[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1106586:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":818},false,[6,7],"Steven Dwoskin","Peter Dwoskin","Stephen Dwoskin was born in New York in 1939 and began making independent shorts there in 1961. In 1964 he followed his research work to London where he settled and participated in the founding of the London Filmmaker’s Co-op. His experimental films, for which he himself does the camera work, play with ideas of desire, sexual and mental solitude and the passage of time. In his films he also explores representation in cinema, performances, personal impressions and his own physical handicap which has been a source of inspiration for him throughout his career. \n\nDwoskin died on 28th June 2012 in London. His sensitive and emancipating works have been the subject of various international presentations.","1939-01-15","2012-06-28",2,"http:\u002F\u002Fstephendwoskin.com\u002F",1106586,"nm0245465","Directing","Stephen Dwoskin","New York, New York",0.6023,"\u002FoI4cihrXoaftkqKCTQH3eWmRRcV.jpg",{"cast":21,"crew":194},[22,38,51,59,68,77,87,97,109,122,131,145,158,166,175,182],{"adult":4,"backdrop_path":23,"genre_ids":24,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"character":34,"credit_id":35,"order":36,"media_type":37},null,[],162536,"Outside In","en","A personal film by experimental director Stephen Dwoskin.",1.0012,"\u002Fqs0j7dH6Vw67s7ZSl6B0HPOcB6n.jpg","1981-01-01",9,1,"","6171ed66176a94005f955e46",0,"movie",{"adult":4,"backdrop_path":39,"genre_ids":40,"id":42,"title":43,"original_language":27,"original_title":43,"overview":44,"popularity":45,"poster_path":23,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"character":49,"credit_id":50,"order":36,"media_type":37},"\u002FuZW9iKuncBnGvz8bGPJaNFp9Y8B.jpg",[41],99,261230,"Pain Is...","The film is just this kind wandering through the personal ways and whys of different kinds of pain in different kinds of people.  The film searches through the many levels of pain and finds it in its unique position between disaster and pleasure. Pain is..thus plunges us instantly into the midst of controversy and the unknown.",1.6973,"1997-03-25",7.1,6,"Himself\u002FNarrator","5331ea819251410b51001cec",{"adult":4,"backdrop_path":23,"genre_ids":52,"id":53,"title":54,"original_language":27,"original_title":54,"overview":55,"popularity":56,"poster_path":23,"release_date":57,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":34,"credit_id":58,"order":36,"media_type":37},[],335380,"Open Door: The Other Cinema","Avant-garde appeal on behalf of and made by the adventurous leftist London cinema, The Other Cinema, using the facilities provided by the BBC community programme unit.",0.7722,"1977-12-12","552903f4c3a3683e5200029c",{"adult":4,"backdrop_path":23,"genre_ids":60,"id":61,"title":62,"original_language":27,"original_title":62,"overview":63,"popularity":64,"poster_path":65,"release_date":66,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":34,"credit_id":67,"order":36,"media_type":37},[41],1276573,"Telescopic Intimacy","In their lyrical and philosophical video essay, “Telescopic Intimacy”, Cristina Álvarez López and Adrian Martin explore the works of avant-garde filmmaker Stephen Dwoskin. Aesthetically captivating and conceptually interesting, Dwoskin’s films focus on the nuances of the human face and the complexities of the visual gaze. Through unusual shots and enigmatic close-ups, Dwoskin creates a special form of “telescopic intimacy”, revolving around themes such as longing and desire, closeness and alienation, the subject and the ‘other’.",1.3609,"\u002FBTYq67eSGMb1PsLg8rFe3CD2Yp.jpg","2022-05-18","6621d51c78570e0164104eb6",{"adult":4,"backdrop_path":23,"genre_ids":69,"id":70,"title":71,"original_language":27,"original_title":71,"overview":72,"popularity":73,"poster_path":23,"release_date":74,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":75,"credit_id":76,"order":33,"media_type":37},[41],1317707,"Conversation Piece with Stephen Dwoskin","Shot in Brixton, London, in 2004, the film is originally a letter addressed to Dwoskin by its authors. It creates a unique space, movement and rhythm in which they develop his point of view on the evolution of cinema in the western world.",0.8257,"2005-01-01","Self - Interviewee","6696e01441ad2fa1b4a80c83",{"adult":4,"backdrop_path":23,"genre_ids":78,"id":79,"title":80,"original_language":27,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":48,"vote_count":85,"character":34,"credit_id":86,"order":11,"media_type":37},[41],354027,"Shadows from Light","Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were followed by the postwar series of \"distorted nudes\", shot on beaches and inside rooms. The film is a fitting final portrait of Brandt (it was completed in the year he died), and recomposes his work in cinematic terms. The camera moves through an apartment where the pictures were taken, to reveal photographs scattered 'in situ'. These are panned to show the surrounding space, the angle of vision and a model who reconstructs Brandt's original image. Dwoskin emphasises visual atmosphere through the language of the eye.",0.6872,"\u002Fn4TN4X6GiC3o8Cx9fpVLRlgAKmB.jpg","1983-08-11",3,"580b7ed5c3a368296400b891",{"adult":4,"backdrop_path":23,"genre_ids":88,"id":89,"title":90,"original_language":27,"original_title":90,"overview":91,"popularity":92,"poster_path":23,"release_date":93,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":94,"credit_id":95,"order":96,"media_type":37},[],437599,"Heads","Includes 'portraits' of Marianne Faithfull, Thelonious Monk and 28 others, some known, some less so.",1.9213,"1969-12-19","Self","588b9d1bc3a368149101c021",4,{"adult":4,"backdrop_path":98,"genre_ids":99,"id":100,"title":101,"original_language":27,"original_title":101,"overview":102,"popularity":103,"poster_path":104,"release_date":105,"softcore":4,"video":4,"vote_average":106,"vote_count":96,"character":94,"credit_id":107,"order":108,"media_type":37},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[41],295120,"Birth of a Nation","Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.",1.548,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06",7,"59d9b75b9251412505036a6f",15,{"adult":4,"backdrop_path":23,"genre_ids":110,"id":111,"title":112,"original_language":113,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":48,"character":120,"credit_id":121,"order":96,"media_type":37},[41],230868,"My Conversations on Film","fr","Mes entretiens filmés","This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.",1.104,"\u002Fg7aRipOHY2mL7dGAlFisMSlMMH0.jpg","2013-10-13",3.2,"Himself","5a5804b2925141020f000a4f",{"adult":4,"backdrop_path":23,"genre_ids":123,"id":125,"title":126,"original_language":27,"original_title":126,"overview":127,"popularity":128,"poster_path":23,"release_date":129,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":120,"credit_id":130,"order":36,"media_type":37},[124,41],10770,504283,"The Cinema of Stephen Dwoskin","A exploration of the origin, theory, philosophy and themes of Stephen Dwoskin's films from 1963 to 1984.",0.8791,"1984-04-02","5a7f01a2c3a368189f00c125",{"adult":4,"backdrop_path":132,"genre_ids":133,"id":135,"title":136,"original_language":137,"original_title":136,"overview":138,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":142,"vote_count":143,"character":34,"credit_id":144,"order":36,"media_type":37},"\u002FvjlvNrDV62xbpkK2xnRyqMpyhlI.jpg",[134,124],18,162401,"Behindert","de","A portrait of a relationship between a physically disabled man and an able-bodied woman.",1.1858,"\u002F99irw8jKHsqvnNujzUO90unEk6B.jpg","1974-11-14",7.2,5,"5ce17c650e0a266f7ccd968e",{"adult":4,"backdrop_path":146,"genre_ids":147,"id":148,"title":149,"original_language":113,"original_title":149,"overview":150,"popularity":151,"poster_path":152,"release_date":153,"softcore":4,"video":4,"vote_average":154,"vote_count":106,"character":155,"credit_id":156,"order":157,"media_type":37},"\u002F6fJgLOFJO5AAlieLZxfmTyZKOEy.jpg",[41],272074,"Cinématon","Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.",1.7154,"\u002F5l2dmFdiaFbt8XUyzmZxBeqGMJA.jpg","1978-12-20",4.9,"N°121","5d0b18500e0a263dddc9ba27",36,{"adult":4,"backdrop_path":23,"genre_ids":159,"id":160,"title":161,"original_language":113,"original_title":161,"overview":162,"popularity":163,"poster_path":23,"release_date":164,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":155,"credit_id":165,"order":33,"media_type":37},[],756079,"Cinématon XIII","Reel 13 of Gérard Courant's on-going Cinematon series.",1.1812,"1981-11-08","5f90d23aac617c00398384d4",{"adult":4,"backdrop_path":23,"genre_ids":167,"id":168,"title":169,"original_language":113,"original_title":169,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":120,"credit_id":174,"order":36,"media_type":37},[41],812337,"Cinexpérimentaux #9: Stephen Dwoskin","Stephen Dwoskin was born in New York in 1939 and began making independent shorts there in 1961. In 1964 he followed his research work to London where he settled and participated in the founding of the London Filmmaker’s Co-op. His experimental films, for which he himself does the camera work, play with ideas of desire, sexual and mental solitude and the passage of time. In his films he also explores representation in cinema, performances, personal impressions and his own physical handicap which has been a source of inspiration for him throughout his career.  His sensitive and emancipating works have been the subject of various international presentations.",0.9046,"\u002FfUkam7mKl09IOk6zXMRbzXHtpCP.jpg","2012-08-24","6063ef85db8a00003c1d02d1",{"adult":4,"backdrop_path":23,"genre_ids":176,"id":177,"title":178,"original_language":113,"original_title":178,"overview":34,"popularity":179,"poster_path":180,"release_date":164,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":34,"credit_id":181,"order":36,"media_type":37},[],817862,"Cinématon n°121 : Stephen Dwoskin",1.0099,"\u002F8C0JckspoD0uVoNWeo2wpCNYo3R.jpg","60751e0965686e0057f47f61",{"adult":4,"backdrop_path":183,"genre_ids":184,"id":186,"title":187,"original_language":27,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":143,"character":34,"credit_id":193,"order":11,"media_type":37},"\u002F4udagh4oMlYrfJmWIkWbFhmPTYg.jpg",[185,134],27,354021,"The Sun and the Moon","'The Sun and the Moon, a film fairy tale, is about two women’s terrifying encounter with ‘Otherness’ in the form of a man, abject and monstrous, and for them to either to witness, accept or partake in his annihilation. All are caught in their own isolation and are fearful of the menace that has to be met. The film, as a personal interpretation of Beauty and the Beast, enciphers concerns, beliefs and desires in seductive images that are themselves a form of camouflage, making it possible to utter harsh truths.'",1.1707,"\u002F6AbTJnZ3l7rYgJm3xX2dutlCgTN.jpg","2008-08-11",6.8,"67f42307a5471a51ee9973b8",[195,207,218,228,238,249,252,264,274,279,282,292,297,309,312,322,333,344,355,359,362,365,376,386,389,398,407,410,419,428,437,440,449,457,465,473,481,484,487,496,506,515,525,530,533,538,541,544,547,556,559,570,581,584,593,602,611,614,617,620,623,633,642,645,648,651,661,664,667,670,673,676,685,689,698,702,705,714,717,721,724,727,736,745,754,764,773,776,785,788,798,806],{"adult":4,"backdrop_path":196,"genre_ids":197,"id":198,"title":199,"original_language":27,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":142,"vote_count":204,"credit_id":205,"department":15,"job":206,"media_type":37},"\u002FxyXcnR94a1KWAqrrbBONr0dnMOR.jpg",[134],142520,"Central Bazaar","A group of strangers explore their fantasies over a period of five days.",1.0496,"\u002Fc8z9oYKmgGCkAMThsmVmAamoaXH.jpg","1976-09-02",11,"52fe4ae49251416c750f17cb","Director",{"adult":4,"backdrop_path":208,"genre_ids":209,"id":210,"title":211,"original_language":27,"original_title":211,"overview":212,"popularity":213,"poster_path":23,"release_date":214,"softcore":4,"video":4,"vote_average":215,"vote_count":216,"credit_id":217,"department":15,"job":206,"media_type":37},"\u002FemhtukTAAbDzXPrdvmPeOytV0Z6.jpg",[134],155006,"Naissant","Filmed in New York in 1964, completed in London 1967.",1.3114,"1964-12-31",5.1,14,"52fe4b729251416c910da99f",{"adult":4,"backdrop_path":23,"genre_ids":219,"id":220,"title":221,"original_language":222,"original_title":221,"overview":223,"popularity":224,"poster_path":225,"release_date":226,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":227,"department":15,"job":206,"media_type":37},[],690841,"Phone Portrait","pt","More like sketches Phone Portrait and Phone Strip explore the moving image through the uniqueness of the most modern of technologies – the cellphone – that, though being modern, produces a near primitive and raw image reminiscent of the very first moving images.",1.1123,"\u002Fm8viIcYpCLjZGe762XAwU28xJy0.jpg","2007-06-15","627abb5f1b729400a4babd38",{"adult":4,"backdrop_path":23,"genre_ids":229,"id":230,"title":231,"original_language":27,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":4,"video":4,"vote_average":236,"vote_count":143,"credit_id":237,"department":15,"job":206,"media_type":37},[41],137000,"Age Is...","Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture, the beauty, the singularity of aging faces and silhouettes, a hypnotic poem in the Dwoskin meaning of the term which is long observations of very tiny details. A gesture, a pause, a look, a moment. Throughout his films intimacy has always played a leading role and this is also true for Age is..., all the faces being close friends, or close friends relatives and sometimes even Stephen himself.",2.3127,"\u002Fdvf6oQba1jK6bA5AohlVp0A7O6V.jpg","2012-08-15",7.6,"52fe4c23c3a368484e1a9499",{"adult":4,"backdrop_path":239,"genre_ids":240,"id":241,"title":242,"original_language":27,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":48,"vote_count":247,"credit_id":248,"department":15,"job":206,"media_type":37},"\u002F5IcfddwC137xhtsJpwjtGtbCbLc.jpg",[134],162419,"Dyn Amo","'Dyn Amo' is a 'drama' exploring the distinction between a person's self and his projection of that self to others; and it's a 'horror movie' tragically suggesting how a projection can become more substantial than the self behind it. Its subjects are role-playing (especially sexual role-playing), and the masochism of playing a role that conforms to others' exploitative interests.",1.9736,"\u002FifQgVHUWP4VHnxJfF9eZPo10o1m.jpg","1972-06-27",13,"52fe4c59c3a36847f8229aa7",{"adult":4,"backdrop_path":23,"genre_ids":250,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":251,"department":15,"job":206,"media_type":37},[],"52fe4c5ac3a36847f8229e1b",{"adult":4,"backdrop_path":23,"genre_ids":253,"id":254,"title":255,"original_language":27,"original_title":255,"overview":256,"popularity":257,"poster_path":258,"release_date":259,"softcore":4,"video":4,"vote_average":260,"vote_count":33,"credit_id":261,"department":262,"job":263,"media_type":37},[],729977,"Phoelix","An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.",0.9979,"\u002FjT0IdKFtskUleq9dbsjbwk7am.jpg","1979-08-01",8,"6107cb0c7ad08c004554e30f","Camera","Camera Operator",{"adult":4,"backdrop_path":23,"genre_ids":265,"id":266,"title":267,"original_language":27,"original_title":267,"overview":268,"popularity":269,"poster_path":270,"release_date":271,"softcore":4,"video":4,"vote_average":272,"vote_count":32,"credit_id":273,"department":15,"job":206,"media_type":37},[134],256993,"Dirty","DIRTY is the reincarnation of two girls, a bottle and one bed. Their bodies, hands and face expressions reach out in a refilm look.",1.154,"\u002FiHXpAO19qSkRVxiuDMw5bcExg9r.jpg","1971-12-18",6.4,"530bbc50c3a36875f9000353",{"adult":4,"backdrop_path":39,"genre_ids":275,"id":42,"title":43,"original_language":27,"original_title":43,"overview":44,"popularity":45,"poster_path":23,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"credit_id":276,"department":277,"job":278,"media_type":37},[41],"5331eaad9251410b54001bd6","Writing","Writer",{"adult":4,"backdrop_path":39,"genre_ids":280,"id":42,"title":43,"original_language":27,"original_title":43,"overview":44,"popularity":45,"poster_path":23,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"credit_id":281,"department":15,"job":206,"media_type":37},[41],"5331eaa49251410b5d001aea",{"adult":4,"backdrop_path":283,"genre_ids":284,"id":285,"title":286,"original_language":27,"original_title":286,"overview":287,"popularity":288,"poster_path":289,"release_date":290,"softcore":4,"video":4,"vote_average":106,"vote_count":36,"credit_id":291,"department":15,"job":206,"media_type":37},"\u002F2yhWEblNLPrT5Nf6S2wUhP70sZi.jpg",[],862446,"Further and Particular","An old man remembers the troubled relationship he had with his mother, the erotic games, and the phantasms in which she managed to attract him. The main line gives but a small idea of the film, of its erotic style, its choreographic dimension, its strange fragmentation. The film drifts along an ever-renewed invention, intertwining lavish dances, mask games, musical comedy, parodies, permanent repression of the body offering itself as an object of desire to the viewer who is literally seduced.’",0.9451,"\u002Fe7CCF6hjjvGnKE83vZ0q1w1hItB.jpg","1988-09-09","611bdb372e0697005d9f7cfe",{"adult":4,"backdrop_path":283,"genre_ids":293,"id":285,"title":286,"original_language":27,"original_title":286,"overview":287,"popularity":288,"poster_path":289,"release_date":290,"softcore":4,"video":4,"vote_average":106,"vote_count":36,"credit_id":294,"department":295,"job":296,"media_type":37},[],"611bdb699a9e200045008ba5","Crew","Cinematography",{"adult":4,"backdrop_path":298,"genre_ids":299,"id":301,"title":302,"original_language":27,"original_title":302,"overview":303,"popularity":304,"poster_path":305,"release_date":306,"softcore":4,"video":4,"vote_average":307,"vote_count":11,"credit_id":308,"department":15,"job":206,"media_type":37},"\u002FmWxLiu3B1Dy4UmMKkHVYlYYjtds.jpg",[134,300,216],10749,266806,"Times For","An unfulfilled man renders himself to the unrealized sensuality of four women. In his drifting search, he fails and fades in the same loneliness as the women.",1.2115,"\u002F8wBemwGdyE30kkkAZbEJI7IfOlq.jpg","1970-09-15",8.5,"535bef480e0a264fd8001b03",{"adult":4,"backdrop_path":132,"genre_ids":310,"id":135,"title":136,"original_language":137,"original_title":136,"overview":138,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":142,"vote_count":143,"credit_id":311,"department":15,"job":206,"media_type":37},[134,124],"53b00285c3a3682ee6004ca3",{"adult":4,"backdrop_path":23,"genre_ids":313,"id":314,"title":315,"original_language":27,"original_title":315,"overview":316,"popularity":317,"poster_path":318,"release_date":319,"softcore":4,"video":4,"vote_average":320,"vote_count":85,"credit_id":321,"department":15,"job":206,"media_type":37},[41],162389,"Moment","A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film frame are highlighted in this intimate sexual episode with Tina Fraser. Artist Stephen Dwoskin presents a powerful, personal moment while maintaining a distance and resisting the viewer being subsumed into the action on screen.",1.5089,"\u002F7F1O1Y4zidiZvnnm8wuO27zD8Ip.jpg","1968-01-01",6.3,"53b0ca46c3a3682ed80057cd",{"adult":4,"backdrop_path":323,"genre_ids":324,"id":325,"title":326,"original_language":27,"original_title":326,"overview":327,"popularity":328,"poster_path":329,"release_date":330,"softcore":4,"video":4,"vote_average":331,"vote_count":204,"credit_id":332,"department":15,"job":206,"media_type":37},"\u002FoM0GSvYhsaQVnslm9HZN1BFFFU9.jpg",[],162462,"Take Me","Short experimental film focusing on body paint and the female form.",0.9973,"\u002FaB37uuwoe7YMiA7hMdR2c3aKPDn.jpg","1969-07-15",5.364,"53c5e5af0e0a267ff7001543",{"adult":334,"backdrop_path":23,"genre_ids":335,"id":336,"title":337,"original_language":27,"original_title":337,"overview":338,"popularity":36,"poster_path":339,"release_date":340,"softcore":4,"video":4,"vote_average":341,"vote_count":342,"credit_id":343,"department":15,"job":206,"media_type":37},true,[],282396,"Girl","It is quite revealing how complex the simple form is. Shot one to one, a girl is confronted with nothing more than her thoughts. In the period of watching her (while she is looking at you) her expressions and movements turn into a 'mirror' for the viewer to experience his or herself. The experience is solely emotive between you and her, and occurs in \"real\" time. (Stephen Dwoskin)","\u002FhCnBfh6bGeCtqvBIYKALfJz1kqR.jpg","1972-06-24",3.5,10,"53c7e72fc3a3686266003d13",{"adult":4,"backdrop_path":23,"genre_ids":345,"id":346,"title":347,"original_language":137,"original_title":348,"overview":349,"popularity":350,"poster_path":351,"release_date":352,"softcore":4,"video":4,"vote_average":353,"vote_count":85,"credit_id":354,"department":15,"job":206,"media_type":37},[134],162423,"Death and Devil","Tod und Teufel","Evolves around the rooms of a house as one of the main characters, Lisiska, is waiting and is studied in depth as she prepares herself for a meeting. The film attempts to display sexual barriers and misconceptions, and about the role-playing and the confusion around the whole question of sexual and sensual involvement. The essence is the confrontation with self-deception, lies and the real fear of contact with both sexes.",0.8258,"\u002FjiBzB04zm101HEX9rpNQsZpm4XI.jpg","1973-09-14",7.3,"53c83873c3a368625b00435c",{"adult":4,"backdrop_path":39,"genre_ids":356,"id":42,"title":43,"original_language":27,"original_title":43,"overview":44,"popularity":45,"poster_path":23,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"credit_id":357,"department":262,"job":358,"media_type":37},[41],"5416eab9c3a3684d0a0057c7","Director of Photography",{"adult":4,"backdrop_path":23,"genre_ids":360,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":361,"department":295,"job":296,"media_type":37},[],"6171ecf77e3483008d62ce28",{"adult":4,"backdrop_path":23,"genre_ids":363,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":364,"department":277,"job":278,"media_type":37},[],"6171ecda6d4c970092075596",{"adult":4,"backdrop_path":366,"genre_ids":367,"id":368,"title":369,"original_language":27,"original_title":369,"overview":370,"popularity":371,"poster_path":372,"release_date":373,"softcore":4,"video":4,"vote_average":374,"vote_count":106,"credit_id":375,"department":295,"job":296,"media_type":37},"\u002FgZShiauI1DN1B2kLt2gTsQGLF9D.jpg",[134],354028,"The Silent Cry","'The Silent Cry is a fictionalised narrative film, based on documentary facts and extracts of one English girl's memories and thoughts, all surrounded, and directed towards her particular dilemma. This dilemma can be summarized as her basic inability to have relationships, especially sustained relationships, and particularly with men. This is the total of her statement and the film. The construction and flow of the film follows the way she thinks - it is her point of view that is followed in the film. So all things are the way she remembers and dwells on them, and which are important to her.' - S.D.",1.0767,"\u002FmEh2nIXMSQY99SryZVWTeRlW1er.jpg","1977-08-11",4.6,"616dd1c3df86a80043628e70",{"adult":4,"backdrop_path":23,"genre_ids":377,"id":378,"title":379,"original_language":380,"original_title":379,"overview":381,"popularity":382,"poster_path":383,"release_date":384,"softcore":4,"video":4,"vote_average":106,"vote_count":33,"credit_id":385,"department":15,"job":206,"media_type":37},[],1019484,"To Tea","xx","To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to sensual contact between two women. Their contact is arrived at through an arrangement of slow tactics. As the light of day goes the bodies come closer, and the piano melody floats in a distant hall. Once my Hungarian art teacher said: “If you exaggerate the objective lines you reach a stronger subjective expression.” So here the strange tea party gives over to touch. – S.D.",1.3117,"\u002FxkUXwnPzrdyfgQdyM5Q7zBK5HVL.jpg","1970-01-01","6310f500be55b70083c66512",{"adult":4,"backdrop_path":23,"genre_ids":387,"id":53,"title":54,"original_language":27,"original_title":54,"overview":55,"popularity":56,"poster_path":23,"release_date":57,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":388,"department":15,"job":206,"media_type":37},[],"552904c5c3a3683e520002ac",{"adult":4,"backdrop_path":23,"genre_ids":390,"id":391,"title":392,"original_language":27,"original_title":392,"overview":393,"popularity":394,"poster_path":395,"release_date":396,"softcore":4,"video":4,"vote_average":342,"vote_count":33,"credit_id":397,"department":15,"job":206,"media_type":37},[41],1024367,"Kleiner Vogel","The film questions the possible viewing positions with the girl;  in other words, who and what is looking at whom? and is the girl alone or with another – or is the camera position that of voyeur or protagonist? The only way to figure it out is to spend some time with her! – S.D.",1.088,"\u002Fjr3Vbg8H6SGs193sjEJGHT1mHpm.jpg","1976-01-01","63219348fd4a96007a27a507",{"adult":4,"backdrop_path":23,"genre_ids":399,"id":400,"title":401,"original_language":27,"original_title":401,"overview":402,"popularity":403,"poster_path":404,"release_date":405,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":406,"department":15,"job":206,"media_type":37},[],1025058,"Some Friends (Apart)","A short and lyrical film about looking, and how that look shapes the relationship between those people whom we call friends; some gone, some found, but all apart.",0.8806,"\u002F4S5lCU84pDjSWM2r9o0pxq89fBa.jpg","2002-01-01","6324641c511d09007f4f6fe2",{"adult":4,"backdrop_path":23,"genre_ids":408,"id":230,"title":231,"original_language":27,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":4,"video":4,"vote_average":236,"vote_count":143,"credit_id":409,"department":277,"job":278,"media_type":37},[41],"65623d027dfda6592ee5ce37",{"adult":4,"backdrop_path":23,"genre_ids":411,"id":412,"title":413,"original_language":27,"original_title":413,"overview":414,"popularity":415,"poster_path":416,"release_date":417,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":418,"department":15,"job":206,"media_type":37},[],353702,"Short Time","A summer in Beechdale Road. A meditation on the passage of time, the time in between things and the time spent together - and apart. The film was made to be screened in a loop, without credits.",1.0392,"\u002FqTIdSST9r2EqKgdGuRkAF60F6f5.jpg","2006-08-09","55c6f97fc3a368247f001863",{"adult":4,"backdrop_path":23,"genre_ids":420,"id":421,"title":422,"original_language":27,"original_title":422,"overview":423,"popularity":424,"poster_path":425,"release_date":426,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":427,"department":15,"job":206,"media_type":37},[41],354026,"Face Anthea","\"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of speculation. All the senses are concentrated in this one head: eyes, ears, nose, lips, tongue and the skin which covers all with its network of vibrating nerves. One imagines the senses, the counterpart of our own, ready to respond with all the various moods, suggestions and agreements. Through the eyes alone, when placed in contact with our own, a visual dialogue and interplay is embarked upon. And when the lips, two bodies fitting together in perfect harmony, break into a smile, they invite further exploration. Then, with the engagement of time, this dialogue shifts from speculation to realization. The face transforms from its abstract suggestiveness to the singular projection of seduction. It is no longer anyones face; it is the face of one particular person\" (Stephen Dwoskin)",1.3051,"\u002F4Gg0L9JpnoJZNDeaPk4O5f59Mc6.jpg","1990-08-11","55c9d0bfc3a36875200014ae",{"adult":4,"backdrop_path":23,"genre_ids":429,"id":430,"title":431,"original_language":27,"original_title":431,"overview":432,"popularity":433,"poster_path":434,"release_date":435,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":436,"department":15,"job":206,"media_type":37},[41],354020,"Intoxicated By My Illness","Intoxicated by My Illness (in which images photographed by several people are extensively superimposed) loosely and dreamily tracks a phase in Dwoskin's recent life that took him from medical examination to intensive care.",0.7785,"\u002FlKaW4EmmrTa9IxgnsR1V7k0SEeE.jpg","2001-08-11","55c9cca09251410c49001710",{"adult":4,"backdrop_path":183,"genre_ids":438,"id":186,"title":187,"original_language":27,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":143,"credit_id":439,"department":15,"job":206,"media_type":37},[185,134],"55c9ce1ac3a3687527001599",{"adult":4,"backdrop_path":23,"genre_ids":441,"id":442,"title":443,"original_language":27,"original_title":443,"overview":444,"popularity":445,"poster_path":446,"release_date":447,"softcore":4,"video":4,"vote_average":106,"vote_count":33,"credit_id":448,"department":15,"job":206,"media_type":37},[],354016,"Dad","An ode to Stephen Dwoskin's father. The film blends found family footage of the young and the ageing father. It takes the tiny gestures of daily life and turns them into the monumental moments of tenderness and respect. Part of trilogy of memoirs of loved ones.",1.0863,"\u002FotGa70gnhBtaZmDBxdfKYxNL7Uj.jpg","2003-08-11","55c9c7df9251410c55001537",{"adult":4,"backdrop_path":23,"genre_ids":450,"id":451,"title":452,"original_language":27,"original_title":452,"overview":453,"popularity":454,"poster_path":455,"release_date":447,"softcore":4,"video":4,"vote_average":106,"vote_count":33,"credit_id":456,"department":15,"job":206,"media_type":37},[],347961,"Lost Dreams","Lost dreams is made out of those little remnants of images, from a single glance to a detailed moment, of those women from youth’s love and young dreams. They are woven together, like fragments of the mind, from the ends of the film to the corners of the frame.",1.1276,"\u002FsWc6wR5CgJGvE9KRxnha1gGel9T.jpg","55c9ccfe9251410c520017c9",{"adult":4,"backdrop_path":23,"genre_ids":458,"id":459,"title":460,"original_language":27,"original_title":460,"overview":461,"popularity":462,"poster_path":463,"release_date":447,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":464,"department":15,"job":206,"media_type":37},[],354018,"Dear Frances (in memoriam)","“Suddenly and sadly my dear friend Frances died. At that moment of loss I needed to hold on to her. The film is just that.” – Stephen Dwoskin.",0.8974,"\u002F5SuL1Tola0W1VUkwO1ZNQkGbAJH.jpg","55c9ca2a9251410c4f001531",{"adult":4,"backdrop_path":23,"genre_ids":466,"id":467,"title":468,"original_language":27,"original_title":468,"overview":469,"popularity":470,"poster_path":471,"release_date":447,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":472,"department":15,"job":206,"media_type":37},[],354017,"Grandpère's Pear","“My grandfather was a charming artist, and he would have acted if he had had an audience. In this film, taken from family images, it is a simple pear that is the object of his panache.” -Stephen Dwoskin",0.7408,"\u002Fa9tCBbsY5jFJfWOef55kevv8siG.jpg","55c9c9929251410c460016c8",{"adult":4,"backdrop_path":23,"genre_ids":474,"id":475,"title":476,"original_language":27,"original_title":476,"overview":477,"popularity":478,"poster_path":479,"release_date":426,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":480,"department":15,"job":206,"media_type":37},[],354024,"The Spirit of Brendan Behan","A film about the writing of Brendan Behan realised through three performers wandering through Dublin reciting extracts from his work. Together it tells of Behan's life and also prison, about executions,about the fear that sometimes penetrates the soul and of the disgrace of day to day life in jail. Their Irish accents strengthen and empower the words during the unrolling of the 30 minute film immediately grabbing the harshness, force and cry of Behan's world. \"The Irish dislike those of their kind who think\", said Behan, who wrote a lot, lived a lot, and drank a lot.",0.8738,"\u002Ff213xXfh81WgkPwOMHZ1xN5RRbQ.jpg","55c9cffec3a3687529001712",{"adult":4,"backdrop_path":23,"genre_ids":482,"id":79,"title":80,"original_language":27,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":48,"vote_count":85,"credit_id":483,"department":15,"job":206,"media_type":37},[41],"55c9d1379251410c4600178c",{"adult":4,"backdrop_path":366,"genre_ids":485,"id":368,"title":369,"original_language":27,"original_title":369,"overview":370,"popularity":371,"poster_path":372,"release_date":373,"softcore":4,"video":4,"vote_average":374,"vote_count":106,"credit_id":486,"department":15,"job":206,"media_type":37},[134],"55c9d1ddc3a368752f001890",{"adult":4,"backdrop_path":23,"genre_ids":488,"id":489,"title":490,"original_language":27,"original_title":490,"overview":491,"popularity":492,"poster_path":493,"release_date":494,"softcore":4,"video":4,"vote_average":307,"vote_count":11,"credit_id":495,"department":15,"job":206,"media_type":37},[],354014,"The Laboured Party","This amusing short features a real life Labour party canvasser who comes looking for Dwoskin (never realizing that he's the camera man), and instead is treated to the provocations and manipulations of the housemates.",0.6378,"\u002F1HyIJ4JQnL62dhHZfqP9p7eKD2M.jpg","1975-08-11","55c9c58f9251410c46001669",{"adult":4,"backdrop_path":23,"genre_ids":497,"id":498,"title":499,"original_language":27,"original_title":499,"overview":500,"popularity":501,"poster_path":502,"release_date":503,"softcore":4,"video":4,"vote_average":504,"vote_count":85,"credit_id":505,"department":15,"job":206,"media_type":37},[41],354023,"Trying to Kiss the Moon","In this unique approach to the autobiographical film format, director Stephen Dwoskin pieces together home movies shot by his parents in New York City, a video letter recorded during the 1990 Gulf War by filmmaker Robert Kramer, and raw footage filmed by Dwoskin himself. A veteran of the New York independent film scene of the 1960s, Dwoskin constructs a film poem in which the strong sentiment of his personal story—he was stricken by polio and eventually confined to a wheelchair—never overwhelms the beauty of the film’s distinct form.",0.882,"\u002Ff165gepOvdwE6pAG0tBM4Jp09WR.jpg","1994-08-11",7.5,"55c9cf3a9251410c55001622",{"adult":4,"backdrop_path":23,"genre_ids":507,"id":508,"title":509,"original_language":27,"original_title":509,"overview":510,"popularity":511,"poster_path":512,"release_date":513,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":514,"department":15,"job":206,"media_type":37},[],365409,"Before the Beginning","\"Two independent filmmakers, who willingly practise self-fiction, are filming each other in order to communicate better. In spite of their differences in language and style, the film is mainly an attempt to imitate, or even to become, the other, which is doomed to failure. But the film is in fact the story of this collision\" - Boris Lehman",0.5072,"\u002FjjoHAtDenHZEkNqgQUx7pO7jhTi.jpg","2015-10-24","562e0bc1c3a3681b4d00ba6a",{"adult":4,"backdrop_path":516,"genre_ids":517,"id":518,"title":519,"original_language":27,"original_title":519,"overview":520,"popularity":521,"poster_path":522,"release_date":523,"softcore":4,"video":4,"vote_average":504,"vote_count":11,"credit_id":524,"department":277,"job":278,"media_type":37},"\u002F3wPwChB5d0Vk6PdBIjZk9OSHvk9.jpg",[41],507036,"Ballet Black","Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.",1.5887,"\u002FA4Slakn6W4h3ro75Os4hz2WRbas.jpg","1986-01-01","657b74a4e93e95218dcd1a5f",{"adult":4,"backdrop_path":516,"genre_ids":526,"id":518,"title":519,"original_language":27,"original_title":519,"overview":520,"popularity":521,"poster_path":522,"release_date":523,"softcore":4,"video":4,"vote_average":504,"vote_count":11,"credit_id":527,"department":528,"job":529,"media_type":37},[41],"657b75927a3c52010cdfb8bd","Editing","Editor",{"adult":4,"backdrop_path":516,"genre_ids":531,"id":518,"title":519,"original_language":27,"original_title":519,"overview":520,"popularity":521,"poster_path":522,"release_date":523,"softcore":4,"video":4,"vote_average":504,"vote_count":11,"credit_id":532,"department":262,"job":263,"media_type":37},[41],"657b77167a3c5200ad1a8d5f",{"adult":4,"backdrop_path":516,"genre_ids":534,"id":518,"title":519,"original_language":27,"original_title":519,"overview":520,"popularity":521,"poster_path":522,"release_date":523,"softcore":4,"video":4,"vote_average":504,"vote_count":11,"credit_id":535,"department":536,"job":537,"media_type":37},[41],"657b74b8e93e95218dcd1a65","Production","Producer",{"adult":4,"backdrop_path":516,"genre_ids":539,"id":518,"title":519,"original_language":27,"original_title":519,"overview":520,"popularity":521,"poster_path":522,"release_date":523,"softcore":4,"video":4,"vote_average":504,"vote_count":11,"credit_id":540,"department":262,"job":358,"media_type":37},[41],"657b7587ea394901389899f1",{"adult":4,"backdrop_path":239,"genre_ids":542,"id":241,"title":242,"original_language":27,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":48,"vote_count":247,"credit_id":543,"department":277,"job":278,"media_type":37},[134],"5651cfda9251414af900a936",{"adult":4,"backdrop_path":239,"genre_ids":545,"id":241,"title":242,"original_language":27,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":48,"vote_count":247,"credit_id":546,"department":528,"job":529,"media_type":37},[134],"5651d0019251414af900a93f",{"adult":4,"backdrop_path":23,"genre_ids":548,"id":549,"title":550,"original_language":27,"original_title":550,"overview":551,"popularity":552,"poster_path":553,"release_date":554,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":555,"department":15,"job":206,"media_type":37},[],690857,"Nightshots (1, 2, 3)","The first three of a series of intriguingly personal and erotic engagements seen in the privacy of darkness and transformed by the iridescence of the night light.",0.656,"\u002FqyiwleEgAnVgz8vy32wRTwUcMFH.jpg","2007-11-15","638cd8a48d77c40086b13e82",{"adult":4,"backdrop_path":196,"genre_ids":557,"id":198,"title":199,"original_language":27,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":142,"vote_count":204,"credit_id":558,"department":295,"job":296,"media_type":37},[134],"63c1c32e05a53300aecfcc5f",{"adult":4,"backdrop_path":560,"genre_ids":561,"id":562,"title":563,"original_language":27,"original_title":563,"overview":564,"popularity":565,"poster_path":566,"release_date":567,"softcore":4,"video":4,"vote_average":568,"vote_count":11,"credit_id":569,"department":15,"job":206,"media_type":37},"\u002FdkHCToqaREtmMQvz8n2tz5PVBHe.jpg",[134],177236,"Alone","Images of a woman lying on a bed appearing to have a sexual fantasy for lack of anything else to do.",1.3444,"\u002Fbc9WqqCh1JdeUp6h8dc6yt0hKwX.jpg","1964-01-01",9.5,"58a4037ec3a3686cc20009d9",{"adult":4,"backdrop_path":571,"genre_ids":572,"id":573,"title":574,"original_language":27,"original_title":574,"overview":575,"popularity":576,"poster_path":577,"release_date":578,"softcore":4,"video":4,"vote_average":579,"vote_count":260,"credit_id":580,"department":295,"job":296,"media_type":37},"\u002FpWVumenEEKrnVfEV3NmP1fdxPHJ.jpg",[300],440238,"Chinese Checkers","His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.",0.6007,"\u002FemrnHyC24iErHc1tNaIrrb7T7dt.jpg","1965-02-07",4.5,"5899e79d92514113ca005dc1",{"adult":4,"backdrop_path":571,"genre_ids":582,"id":573,"title":574,"original_language":27,"original_title":574,"overview":575,"popularity":576,"poster_path":577,"release_date":578,"softcore":4,"video":4,"vote_average":579,"vote_count":260,"credit_id":583,"department":15,"job":206,"media_type":37},[300],"5899e76b92514113d60058a6",{"adult":4,"backdrop_path":23,"genre_ids":585,"id":586,"title":587,"original_language":27,"original_title":588,"overview":589,"popularity":590,"poster_path":23,"release_date":591,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":592,"department":15,"job":206,"media_type":37},[],1108321,"I'll be Your Eyes, You'll Be Mine","Les yeux l'un de l'autre","Seeking in the archives of Robert Kramer, a detective, Keja Ho is looking for her deceased father. His ghostly presence haunts her search and motivates the singular dialogue between her family memories and friends.",0.8835,"2006-01-01","642ae15ec04429021306a75b",{"adult":4,"backdrop_path":23,"genre_ids":594,"id":595,"title":596,"original_language":597,"original_title":596,"overview":598,"popularity":599,"poster_path":600,"release_date":405,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"credit_id":601,"department":15,"job":206,"media_type":37},[],486193,"Another Time","es","A film about a man, an invisible man, perhaps immobile or displaced, trapped in solitude filling the intervals of reflection and desire. He resides in the tension of a modest and secluded space fixed with memories of another time, with other people passing by, some invading, and with women who neither stay nor leave. In this space, the margins separating what is from what was overlap. Time melts into a silence that is not a silence at all, but the question is \"am I here?\"",0.9615,"\u002FkGxHVy9oIXMtM4ciTlFqjQ43fgn.jpg","5a04d2f6c3a3681cdf001d49",{"adult":4,"backdrop_path":23,"genre_ids":603,"id":604,"title":605,"original_language":27,"original_title":605,"overview":606,"popularity":607,"poster_path":608,"release_date":609,"softcore":4,"video":4,"vote_average":260,"vote_count":33,"credit_id":610,"department":15,"job":206,"media_type":37},[41],367474,"Face of Our Fear","A richly conceived essay about the evolving image of disability. Dwoskin begins with the declaration that the historically distorted images of people with disabilities constitute a “negation of selfhood”. He then traces this concerted effort through two thousand years of Western culture, beginning with the Greek notion of the idealized body and its opposite, the fabulous races. Using contemporary films clips, literary quotations, performance, and pictorial records, Face Of Our Fear looks at the Court’s infatuation with “monsters” during the Middle Ages, the “charity cripples” of the Enlightenment, the freakshows of the nineteenth century, each a resort to oppressive stigmatization.",0.7844,"\u002F1st1NDiOSoYbAqU7k1GlpDL0pwV.jpg","1991-01-01","5a04d3c6c3a3681cf7001f2c",{"adult":4,"backdrop_path":208,"genre_ids":612,"id":210,"title":211,"original_language":27,"original_title":211,"overview":212,"popularity":213,"poster_path":23,"release_date":214,"softcore":4,"video":4,"vote_average":215,"vote_count":216,"credit_id":613,"department":295,"job":296,"media_type":37},[134],"5a602e5092514159d500f871",{"adult":4,"backdrop_path":208,"genre_ids":615,"id":210,"title":211,"original_language":27,"original_title":211,"overview":212,"popularity":213,"poster_path":23,"release_date":214,"softcore":4,"video":4,"vote_average":215,"vote_count":216,"credit_id":616,"department":528,"job":529,"media_type":37},[134],"5a602e490e0a2650640107a3",{"adult":4,"backdrop_path":571,"genre_ids":618,"id":573,"title":574,"original_language":27,"original_title":574,"overview":575,"popularity":576,"poster_path":577,"release_date":578,"softcore":4,"video":4,"vote_average":579,"vote_count":260,"credit_id":619,"department":528,"job":529,"media_type":37},[300],"5a6119f20e0a261028009812",{"adult":4,"backdrop_path":560,"genre_ids":621,"id":562,"title":563,"original_language":27,"original_title":563,"overview":564,"popularity":565,"poster_path":566,"release_date":567,"softcore":4,"video":4,"vote_average":568,"vote_count":11,"credit_id":622,"department":528,"job":529,"media_type":37},[134],"5a6122e2c3a368535a008887",{"adult":4,"backdrop_path":624,"genre_ids":625,"id":626,"title":627,"original_language":27,"original_title":627,"overview":628,"popularity":629,"poster_path":630,"release_date":631,"softcore":4,"video":4,"vote_average":48,"vote_count":96,"credit_id":632,"department":295,"job":296,"media_type":37},"\u002FxDj16Ky8qSgIwW1JvHYBCDRNVrL.jpg",[134],499562,"Soliloquy","Featuring Joan Adler (who also appears in Chinese Checkers), Soliloquy is one of the four early Stephen Dwoskin films that were awarded the Solvey prize at the EXPRMNTL festival in Knokke, Belgium in 1967. “In Soliloquy a girl broods uncertainly over a failed love affair, while the camera roves over her fingers, her cigarette, her knuckles, her lips and the hand mirror in which she peers. 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