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She previously made short films like La siesta (1997), Los encantos del Jazmín (1998) y Supe que estabas triste (2000).","1971-07-09",null,1,"http:\u002F\u002Fwww.pazencina.com\u002F",1090625,"nm1885520","Directing","Paz Encina","Asunción, Paraguay",0.7651,"\u002Fx83grS6WJjamS9jzAwLAPlljBHe.jpg",{"cast":19,"crew":20},[],[21,35,49,62,71,76,88,97,100,110,118,126,134,141,148,151,156,159,162,165,172,182,191,195,198,211,214,224,227,230,239,249,259],{"adult":4,"backdrop_path":8,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":27,"overview":28,"popularity":29,"poster_path":8,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":32,"department":13,"job":33,"media_type":34},[23],99,825860,"Paraguay River: First Movement","en","Río Paraguay: Primer movimiento","A rarely-screened trilogy of short films by the great Paraguayan filmmaker Paz Encina.",1.2702,"2010-01-01",0,"6090fbe768b1ea007900340f","Director","movie",{"adult":4,"backdrop_path":36,"genre_ids":37,"id":39,"title":40,"original_language":41,"original_title":42,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":38,"credit_id":48,"department":13,"job":33,"media_type":34},"\u002F4todhl3QPPBqr75x8gRyMtwRrF7.jpg",[38],18,129933,"Paraguayan Hammock","es","Hamaca paraguaya","Set in 1935, a couple of aged smallholders are waiting for their son, for rain, for better days.",1.1565,"\u002F46XAmfqTmsfBLr0SAlQNjlVjbsb.jpg","2006-11-02",5.9,"52fe4b4ac3a368484e181ccb",{"adult":4,"backdrop_path":50,"genre_ids":51,"id":52,"title":53,"original_language":41,"original_title":54,"overview":55,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":59,"department":60,"job":61,"media_type":34},"\u002Fs2RRyyVhbLP00A2AJwKP1o2WBI0.jpg",[23],1193790,"Sometimes I See You","A veces te veo","An encounter from night till morning.",1.0188,"\u002FqC9WMpAA7YKMyPwmB2F31jOzAqc.jpg","2021-10-06","653296546d9fe800fea97b0a","Editing","Consulting Editor",{"adult":4,"backdrop_path":8,"genre_ids":63,"id":64,"title":65,"original_language":41,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":70,"department":13,"job":33,"media_type":34},[23],922232,"Veladores","Paraguay, late 1950s and early 1960s, and much later. 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Encina’s longstanding political and aesthetic research project focused on how a community can cope with such detailed accounts of human rights violations. Memory and history, the personal and the political interweave in this experimental documentary that explores the consequences of Stroessner’s decades-long state terror regime and how it continues to mark the Paraguayan people. Constructed from the testimonies, visual material, and memories of the children of Agustín Goiburú, an opposition leader who disappeared in 1979, the documentary is a provocative reflection on how film might respond to political circumstances amid a surfeit of images of terror.",0.9552,"\u002F6C3vCwpEqo9jpbPLkULsYOZwvvr.jpg","2016-10-09",5.5,4,"57fa30419251412128006a19",{"adult":4,"backdrop_path":8,"genre_ids":212,"id":184,"title":185,"original_language":41,"original_title":186,"overview":187,"popularity":188,"poster_path":8,"release_date":189,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":213,"department":13,"job":33,"media_type":34},[23],"589f5a94c3a3684fd00008bd",{"adult":4,"backdrop_path":8,"genre_ids":215,"id":216,"title":217,"original_language":41,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":223,"department":13,"job":33,"media_type":34},[23],484226,"Sorrows","Tristezas","Weaving together original audio and archival materials from the 35-year period in which Paraguay was ruled by military dictator Alfredo Stroessner, this film reconstructs the reflections of a man who has been sentenced to house arrest.",1.6692,"\u002F4zVTIY4FWK5zaFcrBt6gMdoLveY.jpg","2014-01-18","59f6d91dc3a3681fc904d6de",{"adult":4,"backdrop_path":199,"genre_ids":225,"id":201,"title":202,"original_language":41,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":208,"vote_count":209,"credit_id":226,"department":74,"job":194,"media_type":34},[23],"5ae026bf925141107600c5bd",{"adult":4,"backdrop_path":8,"genre_ids":228,"id":174,"title":175,"original_language":41,"original_title":176,"overview":177,"popularity":178,"poster_path":179,"release_date":180,"softcore":4,"video":4,"vote_average":86,"vote_count":9,"credit_id":229,"department":13,"job":33,"media_type":34},[],"5d421f777719d7001261f233",{"adult":4,"backdrop_path":8,"genre_ids":231,"id":232,"title":233,"original_language":26,"original_title":233,"overview":234,"popularity":235,"poster_path":8,"release_date":236,"softcore":4,"video":4,"vote_average":237,"vote_count":9,"credit_id":238,"department":13,"job":33,"media_type":34},[],630784,"Aromas que trae el viento","Archival super 8 footage combined with superimpositions of trees and plants",0.9956,"2019-07-12",7,"5d7ea26cf0647c06629d3e98",{"adult":4,"backdrop_path":8,"genre_ids":240,"id":241,"title":242,"original_language":41,"original_title":242,"overview":93,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":246,"vote_count":247,"credit_id":248,"department":74,"job":194,"media_type":34},[23],683412,"Río arriba",1.6406,"\u002FfAvd2c8121f0exjCtONbKOD1lAK.jpg","2005-03-13",8.5,2,"5e6e3bd0cabfe40018146908",{"adult":4,"backdrop_path":250,"genre_ids":251,"id":252,"title":253,"original_language":41,"original_title":253,"overview":254,"popularity":255,"poster_path":256,"release_date":257,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":258,"department":13,"job":33,"media_type":34},"\u002Fk1ZxBQvMeZNNFDhkNyzcZoY95kp.jpg",[23],1361299,"Carta a un Viejo Master","An homage to master Eduardo Coutinho, a Brazilian documentary filmmaker who recorded several interviews in the famous Master Building 20 years ago. 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Since then, I only think of him and try to recreate some kind of image that can still unite us, that can still make me feel, some notion of happiness, some kind of resemblance, that gives me back his image and my own, together, beautful, eternal\". (Paz Encina)",2.1453,"\u002Fpl98wgS12D3M3v1Vg1ymmzMTBBU.jpg","2025-08-21","68a6f22c48183154ba834ee3",{"profiles":270},[271],{"aspect_ratio":272,"height":273,"iso_3166_1":8,"iso_639_1":8,"file_path":17,"vote_average":31,"vote_count":31,"width":274},0.666,884,589]