[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1123200:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":662},false,[],"Santiago Álvarez Román (March 8, 1919 – May 20, 1998) was a Cuban documentary filmmaker and a central figure in revolutionary Latin American cinema. After studying in the United States, he returned to Cuba in the mid-1940s, where he worked as a music archivist for television and became active in Communist Party circles. Following the Cuban Revolution, he was a founding member of the Cuban Institute of Cinematographic Art and Industry (ICAIC) and went on to direct its influential weekly Latin American Newsreel, shaping a new model of politically engaged documentary production.\n\nÁlvarez became internationally known for short films that combined found footage, photographs, animation, and music through rapid, associative editing—often described as “nervous montage.” His best-known works include Now! (1964), addressing racial discrimination in the United States; LBJ (1968), a satirical critique of U.S. imperialism; and 79 Springs (1969), a poetic tribute to Ho Chi Minh. In 1968, he collaborated with Fernando Solanas and Octavio Getino on The Hour of the Furnaces, a landmark four-hour documentary on neocolonialism and political struggle in Latin America.\n\nAcross dozens of films, Álvarez documented music, culture, revolutionary movements, and authoritarian regimes throughout the Americas and beyond. His work influenced generations of political filmmakers, and he was later acknowledged by Jean-Luc Godard in Histoire(s) du cinéma. Álvarez died in Havana in 1998 from Parkinson’s disease and was buried in Colón Cemetery.","1919-03-18","1998-05-20",2,"https:\u002F\u002Fsantiagoalvarez.org\u002F",1123200,"nm0959588","Directing","Santiago Álvarez","Havana, Cuba",0.41,"\u002FgsIrlZdKJMRqjUksJnyrZoxjg60.jpg",{"cast":19,"crew":138},[20,33,46,60,76,86,97,110,118,130],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":21,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"character":28,"credit_id":30,"order":31,"media_type":32},null,[],1082932,"Los Ojos de Santiago","en","Los Ojos de Santiago retraces the filmmaking career of Álvarez, particularly his work in Vietnam and Cuba.",0.4727,"",0,"63dfc5ecce5d8200f3c171d6",1,"movie",{"adult":4,"backdrop_path":21,"genre_ids":34,"id":35,"title":36,"original_language":37,"original_title":38,"overview":39,"popularity":40,"poster_path":41,"release_date":42,"softcore":4,"video":4,"vote_average":43,"vote_count":9,"character":28,"credit_id":44,"order":45,"media_type":32},[],252389,"Towards Unity and Victory","es","Por la unidad hacia la victoria","Political propaganda film made during the Spanish Civil War.",0.8374,"\u002FjlyG2vevWLvYLanVsfBOwUcqgdp.jpg","1937-01-24",7.5,"52fe4e3b9251416c9112ac7f",5,{"adult":4,"backdrop_path":47,"genre_ids":48,"id":50,"title":51,"original_language":52,"original_title":51,"overview":53,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"character":57,"credit_id":58,"order":59,"media_type":32},"\u002FmrVrXM7QYO6vEuhHsJLmJ1Kn4Lj.jpg",[49],99,508088,"Memória Cubana","pt","Through the files of Cuban cinema news program Noticieros ICAIC Latinoamericanos, the documentary shows the most relevant events of the second half of the 20th century as seen by the documentary filmmakers of the island. During three decades and under the general direction of Santiago Álvarez, these moviemakers witnessed almost everything: from the shivers of the Cold War to Bola de Nieve's piano solos; from the discovery of the killing fields in Cambodia to the Carnation Revolution in Portugal. In 2009, the original negatives of Noticieros ICAIC Latinoamericanos were declared part of the \"world memory\" by UNESCO.",0.8951,"\u002F2B2MfKxejiIYHXgPZJny62gkJ1H.jpg","2010-09-27","Self (archive footage)","65b2a6d7a80236013aae813e",7,{"adult":4,"backdrop_path":21,"genre_ids":61,"id":64,"title":65,"original_language":37,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":72,"character":73,"credit_id":74,"order":75,"media_type":32},[62,63],10749,35,115793,"Coarse Salt","Sal gorda","A famous composer creative in crisis and must compose a new album, but is going through a painful separation that prevents him from concentrating. In this situation, your manager will provide a time extension",1.0741,"\u002FkTkdOjipY80WiKJbhLefREuKZdE.jpg","1984-02-06",6.7,3,"Horacio","58010dd9c3a3686b24006c82",8,{"adult":4,"backdrop_path":21,"genre_ids":77,"id":78,"title":79,"original_language":25,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":45,"vote_count":72,"character":84,"credit_id":85,"order":29,"media_type":32},[49],127729,"Accelerated Under-Development: In the Idiom of Santiago Alvarez","A portrait of the great radical Cuban film maker Santiago Alvarez.",0.6459,"\u002Fcj3A0KLTJCO9ZJFNNPtiwmXgyjh.jpg","1999-01-01","Himself","5b4cc6b39251417d1e03b0bd",{"adult":4,"backdrop_path":21,"genre_ids":87,"id":88,"title":89,"original_language":37,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":4,"video":4,"vote_average":94,"vote_count":72,"character":95,"credit_id":96,"order":29,"media_type":32},[49],797346,"El camino de Santiago: Periodismo, cine y revolución","A tribute to Santiago Álvarez, a great innovator in the language of Cuban newsreel images, presented by the ICAIC over the course of thirty years. This unique figure in Latin American cinema is reconstructed. Told as a game of Chinese boxes (documentaries within documentaries, authors within authors, images within images), Álvarez's obsession is revealed to be identical to that of his disciples: to confront the reality of Cuba with other realities, staging aesthetic operations that are nevertheless political operations, always in favor of the Revolution.",0.7783,"\u002FrDUyRyqtqX74G7GKxczuvbuF9on.jpg","2013-11-01",7.3,"Santiago Alvarez","602aad5781140f003f913f91",{"adult":4,"backdrop_path":98,"genre_ids":99,"id":100,"title":101,"original_language":52,"original_title":101,"overview":102,"popularity":103,"poster_path":104,"release_date":105,"softcore":4,"video":4,"vote_average":106,"vote_count":107,"character":108,"credit_id":109,"order":9,"media_type":32},"\u002FucEUSBYFQt4RaK0ZtvMEPPYBgjc.jpg",[49],317947,"Rocha Que Voa","Documentary about the relationship between filmmaker Glauber Rocha and Cuba.",1.0272,"\u002Fkv4DxvNYGelTr2OHPwFpmCUu3o1.jpg","2002-08-04",6.5,4,"Self (voice)","6816328c3425af5ca584cb28",{"adult":4,"backdrop_path":21,"genre_ids":111,"id":112,"title":113,"original_language":37,"original_title":113,"overview":114,"popularity":115,"poster_path":21,"release_date":116,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"character":28,"credit_id":117,"order":107,"media_type":32},[49],1473823,"El milagro de la tierra morena","A documentary made by Cuban journalists about the Portuguese revolution in 1974 that overthrew the dictatorship of Salazar",0.5372,"1974-06-27","6993989426984a5163124d11",{"adult":4,"backdrop_path":21,"genre_ids":119,"id":120,"title":121,"original_language":25,"original_title":122,"overview":123,"popularity":124,"poster_path":125,"release_date":126,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"character":127,"credit_id":128,"order":129,"media_type":32},[49],1356930,"Claves, 4: Memories of Cuban cinema","Claves para el Nuevo Cine Latinoamericano, 4: Memorias del cine cubano","Documentary in four parts on Latin American cinema. Fourth episode: in Cuba, the ICAIC, created in the aftermath of the Castro revolution, is at once a film school, a production company and a state cultural branch. Cuban filmmakers testify to the situation and themes specific to their national cinema.",1.7803,"\u002Fe6Hdv1gwD6jvrPJaikmA5ZQR269.jpg","1984-01-01","Self","69a1d3b7ab1e95102ce2aa28",6,{"adult":4,"backdrop_path":21,"genre_ids":131,"id":132,"title":133,"original_language":37,"original_title":133,"overview":134,"popularity":135,"poster_path":21,"release_date":136,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"character":28,"credit_id":137,"order":9,"media_type":32},[49],1763360,"Entrevista al presidente Salvador Allende (Noticiero ICAIC Latinoamericano)","Santiago Álvarez and his team are talking with Salvador Allende (alongside his daughter Beatriz), who has just been elected President of the Republic, near a beautiful mansion on the banks of a river. Allende denounces the state of chaos in which the country finds itself, as well as the economic and financial situation, and calls on the Chilean people to take responsibility. He discusses the ties between Cuba and Chile and pledges to fight against the CIA and the counterrevolutionaries (gusanos). Footage of Allende being cheered at a Socialist Party rally shortly before his election illustrates the topic.",0.7312,"1970-11-05","6a9a9ffe0ab3904ace535072",[139,150,155,167,180,193,205,215,226,237,248,260,271,281,284,294,303,313,323,333,343,353,363,371,375,384,389,392,395,398,401,411,414,425,436,439,450,458,467,476,485,493,501,504,511,520,527,530,537,545,552,555,562,565,573,576,579,582,585,588,591,600,611,614,622,625,633,640,643,651,659],{"adult":4,"backdrop_path":21,"genre_ids":140,"id":141,"title":142,"original_language":37,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":59,"vote_count":9,"credit_id":148,"department":13,"job":149,"media_type":32},[],810335,"The First Delegate","El primer delegado","The short film El primer delegado (The First Delegate), made by a group of ICAIC directors, recounts the moments in which José Martí announced the foundations and statutes of the Cuban Revolutionary Party, the tireless struggle that the hero sustained throughout his life to obtain independence, his gifts as a political organizer, the final founding of the party, of which he was the first delegate, and his offer to General Máximo Gómez of the military leadership of the insurrection, the final founding of the party, of which he was the first delegate, and his offer to General Máximo Gómez of the military leadership of the insurrection, all narrated live by an announcer who entertains with his reading the work of the cigar makers in a tobacco factory, until the documentary reaches its final climax: the symbolic reconversion of the old Marti's party into a new one.",0.9262,"\u002FlzB0bDz90F697KHrIjQ1kFJRQ6Y.jpg","1975-06-24","605c941f65c26c0068f84fb3","Director",{"adult":4,"backdrop_path":21,"genre_ids":151,"id":141,"title":142,"original_language":37,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":59,"vote_count":9,"credit_id":152,"department":153,"job":154,"media_type":32},[],"6231fb95af2da800771e7816","Writing","Writer",{"adult":4,"backdrop_path":21,"genre_ids":156,"id":157,"title":158,"original_language":37,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":4,"video":4,"vote_average":164,"vote_count":165,"credit_id":166,"department":13,"job":149,"media_type":32},[49],151490,"Hanoi, Tuesday 13th","Hanoi, martes 13","In December 1967, a Cuban film crew led by Santiago Alvarez, the veteran polemicist, travelled to Hanoi. They shot the footage which constitutes this short documentary all in one day - Tuesday 13. The film is the story of that day and what happened to the North Vietnamese people in the course of it.",1.2639,"\u002FfCjY6Dnkj5hA7ERyDLujlErJxg4.jpg","1969-10-03",6.6,13,"52fe4b039251416c910cd0ff",{"adult":4,"backdrop_path":168,"genre_ids":169,"id":171,"title":172,"original_language":37,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":177,"vote_count":178,"credit_id":179,"department":13,"job":149,"media_type":32},"\u002FsqVo1XYNGYgi9PAFoyCmkMTKZ4r.jpg",[49,170],10402,145762,"Now!","Using morgue photos, newsreel footage, and a recording by Lena Horne, Cuban filmmaker Santiago Alvarez fired off 'Now!', one of the most powerful bursts of propaganda rendered in the 1960s.",2.2114,"\u002FkICPjLSIegbsphO0T18rjC8VzHK.jpg","1965-01-01",6.2,44,"52fe4b659251416c75101907",{"adult":4,"backdrop_path":181,"genre_ids":182,"id":183,"title":184,"original_language":37,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":4,"video":4,"vote_average":190,"vote_count":191,"credit_id":192,"department":13,"job":149,"media_type":32},"\u002F4wPgQccfMLOSefRPJvxGLYz4L3z.jpg",[49],146346,"79 Springs","79 primaveras","This film memorializes the leader of Vietnam, Ho Chi Minh, on the occasion of his death. It narrates the story of a life which is also the story of a nation-recounting his important accomplishments in the struggle against colonialism and imperialism.",1.5954,"\u002FylEs8xYFBW6NkDvkrC8NA9BD1dd.jpg","1969-12-31",6.1,27,"52fe4b7d9251416c751047d9",{"adult":4,"backdrop_path":194,"genre_ids":195,"id":196,"title":197,"original_language":37,"original_title":197,"overview":198,"popularity":199,"poster_path":200,"release_date":201,"softcore":4,"video":4,"vote_average":202,"vote_count":203,"credit_id":204,"department":13,"job":149,"media_type":32},"\u002FflMU8pr4DzWZVfrVHa8acuyzf8R.jpg",[49],146661,"LBJ","This is a montage of different images from the JFK, Martin Luther King and Bobby Kennedy triumphs and assassinations, all three events being observed by Lyndon Johnson as the dark figure who is plotting the anti-black rights movement.",1.968,"\u002FbxebOalvCQV8Xezo4RCTTE4ycXt.jpg","1968-01-01",5.9,21,"52fe4b8b9251416c751065db",{"adult":4,"backdrop_path":21,"genre_ids":206,"id":207,"title":208,"original_language":37,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":202,"vote_count":59,"credit_id":214,"department":13,"job":149,"media_type":32},[49],208051,"My Brother, Fidel","Mi hermano Fidel","Follows the Cuban leader into the home of a 93 year old acquaintance of Jose Marti, who is now blind and who takes the duration of the film to realize who his illustrious interviewer actually is.",1.1418,"\u002Fq2Yj9784euALvs6FUcoeQ5gtGF1.jpg","1977-01-01","52fe4d42c3a368484e1df975",{"adult":4,"backdrop_path":21,"genre_ids":216,"id":217,"title":218,"original_language":37,"original_title":219,"overview":220,"popularity":221,"poster_path":222,"release_date":223,"softcore":4,"video":4,"vote_average":224,"vote_count":59,"credit_id":225,"department":13,"job":149,"media_type":32},[],208055,"The Forgotten War","La Guerra Olvidada","Focuses on the history of foreign intervention in Laos, first by France and then by the United States. It shows how the liberation forces of Laos, under continuous U.S. bombing, were able to run an entire society in hidden caves and tunnels. Through the leadership of the Pathet Lao, they organized schools, cultural activities, clinics, as well as political and military activities literally underground.",0.7915,"\u002F7VIxTzppOjIdchsn9Cscn0YnGZG.jpg","1967-01-01",5.3,"52fe4d43c3a368484e1df98f",{"adult":4,"backdrop_path":21,"genre_ids":227,"id":228,"title":229,"original_language":37,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":202,"vote_count":75,"credit_id":234,"department":235,"job":236,"media_type":32},[49],424476,"Muerte al invasor","Produced by ICAIC in the wake of the Bay of Pigs invasion, \"Muerte al invasor\" chronicles the three days of fighting at Playa Girón, portraying the rapid mobilization of Cuban forces and civilians against a CIA-backed exile army.",1.0659,"\u002F9SlEqb432iKqPltLPNG7dCwCvF8.jpg","1962-07-25","61003df80d5d85007fdd1d5c","Editing","Editor",{"adult":4,"backdrop_path":21,"genre_ids":238,"id":239,"title":240,"original_language":37,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":246,"vote_count":75,"credit_id":247,"department":13,"job":149,"media_type":32},[49],255937,"The Tiger Leaps and Kills, But It Will Die... It Will Die...","El tigre saltó y mató, pero morirá... morirá...","An obituary for Victor Jara, the Chilean folksinger who was murdered in a football stadium by the military junta during the days of the September 1973 coup.",1.0542,"\u002F9ijFXzDlBxDoxZUDKm5o5gyTAKx.jpg","1973-01-01",6.8,"53015e02925141219e14768f",{"adult":4,"backdrop_path":249,"genre_ids":250,"id":251,"title":252,"original_language":37,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":4,"video":4,"vote_average":257,"vote_count":258,"credit_id":259,"department":13,"job":149,"media_type":32},"\u002FvkHuPX4lTrX3EoLZk3sL5JlxeNe.jpg",[49],255936,"Hasta la Victoria Siempre","Created within forty-eight hours of Che Guevara’s death, Hasta la Victoria Siempre is a Cuban documentary tribute that combines archival footage, speeches, and images of revolutionary struggle to commemorate Guevara and reaffirm the ideals of the Cuban Revolution.",1.011,"\u002FApeTl3vPWLBfXeAzIzAzYfelO33.jpg","1967-10-18",7.1,18,"53015cadc3a36809fd150382",{"adult":4,"backdrop_path":21,"genre_ids":261,"id":262,"title":263,"original_language":37,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":269,"vote_count":59,"credit_id":270,"department":13,"job":149,"media_type":32},[],255935,"The Servant's Dream","El sueño del pongo","An ordinary man goes to work in a rich household of Peru and has a dream in which he sees his boss and himself appearing as equal in front of the Archangel before going to heaven... Based on a tale by Jose Maria Argueda",1.2907,"\u002F9gstDylfD5WZ93BYB83T5q8iACp.jpg","1970-01-01",5.6,"53015bb2c3a3680a2e16c8fc",{"adult":4,"backdrop_path":21,"genre_ids":272,"id":273,"title":274,"original_language":37,"original_title":275,"overview":276,"popularity":277,"poster_path":278,"release_date":279,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":280,"department":153,"job":154,"media_type":32},[49],277174,"The New Tango","El nuevo tango","The New Tango (El Nuevo Tango) was not shown in Argentina for a long time as it deals with the ascent of Argentinean president Hector Campora in May 1973, and features Cuban and Chilean presidents, Osvaldo Dorticos and Salvador Allende.  A million people gathered on the Plaza de Mayo to acclaim the new President.  One of Cámpora's first presidential actions was a granting of amnesty to political prisoners who where jailed during the dictatorship.  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