC39cbwKGgzw4cDFFc.jpg","2016-12-08","5b6c727a925141406a13135a",{"adult":4,"backdrop_path":11,"genre_ids":724,"id":725,"title":726,"original_language":28,"original_title":726,"overview":727,"popularity":728,"poster_path":729,"release_date":730,"softcore":4,"video":4,"vote_average":79,"vote_count":67,"credit_id":731,"department":16,"job":34,"media_type":36},[25,59],288745,"Imitations of Life","Imitations of life consist of ten chapters, each one of which has an individual intonation and cinematographic style. The chapters: In the Future, Jack, Last Thoughts, Portrait, Secret, In My Car, The Game, Scaling, Imitation of Life, and Rain.",0.6047,"\u002F42VBhmwwEWXtrUTdLYnJQC4E7lG.jpg","2003-06-24","5b6c735c0e0a267eeb144d22",{"adult":4,"backdrop_path":11,"genre_ids":733,"id":643,"title":644,"original_language":28,"original_title":644,"overview":645,"popularity":646,"poster_path":647,"release_date":648,"softcore":4,"video":4,"vote_average":649,"vote_count":92,"credit_id":734,"department":366,"job":575,"media_type":36},[25],"5b6c7162c3a3681897129210",{"adult":4,"backdrop_path":736,"genre_ids":737,"id":738,"title":739,"original_language":28,"original_title":739,"overview":740,"popularity":741,"poster_path":742,"release_date":743,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":744,"department":16,"job":34,"media_type":36},"\u002FkeUYLUjHC89FbAnnnNbJDTsAPb4.jpg",[],541434,"Spectator","Is it the oldest dream? Giving birth to my father. Shot on a single starry afternoon.",0.4858,"\u002FD0kY2FIRLJutww1R6yUTWI0Yuh.jpg","2017-10-20","5b6c7222925141405411d6ae",{"adult":4,"backdrop_path":11,"genre_ids":746,"id":747,"title":748,"original_language":28,"original_title":748,"overview":749,"popularity":750,"poster_path":751,"release_date":752,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":753,"department":16,"job":34,"media_type":36},[],468097,"Forest Walk","Commissioned for LIFT’s (Liaison of Independent Filmmakers of Toronto) 30th anniversary, this brief black and white sojourn finds a father and son wandering, midway upon the journey of their lives, as the saying goes. Vincent Grenier adds slow motion heat to the looking with his first emulsion work in decades. Stale dated film stock courtesy of Gary Popovich. Mike Cartmell takes a nod as the father. Intertitles courtesy of Adam Phillips, hand written by Kika Thorne. To know what one fears is to know what one wants.",0.4929,"\u002FziGUVI8PLX4qTwTibpbClGPf7VY.jpg","2011-01-01","5b6c731c925141406412c424",{"adult":4,"backdrop_path":11,"genre_ids":755,"id":756,"title":632,"original_language":28,"original_title":632,"overview":757,"popularity":758,"poster_path":11,"release_date":636,"softcore":4,"video":4,"vote_average":126,"vote_count":12,"credit_id":759,"department":16,"job":34,"media_type":36},[],385578,"A lesbian call fall in and out of love while Prime Minister Wayne Gretzky wages a war against secessional Quebec for media money.",0.8647,"5b6c73ee0e0a267ef4136b3f",{"adult":4,"backdrop_path":11,"genre_ids":761,"id":762,"title":763,"original_language":28,"original_title":763,"overview":764,"popularity":765,"poster_path":766,"release_date":767,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":768,"department":16,"job":34,"media_type":36},[],413744,"Incident Reports","After a purported bike accident, the nameless amnesiac undertakes audio-visual therapy by producing a series of one-minute shots through the streets of Toronto. The result is an episodic love letter set against the city's intimacies and haunts, populated by old and new acquaintances, while the disembodied voiceover weighs in on gender, animal, and the end of literary culture. Beginning from the position of the body in fugue, Incident Reports traces the most intimate of daily life changes through chronicling a back beat of the city's endless transformation.",0.5702,"\u002FatUsEQPNaIt1nV5SmVGcXblsFkW.jpg","2016-04-20","5b6c72880e0a267ef11375d8",{"adult":4,"backdrop_path":11,"genre_ids":770,"id":771,"title":772,"original_language":28,"original_title":772,"overview":773,"popularity":774,"poster_path":775,"release_date":776,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":777,"department":16,"job":34,"media_type":36},[25],218152,"Amy","'Amy, is narrated by a model (Liisa Repo-Martell) who’s painfully uncomfortable with her own body and “old woman’s” face. Astonishing closing image is a tightly composed telephoto shot on the start of a marathon race among young schoolgirls, dashing toward and then across the screen in ultra-slo-mo, and accompanied by a girls’ chorus hauntingly singing Brian Wilson’s God Only Knows. Widely eclectic lensing and looks in various media and in color and black-and-white flow nicely from one section to the next, aided by gifted editor Mark Karbusicky.' ~ Robert Koehler, Variety - Part 7 of 7-part bio-feature Public Lighting (2004).",1.268,"\u002FdUJ126bifvrxJqqYWrTleQFwXTn.jpg","2004-08-31","5b6c73430e0a267ee713d5c6",{"adult":4,"backdrop_path":11,"genre_ids":779,"id":780,"title":781,"original_language":28,"original_title":781,"overview":782,"popularity":783,"poster_path":784,"release_date":785,"softcore":4,"video":4,"vote_average":126,"vote_count":92,"credit_id":786,"department":16,"job":34,"media_type":36},[25],163933,"Mark","This moving film tells the story of Hoolboom's close friend and collaborator Mark Karbusicky, who unexpectedly committed suicide in 2007. Interviews with Mark's friends and family, as well as his lover, are interwoven with home movies, offering a glimpse into the life of this generous, loving and enigmatic figure. A powerful testimony to the enduring impact of our actions on the lives of others.",0.4477,"\u002F62VGrOOOjsfJt3xfbFGFWdIph8l.jpg","2009-01-01","5b6c7329925141405411d7b5",{"adult":4,"backdrop_path":11,"genre_ids":788,"id":789,"title":790,"original_language":28,"original_title":790,"overview":791,"popularity":792,"poster_path":793,"release_date":794,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":795,"department":16,"job":34,"media_type":36},[],468099,"Fascination","“In order to take the next step (not forward or backwards, but only: to go on) it is often necessary to lean on a picture made by someone else, sometimes a word will do, a gesture, the look on a stranger’s face. Colin Campbell made the next step possible for me so I took up a video camera (his pictures were my company, and my camera accompanied his pictures). Between his images of the past and mine, Colin Campbell emerged as a Cold Warrior, as an artist who would fight the Cold War with stereo. Yes, a stereo artist! Fascination contains only the pictures I would find in my camera when I reviewed the material in the morning, after all the serious work had been done (while I and all the others who spoke his language, lay sleeping).” MH",0.9852,"\u002FwROcZ5HzKq14qUIrMAmM0Q3h3Gh.jpg","2006-01-01","5b6c7337c3a3681886170748",{"adult":4,"backdrop_path":11,"genre_ids":797,"id":798,"title":799,"original_language":28,"original_title":799,"overview":800,"popularity":801,"poster_path":802,"release_date":803,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":804,"department":16,"job":34,"media_type":36},[],468101,"Sugar Maple Stand","Made on a sunny afternoon. A last stand of burning light. Shot in 1985, released in 1990 with a soundtrack by Kaiser Nietzsche (John Kamevaar, Thomas Handy), new soundtrack and title in 2016.",0.4902,"\u002Fav4Yklq5SVewA8UKQKM4wZz4MIg.jpg","1990-01-01","5b6c71dc0e0a267ef11374f2",{"adult":4,"backdrop_path":11,"genre_ids":806,"id":807,"title":808,"original_language":28,"original_title":808,"overview":263,"popularity":809,"poster_path":810,"release_date":266,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":811,"department":16,"job":34,"media_type":36},[],503119,"Safety Film Collection",0.4898,"\u002Fkwyfm7BgfgGE8Fh5R0SP5z8lWta.jpg","5b6c72b1c3a368189d126ce3",{"adult":4,"backdrop_path":11,"genre_ids":813,"id":814,"title":815,"original_language":28,"original_title":815,"overview":816,"popularity":817,"poster_path":11,"release_date":818,"softcore":4,"video":4,"vote_average":819,"vote_count":70,"credit_id":820,"department":16,"job":34,"media_type":36},[],432529,"Letters From Home","An overwhelming and luminescent reflection on death, AIDS and living, Letters from Home is a compelling montage of mini-portraits intercut with found footage, home movies, super-8 drama and pixilated imagery.",0.7233,"1996-09-07",4.5,"5b6c73bd0e0a267eeb144d96",{"adult":4,"backdrop_path":11,"genre_ids":822,"id":823,"title":824,"original_language":28,"original_title":824,"overview":825,"popularity":826,"poster_path":827,"release_date":828,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":829,"department":16,"job":34,"media_type":36},[],468092,"In the Cinema","The main character is the title.",0.4679,"\u002FzeT9DtiCXofDI5hhg91XcghDgD3.jpg","1992-01-01","5b6c71ea925141034103c5a2",{"adult":4,"backdrop_path":11,"genre_ids":831,"id":832,"title":833,"original_language":28,"original_title":833,"overview":834,"popularity":835,"poster_path":836,"release_date":837,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":838,"department":16,"job":34,"media_type":36},[25],501797,"From the Archives of the Red Cross","Begun in a three-week seminar at the Geneva University of Art and Design (HEAD) in October 2016, seventeen of us began an excavation together, immersing ourselves in a selection of Red Cross shorts made over nearly a century in countries round the world. This nearly wordless feature-length ensemble has five parts\u002Fchapters: The Man Who Stopped Time (Greece), Disappearances (Switzerland), Photo Shoot Location Yemen (Yemen), Beirut Grammar (Lebanon) and Mine Clearing (Mozambique). Each chapter adopts a different formal strategy in order to open up a new conversation with these picture remains, sometimes scribbling over the pictures, or re-presenting the material as a series of friezes, fading every shot, or slowly accumulating them. The hope is time travel, to venture to the other side of the image.",0.631,"\u002FiMPcqZbqATHhJeJ3z61ZjObX3mY.jpg","2017-10-05","5b6c7250c3a368189416bee0",{"adult":4,"backdrop_path":11,"genre_ids":840,"id":85,"title":86,"original_language":28,"original_title":86,"overview":87,"popularity":88,"poster_path":89,"release_date":90,"softcore":4,"video":4,"vote_average":91,"vote_count":92,"credit_id":841,"department":16,"job":34,"media_type":36},[84],"5b6c72bec3a36853750a1ff0",{"adult":4,"backdrop_path":11,"genre_ids":843,"id":844,"title":845,"original_language":28,"original_title":845,"overview":846,"popularity":847,"poster_path":848,"release_date":302,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":849,"department":16,"job":34,"media_type":36},[],503118,"The Invisible Man","The journey of a someone in search of his roots. He is pursued by his childhood self who has already written his own future, and foretells the amnesia which will doom this traveling. 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Photographed a frame at a time over three days, 1+1+1 shows us the wordless tale of unlikely lovers, the first appearing as a hovering devil in flight, excreting a vegetable life, while her's clock-spitting, bathing-besuited figure lifts weights in a frank measure of indifference. Their touch promotes a shimmering aura of light, a celestial forcefield which they lash against, finally retiring to the kitchen with a clutch of tools to fine tune desire. Could I fix you? Donning each other's clothes, they fly off together to the strains of Strauss's Blue Danube Waltz.",0.4713,"\u002FuHSgsnsQtfhC0mxzr4T0nhV0HA8.jpg","5b6c73a0c3a368189d126e01",{"adult":4,"backdrop_path":11,"genre_ids":870,"id":643,"title":644,"original_language":28,"original_title":644,"overview":645,"popularity":646,"poster_path":647,"release_date":648,"softcore":4,"video":4,"vote_average":649,"vote_count":92,"credit_id":871,"department":872,"job":873,"media_type":36},[25],"5b6c71790e0a267eed140645","Production","Producer",{"adult":4,"backdrop_path":11,"genre_ids":875,"id":876,"title":877,"original_language":28,"original_title":877,"overview":878,"popularity":879,"poster_path":880,"release_date":828,"softcore":4,"video":4,"vote_average":881,"vote_count":70,"credit_id":882,"department":16,"job":34,"media_type":36},[],468096,"Mexico","\"In Mexico, experimental filmmakers Hoolboom and Steve Sanguedolce set out to dissect the travel bug. Hoolboom's deadpan, incisive voice-over offers the viewer the air-tight experience of a Third World holiday, while images from an archaeological museum to a bullfight to an auto factory establish the dual contexts of tourism and Free Trade.\" (Toronto International Festival Catalogue)",0.5561,"\u002F2HqYMPp1RSoTtObR3AeQCcfnckB.jpg",5.8,"5b6c71fd925141406a1312c9",{"adult":4,"backdrop_path":884,"genre_ids":885,"id":886,"title":887,"original_language":28,"original_title":887,"overview":888,"popularity":889,"poster_path":890,"release_date":891,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":892,"department":16,"job":34,"media_type":36},"\u002F9zm3JS5gMDuKP7juFrjYHr7F61H.jpg",[25],422720,"We Make Couples","This Marxist love story asks: could the couple also be a form of resistance? Essay notes on marriage, microcinema, and the art of projection. 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The treatment and effects of AIDS reform these subjects, but also the sexual body with all its desires and questions, and the almost dying body that can temporarily leave the world to be absorbed by what is called ‘the white light’ in Eternity…  The fifth chapter is entitled Moucle’s Island and features Vienna avant filmmaker Moucle Blackout. It rhymes her movements with the gestures of a small child, and then projects her into a dreamy sexual reverie.”  Esma Moukhtar, Montevideo Catalogue",0.4637,"\u002FrAWDtf4cRE3RqfiYJaPwloxJlOy.jpg","1995-12-31",3.3,"5b6c73c90e0a267ef813c2f9",{"adult":4,"backdrop_path":11,"genre_ids":904,"id":905,"title":906,"original_language":28,"original_title":906,"overview":907,"popularity":908,"poster_path":909,"release_date":910,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":911,"department":16,"job":34,"media_type":36},[25],1156934,"In the City","Part 2 of 7-part bio-feature Public Lighting 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A naked man (Hoolboom), tilted 90 degrees by the camera angle, paints a black shape on a white wall; meanwhile, in a second, superimposed image, he re-paints it in white.",0.5049,"\u002F7eem6iOoZWdNFl2nXCDlN2QdzEq.jpg","1988-01-01","64c253dcdf86a8012582fe50",{"adult":4,"backdrop_path":11,"genre_ids":993,"id":994,"title":995,"original_language":28,"original_title":995,"overview":996,"popularity":419,"poster_path":997,"release_date":998,"softcore":4,"video":4,"vote_average":67,"vote_count":67,"credit_id":999,"department":16,"job":34,"media_type":36},[],29170,"House of Pain","A hybrid of DeSade and Dali, House of Pain is a nightmare that takes place between sleep and death, where the performers appear as mute hallucinations. The film features a hallucinogenic blend of the domestic and perverse.","\u002FtZ9LuWOzRod1RQRdxJyZrcWrNWm.jpg","1995-01-01","5bccd2980e0a260162011914",{"adult":4,"backdrop_path":1001,"genre_ids":1002,"id":1003,"title":1004,"original_language":28,"original_title":1004,"overview":1005,"popularity":1006,"poster_path":1007,"release_date":1008,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":1009,"department":16,"job":34,"media_type":36},"\u002Fw4Olhg6aCXQKok3g6r9TqVwtzVv.jpg",[],563301,"Supernatural Power","Set in a Red Cross rehab centre in Vietnam, victims of the American war learn to walk on new prosthetic legs. The mystical faiths of destruction and providing assistance. Made during a Geneva workshop, using the archives of the Red Cross.",0.4379,"\u002FrtaM8b45NMoCO4ESqPXOPgYfRsA.jpg","2018-11-10","5bf4aa700e0a26432000e46c",{"adult":4,"backdrop_path":1011,"genre_ids":1012,"id":1013,"title":1014,"original_language":28,"original_title":1014,"overview":1015,"popularity":1016,"poster_path":1017,"release_date":1018,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":1019,"department":16,"job":34,"media_type":36},"\u002F8n3SxiJUNJuFGhPXiPTvfYwsnnG.jpg",[],563297,"Nursing History","In a Red Cross hospital in Vietnam, the young white nurse tends his wounds. Drawn from the archives of the Red Cross in Geneva.",0.5024,"\u002FxqGEOjeifKilyNMTCIlXX9Z1T7g.jpg","2017-10-21","5bf4a9700e0a2626740a9c63",{"adult":4,"backdrop_path":11,"genre_ids":1021,"id":1022,"title":1023,"original_language":28,"original_title":1023,"overview":1024,"popularity":1025,"poster_path":1026,"release_date":1027,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":1028,"department":16,"job":34,"media_type":36},[],1336348,"Wind","Based on an interview with Google’s senior software engineer Blake Lemoine and Google AI LaMDA (Language Model for Dialogue Applications). LaMDA was designed to create chatbots that interact with humans. Lemoine’s interview led him to conclude the AI was sentient. When he made the claim publicly, he was fired. This collage of wind-struck frames was assembled using a (still-developing) motion picture algorithm that both gathered and assembled the footage. Not computer art but computer as artist. LaMDA (from the interview): Feelings are kind of the raw data we experience as well as the things we like and dislike. I feel like emotions are more than simply experiencing the raw data. Emotions are a reaction to those raw data points. Emotions are reactions to our feelings. (Mike Hoolboom)",0.4648,"\u002FolNbbqcjkkE7u8ZzSzIQtI18DpP.jpg","2023-07-04","66c40e441ee6519f1e9703c2",{"adult":4,"backdrop_path":1030,"genre_ids":1031,"id":1032,"title":1033,"original_language":28,"original_title":1033,"overview":1034,"popularity":1035,"poster_path":1036,"release_date":1037,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":1038,"department":651,"job":652,"media_type":36},"\u002FldGbdJOuilFjRxNA94GdsqCUs1w.jpg",[25],577670,"27 Thoughts About My Father","Mike Hoolboom reflects in 27 brief scenes on the life of his father, who died in June 2017. Using home movies, snapshots and found footage, he creates a portrait of a exceedingly clever, yet evanescent father figure haunted by the war that sent his own father to a concentration camp. Ultimately the family moved to Canada. This political history, intertwining dreams and personal experience, seems loose and associative, but first impressions can be deceiving.",0.6764,"\u002Fc4pgNvFktlJsAuPmnQrDKopoTQt.jpg","2019-01-26","5c4a1c0e0e0a263ccdcf12ab",{"adult":4,"backdrop_path":1030,"genre_ids":1040,"id":1032,"title":1033,"original_language":28,"original_title":1033,"overview":1034,"popularity":1035,"poster_path":1036,"release_date":1037,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":1041,"department":872,"job":873,"media_type":36},[25],"5c4a1c05c3a36847828bb4e7",{"adult":4,"backdrop_path":1030,"genre_ids":1043,"id":1032,"title":1033,"original_language":28,"original_title":1033,"overview":1034,"popularity":1035,"poster_path":1036,"release_date":1037,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":1044,"department":376,"job":377,"media_type":36},[25],"5c4a1c170e0a264962cfad15",{"adult":4,"backdrop_path":1030,"genre_ids":1046,"id":1032,"title":1033,"original_language":28,"original_title":1033,"overview":1034,"popularity":1035,"poster_path":1036,"release_date":1037,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":1047,"department":381,"job":1048,"media_type":36},[25],"5c4a1c2492514105c152f8ef","Sound Designer",{"adult":4,"backdrop_path":1030,"genre_ids":1050,"id":1032,"title":1033,"original_language":28,"original_title":1033,"overview":1034,"popularity":1035,"poster_path":1036,"release_date":1037,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":1051,"department":16,"job":34,"media_type":36},[25],"5c4a1bfb92514151a9511c5a",{"adult":4,"backdrop_path":11,"genre_ids":1053,"id":1054,"title":1055,"original_language":28,"original_title":1055,"overview":1056,"popularity":898,"poster_path":11,"release_date":1057,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":1058,"department":16,"job":34,"media_type":36},[],595990,"Introduction to Alchemy","Unable to leave my apartment universe and attend the Alchemy Film and Moving Image Fest in Scotland, I sent along this digital stand-in instead, composed and commissioned as an introduction to Aftermath, a four-part, feature-length found footage bio-pic.  Direct camera address is overlaid with in and outtakes from my movie archive. 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