[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1092235:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":398},false,[],"Jerome Hill (March 2, 1905 – November 21, 1972) was an American filmmaker and artist. He was educated at Yale, where he drew covers, caricatures and cartoons for campus humor magazine The Yale Record.\n\nHis 1950 documentary Grandma Moses, written and narrated by Archibald MacLeish, was nominated for an Academy Award for Best Short Subject, Two-reel. He won the 1957 Academy Award for Best Documentary Feature for his film Albert Schweitzer.\n\nIn addition to making films, he was a painter and composer.\n\nHis last film, the autobiographical Film Portrait (1973), was added to the National Film Registry in 2003.\n\nDescription above from the Wikipedia article Jerome Hill, licensed under CC-BY-SA, full list of contributors on Wikipedia.​","1905-03-02","1972-11-21",2,"https:\u002F\u002Fwww.mntnfilm.com\u002Fen\u002Ffilmography\u002Fjerome-hill",1092235,"nm0384377","Directing","Jerome Hill","St. Paul, Minnesota",0.7305,"\u002FuIp1oFFRs7LgjVFcnC4163QAD0x.jpg",{"cast":19,"crew":131},[20,37,49,60,70,86,98,111,122],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"character":33,"credit_id":34,"order":35,"media_type":36},"\u002FjujPMca78HK9mUDwMzaHIJ1m0bl.jpg",[23],99,230420,"Galaxie","en","In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests.  Preserved by the Academy Film Archive in 2001.",0.9865,"\u002F2hIp8flG7JjevHJ3YmEYowhfNP3.jpg","1966-09-03",10,1,"Self","53c8358b0e0a267fed004f82",9,"movie",{"adult":4,"backdrop_path":38,"genre_ids":39,"id":40,"title":41,"original_language":26,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":46,"vote_count":32,"character":33,"credit_id":47,"order":48,"media_type":36},"\u002FAhw3E5HVH7zGnM6j2GiiVWX3LOk.jpg",[23],280080,"Notes for Jerome","A tribute to Jonas Mekas' late friend and patron, Jerome Hill. Filmed on 16mm across three visits to Hill’s estate in Cassis, France, the film plays out as a tender visual diary of memory, passing time, and artistic exile. While the film focuses on daily life rather than explicit sexuality, it breathes with queer history. Hill was a closeted gay philanthropist who used his immense wealth to shelter and fund underground, heavily queer creatives. Mekas captures the warm, intimate atmosphere of this sanctuary, featuring legendary gay avant-garde icons like Warhol superstar Taylor Mead and actor Charles Rydell. Dedicated \"to the wind of Lithuania\" and featured in the 1979 Whitney Biennial, the film ultimately stands as a beautifully soft, authentic time capsule of a safe haven built by and for mid-century queer radicals.",0.9596,"\u002FbB2Zn9oFDGcK4bWq1QSijzhXag0.jpg","1978-07-03",7,"631e1dd6c3aa3f007d0de618",0,{"adult":4,"backdrop_path":50,"genre_ids":51,"id":52,"title":53,"original_language":26,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":48,"vote_count":48,"character":58,"credit_id":59,"order":48,"media_type":36},null,[],493296,"Cassis","An \"autobiographical sketch\" centered around small group of vacationers to Hill's estate in Provence-Alpes-Côte d'Azur. A gorgeous and relaxing film-soirée that acted as Jerome Hill's return to cinema after a time away. Workmen construct a walkway to the open air theatre, while friends lounge and hobby, toil and swim.",1.1824,"\u002Fc3pnQ3jTUt0fMUh1yPXJxTMdlFB.jpg","1950-12-31","Narrator \u002F Jerome","6358d7f5ea7b0e0091434d7f",{"adult":4,"backdrop_path":61,"genre_ids":62,"id":63,"title":64,"original_language":26,"original_title":64,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"character":33,"credit_id":69,"order":9,"media_type":36},"\u002FfwskwN3Wzwv7QVyxlttJjU3cdae.jpg",[23],533541,"365 Day Project","This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.",1.6337,"\u002FA6zlbQdL5bNVRx13wRJrpmCNbRI.jpg","2007-12-31","66c45ec8b19a4ad732d11b19",{"adult":4,"backdrop_path":71,"genre_ids":72,"id":75,"title":76,"original_language":26,"original_title":76,"overview":77,"popularity":78,"poster_path":79,"release_date":80,"softcore":4,"video":4,"vote_average":81,"vote_count":82,"character":83,"credit_id":84,"order":85,"media_type":36},"\u002FeK4e1nNd29taJ74Y88JIRvEuXro.jpg",[73,74],10749,35,161741,"Hallelujah the Hills","Jack and Leo vie for the affections of Vera – who appears a little differently to each man – over the course of a series of energetic sketches, flashbacks and homages.",1.3102,"\u002FgGKkn6IWfr43MkgVyscV46jXqdV.jpg","1963-12-16",6.2,15,"Convict I","59d541c4c3a368456101f757",6,{"adult":4,"backdrop_path":87,"genre_ids":88,"id":89,"title":90,"original_language":26,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":46,"vote_count":95,"character":33,"credit_id":96,"order":97,"media_type":36},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[23],295120,"Birth of a Nation","Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.",1.548,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06",4,"59d9b79a92514124eb037470",24,{"adult":4,"backdrop_path":99,"genre_ids":100,"id":101,"title":102,"original_language":26,"original_title":102,"overview":103,"popularity":104,"poster_path":105,"release_date":106,"softcore":4,"video":4,"vote_average":107,"vote_count":108,"character":33,"credit_id":109,"order":110,"media_type":36},"\u002Fl6pEbeeAD2spisee51dP2SN7VZP.jpg",[23],105583,"Diaries, Notes, and Sketches","Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.",1.9485,"\u002F3iyvGft8nwGJFX62H5RawllN6Gp.jpg","1968-03-01",7.3,32,"5e898d6f60b58d0015eca718",31,{"adult":4,"backdrop_path":112,"genre_ids":113,"id":114,"title":115,"original_language":26,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":85,"vote_count":46,"character":120,"credit_id":121,"order":48,"media_type":36},"\u002FvXdmnd66cWdP6FUlVrz65vGVKgt.jpg",[23],130875,"Film Portrait","The life of Jerome Hill corresponded with the first formative decades of cinema and a greater part of the 20th century. Through fragments of Hill’s surrealistic, handpainted and documentary films (as well as the James J. Hill family's home movies), this autobiographical work serves as an aesthetically complete documentary of Jerome Hill as an artist and offers a personal perspective of the seventh art.",1.3113,"\u002FssL3W0SrsyFN8q3qvhyGLysnfNu.jpg","1972-06-20","Himself","6062f1738f26bc0055a2a68d",{"adult":4,"backdrop_path":50,"genre_ids":123,"id":124,"title":125,"original_language":26,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":48,"vote_count":48,"character":120,"credit_id":130,"order":32,"media_type":36},[23],353220,"Carl G. Jung by Jerome Hill or Lapis Philosophorum","In 1950 Jerome Hill went to Zurich with the intention of making a film about Dr. Carl G. Jung. The project was abandoned when Hill decided that Jung was not a good subject. After Hill's death, Jonas Mekas edited the film which focuses on Dr. Jung as a person.",1.1823,"\u002FuwHPCkQvcelmI8TtQmVHOeK9533.jpg","1991-08-06","677929bf816b2810d166b088",[132,145,150,155,160,164,175,187,192,197,209,220,230,235,238,241,250,253,256,265,268,271,274,284,294,297,306,309,312,319,322,331,334,337,346,355,364,367,370,374,377,390,394],{"adult":4,"backdrop_path":50,"genre_ids":133,"id":134,"title":135,"original_language":26,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":140,"vote_count":141,"credit_id":142,"department":143,"job":144,"media_type":36},[74],401311,"The Sand Castle","A little boy and his sister forced to spend a day at the beach build a sand castle, to the delight and interest of others. Rich black and white photography collides with a novel fantasy sequence combining color photography, stop motion and cutout animation. Equal parts Jacques Tati, A. Lamorisse and (Hill's perrenial favorite) C. G. Jung.",1.0191,"\u002Fm1cptyzk834j3uLNIRVHSySEQyO.jpg","1961-01-01",7.7,3,"605f4b67b84f9400288863f6","Art","Art Direction",{"adult":4,"backdrop_path":112,"genre_ids":146,"id":114,"title":115,"original_language":26,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":85,"vote_count":46,"credit_id":147,"department":148,"job":149,"media_type":36},[23],"6062e953d7a70a0053e66691","Sound","Music",{"adult":4,"backdrop_path":112,"genre_ids":151,"id":114,"title":115,"original_language":26,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":85,"vote_count":46,"credit_id":152,"department":153,"job":154,"media_type":36},[23],"606305ae46f354003c65ca91","Editing","Editor",{"adult":4,"backdrop_path":112,"genre_ids":156,"id":114,"title":115,"original_language":26,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":85,"vote_count":46,"credit_id":157,"department":158,"job":159,"media_type":36},[23],"52fe4b66c3a368484e187591","Writing","Writer",{"adult":4,"backdrop_path":112,"genre_ids":161,"id":114,"title":115,"original_language":26,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":85,"vote_count":46,"credit_id":162,"department":13,"job":163,"media_type":36},[23],"52fe4b66c3a368484e18758b","Director",{"adult":4,"backdrop_path":50,"genre_ids":165,"id":167,"title":168,"original_language":26,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":31,"credit_id":174,"department":13,"job":163,"media_type":36},[23,166],36,114502,"Albert Schweitzer","This biographical docudrama traces the life of Dr. Albert Schweitzer, from his birth in Alsace, up to the age of 30 when he made the decision to go to French Equatorial Africa and build his jungle hospital. The latter half of the film encompasses a full day in the hospital-village, following the octogenarian Samaritan in his daily rounds.",1.9506,"\u002F58yvokRClo4lVtJUIokmm10MnBe.jpg","1957-11-22",6.5,"52fe4b4dc3a36847f81fd08b",{"adult":4,"backdrop_path":50,"genre_ids":176,"id":178,"title":179,"original_language":180,"original_title":179,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":4,"video":4,"vote_average":185,"vote_count":82,"credit_id":186,"department":13,"job":163,"media_type":36},[73,177],18,156529,"La cartomancienne","fr","In a European seaside village, a maiden takes clean sheets down from the clothesline. Carrying her basket of linens home, she stops to consult a fortune teller. The cartomancienne sees love in the cards. The young woman pauses to reflect. We then see water, swirling, and into view swims a man, as if just appearing on earth. He arrives on shore - is he just in her mind's eye, or is he real? She weaves a garland for her hair. Will they meet?",1.293,"\u002Fj3HyQ7u9zQjk6mcGtFkiMmeVAR7.jpg","1932-04-17",6.4,"52fe4ba39251416c910e10d9",{"adult":4,"backdrop_path":50,"genre_ids":188,"id":167,"title":168,"original_language":26,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":31,"credit_id":189,"department":190,"job":191,"media_type":36},[23,166],"627eea03dcf87500a2f8c5ec","Production","Producer",{"adult":4,"backdrop_path":50,"genre_ids":193,"id":167,"title":168,"original_language":26,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":31,"credit_id":194,"department":195,"job":196,"media_type":36},[23,166],"627eec33fd140b0069da4ba3","Crew","Presenter",{"adult":4,"backdrop_path":50,"genre_ids":198,"id":200,"title":201,"original_language":26,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":206,"vote_count":207,"credit_id":208,"department":13,"job":163,"media_type":36},[199],16,209705,"Death in the Forenoon","Footage of a bullfight, shot by Hill in 1934, hand-painted by the artist three decades later.",0.7458,"\u002F2kaxXWGyslKLsHl0SKNyiOkzE5r.jpg","1966-08-02",5.1,14,"52fe4d6bc3a368484e1e832f",{"adult":4,"backdrop_path":50,"genre_ids":210,"id":211,"title":212,"original_language":26,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":4,"video":4,"vote_average":217,"vote_count":218,"credit_id":219,"department":13,"job":163,"media_type":36},[199],209706,"The Canaries","Live-action footage of canaries and beachgoers overlaid with hand-painted effects.",0.949,"\u002FrHPaReDEUvrwwCt5dsi5QHNxYDw.jpg","1969-01-01",5.8,13,"52fe4d6bc3a368484e1e8339",{"adult":4,"backdrop_path":50,"genre_ids":221,"id":222,"title":223,"original_language":26,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":4,"video":4,"vote_average":48,"vote_count":48,"credit_id":228,"department":195,"job":229,"media_type":36},[],910819,"Tom Jones","The first student film made at Yale, and one of the earliest student feature films ever made, this adaptation of Henry Fielding's novel was made in the spring of 1927 by a filmmaking collective called the Purity Players, led by S. W. Childs, Jr.",1.4646,"\u002FkVHx2NgWCLVSY4i6bjnnDrtrIDl.jpg","1927-06-12","61a8f81697eab4008f16dd17","Title Graphics",{"adult":4,"backdrop_path":50,"genre_ids":231,"id":222,"title":223,"original_language":26,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":4,"video":4,"vote_average":48,"vote_count":48,"credit_id":232,"department":233,"job":234,"media_type":36},[],"61a8f79505822400912bd9d5","Costume & Make-Up","Costume Design",{"adult":4,"backdrop_path":50,"genre_ids":236,"id":124,"title":125,"original_language":26,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":48,"vote_count":48,"credit_id":237,"department":13,"job":163,"media_type":36},[23],"55c2fa169251413eeb001208",{"adult":4,"backdrop_path":50,"genre_ids":239,"id":52,"title":53,"original_language":26,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":48,"vote_count":48,"credit_id":240,"department":148,"job":149,"media_type":36},[],"6358d7a12cefc20098640937",{"adult":4,"backdrop_path":50,"genre_ids":242,"id":243,"title":244,"original_language":26,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":4,"video":4,"vote_average":48,"vote_count":48,"credit_id":249,"department":13,"job":163,"media_type":36},[23],1059212,"C. G. Jung at Bollingen Tower Retreat","In 1951, Jung was filmed at his Bollingen retreat by two Americans, Jerome Hill, an artist and film-maker from Minnesota, and Maud Oakes, an author and researcher, whose book Where the Two Came to Their Father was the first major publication of the Bollingen Foundation. That book described a ritual and ceremonial sequence given to Maud by and old Navajo Medicine Man, along with its accompanying sand paintings. Maud had long been interested in Jung and his new psychology of the collective unconscious. 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