[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F109711:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":9,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":660},false,[6],"João Botelho ComIH","","1949-05-11",null,2,109711,"nm0098439","Directing","João Botelho","Lamego, Portugal",0.6329,"\u002FX3Vbr4bPmuxYzj7L1OkcHvu2Av.jpg",{"cast":19,"crew":149},[20,35,47,61,71,82,100,111,120,127,136],{"adult":4,"backdrop_path":9,"genre_ids":21,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":30,"character":31,"credit_id":32,"order":33,"media_type":34},[],1152999,"Blackpot","pt","A reorganization within a crime syndicate.",0.7206,"\u002Fyrww0u4D2ArRpTD9ZDD8239BNEQ.jpg","2023-07-14",8,1,"Pai Gulliver","64b515840bb076012d58f1bb",6,"movie",{"adult":4,"backdrop_path":36,"genre_ids":37,"id":39,"title":40,"original_language":24,"original_title":40,"overview":7,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"character":45,"credit_id":46,"order":10,"media_type":34},"\u002Fcb2YimnZ8vwj9nSAorGBA9WlaAt.jpg",[38],99,1005784,"Caos do Sodré",0.7992,"\u002Fh0TnRcSMaagvmIGPRcgrDEsdd0f.jpg","2022-07-27",0,"Próprio","62e2bf905e120000583cf87a",{"adult":4,"backdrop_path":48,"genre_ids":49,"id":50,"title":51,"original_language":24,"original_title":52,"overview":53,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":57,"vote_count":58,"character":59,"credit_id":60,"order":44,"media_type":34},"\u002Fb4eZYAAWSjJZ2knn6N4Ev1FYeZ0.jpg",[38],409097,"Cinema, Manoel de Oliveira and Me","O Cinema, Manoel de Oliveira e Eu","“An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho",1.5883,"\u002FqNIQjPrnuNAp8T2m7crheoDwkc9.jpg","2016-08-11",6.4,5,"Narrator (voice)","59a888a3925141580801d72b",{"adult":4,"backdrop_path":9,"genre_ids":62,"id":63,"title":64,"original_language":24,"original_title":64,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":69,"vote_count":10,"character":7,"credit_id":70,"order":29,"media_type":34},[38],193198,"Lisboa no Cinema, Um Ponto de Vista","The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.",0.7726,"\u002F1M5TvWM5obLuZQDSqqc7FojyBhJ.jpg","1994-12-31",6.5,"5a7576210e0a266439031908",{"adult":4,"backdrop_path":9,"genre_ids":72,"id":73,"title":74,"original_language":24,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"character":7,"credit_id":80,"order":81,"media_type":34},[38],687965,"Acts of Cinema","Actos de Cinema","Cinema and affections from life in images and what goes on outside the frame. 'Snapshots' of shootings and the present-day memory of directors, actors and technicians.",0.9757,"\u002Fjzanvm14Ye67D7nOnvMlFuZ5bCG.jpg","2018-10-01","5e8204bf0bc5290012f17113",3,{"adult":4,"backdrop_path":83,"genre_ids":84,"id":87,"title":88,"original_language":89,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":96,"character":97,"credit_id":98,"order":99,"media_type":34},"\u002F1huGSSbdZZ2JNXcD8A0HQPvsTv2.jpg",[85,86],18,36,132799,"The Satin Slipper","fr","Le Soulier de satin","During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to rule the city of Mogador. Ten years later Rodrigo leaves America and travels to Africa in search of Prouhèze to find out that she died and eventually meeting her daughter.",1.3933,"\u002FkjnWD3yrKCy3RmalNugpr4TgOKX.jpg","1986-01-08",7.6,10,"Seigneur chez le tailleur","5eebaf280f1e580036b4b839",29,{"adult":4,"backdrop_path":9,"genre_ids":101,"id":102,"title":103,"original_language":24,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"character":108,"credit_id":109,"order":110,"media_type":34},[38],728456,"Alexandre O’Neill - Tomai lá do O’Neill","A personal tribute to the poet Alexandre O'Neill by his dear friend Fernando Lopes.",0.9724,"\u002F4ZJzkGxv5TYlrsmfw6YlSdz6Arz.jpg","2004-01-01","Self","5f43d17741a5610033cd086d",4,{"adult":4,"backdrop_path":9,"genre_ids":112,"id":113,"title":114,"original_language":24,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"character":108,"credit_id":119,"order":44,"media_type":34},[38],767502,"Fantasmas do Império","Ariel de Bigault's work has been connected to the routes of the Lusophone World. In Fantasmas do Império we are guided by the saotomean actor Angelo Torres through some works of the Portuguese cinema that explored its colonial past. Some directors as Fernando Matos Silva, João Botelho or Margarida Cardoso help to understand imperialism, colonialism, and propaganda seen through the \"family album\" which is the Portuguese cinematic collective imaginary.",0.8223,"\u002FojEJyKmQktvFbwk6ZoG2BegMpGJ.jpg","2020-08-28","5fbac13a8ec4ab003c7a83b6",{"adult":4,"backdrop_path":9,"genre_ids":121,"id":122,"title":123,"original_language":24,"original_title":123,"overview":7,"popularity":124,"poster_path":9,"release_date":125,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"character":7,"credit_id":126,"order":29,"media_type":34},[38],1511023,"Cinéma Portugais – Un Mode d'Emploi",1.1332,"1990-01-01","686e96776fd48909215410e4",{"adult":4,"backdrop_path":128,"genre_ids":129,"id":130,"title":131,"original_language":24,"original_title":131,"overview":7,"popularity":132,"poster_path":133,"release_date":134,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"character":7,"credit_id":135,"order":44,"media_type":34},"\u002FghFwnwbocFZY64BQb6xqQ6ySmU7.jpg",[38],1721702,"Coração no Escuro - Um Roubo de um Roubo em 11 Quadros",1.1373,"\u002FNt5WNN8Jymej1aMXyS0flXFQEz.jpg","2011-10-29","6a55109907b3eb08466fd612",{"adult":4,"backdrop_path":137,"genre_ids":138,"id":139,"origin_country":140,"original_language":24,"original_name":142,"overview":7,"popularity":143,"poster_path":144,"first_air_date":145,"softcore":4,"name":142,"vote_average":44,"vote_count":44,"character":7,"credit_id":146,"episode_count":10,"first_credit_air_date":147,"media_type":148},"\u002F98CzhiRrf6UnEXqiBvDIj4vCJ96.jpg",[38],297860,[141],"PT","História do Cinema Português",2.3158,"\u002FeDGX53eXNkx5oaTOUK2nJenuxb2.jpg","2001-02-23","6897e6ffaecb6c64866d6612","2001-03-01","tv",[150,163,168,182,193,196,209,212,225,236,239,250,253,265,268,281,284,296,299,311,323,326,336,349,353,362,371,382,392,402,411,416,426,437,440,443,456,459,462,465,470,481,484,487,492,501,511,514,519,522,525,528,531,534,542,545,557,560,563,566,569,578,581,590,599,602,605,608,617,620,623,628,637,640,650],{"adult":4,"backdrop_path":151,"genre_ids":152,"id":154,"title":155,"original_language":24,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":4,"video":4,"vote_average":160,"vote_count":33,"credit_id":161,"department":13,"job":162,"media_type":34},"\u002F2sg6dmH93Cz6BDB0AVWVk3EfOnb.jpg",[153],35,32838,"A Mulher que Acreditava Ser Presidente dos EUA","Alexandra Lencastre plays a woman who believes she is President of the U.S.A.",1.3592,"\u002Favj5uB4MP3uHJPwK8j9Z1D2qdoS.jpg","2003-03-21",5.5,"52fe44e99251416c9102126d","Director",{"adult":4,"backdrop_path":151,"genre_ids":164,"id":154,"title":155,"original_language":24,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":4,"video":4,"vote_average":160,"vote_count":33,"credit_id":165,"department":166,"job":167,"media_type":34},[153],"52fe44e99251416c9102127f","Writing","Writer",{"adult":4,"backdrop_path":169,"genre_ids":170,"id":172,"title":173,"original_language":24,"original_title":174,"overview":175,"popularity":176,"poster_path":177,"release_date":178,"softcore":4,"video":4,"vote_average":179,"vote_count":180,"credit_id":181,"department":13,"job":162,"media_type":34},"\u002FyApWif2cQCBgmNFzN4OKynp3dPb.jpg",[171,85],80,60610,"Corruption","Corrupção","A crime drama based on the life of a woman who lived for years with a man that was the head of a corruption network in the Portuguese football world.",1.076,"\u002FzMl8ggrvGVGwTusW0Hmu1kSMlGK.jpg","2007-11-01",3.7,12,"52fe462dc3a368484e0830bb",{"adult":4,"backdrop_path":9,"genre_ids":183,"id":184,"title":185,"original_language":24,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":191,"vote_count":33,"credit_id":192,"department":13,"job":162,"media_type":34},[85],46987,"Hard Times","Tempos Difíceis","A film adaptation of the Charles Dickens novel \"Hard Times\" set in a Portuguese industrial town of the 1980s.",1.1607,"\u002FlX1b4hUmJyKes2ouPKn2PRkOlGW.jpg","1988-08-29",7.3,"52fe4719c3a36847f8123681",{"adult":4,"backdrop_path":9,"genre_ids":194,"id":184,"title":185,"original_language":24,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":191,"vote_count":33,"credit_id":195,"department":166,"job":167,"media_type":34},[85],"52fe4719c3a36847f8123687",{"adult":4,"backdrop_path":197,"genre_ids":198,"id":199,"title":200,"original_language":24,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":206,"vote_count":207,"credit_id":208,"department":13,"job":162,"media_type":34},"\u002FqHDc3gagxoNBRb1W7Oe4tCYfQsU.jpg",[153],50118,"Traffic","Tráfico","Young Jesus is taken on a vacation by his parents (Rita Blanco, Adriano Luz) to a deserted beach resort. They accidentally fall into overnight wealth after Jesus digs in the sand, uncovering a large drug stash. Others characters intersecting here include an alcoholic actress, a philandering banker, a general trafficking in arms, priests who close their church and head north as hitchhikers, politicians who watch an all-girl production of Julius Caesar, and beggars who recite a children's story in a huge heap of trash.",1.2243,"\u002FwmoVssSo5rZ1dA7Ex7eVJGrJej2.jpg","1998-12-31",5.7,11,"52fe47bac3a36847f81451f9",{"adult":4,"backdrop_path":197,"genre_ids":210,"id":199,"title":200,"original_language":24,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":206,"vote_count":207,"credit_id":211,"department":166,"job":167,"media_type":34},[153],"52fe47bac3a36847f81451ff",{"adult":4,"backdrop_path":213,"genre_ids":214,"id":216,"title":217,"original_language":24,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":4,"video":4,"vote_average":58,"vote_count":223,"credit_id":224,"department":13,"job":162,"media_type":34},"\u002FgUfKraGpUbjoTQHHW1IwUsS0C9S.jpg",[215,85],10749,105699,"True and Tender is the North","A Corte do Norte","Adaptation of a 1987 novel by Agustina Bessa Luis, a multi-generation exploration of a wealthy family with a mysterious past and a house on the island of Madeira.",1.1068,"\u002FlvzyXRNve5K2QXwXq6AR8gAGfUw.jpg","2008-09-30",9,"52fe4a54c3a36847f81c7b0f",{"adult":4,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":24,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":235,"department":13,"job":162,"media_type":34},"\u002FvjLTBZsX7WhZlXLdJREkNbH2JcI.jpg",[38],968774,"Young Mr. Cunhal","O Jovem Cunhal","The revolutionary Álvaro Cunhal, symbol of Portuguese communism and political giant of the 20th century. He is nothing less than a larger-than-life figure, now examined by João Botelho’s camera, in a detective-minded film, in which the early years of the life of the historic leader of the Portuguese Communist Party are explored. In between, excerpts from his own books are staged for the spectator.",0.88,"\u002FncWElXAU8iNN5hdG7SvEgcYmUme.jpg","2022-05-01","626ad3f5394a8700532d9d79",{"adult":4,"backdrop_path":226,"genre_ids":237,"id":228,"title":229,"original_language":24,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":238,"department":166,"job":167,"media_type":34},[38],"626ad4028258fc00a534f7f9",{"adult":4,"backdrop_path":240,"genre_ids":241,"id":242,"title":243,"original_language":24,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":4,"video":4,"vote_average":248,"vote_count":58,"credit_id":249,"department":13,"job":162,"media_type":34},"\u002FjjNVj7OIsag6I6tmgjl1vNCsvDx.jpg",[85],968897,"Um Filme em Forma de Assim","Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.",1.2844,"\u002Fit32GpOe2PjH5My5QL81SihmhPI.jpg","2022-04-28",4.2,"626b34e0dff66e0051860cf7",{"adult":4,"backdrop_path":240,"genre_ids":251,"id":242,"title":243,"original_language":24,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":4,"video":4,"vote_average":248,"vote_count":58,"credit_id":252,"department":166,"job":167,"media_type":34},[85],"626b34f6931ea10050009f20",{"adult":4,"backdrop_path":254,"genre_ids":255,"id":256,"title":257,"original_language":24,"original_title":258,"overview":259,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":4,"vote_average":160,"vote_count":263,"credit_id":264,"department":13,"job":162,"media_type":34},"\u002FuH7er5EHJWX8chr1nERqYVNlVRT.jpg",[85],151433,"Disquiet","O Filme do Desassossego","Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.",1.1233,"\u002FwhNK0oLwa2rp9K13BNXu4ZLkmah.jpg","2010-09-28",16,"52fe4b019251416c910ccce5",{"adult":4,"backdrop_path":254,"genre_ids":266,"id":256,"title":257,"original_language":24,"original_title":258,"overview":259,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":4,"vote_average":160,"vote_count":263,"credit_id":267,"department":166,"job":167,"media_type":34},[85],"52fe4b019251416c910ccceb",{"adult":4,"backdrop_path":269,"genre_ids":270,"id":271,"title":272,"original_language":24,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":278,"vote_count":279,"credit_id":280,"department":13,"job":162,"media_type":34},"\u002FvkGXwbowl2lUe3OS03tA2OemFOw.jpg",[85],181342,"A Portuguese Farewell","Um Adeus Português","In Africa, during the colonial war, a patrol is lost in the bush and a soldier dies in operation. Twelve years later, in Portugal, the soldier family meets in peace.",1.0086,"\u002FiIToxdCu95T8Kug4uH39VKpUyIP.jpg","1986-04-16",6.2,7,"52fe4c659251416c75119271",{"adult":4,"backdrop_path":269,"genre_ids":282,"id":271,"title":272,"original_language":24,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":278,"vote_count":279,"credit_id":283,"department":166,"job":167,"media_type":34},[85],"52fe4c659251416c7511927d",{"adult":4,"backdrop_path":285,"genre_ids":286,"id":288,"title":289,"original_language":24,"original_title":290,"overview":291,"popularity":292,"poster_path":293,"release_date":294,"softcore":4,"video":4,"vote_average":33,"vote_count":223,"credit_id":295,"department":13,"job":162,"media_type":34},"\u002F1C6dNQ00MlajM3As7dxqSkkv0C8.jpg",[85,171,287],9648,203609,"Here on Earth","Aqui Na Terra","Miguel (Luis Miguel Cintra) is lucky that his income will only level off if he neglects his business as a financier, and his wife and family will be well supported. Why? Because he has begun hearing noises that no one else hears, noises that bother him a great deal, and that make it impossible for him to bear human society. His wife (Jessica Weiss) is thoroughly put out by this radically changed behavior in her formerly good husband, but though she considers leaving him, she stays by his side. Deep in the mountains, Cecelia (Rita Dias), a devout, pure young cowherd, has been brutally raped by an old man. Her boyfriend (Pedro Hestnes) has killed the rapist, and fled the area. As a result of the rape, Cecelia is pregnant. One day, while driving in the mountains, Miguel gives Cecelia's boyfriend a ride. The two of them chance upon her sitting amid the rocks with her infant baby.",1.0172,"\u002F1E1M8FNocQvBGVkNE1iB8tPHpOE.jpg","1993-09-09","52fe4ce2c3a368484e1cb10f",{"adult":4,"backdrop_path":285,"genre_ids":297,"id":288,"title":289,"original_language":24,"original_title":290,"overview":291,"popularity":292,"poster_path":293,"release_date":294,"softcore":4,"video":4,"vote_average":33,"vote_count":223,"credit_id":298,"department":166,"job":167,"media_type":34},[85,171,287],"52fe4ce2c3a368484e1cb115",{"adult":4,"backdrop_path":300,"genre_ids":301,"id":302,"title":303,"original_language":24,"original_title":304,"overview":305,"popularity":306,"poster_path":307,"release_date":308,"softcore":4,"video":4,"vote_average":309,"vote_count":223,"credit_id":310,"department":13,"job":162,"media_type":34},"\u002Fe8oESu3gLJycZABWCE7aQI0eZNG.jpg",[85],203611,"The Fatalist","O Fatalista","The complex relationship between master and servant is explored in director João Botelho's adaptation of Denis Diderot's popular novel Jacques le Fataliste et Son Maître. As Tiago (Rogério Samora) drives his master (André Gomes) through the Portuguese countryside to an unspecified destination, the traveling pair embark on a series of highly philosophical discussions. Flowing with tales of his life in the military and previous sexual escapades, Tiago trades a series of tales with his rapt passenger, including the story of a vengeful spurned lover who plots revenge on the nobleman who rejected her by transforming a prostitute into a society lady and convincing him to marry the tainted bride.",1.4845,"\u002FzCsbX1HW49VZW6XHu8IjArgZ3PB.jpg","2005-06-26",3.8,"52fe4ce2c3a368484e1cb15b",{"adult":4,"backdrop_path":312,"genre_ids":313,"id":314,"title":315,"original_language":24,"original_title":316,"overview":317,"popularity":318,"poster_path":319,"release_date":320,"softcore":4,"video":4,"vote_average":321,"vote_count":29,"credit_id":322,"department":13,"job":162,"media_type":34},"\u002F4N3HgTL5xsb9j26TmKNDKAbdjsW.jpg",[86,85],203746,"Who Are You?","Quem És Tu?","Maria de Noronha, at 13 years old, suffers from high fevers and violent hemoptysis caused by a ruthless tuberculosis. To alleviate the pain, she gathers poppies from her garden and, at night, places them on her bed pillows. But the poppies have a devastating effect. Her deep sleep is invaded by ghosts and hallucinations: the luxury and decadence of the Portuguese 16th century. A broken nation, occupied by strangers.",1.0842,"\u002FbDPkM30CBvRK2TdTMWuZEhMWFqz.jpg","2001-06-26",5.6,"52fe4ce5c3a368484e1cbb0d",{"adult":4,"backdrop_path":312,"genre_ids":324,"id":314,"title":315,"original_language":24,"original_title":316,"overview":317,"popularity":318,"poster_path":319,"release_date":320,"softcore":4,"video":4,"vote_average":321,"vote_count":29,"credit_id":325,"department":166,"job":167,"media_type":34},[86,85],"52fe4ce5c3a368484e1cbb13",{"adult":4,"backdrop_path":9,"genre_ids":327,"id":328,"title":329,"original_language":24,"original_title":330,"overview":331,"popularity":332,"poster_path":333,"release_date":334,"softcore":4,"video":4,"vote_average":69,"vote_count":207,"credit_id":335,"department":13,"job":162,"media_type":34},[85],215256,"The Conversation Is Over","Conversa Acabada","The film was to be a documentary, but evolved during production to a fictional film. 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