[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1106257:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":520},false,[6],"جوسلين صعب","Jocelyne Saab was a filmmaker and a photographer. She was born in 1948 and grew up in Beirut. In 1973, she became a war reporter in the Middle-East, covering the war of October for Magazine 52, the third television channel in France. In 1975 she directed her first feature film, a documentary released in Parisian cinemas: Lebanon in Turmoil, distributed by Pascale Dauman. She will then cover the Lebanese war for fifteen years, during which she directs almost thirty films, including Beirut, never again, broadcasted on France 2 in 1976, Letter from Beirut and Beirut, my city, broadcasted on France 3 between 1978 and 1982. In 1977 both Egypt, City of the Dead and The Sahara is not up for sale and were shot and released in Parisian cinemas. In 1981, she shots Iran, Utopia in the making on the days following the Iranian revolution, which received several international prizes. In 1998, she went to Vietnam and directed a documentary called The Lady of Saigon, which is awarded best French documentary by the French senate. It’s broadcasted on France 2, and in many international festivals.","1948-04-30","2019-01-07",1,"https:\u002F\u002Fjocelynesaabasso.com\u002Fjocelyne-saab-%d8%ac%d9%88%d8%b3%d9%84%d9%8a%d9%86-%d8%b5%d8%b9%d8%a8\u002F",1106257,"nm0754212","Directing","Jocelyne Saab","Beirut, Lebanon",0.8181,"\u002F3q5sBq6SVcemvaG4jMD6yTnK8X8.jpg",{"cast":20,"crew":127},[21,38,52,65,78,91,103,114],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":10,"character":34,"credit_id":35,"order":36,"media_type":37},null,[24,25],99,36,1172250,"As Kineastas","pt","Based on interviews with 15 women, including directors, producers and film actresses, a journey around the world is made, seeing the wars waged by each one against economic and political repression, bombs, police dogs, censors, etc. Images from England, New York, Brazil, South Africa.",0.9963,"\u002FsChE1o1Mnr7jKs9OD90IMQpqAsK.jpg","1986-01-01",0,"","64f0c6be3a993700ff636982",6,"movie",{"adult":4,"backdrop_path":22,"genre_ids":39,"id":40,"title":41,"original_language":42,"original_title":43,"overview":44,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":36,"vote_count":48,"character":49,"credit_id":50,"order":51,"media_type":37},[24],331682,"Arab Camera","fr","Caméra arabe","Focusing on key Arab films produced in the last 20 years. Férid Boughedir traces the development of the film-makers' concern to produce more socially aware cinema. Themes include the issue of Palestinian homeland rights and the nature of Arab identity. The film-makers also share a desire to develop a strong poetic tradition.",1.1269,"\u002FzJvHzMX4D6jhwjWSpYpzWZPtlrZ.jpg","1987-01-02",4,"Self","6532daa9b2681f00c44ee048",11,{"adult":4,"backdrop_path":53,"genre_ids":54,"id":55,"title":56,"original_language":42,"original_title":57,"overview":58,"popularity":59,"poster_path":60,"release_date":61,"softcore":4,"video":4,"vote_average":62,"vote_count":36,"character":63,"credit_id":64,"order":33,"media_type":37},"\u002FyF6hKqrUAZx97zHiDhq1xcVpcY.jpg",[24],518101,"Beirut, Never Again","Beyrouth, jamais plus","1976 marks the beginning of Beirut’s calvary. With a child’s eyes the filmmaker follows for six months the daily destruction of the city’s walls. Every morning, between 6 and 10am she roams around Beirut while the militia from both sides rest from their night of fighting.",1.4085,"\u002FnDHrUmOzOvhnJYlOzx3HNpIVKed.jpg","1976-01-01",6.8,"Narrator (English Voice-Over) (uncredited)","5f7c7c8535c30a00357198e8",{"adult":4,"backdrop_path":66,"genre_ids":67,"id":68,"title":69,"original_language":42,"original_title":70,"overview":71,"popularity":72,"poster_path":73,"release_date":74,"softcore":4,"video":4,"vote_average":36,"vote_count":75,"character":76,"credit_id":77,"order":33,"media_type":37},"\u002FpFGEr4Dtgo8FrTNGzftlu67jA21.jpg",[24],742730,"Lebanon in a Whirlwind","Le Liban dans la tourmente","A few months after the incident of April 13, 1975, during which Palestinian civilians were machine-gunned by Phalangist militiamen, the toll is most tragic: six thousand dead, twenty thousand wounded, incessant kidnappings, a semi-destroyed capital. This film traces the origins of the Lebanese conflict, the perception of a society that goes to war while singing. A unique document on the Lebanese civil war. Beyond the religious war, the painting of a social and political reality that has not changed much, more than four decades later.",1.602,"\u002FyBknkPLK2qsho36b6KFZjeVOrxs.jpg","1975-07-01",3,"Self (uncredited)","69871f0d935f32a1abc1c1f0",{"adult":4,"backdrop_path":79,"genre_ids":80,"id":81,"title":82,"original_language":83,"original_title":84,"overview":85,"popularity":86,"poster_path":87,"release_date":88,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":49,"credit_id":89,"order":90,"media_type":37},"\u002FuMaxkIL0fActyDvVkoEx2zCh5QI.jpg",[24],727971,"Making of Nahla","ar","Sur le tournage de Nahla","Jocelyne Saab, a young Lebanese journalist and director, interviews the director and the film crew while filming Nahla in Beirut.",1.427,"\u002Fn2NNqGvItNQwXVEjqj3Qvq711f3.jpg","1979-01-01","69aaa249639c328e68878552",2,{"adult":4,"backdrop_path":22,"genre_ids":92,"id":93,"title":94,"original_language":42,"original_title":95,"overview":96,"popularity":97,"poster_path":98,"release_date":99,"softcore":4,"video":4,"vote_average":100,"vote_count":10,"character":101,"credit_id":102,"order":33,"media_type":37},[24],1196457,"Lebanese, Hostages of Their City","Les Libanais, otages de leur ville","Jocelyne Saab toured the city of Beirut devastated by Israeli bombings. She assesses the number of victims and the extent of the destruction.",1.1086,"\u002FeDcmyBIbvCSuwA6vJoi8MLiGxdz.jpg","1982-04-01",10,"Self - Narrator (voice)","69cb2d37e92ca6fde1b82e6c",{"adult":4,"backdrop_path":104,"genre_ids":105,"id":106,"title":107,"original_language":42,"original_title":108,"overview":109,"popularity":110,"poster_path":111,"release_date":112,"softcore":4,"video":4,"vote_average":62,"vote_count":75,"character":49,"credit_id":113,"order":33,"media_type":37},"\u002F5lwOSpegehKG9V4mQMdmnWYNmv8.jpg",[24],457104,"A Letter from Beirut","Lettre de Beyrouth","Letter from Beirut documents the filmmaker's return to Beirut during one of the lulls, three years after the outbreak of the civil war, animated by the urge to return. She is confronted by the physical, emotional and psychological ravages of the war, terrified and sorrowful, she cannot find her place in the city. In that quest, she communicates with everyday people, friends, neighbors, people riding the bus across the city's eastern and western flanks. To pace her journeying and dramatic unraveling of the film, Saab borrows the guise of a letter read in a voice-over, written by world-renowned poet Etel Adnan. A rare document from the civil war, Letter from Beirut lays bare and spontaneously how people make sense of their everyday in the midst of chaos, violence, terror and sorrow.",1.2318,"\u002FsnnLRQ1MDS6b2bK4U4gDxYiUcPV.jpg","1978-01-01","69f02e8ad0c31dfebe14301e",{"adult":4,"backdrop_path":115,"genre_ids":116,"id":117,"title":118,"original_language":42,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":124,"vote_count":125,"character":49,"credit_id":126,"order":33,"media_type":37},"\u002FjmipxQjQGlSJVv2GjZRQKFy7WiX.jpg",[24],489107,"Beirut, My City","Beyrouth, Ma Ville","In July 1982, the Israeli army besieged Beirut. Four days earlier, Jocelyne Saab sees her house burn and 150 years of family existence go up in smoke. She then takes refuge in questioning: when did this all begin? How did the Beirut people live the siege? Each place will then become a story and each name a memory.",1.196,"\u002FoyQSYHP3NYVVZY4z4ZKqNSc49Nc.jpg","1983-01-01",6.9,7,"6a0bd71f3e734b0d60409bcb",[128,139,149,159,174,179,189,202,214,217,220,223,226,236,239,248,257,260,272,284,294,297,306,317,326,335,344,352,360,363,366,369,379,390,393,396,405,409,417,420,423,434,437,440,450,453,456,459,464,467,477,480,483,486,489,492,495,504],{"adult":4,"backdrop_path":22,"genre_ids":129,"id":130,"title":131,"original_language":42,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":61,"softcore":4,"video":4,"vote_average":136,"vote_count":75,"credit_id":137,"department":14,"job":138,"media_type":37},[24],944592,"South Lebanon: The Story of a Village Under Siege","Histoire d’un village assiégé","The cease-fire declared on October 21, 1976, gave the Fedayeen the opportunity to reclaim this area—Fatah territory until it was abandoned in 1970—from the right wing militia. But Syrians and Israelis joined together to neutralise this Palestinian “autonomous force” and imposed a siege on two Lebanese frontier villages, Hanine and Kfarchouba, before attacking them.",0.8572,"\u002F9HKrpDl7sQcQ2qrFPglzCnDLAS7.jpg",7.3,"621d28c66b5fc2006b95cbb4","Director",{"adult":4,"backdrop_path":22,"genre_ids":140,"id":141,"title":142,"original_language":143,"original_title":142,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":148,"department":14,"job":138,"media_type":37},[],945367,"Imaginary Postcards","en","An imaginary post card written to the Turkish writer Orhan Pamuk. Jocelyne Saab writes about her illness, about the fragility of her body, and the situation in the Middle East that is ravaged by war.",1.1629,"\u002F2kdckPyLPLvnyOkJo3U1yPd9Xqh.jpg","2016-01-01","62201b687719d7001d74a51c",{"adult":4,"backdrop_path":22,"genre_ids":150,"id":151,"title":152,"original_language":42,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":157,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":158,"department":14,"job":138,"media_type":37},[24],837804,"The Lady of Saigon","La Dame de Saïgon","Portrait of Dr Hoa, an extraordinary woman who was a minister in the South Vietnamese revolutionary government. Her life is a battle, and that battle is a pleasure. During the war she was at times imprisoned and at times a member of the resistance. She tells Jocelyne Saab about her experiences.",0.8324,"\u002FuNz18eIKYM6iGtMNZz22DrrP0Xz.jpg","1996-01-01","60be3144ea84c70057511b67",{"adult":4,"backdrop_path":160,"genre_ids":161,"id":164,"title":165,"original_language":83,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":172,"credit_id":173,"department":14,"job":138,"media_type":37},"\u002FhBfLeuxW2Z0PrF6qo6oi3apSTjg.jpg",[162,163],18,10749,136510,"Dunia","دنيا","A young, free-spirited dancer and student of Arabic poetry falls in love with her thesis supervisor while trapped in a relationship with a man who disapproves of her dancing.",1.3635,"\u002FqwlikYWMRW8ga7ZJcB6KQBnGLje.jpg","2006-09-06",5.1,9,"52fe4c17c3a368484e1a6a79",{"adult":4,"backdrop_path":160,"genre_ids":175,"id":164,"title":165,"original_language":83,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":172,"credit_id":176,"department":177,"job":178,"media_type":37},[162,163],"52fe4c17c3a368484e1a6a7f","Writing","Writer",{"adult":4,"backdrop_path":22,"genre_ids":180,"id":181,"title":182,"original_language":42,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":188,"department":14,"job":138,"media_type":37},[24],1189924,"Fertilization in Video","Fécondation in video","Using laparoscopic instruments equipped with a camera Jocelyne Saab films the in vitro fertilization process as it takes place. Report on implant operations in a hospital.",0.7421,"\u002FchJ75O3CibVqmBKcZiEvFS51E5y.jpg","1991-01-01","65269c011f3e6000e28ddfbc",{"adult":4,"backdrop_path":190,"genre_ids":191,"id":192,"title":193,"original_language":42,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":61,"softcore":4,"video":4,"vote_average":198,"vote_count":100,"credit_id":199,"department":200,"job":201,"media_type":37},"\u002FyuNvCSfW9AOzVEP5f0i694CSdm4.jpg",[24],489109,"Children of War","Les Enfants de la Guerre","A few days after a massacre in a shantytown near Beirut, the director finds the children who survived. She approaches them by offering them crayons to draw. A link is created between them. They let her film their violent games: they repeat the scenes of horror they saw unfold before their eyes ...",1.0832,"\u002Fj5xmnH9ahXQ2vekDB0ctoGTqYLs.jpg",6.4,"65326a82efe37c00aef25c6f","Production","Producer",{"adult":4,"backdrop_path":203,"genre_ids":204,"id":205,"title":206,"original_language":42,"original_title":207,"overview":208,"popularity":209,"poster_path":210,"release_date":211,"softcore":4,"video":4,"vote_average":125,"vote_count":75,"credit_id":212,"department":177,"job":213,"media_type":37},"\u002FsI2gTqIihy6TwLAgvqdGCRl2lfr.jpg",[24],641995,"Palestinian Women","Les Femmes palestiniennes","Palestinian women, the often-forgotten victims of the Israeli-Palestinian war, are here given a voice by Jocelyne Saab.  The film was commissioned by Antenne 2 (France), but it was censured while still in the editing stage and never shown. This print was specially made for this retrospective by the conservation centre at Cinemateca Portuguesa.",1.4041,"\u002FeAJroHR9EZoNXBQs0H4em3B6hNq.jpg","1974-01-01","65326b139ac535087b4529fd","Screenplay",{"adult":4,"backdrop_path":203,"genre_ids":215,"id":205,"title":206,"original_language":42,"original_title":207,"overview":208,"popularity":209,"poster_path":210,"release_date":211,"softcore":4,"video":4,"vote_average":125,"vote_count":75,"credit_id":216,"department":200,"job":201,"media_type":37},[24],"65326b3b9ac535087b452a0f",{"adult":4,"backdrop_path":190,"genre_ids":218,"id":192,"title":193,"original_language":42,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":61,"softcore":4,"video":4,"vote_average":198,"vote_count":100,"credit_id":219,"department":177,"job":213,"media_type":37},[24],"65326a776d9fe800e1ac835a",{"adult":4,"backdrop_path":22,"genre_ids":221,"id":141,"title":142,"original_language":143,"original_title":142,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":222,"department":200,"job":201,"media_type":37},[],"6533adc6abdafc00cac321f7",{"adult":4,"backdrop_path":22,"genre_ids":224,"id":141,"title":142,"original_language":143,"original_title":142,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":225,"department":177,"job":213,"media_type":37},[],"6533ad8a91f0ea00fe198bae",{"adult":4,"backdrop_path":22,"genre_ids":227,"id":228,"title":229,"original_language":42,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":100,"vote_count":10,"credit_id":235,"department":14,"job":138,"media_type":37},[24],1196453,"Rejection Front","Le front du refus (ou les commando-suicides)","When peace seems impossible, any means are justified to defend a political cause. Hence, on the border separating the Palestinian territories that refuse to recognize the State of Israel, the idea of suicide commandos emerges. Jocelyne Saab films teenagers, aged twelve to twenty, who tirelessly train in a secret underground base to become suicide commandos.",0.8791,"\u002FsB9Nj2EsZj3fpPBCooWFMcCbw6X.jpg","1975-05-04","653a6baa24f2ce00ff7177ba",{"adult":4,"backdrop_path":22,"genre_ids":237,"id":93,"title":94,"original_language":42,"original_title":95,"overview":96,"popularity":97,"poster_path":98,"release_date":99,"softcore":4,"video":4,"vote_average":100,"vote_count":10,"credit_id":238,"department":14,"job":138,"media_type":37},[24],"653a6d24d35dea00c7d1195a",{"adult":4,"backdrop_path":22,"genre_ids":240,"id":241,"title":242,"original_language":143,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":247,"department":14,"job":138,"media_type":37},[24],889889,"My Name is Mei Shigenobu","A delicate portrait of Mei Shigenobu, daughter of the founder of the Japanese Red Army in Beirut, Fusako Shigenobu.",1.1736,"\u002FlX16F6kOQ2gukFdV2tIhOnNMcao.jpg","2018-09-13","617751f7b458b800932ea353",{"adult":4,"backdrop_path":22,"genre_ids":249,"id":250,"title":251,"original_language":143,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":256,"department":200,"job":201,"media_type":37},[],521096,"What's Going On?","At bottom is a tale of exploring the imagination of a writer, plus a tale of exploring the city of Beirut. The film deals with the initiation to love and the female soul.",1.1531,"\u002FhLLIj4PPnNSACgyZukc7pS65LU3.jpg","2009-01-01","65498deb391b9c013ba292c4",{"adult":4,"backdrop_path":22,"genre_ids":258,"id":250,"title":251,"original_language":143,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":259,"department":177,"job":213,"media_type":37},[],"65498dbe391b9c00c613e0ee",{"adult":4,"backdrop_path":261,"genre_ids":262,"id":263,"title":264,"original_language":83,"original_title":265,"overview":266,"popularity":267,"poster_path":268,"release_date":269,"softcore":4,"video":4,"vote_average":270,"vote_count":90,"credit_id":271,"department":14,"job":138,"media_type":37},"\u002FnvSnMvaueDEt699UMyEGFXBl4xr.jpg",[162],331683,"Once Upon a Time in Beirut","كان ياما كان في بيروت","Two young girls of the war generation, Yasmin and Leila, are in search of Beirut. When they meet an elderly film enthusiast with a secret store of Lebanese films, they persuade him to screen his collection for them. So begins an initiation into the myths and images of Beirut, but the girls want cold figures and facts, war babies indifferent to the memories evoked.",0.9899,"\u002Fq23s2I1FNFlIVIGaQRv1JHDhmBi.jpg","1995-01-02",8,"550c4928c3a3684874004182",{"adult":4,"backdrop_path":273,"genre_ids":274,"id":275,"title":276,"original_language":83,"original_title":277,"overview":278,"popularity":279,"poster_path":280,"release_date":281,"softcore":4,"video":4,"vote_average":198,"vote_count":282,"credit_id":283,"department":14,"job":138,"media_type":37},"\u002F97zYFPHDBcr7zTtO5Sk9LHmzqfD.jpg",[162],330377,"The Razor's Edge","Ghazl Al-Banat","Samar, a child of the war, finds relief from the chaos around her through Egyptian movies she watches on television. Karim, an artist in retreat from life, remains in his apartment in war-torn West Beirut, confident that he is safe in his familiar neighborhood. An unlikely bond is formed between the two as they face the devastating civil war.",1.6819,"\u002Fo52ss4RsQ63O245mzkTyZnXnxSI.jpg","1985-01-02",5,"5502be0f9251413d9f00449e",{"adult":4,"backdrop_path":22,"genre_ids":285,"id":286,"title":287,"original_language":42,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":61,"softcore":4,"video":4,"vote_average":292,"vote_count":90,"credit_id":293,"department":14,"job":138,"media_type":37},[24],1204072,"For a Few Lives","Pour quelques vies","Portrait of Raymond Eddé, candidate for the Presidential elections and fervent opponent of the religious war. During the 1975-1976 conflicts he and his team had actively searched for people killed in the war, whether they were Christian, Druze or Muslim.",1.0464,"\u002Fd4YiytwCthVP9ldeoxO8z48Q61P.jpg",8.8,"6551016ad4fe0400fe03d638",{"adult":4,"backdrop_path":22,"genre_ids":295,"id":286,"title":287,"original_language":42,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":61,"softcore":4,"video":4,"vote_average":292,"vote_count":90,"credit_id":296,"department":200,"job":201,"media_type":37},[24],"655145220816c700abba64ea",{"adult":4,"backdrop_path":22,"genre_ids":298,"id":299,"title":300,"original_language":42,"original_title":301,"overview":302,"popularity":303,"poster_path":304,"release_date":147,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":305,"department":14,"job":138,"media_type":37},[24],1053467,"One Dollar a Day","Un Dollar par Jour","Poetry is everywhere, even in the refugee camps where absolute misery reigns. In front of old plastic advertising posters on which are drawn in giant format the big icons of luxury and consumerism that make up their shelters, refugee children stand like kings. Symbols of life at the heart of war, fragility, and death, these children are shown by Jocelyne Saab as precious notes of hope in the heart of a dehumanized world. One Dollar a Day was filmed in the Syrian refugee camps of the Bekaa plain, Lebanon in 2015, with text by Etel Adnan.",0.9697,"\u002FxVtTvguUVCTIN84iud5MQMBzY8h.jpg","63811f1a6e938a007ce84b6a",{"adult":4,"backdrop_path":22,"genre_ids":307,"id":308,"title":309,"original_language":42,"original_title":310,"overview":311,"popularity":312,"poster_path":313,"release_date":314,"softcore":4,"video":4,"vote_average":315,"vote_count":90,"credit_id":316,"department":177,"job":178,"media_type":37},[24],683537,"The Ship of Exile","Le Bateau de l'exil","After living clandestinely in Beirut to escape the Israeli forces, the head of the Palestine Liberation Organization (PLO), Yasser Arafat, left Lebanon aboard the Atlantis for a new exile in Greece and then Tunis. He talks about his destiny and the future of the PLO. Saab was the only journalist with a camera admitted on the boat.",1.4535,"\u002FrAWFO4rj918s8h87677EN9xymWG.jpg","1982-11-11",7.8,"65c1631443999b0148c57a77",{"adult":4,"backdrop_path":22,"genre_ids":318,"id":319,"title":320,"original_language":83,"original_title":321,"overview":322,"popularity":323,"poster_path":22,"release_date":324,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":325,"department":14,"job":138,"media_type":37},[],1099550,"The Architect of Louxor","L’Architecte de Louxor","The Architect of Louxor is an intimate portrait of Olivier Sednaoui, a disciple of the Egyptian architect Hassan Fathi, as he explains the philosophy behind his decision to build a house using traditional techniques and local resources, linking the ancient to the modern and ‘the infinitely small to the infinitely grand’.",0.6739,"1986-08-28","640f1571b42242008a2e1329",{"adult":4,"backdrop_path":22,"genre_ids":327,"id":328,"title":329,"original_language":83,"original_title":330,"overview":331,"popularity":332,"poster_path":333,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":334,"department":14,"job":138,"media_type":37},[24],1099549,"The Ghosts of Alexandria","Les Fantômes d’Alexandrie","A singular and poetic evocation of what Alexandria was, a multifaceted city, when it was at the heart of the Arab and European worlds. 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